897 résultats
1970302911970. Temps M lés Edited by André Blavier and Jane Graverol. 1952-1970. After issue 150 the title was changed to Documents Queneau. Raymond Queneau's own set as a subscriber with almost every issue present in the tirage de tête mostly limited to 20 copies or fewer. Also included are many of the Temps M lés editions published outside the series of the periodical and a substantial run of the periodical Phantomas which began as issue no. 6 of Temps M lés.As far as we can tell our set is missing only four issues 55 79/80 134139 one of which 79-80 was a 2-page leaflet issued anonymolusly. Present are:<br /> 1. IV/25 inscribed for Queneau.<br /> 2.IV/25 inscribed for Queneau<br /> 3. Numéro hors-série. Mars 1953. La Calumet de la paix. Copy IV of 25 numbered. Inscribed to Raymond Queneau.<br /> 4/5. although numbered 5/6. Copy VIII/27 with announcement regular 290/300<br /> 6. Copy V/20.This is also issue no. 1 of Phantômas.<br /> 7. Series II. no. 1 dated 1.ii.54 Copy X of 20 on vergé plus a regular copy.<br /> 8/9. XVIII/20<br /> 10/11. V/20 with a suite of the illustrations<br /> 12. V/11<br /> 13. IV/12<br /> 14. V/10<br /> 15/16. Roger Rabiniaux. Petit théatre pour boite a ordures. 42/60. Inscribed to Queneau<br /> 17/18. 4/12<br /> 19. 4/12<br /> 20/21 Pierre Halet. Les quatre saisons de l'arbre. 5/10. Inscribed to Queneau<br /> 22. 4/13. Catalogue of Temps M lés Salon d'ensemble inserted.<br /> 23. VIII/12<br /> 24. Pierre David. Le taon des cerises. 9/63. Inscribed to Queneau. Author's card inserted. regular.<br /> 25 VIII/12 regular<br /> 26/27. Anatole Jakovsky. Le petit traité du Cactus. 11 dessins originaux de Fernand Leger. Frontispice d'Ossip Zadkine. iv.1957. Copy 11/20 with a suite total edition of 120<br /> 28 3/10<br /> 29/30. Pierre Halet. L'ea et le sable. Inscribed by Halet to Queneau. 22/60<br /> 31/33. Parade pour Picabia. Copy 17 of 20 with an original drawing by Jean Gaudry.<br /> 34. With errata. 3/12 numbered plus regular<br /> 35/36. Dessins de Maurice Pirenne. 436/500 no deluxe copies. With insert<br /> 37 . André Blavier. Les Lettres Belges. Inscribed by Blavier to Queneau. 20/20<br /> 38. 6/20. With supplement<br /> 39/42 5/20 ed. de t te<br /> 43/44 11/20 ed. de t te<br /> 45. Henri Trouillard. Ma vie. 1960. Copy 3/20. Spine faded.<br /> 46. Copy 10/20 on deluxe paper. <br /> 47. 1960. 17/30 numbered with an original gravure by Paul Dufrane 1/7<br /> 48. Raymond Queneau. Texticules. 1961.<br /> 49. Léo Malet. Vie et survie du vampire. 1961 Copy 3 of 5 on japon<br /> 50/52. Raymond Queneau à la décade du foyer culturel international de Cérisy-la-Salle. 1960. 2/30 deluxe numbered white wrappers plus regular blue wrappers faded.<br /> 53. 1961. 4/20 numbered.<br /> 54. Antoine Lemonie. Les chardons du Baragouin. Avec une lettre de Raymond Queneau. 1961.<br /> 55. ISSUE MISSING<br /> 56. Louis Scutenaire. Le monument de la guenon. 1962 8/25 numbered.<br /> 57/58. Anatole Jakovsky. A. Demonchy. 1962. 16/25<br /> 59/60. Dix Ans de “Temps M lés†14/25 ed. de t teon better paper with an original gravure by Jehan Gaudry. Plus regular copy.<br /> with “Dix ans de temps mêles†Verviers: Salle de la Société 1962. Exhibition catalogue of artists who had appeared in the first 60 issues.<br /> 61. Topor. 13 Dessins Paniques 18/30 ed. de t teon better paper<br /> 62 premio. J.J. Skira. Je Croix. 16/25 ed. de t te<br /> 62 deuzio. untitled.<br /> 63/65. Mirabelle Doris / Maurice Rapin. Idées au logis. 2/25 ed. de t te enriched with original illustrations and documents<br /> 66/67. Oulipo. 2/40 ed. de t te. Wrapper faded. Plus regular copy.<br /> 68. Jean Queval. Le voyage en Belgique ou le Petit livre de la protection. 