Queneau, RaymondBiblio.com
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1857549481.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008Q-1857549481Carcanet Press Ltd 2008-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Carcanet Press Ltd paperback
2008SONG1857549481Carcanet Press 2008-02-01. paperback. Used: Good. 5.25x0.46x8.50. Buy with confidence. Excellent Customer Service & Return policy. Carcanet Press paperback
195278153Cannes 1952. Fine. Queneau's Awards List Cannes 1952 20.90 x 27 cm 90 feuillets File of jury sheets completed by Raymond Queneau for the 1952 Cannes Film Festival comprising 90 leaves almost all filled in by his hand. Only one film is unfortunately missing Dans la tempête Arashi no naka no hara by Kiyoshi Saeki; otherwise the set is complete with reviews of all 35 feature films and 50 short films in the official competition that year. Included as well are 4 pages in pencil and one page in ink of autograph notes recording the results of every vote for all prizes awarded. An entertaining collection of Raymond Queneaus reviews as a member of the Cannes jury. These sheets capture the writers sharp or enthusiastic impressions as he viewed the films. The year 1952 marked the fifth edition of the young Cannes Film Festival presided over by Maurice Genevoix. The Grand Prize was awarded to two films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles. On the sheet for the latter Queneaus opinion is unequivocal: ""Number one"". As for Castellanis film the critic is ecstatic: ""enfin ! du cinéma - intelligent vivant humain. Deux ou trois passages ont de la grandeur. Et ce n'est pas prétentieux."" He judged its leading actress Maria Fiore ""épatante"". On the French side Fanfan la Tulipe was in competition and Queneau was harsh: ""ça aurait pu être un film agréable mais le dialogue gâche tout."" Gina Lollobrigida was ""quelconque"" and Gérard Philippe ""pas bon cette fois-ci"". The film nevertheless received the prize for Best Director. He found Marlon Brando who would be awarded Best Actor ""T.B."" in Viva Zapata by Elia Kazan. One of his undisputed favorites was Le Medium by Gian-Carlo Menotti which he described as ""EPATANT/ un film ! un opéra ! saisissant ! poignant !"" and which won the Prize for Best Lyric Film. Queneau also noted over four pages the voting results of the jury in each category. They reveal that the two winning films Deux sous d'espoir Due soldi di speranza by Renato Castellani and Othello by Orson Welles each received 18 votes after no fewer than six ballots. André Cayatte was awarded a special prize for Nous sommes tous des assassins in the out-of-competition category by a margin of just one vote. Queneaus tallies also show the overwhelming support of the jury for Hollywood stars Lee Grant and Marlon Brando who respectively won the acting awards for Detective Story and Viva Zapata! A valuable record of the behind-the-scenes workings of one of the very first Cannes Film Festivals in the hand of one of the greatest French writers of the twentieth century. unknown
23076S.l. 1948. Gouache et mine de plomb sur 1 f. de papier Arches 375 x 275 mm. . Le sujet représente une scène d'orchestre : grosse caisse saxophone et accordéon dans un style très géométrique. Le dessin est signé en bas à droite « R. Queneau ». . Raymond Queneau dessinateur et peintre Au lendemain de la guerre en quête d'une possible reconversion le père de Zazie laisse un temps la plume pour le pinceau. Il réalise entre 1946 et 1952 près de six cents gouaches et aquarelles. « Tels qu'il les pratique le dessin et la couleur deviennent un exercice de liberté allègre dynamique ludique gourmand. Il mélange les styles sans préoccupation esthétique ou théorique se promène dans une réalité insolite souvent cocasse parfois mélancolique. On dirait qu'il poursuit ses poèmes par le graphisme qu'il jongle avec les mots par le vocabulaire des formes » Dominique Charnay Queneau et la peinture Buchet & Chastel 2003. Plus de cent cinquante reproductions seront présentées dans cette large monographie et celle-ci n'y figure pas. Quelques autres gouaches mettent en scène artistes et musiciens mais dans des thèmes différents. L'ensemble des manuscrits et dactylogrammes originaux des œuvres de Queneau sont quant à eux conservés au Harry Ransom Center de l'Université du Texas à Austin. Provenance : Jean-Marie et Annabelle Queneau ; Oberlé Catalogue Queneau. S.l., 1948. Gouache et mine de plomb sur 1 f. de papier Arches (375 x 275 mm). unknown
51-1159Paris: Maeght1950. Folio. With 2 color lithographs. 2nd edition.FineCramer 23. Mourlot 96. DLM édité en mai 1950 pour l'exposition de MIRO à la Galerie Maeght. Textes de Raymond Queneau Jacques Prévert et Michel Leiris. 8 pages non reliées. 2 lithographies originales en double page. Réimpression. Paris: Maeght,1950. unknown
51-1155Paris: Maeght1950. Folio. With 2 color lithographs. 2nd edition.The last 4 pages have a piece missing. This affects the back cover lithograph. The 2 page interior lithograph is fine. Cramer 23. Mourlot 96. DLM édité en mai 1950 pour l'exposition de MIRO à la Galerie Maeght. Textes de Raymond Queneau Jacques Prévert et Michel Leiris. 8 pages non reliées. 2 lithographies originales en double page. Réimpression. Paris: Maeght,1950. unknown
