221 résultats
1970302911970. Temps M lés Edited by André Blavier and Jane Graverol. 1952-1970. After issue 150 the title was changed to Documents Queneau. Raymond Queneau's own set as a subscriber with almost every issue present in the tirage de tête mostly limited to 20 copies or fewer. Also included are many of the Temps M lés editions published outside the series of the periodical and a substantial run of the periodical Phantomas which began as issue no. 6 of Temps M lés.As far as we can tell our set is missing only four issues 55 79/80 134139 one of which 79-80 was a 2-page leaflet issued anonymolusly. Present are:<br /> 1. IV/25 inscribed for Queneau.<br /> 2.IV/25 inscribed for Queneau<br /> 3. Numéro hors-série. Mars 1953. La Calumet de la paix. Copy IV of 25 numbered. Inscribed to Raymond Queneau.<br /> 4/5. although numbered 5/6. Copy VIII/27 with announcement regular 290/300<br /> 6. Copy V/20.This is also issue no. 1 of Phantômas.<br /> 7. Series II. no. 1 dated 1.ii.54 Copy X of 20 on vergé plus a regular copy.<br /> 8/9. XVIII/20<br /> 10/11. V/20 with a suite of the illustrations<br /> 12. V/11<br /> 13. IV/12<br /> 14. V/10<br /> 15/16. Roger Rabiniaux. Petit théatre pour boite a ordures. 42/60. Inscribed to Queneau<br /> 17/18. 4/12<br /> 19. 4/12<br /> 20/21 Pierre Halet. Les quatre saisons de l'arbre. 5/10. Inscribed to Queneau<br /> 22. 4/13. Catalogue of Temps M lés Salon d'ensemble inserted.<br /> 23. VIII/12<br /> 24. Pierre David. Le taon des cerises. 9/63. Inscribed to Queneau. Author's card inserted. regular.<br /> 25 VIII/12 regular<br /> 26/27. Anatole Jakovsky. Le petit traité du Cactus. 11 dessins originaux de Fernand Leger. Frontispice d'Ossip Zadkine. iv.1957. Copy 11/20 with a suite total edition of 120<br /> 28 3/10<br /> 29/30. Pierre Halet. L'ea et le sable. Inscribed by Halet to Queneau. 22/60<br /> 31/33. Parade pour Picabia. Copy 17 of 20 with an original drawing by Jean Gaudry.<br /> 34. With errata. 3/12 numbered plus regular<br /> 35/36. Dessins de Maurice Pirenne. 436/500 no deluxe copies. With insert<br /> 37 . André Blavier. Les Lettres Belges. Inscribed by Blavier to Queneau. 20/20<br /> 38. 6/20. With supplement<br /> 39/42 5/20 ed. de t te<br /> 43/44 11/20 ed. de t te<br /> 45. Henri Trouillard. Ma vie. 1960. Copy 3/20. Spine faded.<br /> 46. Copy 10/20 on deluxe paper. <br /> 47. 1960. 17/30 numbered with an original gravure by Paul Dufrane 1/7<br /> 48. Raymond Queneau. Texticules. 1961.<br /> 49. Léo Malet. Vie et survie du vampire. 1961 Copy 3 of 5 on japon<br /> 50/52. Raymond Queneau à la décade du foyer culturel international de Cérisy-la-Salle. 1960. 2/30 deluxe numbered white wrappers plus regular blue wrappers faded.<br /> 53. 1961. 4/20 numbered.<br /> 54. Antoine Lemonie. Les chardons du Baragouin. Avec une lettre de Raymond Queneau. 1961.<br /> 55. ISSUE MISSING<br /> 56. Louis Scutenaire. Le monument de la guenon. 1962 8/25 numbered.<br /> 57/58. Anatole Jakovsky. A. Demonchy. 1962. 16/25<br /> 59/60. Dix Ans de “Temps M lés†14/25 ed. de t teon better paper with an original gravure by Jehan Gaudry. Plus regular copy.<br /> with “Dix ans de temps mêles†Verviers: Salle de la Société 1962. Exhibition catalogue of artists who had appeared in the first 60 issues.<br /> 61. Topor. 13 Dessins Paniques 18/30 ed. de t teon better paper<br /> 62 premio. J.J. Skira. Je Croix. 16/25 ed. de t te<br /> 62 deuzio. untitled.<br /> 63/65. Mirabelle Doris / Maurice Rapin. Idées au logis. 2/25 ed. de t te enriched with original illustrations and documents<br /> 66/67. Oulipo. 2/40 ed. de t te. Wrapper faded. Plus regular copy.<br /> 68. Jean Queval. Le voyage en Belgique ou le Petit livre de la protection. 56/175. Inscribed to Raymond and Janine Queneau. Wrapper faded.<br /> 1. 69. Antoine Lemoine. Prouzinzila suivi d'autres choses. No. 2 of an unspecified limitation. Inscribed to Raymond Queneau<br /> 2. 