56/175. Inscribed to Raymond and Janine Queneau. Wrapper faded.<br /> 1. 69. Antoine Lemoine. Prouzinzila suivi d'autres choses. No. 2 of an unspecified limitation. Inscribed to Raymond Queneau<br /> 2. 70. Unglik G. Unglik. Le meilleur que le vigneron possède. 2/25 ed. de t te<br /> 71/73. 5/100 deluxe<br /> 1. 74. Lescure / Passeron / Vincensini. Copy 2 of 70 numbered. Wrapper faded.<br /> 2. 75/76. Jean Queval. Dieu avec nous. Copy 8 of 30 numbered. Inscribed to the Queneaus also copy 2. <br /> 77/78. Jacqueline Pavlowsky. Ambiphibographie et macédoïconographie. One of 30 with an original gouache.<br /> 79-80. This anonymously issued 2-page leaflet by Blavier is missing from the run<br /> 81/82. Dedicated to Christian Beck.<br /> 83/85. Christian Beck. Bosse-de-nage. 1966. 4/25 deluxe with an original program and gravure and regular copy. Both inscribed to Queneau. <br /> 86/87. 2/25 ed. de t te<br /> 1. 88. Jean Queval. Le Point. 2/25 ed. de t te on better paper. With regular issue inscribed to Queneau.<br /> 89. François Jacqmin. L'employé. 1967. 2/25 numbered<br /> 90/92. Luc Cornet-Dreze. Gesta Laioris Golardi. 2/20 ed. de t te<br /> 93/95. Noel Arnaud. Algol. Préface de François le Lyonnais. Illustrations de Carelman. 1968. 12/25 Also copy “Q†of 24 lettered larger paper with an original drawing. Both inscribed to Queneau.<br /> 96. Jean-Pierre Lassalle. Brusquement les oiseaux. 1968. Copy 2 of 50 numbered ed. of 450.<br /> 97. Marcel Bogaerts. Périphéries excès et sphères. Copy 2/35<br /> 98 Stanley Chapman. Onze milles verbes cent virgules. 1969. Copy 2 of 60 numbered on special paper. Spine faded.<br /> 99/102. Guy Vandeloise. Maurice Pirenne. 1969.<br /> 103. Andre Stas. A Galere egale salaire egal. Collages. 1970. 17/40 deluxe enriched<br /> 104. Chimèle Vernon. Des clous. avec un frontispice de Robert Florkin et six photographies par yellow. 1970. Copy 2 of 40 numbered and “alourdis d'un véritable clou á s'enfoncer dans la têteâ€. <br /> 105/106. Rik Sauwen. Geert Van Bruane le petit homme du Rieb. Frontispice de Jane Graverol. 1970. Copy 2 of 40 numbered with a separate print of the frontispiece.<br /> 107/108. Vladimir Khasarovitch. Système métrique angélométrique.1970. Copy 2 of 35 marked “jvp†containing an original drawing plus regular copy presented to Brice Tarain.<br /> 109. Guy Vandeloise. Paul Franck. 2/35 numbered<br /> 110/114. Thieri Foule. Whâââh. Copy 2 of 50 numbered. Inscribed to Raymond Queneau.<br /> 115. Luc Cornet. La légende de l'Ignoble. 1972. Copy 2 of 35 numbered. <br /> 116/117. Copy 2 of 35 numbered.<br /> 118. Piet Tommissen. A propos d'une manifestation publique du groupe “Humanismeâ€. 1972. Copy 2 of 40 numbered.<br /> 119/121. André Blavier. Ceci n'est pas une Pipe. 1973. 2/50 ed. de t te incl. 10 lettered. Inscribed. Also the first publication of the Fondation René Magritte. Also regular paper. <br /> 122/124. Luc de Chobeau. Prose de l'Hyperboreen. 1974. 2/50 with an original illustration.<br /> 125/128 These were issues of “Gravats†- not present<br /> 129/131. Louis Scutenaire. Le fusil du boucher.1974. 2 of 50 numbered on vergé.<br /> 132. Alain Bogaerts. Le singe-ne. 1975. 2/50 with an original serigraph by Janine Moons<br /> 133. Thierry Poucet. Perles à rebours tome 1. 1975. Copy 2 of 50 with a manuscript page.<br /> 134 ISSUE MISSING<br /> 135. Beatrix Beck. Mots couverts. Copy 2 of 50 numbered.<br /> 136/139. Georges Schmits. Nicolas Cloes Peintre Naïf. <br /> 140. Jean-Pierre Ransonnet. Lierneux. With an original photograph 1/50. plus another copy<br /> 141. Francois Jacqmin & Armand Silvestre. Camera obscura. 1976. 2/50 signed and numbered.<br /> 142-144 ISSUES MISSING<br /> 145. <br /> 146.Georges Francois. Des première vapeurs Voodoo au zéro pour Glauzen. Corner bent.