51-1156Paris: Maeght1948 . Folio. With 7 color lithographs. 2nd edition.FineCramer16. Mourlot 69-70. DLM édité en novembre 1948 pour l'exposition de peintures et céramiques de MIRO à la Galerie Maeght. Texte de Tristan Tzara Jean Cassou Raymond Queneau Paul Eluard Ernest Hemingway .12 pages non reliées. 7 lithographies originales en couleurs et 8 reproductions en noir. Réimpression originales en double page. Réimpression. Paris: Maeght,1948 . unknown
19481901200742Paris: Galerie Maeght - Editions Pierre A Feu 1948. 2nd Edition . Soft cover. Very Good. Joan Miró. Loose leaves in illustrated wrappers as issued pp. 12. The stated 2nd edition of this early DLM which was originally published in November 1948 on the occasion of the the exhibition of paintings and ceramics by Joan Miró at the Galerie Maeght. With 7 original lithographs including the covers and one double-page which is often counted as two seperately in colour and 8 reproductions en noir. VG condition - not pristine bumped with small split to the wrappers at the crown other minor wear. Small bookseller sticky label to the lower corner of the rear cover. Contents Fine remains a nice copy. <br/> <br/> Galerie Maeght - Editions Pierre A Feu paperback
1975018472Genf Geneva: Weber 1975. Original white cloth. Fine in Near Fine Dust Jacket with the green title band and the clear plastic jacket protecting the Dust Jacket. Contains 12 original color lithographs including the Dust Jacket 5 of them double-page and many other color plates. Text in German. Nice condition. . Near Fine. Hardcover. Erste Deutsch Ausgabe First German Ed. 1975. Weber, (1975). hardcover
BN283128Der Flug des Ikarus. Roman <br/><br/>Der Flug des Ikarus. Roman Raymond Queneau unknown
2070322041.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
196725613Paris: Gallimard 1967. First edition on ordinary paper. Service de presse copy with perforation on back cover. Wrappers slight lean else fine. 199 p. 18 cm. Poems. Inscribed by Queneau to Alain Bosquet. Gallimard unknown
196775589Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché First edition a Service de Presse advance copy. Foxing on covers a light dampstain on spine. Printed bookplate representing the lion of Saint Mark at head of an endpaper. Touching and precious signed autograph inscription from Raymond Queneau: ""A Serge Reggiani comédien chanteur et poète. Queneau."" Gallimard unknown
196746940Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from Raymond Queneau to Jean Dubuffet and his wife Lili : "". où va-t-il traîner ses bottes"" Spine slightly folded a good copy. Gallimard unknown
196748180Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché First edition an advance service de presse copy. Handsome autograph inscription from Raymond Queneau to Marguerite Duras. A good copy. Gallimard unknown
1990Q-2070382206Gallimard Education 1990-02-01. Pocket Book. New. New. In shrink wrap. Looks like an interesting title! Gallimard Education unknown
2011Q-2070442551Gallimard Education 2011-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Gallimard Education paperback
20142-273245575XEditions de la Martinière 2014. Paperback. New. 192 pages. French language. 12.44x8.74x0.79 inches. Editions de la Martinière paperback
197197051971. Gilt stamped cloth over boards. Apparently printed in Germany no publisher listed. PRESENTATION COPY. Inscribed by the author "To my friend Gene Pfleider--with warmest regards Paul Queneau." Two interesting items are laid in. The first is an offfprint of the 1977 Extractive Meallurgy Lecture by Queneau titled Oxygen Technology and Conservation. The rear page bears an ALS by the author. The second item is a typed letter from Professor Pfleider to the author thanking him for this copy of the book. Quite scarce. . Signed by Author. First Edition. Hard Cover. Fine. Hardcover
194678847Paris: Messages 1946. Fine. Messages Paris 1946 14 x 21 cm broché First edition in wrappers with a pasted-on resale label at the colophon of the friends of ""Messages"" one of 100 numbered copies the only copies printed on deluxe paper. A very handsome copy. Autograph presentation inscription signed by Raymond Queneau to Jean Claval. Messages unknown
1557132860.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000SONG1557132860Brand: Sun Moon Press 2000-10-01. First English Language Edition. paperback. Used: Good. 5.00x1.25x7.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Sun Moon Press paperback
200385269Paris: Gallimard 2003. Fine. Gallimard Paris 2003 14.50 x 21.50 cm broché First edition one of 41 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Gallimard unknown
200377187Paris: Gallimard 2003. Fine. Gallimard Paris 2003 14.50 x 21.50 cm broché First edition one of 41 numbered copies on pur fil paper the only deluxe copies. A very fine copy. Gallimard unknown