70. Unglik G. Unglik. Le meilleur que le vigneron possède. 2/25 ed. de t te<br /> 71/73. 5/100 deluxe<br /> 1. 74. Lescure / Passeron / Vincensini. Copy 2 of 70 numbered. Wrapper faded.<br /> 2. 75/76. Jean Queval. Dieu avec nous. Copy 8 of 30 numbered. Inscribed to the Queneaus also copy 2. <br /> 77/78. Jacqueline Pavlowsky. Ambiphibographie et macédoïconographie. One of 30 with an original gouache.<br /> 79-80. This anonymously issued 2-page leaflet by Blavier is missing from the run<br /> 81/82. Dedicated to Christian Beck.<br /> 83/85. Christian Beck. Bosse-de-nage. 1966. 4/25 deluxe with an original program and gravure and regular copy. Both inscribed to Queneau. <br /> 86/87. 2/25 ed. de t te<br /> 1. 88. Jean Queval. Le Point. 2/25 ed. de t te on better paper. With regular issue inscribed to Queneau.<br /> 89. François Jacqmin. L'employé. 1967. 2/25 numbered<br /> 90/92. Luc Cornet-Dreze. Gesta Laioris Golardi. 2/20 ed. de t te<br /> 93/95. Noel Arnaud. Algol. Préface de François le Lyonnais. Illustrations de Carelman. 1968. 12/25 Also copy “Q†of 24 lettered larger paper with an original drawing. Both inscribed to Queneau.<br /> 96. Jean-Pierre Lassalle. Brusquement les oiseaux. 1968. Copy 2 of 50 numbered ed. of 450.<br /> 97. Marcel Bogaerts. Périphéries excès et sphères. Copy 2/35<br /> 98 Stanley Chapman. Onze milles verbes cent virgules. 1969. Copy 2 of 60 numbered on special paper. Spine faded.<br /> 99/102. Guy Vandeloise. Maurice Pirenne. 1969.<br /> 103. Andre Stas. A Galere egale salaire egal. Collages. 1970. 17/40 deluxe enriched<br /> 104. Chimèle Vernon. Des clous. avec un frontispice de Robert Florkin et six photographies par yellow. 1970. Copy 2 of 40 numbered and “alourdis d'un véritable clou á s'enfoncer dans la têteâ€. <br /> 105/106. Rik Sauwen. Geert Van Bruane le petit homme du Rieb. Frontispice de Jane Graverol. 1970. Copy 2 of 40 numbered with a separate print of the frontispiece.<br /> 107/108. Vladimir Khasarovitch. Système métrique angélométrique.1970. Copy 2 of 35 marked “jvp†containing an original drawing plus regular copy presented to Brice Tarain.<br /> 109. Guy Vandeloise. Paul Franck. 2/35 numbered<br /> 110/114. Thieri Foule. Whâââh. Copy 2 of 50 numbered. Inscribed to Raymond Queneau.<br /> 115. Luc Cornet. La légende de l'Ignoble. 1972. Copy 2 of 35 numbered. <br /> 116/117. Copy 2 of 35 numbered.<br /> 118. Piet Tommissen. A propos d'une manifestation publique du groupe “Humanismeâ€. 1972. Copy 2 of 40 numbered.<br /> 119/121. André Blavier. Ceci n'est pas une Pipe. 1973. 2/50 ed. de t te incl. 10 lettered. Inscribed. Also the first publication of the Fondation René Magritte. Also regular paper. <br /> 122/124. Luc de Chobeau. Prose de l'Hyperboreen. 1974. 2/50 with an original illustration.<br /> 125/128 These were issues of “Gravats†- not present<br /> 129/131. Louis Scutenaire. Le fusil du boucher.1974. 2 of 50 numbered on vergé.<br /> 132. Alain Bogaerts. Le singe-ne. 1975. 2/50 with an original serigraph by Janine Moons<br /> 133. Thierry Poucet. Perles à rebours tome 1. 1975. Copy 2 of 50 with a manuscript page.<br /> 134 ISSUE MISSING<br /> 135. Beatrix Beck. Mots couverts. Copy 2 of 50 numbered.<br /> 136/139. Georges Schmits. Nicolas Cloes Peintre Naïf. <br /> 140. Jean-Pierre Ransonnet. Lierneux. With an original photograph 1/50. plus another copy<br /> 141. Francois Jacqmin & Armand Silvestre. Camera obscura. 1976. 2/50 signed and numbered.<br /> 142-144 ISSUES MISSING<br /> 145. <br /> 146.Georges Francois. Des première vapeurs Voodoo au zéro pour Glauzen. Corner bent.<br /> 147/8 Was not published<br /> 149/150 ISSUE MISSING<br /> <br /> Editions:<br /> <br /> Marcel Havrenne. Pour une physique de l'écriture. 30.ix.1953. Edition of 110 copies. Collection “temps mêlés†1.