<br /> 147/8 Was not published<br /> 149/150 ISSUE MISSING<br /> <br /> Editions:<br /> <br /> Marcel Havrenne. Pour une physique de l'écriture. 30.ix.1953. Edition of 110 copies. Collection “temps mêlés†1.<br /> Alphonse Allais. Poèmes inédits. 1.ii.1954. No. 24 of 40. Tirage à part de “temps mêlésâ€.<br /> Gaston Ferdière. Mi-Rime Mi-Raison. 22.ix.1954. Edition of 60 copies. Collection “temps mêlés†2.<br /> Joseph Peukenne. André Dodet André Blavier. 7 Graphismes Colorés. 30.vii.1954. S.P. copy edition of 60. Inscribed to Queneau by both authors<br /> André Blavier. La roupe de cent sonnets. 1.iv.1955. S.P. copy edition of 100 probably 1/20 on “papier meilleurâ€. Inscribed to Queneau.<br /> Théodore Koenig. La langue d'eole. Desins d'Aubin Pasque. 30.vi.1955. Copy 196/200. Inscribed to Queneau. Collection “temps mêlés†3.<br /> <br /> Clément Pansaers. Lettres au Docteur Schuermans. 21.iii.1958. Copy 8 of 10 on japon total edition of 50.<br /> Raymond Queneau. Le chien a la mandoline. 30.vi.1958. Copy 10/100. Inscribed by Queneau to Suzanne & Jean Rossignol. Collection “temps mêlésâ€.<br /> François Caradec. Monsieur Tristecon chef d'entreprise. 30.viii.1960. Inscribed to Queneau. <br /> André Blavier. De quelques inventions belges utiles et tolérables. 30.viii.1960. Copy 2 of 3 “augmentées d'une invention personnelle de l'auteur†a photo by Jakovsky. Inscribed to Queneau.<br /> Paulin Gagne. Neuf lettres. 31.x.60. Copy 12/12 on Arches with the illustration in color on Whatman paper.<br /> Andre Bosmans. Atsumaingre. 31.i.1961. Copy I of 14 on japon. 8 announced plus 5 total edition of 100. Inscribed to Queneau.<br /> Dix ans de “temps mêlésâ€. Salle de la Société des Beaux-Arts Verviers. Hommage à Maurice Pirenne. Du 22 septembre au 2 octobre 1962. Includes an annotated list of artists who appeared in the first 60 issues of “temps mêlésâ€.<br /> P.J. Dunbar. Rheinräuber. Angleur: Paul Dubart 1967. One of 20 copies with an original Dubar drawing/collage inserted. “Il a été tiré un certain nombre d'exemplaires nécessaire et suffisant pour satisfaire les abonnés et les amis de “temps mêlésâ€.â€<br /> Jean-Jacques Gailliard Le palette du menteur Divin. 1980. 1/300 h.c. copy<br /> <br /> <br /> Phantômas<br /> <br /> 1 see above no. 6 nos. 2-24 1954-1961 plus 26/30 31/34 68/72 83/848586. With Désiré Viardot Ripopee. Éditions Phantomas 1956. H.C. copy one of a few plus 84 numbered constitute the edition. Inscribed to Raymond Queneau. unknown
19755140<b>MIRO' LITHOGRAPHE II 1953-1963 Deluxe</b> Paris: Maeght Editeur 1975. Raymond Queneau. Deluxe edition one of 150 copies on Rives wove with 12 lithographs in color of which one is the front cover and two additional original lithographs in color signed and numbered by Miro. Loose as issued well preserved in the original beige cloth box. Condition: Very Good near Fine Ref: Cramer 198 MORE PICTURES ON REQUEST. Maeght Editeur hardcover books
195278153Cannes 1952. Fine. Queneau's Awards List Cannes 1952 20.90 x 27 cm 90 feuillets File of jury sheets completed by Raymond Queneau for the 1952 Cannes Film Festival comprising 90 leaves almost all filled in by his hand. Only one film is unfortunately missing Dans la tempête Arashi no naka no hara by Kiyoshi Saeki; otherwise the set is complete with reviews of all 35 feature films and 50 short films in the official competition that year. Included as well are 4 pages in pencil and one page in ink of autograph notes recording the results of every vote for all prizes awarded. An entertaining collection of Raymond Queneaus reviews as a member of the Cannes jury. These sheets capture the writers sharp or enthusiastic impressions