<br /> Alphonse Allais. Poèmes inédits. 1.ii.1954. No. 24 of 40. Tirage à part de “temps mêlésâ€.<br /> Gaston Ferdière. Mi-Rime Mi-Raison. 22.ix.1954. Edition of 60 copies. Collection “temps mêlés†2.<br /> Joseph Peukenne. André Dodet André Blavier. 7 Graphismes Colorés. 30.vii.1954. S.P. copy edition of 60. Inscribed to Queneau by both authors<br /> André Blavier. La roupe de cent sonnets. 1.iv.1955. S.P. copy edition of 100 probably 1/20 on “papier meilleurâ€. Inscribed to Queneau.<br /> Théodore Koenig. La langue d'eole. Desins d'Aubin Pasque. 30.vi.1955. Copy 196/200. Inscribed to Queneau. Collection “temps mêlés†3.<br /> <br /> Clément Pansaers. Lettres au Docteur Schuermans. 21.iii.1958. Copy 8 of 10 on japon total edition of 50.<br /> Raymond Queneau. Le chien a la mandoline. 30.vi.1958. Copy 10/100. Inscribed by Queneau to Suzanne & Jean Rossignol. Collection “temps mêlésâ€.<br /> François Caradec. Monsieur Tristecon chef d'entreprise. 30.viii.1960. Inscribed to Queneau. <br /> André Blavier. De quelques inventions belges utiles et tolérables. 30.viii.1960. Copy 2 of 3 “augmentées d'une invention personnelle de l'auteur†a photo by Jakovsky. Inscribed to Queneau.<br /> Paulin Gagne. Neuf lettres. 31.x.60. Copy 12/12 on Arches with the illustration in color on Whatman paper.<br /> Andre Bosmans. Atsumaingre. 31.i.1961. Copy I of 14 on japon. 8 announced plus 5 total edition of 100. Inscribed to Queneau.<br /> Dix ans de “temps mêlésâ€. Salle de la Société des Beaux-Arts Verviers. Hommage à Maurice Pirenne. Du 22 septembre au 2 octobre 1962. Includes an annotated list of artists who appeared in the first 60 issues of “temps mêlésâ€.<br /> P.J. Dunbar. Rheinräuber. Angleur: Paul Dubart 1967. One of 20 copies with an original Dubar drawing/collage inserted. “Il a été tiré un certain nombre d'exemplaires nécessaire et suffisant pour satisfaire les abonnés et les amis de “temps mêlésâ€.â€<br /> Jean-Jacques Gailliard Le palette du menteur Divin. 1980. 1/300 h.c. copy<br /> <br /> <br /> Phantômas<br /> <br /> 1 see above no. 6 nos. 2-24 1954-1961 plus 26/30 31/34 68/72 83/848586. With Désiré Viardot Ripopee. Éditions Phantomas 1956. H.C. copy one of a few plus 84 numbered constitute the edition. Inscribed to Raymond Queneau. unknown
195278153Cannes 1952. Fine. Queneau's Awards List Cannes 1952 20.90 x 27 cm 90 feuillets File of jury sheets completed by Raymond Queneau for the 1952 Cannes Film Festival comprising 90 leaves almost all filled in by his hand. Only one film is unfortunately missing Dans la tempête Arashi no naka no hara by Kiyoshi Saeki; otherwise the set is complete with reviews of all 35 feature films and 50 short films in the official competition that year. Included as well are 4 pages in pencil and one page in ink of autograph notes recording the results of every vote for all prizes awarded. An entertaining collection of Raymond Queneaus reviews as a member of the Cannes jury. These sheets capture the writers sharp or enthusiastic impressions as he viewed the films. The year 1952 marked the fifth edition of the young Cannes Film Festival presided over by Maurice Genevoix. The Grand Prize was awarded to two films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles. On the sheet for the latter Queneaus opinion is unequivocal: ""Number one"". As for Castellanis film the critic is ecstatic: ""enfin ! du cinéma - intelligent vivant humain. Deux ou trois passages ont de la grandeur. Et ce n'est pas prétentieux."" He judged its leading actress Maria Fiore ""épatante"". On the French side Fanfan la Tulipe was in competition and Queneau was harsh: ""ça aurait pu être un film agréable mais le dialogue gâche tout."" Gina Lollobrigida was ""quelconque"" and Gérard Philippe ""pas bon cette fois-ci"". The film nevertheless received the prize for Best Director. He found Marlon Brando who would be awarded Best Actor ""T.B."" in Viva Zapata by Elia Kazan. One of his undisputed favorites was Le Medium by Gian-Carlo Menotti which he described as ""EPATANT/ un film ! un opéra ! saisissant ! poignant !"" and which won the Prize for Best Lyric Film. Queneau also noted over four pages the voting results of the jury in each category. They reveal that the two winning films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles each received 18 votes after no fewer than six ballots. André Cayatte was awarded a special prize for Nous sommes tous des assassins in the out-of-competition category by a margin of just one vote. Queneaus tallies also show the overwhelming support of the jury for Hollywood stars Lee Grant and Marlon Brando who respectively won the acting awards for Detective Story and Viva Zapata! A valuable record of the behind-the-scenes workings of one of the very first Cannes Film Festivals in the hand of one of the greatest French writers of the twentieth century. unknown
19489757Paris: Chez Georges Visat 1948. Full Leather. Near Fine binding. Octavo. 52 6 pp. frontis illus. Limited edition number 195 of 225 copies. This copy bound by Monique Lallier in full calf with extensive leather onlay shapes referencing the style of Alanore's illustrations. Textblock is sewn on meeting guards with the original wrappers incorporated in the binding. Silk embroidered endbands and leather doublures and flyleaves. Stamp-signed and dated 2014 by Lallier in gold on the rear pastedown. Light offsetting from the etchings and occasional light foxing but generally an internally clean copy nearly fine in a fine binding housed in clamshell that is slightly bumped at the extremities. <br /> <br /> An engaging and quirky narrative text in French wonderfully illustrated with 20 drypoint etchings by Alanore some full page but most incorporated around the printing. This binding from Lallier's personal collection is featured in her 2018 retrospective exhibition put on by Guildford College with catalogue published by Oak Knoll Press. In it she remarks how Alanore's etchings all have prominent lips which informed her design of the cover in a leather that looks like horse p. 100. A striking book inside and out bound by one of the most important design binders of the last 50 years. Chez Georges Visat unknown
194624967Paris: Aux Nourritures Terrestres 1946. First edition. PrassinosMario. Original wrappers 34 cm. in gilt stamped chemise and slipcase lightly worn. Illustrated with 15 full-page copper engravings by Prassinos plus the engraved cover design. One of 15 numbered copies on Rives paper containing two suites of the 15 engravings in black plus one in color in four states from a total edition of 250. This copy also contains an original drawing 25 x 31 cm signed and dated corresponding to the eighth gravure. 1 portfolio Six poèmes de Raymond Queneau et seize cuivres de Mario Prassinos. ill. ; 34 cm. "Cet ouvrage achevé d'imprimer sur les presses de Coulouma imprimeur S. A. pour le texte et sur celles de Haasen pour les cuivres a été tiré à 250 exemplaires se décomposant comme suit : 215 exemplaires sur papier pur chiffon de Lana contenent deux états en noir des quinze gravures sur cuivre et numérotés de 1 à 215. 15 exemplaires sur vélin de Rives contenant en plus une gravure en couleurs au repérage avec les états séparés numérotés de 216 à 230. 10 exemplaires sur vélin de Rives dont 5 nominatifs auxquels il a été joint en outre une suite des gravures dans l'état définitif tirée sur papier noir et un dessin original de l'artiste. Ces exemplaires sont marqués de A à J. Il a été tiré en plus 10 exemplaires hors commerce sur papier Lana numérotés de I à X"-- Colophon. Aux Nourritures Terrestres unknown