as he viewed the films. The year 1952 marked the fifth edition of the young Cannes Film Festival presided over by Maurice Genevoix. The Grand Prize was awarded to two films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles. On the sheet for the latter Queneaus opinion is unequivocal: ""Number one"". As for Castellanis film the critic is ecstatic: ""enfin ! du cinéma - intelligent vivant humain. Deux ou trois passages ont de la grandeur. Et ce n'est pas prétentieux."" He judged its leading actress Maria Fiore ""épatante"". On the French side Fanfan la Tulipe was in competition and Queneau was harsh: ""ça aurait pu être un film agréable mais le dialogue gâche tout."" Gina Lollobrigida was ""quelconque"" and Gérard Philippe ""pas bon cette fois-ci"". The film nevertheless received the prize for Best Director. He found Marlon Brando who would be awarded Best Actor ""T.B."" in Viva Zapata by Elia Kazan. One of his undisputed favorites was Le Medium by Gian-Carlo Menotti which he described as ""EPATANT/ un film ! un opéra ! saisissant ! poignant !"" and which won the Prize for Best Lyric Film. Queneau also noted over four pages the voting results of the jury in each category. They reveal that the two winning films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles each received 18 votes after no fewer than six ballots. André Cayatte was awarded a special prize for Nous sommes tous des assassins in the out-of-competition category by a margin of just one vote. Queneaus tallies also show the overwhelming support of the jury for Hollywood stars Lee Grant and Marlon Brando who respectively won the acting awards for Detective Story and Viva Zapata! A valuable record of the behind-the-scenes workings of one of the very first Cannes Film Festivals in the hand of one of the greatest French writers of the twentieth century. unknown
19489757Paris: Chez Georges Visat 1948. Full Leather. Near Fine binding. Octavo. 52 6 pp. frontis illus. Limited edition number 195 of 225 copies. This copy bound by Monique Lallier in full calf with extensive leather onlay shapes referencing the style of Alanore's illustrations. Textblock is sewn on meeting guards with the original wrappers incorporated in the binding. Silk embroidered endbands and leather doublures and flyleaves. Stamp-signed and dated 2014 by Lallier in gold on the rear pastedown. Light offsetting from the etchings and occasional light foxing but generally an internally clean copy nearly fine in a fine binding housed in clamshell that is slightly bumped at the extremities. <br /> <br /> An engaging and quirky narrative text in French wonderfully illustrated with 20 drypoint etchings by Alanore some full page but most incorporated around the printing. This binding from Lallier's personal collection is featured in her 2018 retrospective exhibition put on by Guildford College with catalogue published by Oak Knoll Press. In it she remarks how Alanore's etchings all have prominent lips which informed her design of the cover in a leather that looks like horse p. 100. A striking book inside and out bound by one of the most important design binders of the last 50 years. Chez Georges Visat unknown