194848256Paris: K éditeur 1948. Fine. K éditeur Paris 1948 16.50 x 22.50 cm broché First edition a numbered copy on alfa du Marais paper this one not included in the justification. Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: Très sympathique hommage de ces bucoliques de sang et de soleil. a very affectionate homage of these bucolics of blood and sunshine. Covers and spine slightly sunned at edges but not seriously. K éditeur unknown
195048254München Munich: Willi Weismann Verlag 1950. Fine. Willi Weismann Verlag München Munich 1950 13 x 21.50 cm Reliure de l'éditeur First edition of which there were no large paper copies. Complete with dj slightly sunned at edges of spine and covers small tears to head of upper cover. Handsome autograph inscription signed and dated by Canetti to Raymond Queneau : "" Für Raymond Queneau aus Freude über eine unerwartete Begegnung Juni 1951 for Raymond Queneau the pleasure of an unexpected meeting June 1951"". Willi Weismann Verlag unknown
196132147Paris: Gallimard 1961. First edition. Original white cloth clear plastic jacket. 9-1/2 in. x 11-1/14 in. First printing May 1961 one of 3000 numbered copies this is one of 250 hors-commerce. Design by Robert Massin. Fine condition. Presentation copy from Queneau to Anne and Georges-Emmanuel Clancier. Anne Clancier was a doctor a psychiatrist and an analyst. She published several books. including "Raymond Queneau et la psychanalyse" 1994 which includes a chapter on her meetings with Queneau. The first work of Oulipo poetry it contains ten sonnets each divided into 14 strips one for each line. Each sonnet has the same rhyme sounds allowing 1014 = 100000000000000 different poems. Ref.Massin La Lettre et L'Image p. 220. Gallimard unknown
195572637Paris: J.A.R. 1955. Fine. J.A.R. Paris 1955 14 x 19 cm relié First edition on ordinary paper. Half havana morocco binding smooth spine decorative paper boards brown paper doublure to endpapers and pastedowns covers and spine preserved signed binding by Goy & Vilaine. Contributions by Louis Calaferte René Fallet Yves Gibeau. Very precious autograph inscription signed by Raymond Queneau to his great friend Boris Vian: ""A Ursula à Boris leur ami. Queneau."" ""To Ursula to Boris their friend. Queneau."" J.A.R. hardcover
195977702Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition one of 158 numbered copies on pure wove paper the leading issue after 40 on Hollande. A fine copy. The following year the work was adapted for the cinema by Louis Malle starring Catherine Demongeot Philippe Noiret Carla Marlier Annie Fratellini and Hubert Deschamps. Gallimard unknown
195048240Paris: L'âge d'or 1950. Fine. L'âge d'or Paris 1950 12.50 x 19.50 cm broché First edition one of 1200 numbered copies on alfa paper the only large paper copies after 50 on Marais. Spine very slightly faded as usual. Handsome autograph inscription signed by Henri Michaux to Raymond Queneau. L'âge d'or unknown
195148249Paris: Pierre Seghers 1951. Fine. Pierre Seghers Paris 1951 14 x 19.50 cm 2 volumes brochés First edition on ordinary paper. Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "". ce livre qui nous rajeunit. this book that makes us young again "" Pierre Seghers unknown
194872613Paris: Gallimard 1948. Fine. Gallimard Paris 1948 12 x 19 cm broché First edition of which only 13 deluxe copies were printed on pur fil paper a Service de Presse advance copy. Spine sunned with two small tears at foot a crease mark at foot of second cover complete with publisher's slip. Very precious autograph inscription signed by Raymond Queneau on the half-title page to his great friend Boris Vian and his wife Michèle: ""A Michèle à Boris Vian en toute joyeuseté Queneau."" ""To Michèle to Boris Vian in all joyfulness Queneau."" Gallimard unknown
196748180Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché First edition an advance service de presse copy. Handsome autograph inscription from Raymond Queneau to Marguerite Duras. A good copy. Gallimard unknown