194624967Paris: Aux Nourritures Terrestres 1946. First edition. PrassinosMario. Original wrappers 34 cm. in gilt stamped chemise and slipcase lightly worn. Illustrated with 15 full-page copper engravings by Prassinos plus the engraved cover design. One of 15 numbered copies on Rives paper containing two suites of the 15 engravings in black plus one in color in four states from a total edition of 250. This copy also contains an original drawing 25 x 31 cm signed and dated corresponding to the eighth gravure. 1 portfolio Six poèmes de Raymond Queneau et seize cuivres de Mario Prassinos. ill. ; 34 cm. "Cet ouvrage achevé d'imprimer sur les presses de Coulouma imprimeur S. A. pour le texte et sur celles de Haasen pour les cuivres a été tiré à 250 exemplaires se décomposant comme suit : 215 exemplaires sur papier pur chiffon de Lana contenent deux états en noir des quinze gravures sur cuivre et numérotés de 1 à 215. 15 exemplaires sur vélin de Rives contenant en plus une gravure en couleurs au repérage avec les états séparés numérotés de 216 à 230. 10 exemplaires sur vélin de Rives dont 5 nominatifs auxquels il a été joint en outre une suite des gravures dans l'état définitif tirée sur papier noir et un dessin original de l'artiste. Ces exemplaires sont marqués de A à J. Il a été tiré en plus 10 exemplaires hors commerce sur papier Lana numérotés de I à X"-- Colophon. Aux Nourritures Terrestres unknown
194624967Paris: Aux Nourritures Terrestres 1946. First edition. PrassinosMario. Original wrappers 34 cm. in gilt stamped chemise and slipcase lightly worn. Illustrated with 15 full-page copper engravings by Prassinos plus the engraved cover design. One of 15 numbered copies on Rives paper containing two suites of the 15 engravings in black plus one in color in four states from a total edition of 250. This copy also contains an original drawing 25 x 31 cm signed and dated corresponding to the eighth gravure. 1 portfolio Six poèmes de Raymond Queneau et seize cuivres de Mario Prassinos. ill. ; 34 cm. "Cet ouvrage achevé d'imprimer sur les presses de Coulouma imprimeur S. A. pour le texte et sur celles de Haasen pour les cuivres a été tiré à 250 exemplaires se décomposant comme suit : 215 exemplaires sur papier pur chiffon de Lana contenent deux états en noir des quinze gravures sur cuivre et numérotés de 1 à 215. 15 exemplaires sur vélin de Rives contenant en plus une gravure en couleurs au repérage avec les états séparés numérotés de 216 à 230. 10 exemplaires sur vélin de Rives dont 5 nominatifs auxquels il a été joint en outre une suite des gravures dans l'état définitif tirée sur papier noir et un dessin original de l'artiste. Ces exemplaires sont marqués de A à J. Il a été tiré en plus 10 exemplaires hors commerce sur papier Lana numérotés de I à X"-- Colophon. <br/><br/> Aux Nourritures Terrestres unknown books
194848256Paris: K éditeur 1948. Fine. K éditeur Paris 1948 16.50 x 22.50 cm broché First edition a numbered copy on alfa du Marais paper this one not included in the justification. Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: Très sympathique hommage de ces bucoliques de sang et de soleil. a very affectionate homage of these bucolics of blood and sunshine. Covers and spine slightly sunned at edges but not seriously. K éditeur unknown
195048254München Munich: Willi Weismann Verlag 1950. Fine. Willi Weismann Verlag München Munich 1950 13 x 21.50 cm Reliure de l'éditeur First edition of which there were no large paper copies. Complete with dj slightly sunned at edges of spine and covers small tears to head of upper cover. Handsome autograph inscription signed and dated by Canetti to Raymond Queneau : "" Für Raymond Queneau aus Freude über eine unerwartete Begegnung Juni 1951 for Raymond Queneau the pleasure of an unexpected meeting June 1951"". Willi Weismann Verlag unknown
194848256K éditeur | Paris 1948 | 16.50 x 22.50 cm | broché
195048254Willi Weismann Verlag | München 1950 | 13 x 21.50 cm | Reliure de l'éditeur
195439265Sous étui et chemise en demi-vélin. Reliure vélin ivoire, dos et plats ornés de compositions gouachées vertes, noires et ocres, tranches dorées sur témoins. Couvertures et dos conservés.Première édition illustrée, ornée de 71 lithographies originales in et hors texte du peintre André MARCHAND.
196132147Paris: Gallimard 1961. First edition. Original white cloth clear plastic jacket. First printing May 1961 one of 3000 numbered copies this is one of 250 hors-commerce. Design by Robert Massin. Fine condition. Presentation copy from Queneau to Anne and Georges-Emmanuel Clancier. Anne Clancier was a doctor a psychiatrist and an analyst. She published several books. including "Raymond Queneau et la psychanalyse" 1994 which includes a chapter on her meetings with Queneau. The first work of Oulipo poetry it contains ten sonnets each divided into 14 strips one for each line. Each sonnet has the same rhyme sounds allowing 1014 = 100000000000000 different poems. <br/><br/> Gallimard hardcover books
196132147Paris: Gallimard 1961. First edition. Original white cloth clear plastic jacket. 9-1/2 in. x 11-1/14 in. First printing May 1961 one of 3000 numbered copies this is one of 250 hors-commerce. Design by Robert Massin. Fine condition. Presentation copy from Queneau to Anne and Georges-Emmanuel Clancier. Anne Clancier was a doctor a psychiatrist and an analyst. She published several books. including "Raymond Queneau et la psychanalyse" 1994 which includes a chapter on her meetings with Queneau. The first work of Oulipo poetry it contains ten sonnets each divided into 14 strips one for each line. Each sonnet has the same rhyme sounds allowing 1014 = 100000000000000 different poems. Ref.Massin La Lettre et L'Image p. 220. Gallimard unknown
195572637Paris: J.A.R. 1955. Fine. J.A.R. Paris 1955 14 x 19 cm relié First edition on ordinary paper. Half havana morocco binding smooth spine decorative paper boards brown paper doublure to endpapers and pastedowns covers and spine preserved signed binding by Goy & Vilaine. Contributions by Louis Calaferte René Fallet Yves Gibeau. Very precious autograph inscription signed by Raymond Queneau to his great friend Boris Vian: ""A Ursula à Boris leur ami. Queneau."" ""To Ursula to Boris their friend. Queneau."" J.A.R. hardcover
195977702Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition one of 158 numbered copies on pure wove paper the leading issue after 40 on Hollande. A fine copy. The following year the work was adapted for the cinema by Louis Malle starring Catherine Demongeot Philippe Noiret Carla Marlier Annie Fratellini and Hubert Deschamps. Gallimard unknown
19501448Maeght Éditeur, Paris 1948 à 1956. 4 volumes in-folio (380 x 280 mm) reliés dans un cartonnage toilé bleu nuit de l'éditeur imprimé sur le 1er plat et le dos, entièrement non rogné. Réunion de 4 numéros choisis par l'éditeur, en tirages originaux. DÉTAILS : N° 14-15 (Nov-Décembre 1948): 8 LITHOGRAPHIES ORIGINALES EN COULEURS - N° 29-30 (Mai 1950): 2 LITHOGRAPHIES ORIGINALES EN COULEURS À DOUBLE PAGE - N° 57-58-59 (Juin 1953): 12 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 à double page et la célèbre composition "Nocturne" en quintuple page - N° 87-88-89 MIRO ARTIGAS (Juin-Juillet-Août 1956): 3 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 à double page. This is a compilation of four issues of Maeght's legendary periodical "Derrière Le Miroir" devoted solely to Joan Miro. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 14-15 (Nov-Decembre 1948): "Joan Miro" ; 29-30 (Mai-Juin 1950): "Miro" ; 57-58-59 (Juin-Juillet-Aout 1953)"Miro", one of the two most important issues of the collection, including the famous lithograph "Nocturne" ; and 87-88-89 (Juin-Juillet-Aout 1956): "Miro Artigas". Texts are in French. An internally bright copy whose contents are complete and intact first printings (25 lithographs) with the wrappers bound in that contain in total twenty-four original color lithographs.