195992078Paris: Gallimard 1959. Fine. Gallimard Paris 1959 11.7 x 18 cm Broché First edition one of the press copies.A few spots of foxing to the centre of the spine.Presentation inscription signed by Raymond Queneau to Marcel Mithois. Gallimard unknown
196648119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
196746940Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from Raymond Queneau to Jean Dubuffet and his wife Lili : "". où va-t-il traîner ses bottes"" Spine slightly folded a good copy. Gallimard unknown
196946939Paris: Gallimard 1969. Fine. Gallimard Paris 1969 12 x 19 cm broché First edition an advance service de presse copy. Handsome autograph inscription from Raymond Queneau to Jean Dubuffet and to his wife Lili. A good copy. Gallimard unknown
1972NF4167JOAN MIRO: LITHOGRAPHS VOLUMES l & II Tudor & Leon Amiel 1972 & 1975 respectively 2 volumes first editions fine in like full color pictorial dust-wrappers. Each 1/5000 copies with 180 & 389 illustrations and 12 0riginal full color lithographs respectively. Tudor & Leon Amiel unknown
1951339397Paris: NRF / Gallimard 1951. First edition no. 23 of 30 numbered copies on hollande Van Gelder. 306 1 pp. 1 vols. 8vo. Wrappers untrimmed. Fine copy. Marbled slipcase. First edition no. 23 of 30 numbered copies on hollande Van Gelder. 306 1 pp. 1 vols. 8vo. Philosophical novel by Queneau taking its title from a passage by Hegel. Filmed by Jean Herman in 1967; an Englihs translation was published in 1977.<br /> <br /> Sharp copy from the édition de tête. NRF / Gallimard unknown
196433530Paris: Editions Dire 1964. Fine. Editions Dire Paris 1964 33 x 18 cm en feuilles Edition illustrated with 6 engravings in-fine and original boards by Fernand Michel one of 100 numbered copies on Chiffon Lana paper and signed by the typographer author and artist the only printing. Fine printing by Jean Vodaine presented in sheets under ivory embossed paper covers half black cloth boards illustrated covers with manuscript title unpaginated 24 ff. Autograph signed dedicatory poem by Fernand Michel on verso of front cover light scuffs with small paper lacks to rear board. Rare. Editions Dire hardcover
195991168Paris: Gallimard 1959. Fine. Gallimard Paris 1959 11.7 x 18 cm Broché First edition standard issue.Spine lightly faded as usual; some leaves with brittle margins resulting in minor losses.Signed autograph inscription from Raymond Queneau to Yvon Belaval. Gallimard unknown
194765821Paris: Les Editions du Scorpion 1947. Fine. Les Editions du Scorpion Paris 1947 12 x 18.50 cm broché First edition one of 120 numbered copies on alfa paper the only grand papier deluxe copies. A nice copy despite slight lacks and angular tears. Les Editions du Scorpion unknown
195573380Paris: J.A.R. 1955. Fine. J.A.R. Paris 1955 14 x 19 cm broché First edition one of the review copies. A pleasing copy. With contributions by Louis Calaferte René Fallet Yves Gibeau Hervé Bazin. Precious signed autograph inscription by Raymond Queneau: ""A Jean Giono en cordial hommage. Queneau."" J.A.R. unknown
195572743Paris: Seghers 1955. Fine. Seghers Paris 1955 14 x 19 cm broché First edition on ordinary paper. Work decorated with a frontispiece illustration by Joan Miro. Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: ""A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine."" ""To Boris whose advice I fear I have followed very poorly. With much affection. Janine.""  Provenance: Boris Vian Foundation.  Seghers unknown
194753523Paris: Gallimard 1947. Fine. Gallimard Paris 1947 12 x 18.50 cm broché First edition one of 25 numbered copies on pur fil tirage de tête after 10 copies on yellow paper reserved for the author. Handsome autograph inscription signed by Raymond Queneau to Michel Simon. A good copy. Gallimard unknown