195938815Reliure demi-maroquin orangé à coins. Dos à nerfs et date en queue. Tête dorée. Couverture et dos conservés. Intérieur très frais.
195977702Gallimard | Paris 1959 | 12 x 19 cm | broché
195572637J.A.R. | Paris 1955 | 14 x 19 cm | relié
195048240Paris: L'âge d'or 1950. Fine. L'âge d'or Paris 1950 12.50 x 19.50 cm broché First edition one of 1200 numbered copies on alfa paper the only large paper copies after 50 on Marais. Spine very slightly faded as usual. Handsome autograph inscription signed by Henri Michaux to Raymond Queneau. L'âge d'or unknown
195148249Paris: Pierre Seghers 1951. Fine. Pierre Seghers Paris 1951 14 x 19.50 cm 2 volumes brochés First edition on ordinary paper. Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "". ce livre qui nous rajeunit. this book that makes us young again "" Pierre Seghers unknown
194872613Paris: Gallimard 1948. Fine. Gallimard Paris 1948 12 x 19 cm broché First edition of which only 13 deluxe copies were printed on pur fil paper a Service de Presse advance copy. Spine sunned with two small tears at foot a crease mark at foot of second cover complete with publisher's slip. Very precious autograph inscription signed by Raymond Queneau on the half-title page to his great friend Boris Vian and his wife Michèle: ""A Michèle à Boris Vian en toute joyeuseté Queneau."" ""To Michèle to Boris Vian in all joyfulness Queneau."" Gallimard unknown
196877722Sous étui bordé, chemise de rhodoïd. Reliure maroquin havane à encadrement. Dos lisse traversé par une pièce irrégulière de box noir. Plats ornés de papier Japon blanc décoré en noir prolongé par des pièces de roussette et de serpent de mer de différentes couleurs. Tranches dorées sur témoins. Couverture et dos conservés. Reliure non signée G. CLAES.
1953808Paris Maeght éditeur, 1953. In-folio (380 x 280 mm) en feuilles, 20 pages non paginées et un feuillet dépliant imprimé. 12 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double page et la célèbre composition "Nocturne" en quintuple page. L'ouvrage est entièrement composé et lithographié en couleurs par Joan Miro. Textes et inscriptions par Miro. DLM édité en juin 1953 pour l'exposition, à la Galerie Maeght, de 63 peintures et 36 eaux-fortes originales de 1952 et 1953 . Tirage original d'une grande rareté. Excellent état de conservation, le célèbre "Nocturne" à l'état de neuf.
195121947Paris, Gallimard, 1951. In-12 de 306-[2] pages, plein maroquin bleu, dos à nerfs, filet doré sur les coupes, contreplats et gardes doublés de daim gris, couvertures et dos conservés, tête dorée, étui bordé de même maroquin. Reliure signée Duyahon.