TAMBURI - CENDRARS BlaiseBiblio.com
296 résultats
19685385Ancona: Bucciarelli 1968. Brossura wrappers. Perfetto Mint. Con 5 acqueforti originali di <strong>Orfeo Tamburi</strong> numerate e firmate cm 16x12 e 20x15. Traduzione dell'Artista. Folio. pp. 46. Perfetto Mint. Edizione originale di 110 XXV es. numerati. Bucciarelli, unknown
62552008University of California Press pp. 424 Reprint Edition . Papeback. New. University of California Press unknown
SKU1043804Arthaud 1955-01-01. hardcover. Good. 0x0x0. B. Arthaud; city not noted 1955. Hardcover. Text in French. A Good Only yellow cloth binding with black lettering on front board and spine handling/scuffing and scattered foxing to boards and spine slightly bowed boards age toned text block scattered foxing to text block edges and front/back matters some moisture staining top text block edge top page margins text block still holding together but loose few soiled stains to text block edges rubbing along board edges in a Good Only some handling/scuff marks to panels bit of edge/corner wear scuffing and some foxing to verso panels/flaps moisture stain bottom spine and verso age toning to panels and verso Dust wrapper. 4toquarto or approx. 11.5 x 13.5 inches unpaginated b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Arthaud hardcover
195534634Paris France: Arthaud. Golden yellow covers w/gilt titles. Light corner bumps. A small dent to bottom edge. In Good jacket with chunks missing top/bottom spine area a few small tears and wear to edges. In protective mylar. 148 photographies en noir. . Very Good. Hardcover. 1955. Arthaud hardcover
2852035979.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown
19663117686Paris/ New York: The Paris Review. Very Good with no dust jacket. 1966. First Edition; First Printing. Softcover. First edition. Spring issue. Very good copy. Light shelf-soiling at spie and rear cover Features interviews by Allen Ginsberg and Blaise Cendrars who also has stories and poems in addition. ; 8vo 8" - 9" tall . The Paris Review paperback
19767735N. Y.: Adventures in Poetry 1976. First edition. Inscribed by Padgett: "Another one for Burt the Implacable Collector from Ron Apl 1976. Mint copy. 4to original black wrappers. Mint copy. Adventures in Poetry unknown
1956825121956. Fine. 1956 12.20 x 14.40 cm une photographie Original photograph of Blaise Cendrars by Pablo Volta in vintage silver gelatin print. Stamp ""Photographie de Pablo Volta"" as well as a discreet pencil annotation on the verso. Charming mirror portrait of Blaise Cendrars taken by Pablo Volta in January 1956 on rue Jean-Dolent where the writer lived. This photograph was taken by photographer Pablo Volta 1926-2011 in the company of his wife Ornella. One of the five founding members of the Italian photographic agency I Fotografi associati Pablo Volta became known for his portraits of writers and artists such as Aragon Breton Ionesco Tzara Vian Duchamp Foujita Calder. Very satisfied with this photo session Cendrars sent a letter to the Volta couple after their visit: ""Merci de ces photos qui nous font grand plaisir et nous amusent beaucoup. Ma main amie Blaise Cendrars"" ""Thank you for these photos which give us great pleasure and amuse us greatly. My friendly hand Blaise Cendrars"" The photograph was reproduced in Continent Cendrars Bulletin annuel du Centre d'études Blaise Cendrars de l'Université de Berne n°3 1988 p. 63. unknown
2070586650.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
199377863Paris: Balland 1993. Fine. Balland Paris 1993 16 x 24 cm broché The first edition of which there were no deluxe copies. Handsome copy iconography. Autograph inscription dated and signed by Miriam Cendrars to Jean Ferré. Balland unknown
2009835094RMN. New. 2009. Paperback. 2711856283 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 200 pages; 257 illustrations. -- with a bonus offer-- . RMN paperback
193177725New-York New York & London: Harper & Brothers 1931. Fine. Harper & Brothers New-York New York & London 1931 19.50 x 24.50 cm broché First edition of the English translation established by John Dos Passos and printed in 300 copies on Utopian laid paper. Bookplate pasted to verso of front cover spine sunned with a tear at foot with minimal lacks a stain in margin of front cover small adhesive paper marks at head and foot of last endpaper and inner flap. Work illustrated with original illustrations by John Dos Passos. Autograph signatures of B. Cendrars and J. Dos Passos on the justification page. Harper & Brothers unknown
192166751Paris: Editions de la Sirène 1921. Fine. Editions de la Sirène Paris 1921 14.50 x 19.50 cm broché First edition one of 50 copies on kraft roux the only grand papier deluxe copies. Spine and covers marginally sunned as usual a small spot on the last endpaper. Cover illustrated with a drawing by Dalbanne reprinted on the title page. Letter-postface by Blaise Cendrars. Editions de la Sirène unknown
196677183Paris: Les bibliophiles de France 1966. Fine. Les bibliophiles de France Paris 1966 33.50 x 24.50 cm en feuilles sous chemise et étu Edition illustrated with 31 original etchings by Jacques Ramondot and printed in 145 nominative copies on Fabriano laid paper. Spine of chemise and slipcase lightened boards lightly and marginally shaded without gravity. Bookplate pasted opposite the colophon. Our copy is complete with the very beautiful multicolored poster folded in 4 reproducing the decoration of the chemise and slipcase. Each of the three texts is printed on laid paper of different color: grey for ""Les Pâques à New York"" taupe grey for ""La Prose du Transsibérien"" and mustard yellow for ""Le Panama ou les Aventures de mes sept Oncles"". Les bibliophiles de France hardcover
19228477<p>Issue #27. June-July 1922. String tied paper wraps. Front and back covers detached with some minor wear to the rear wrap. Some pages uncut. French text. No previous owners' names or other defacements. Scarce.</p><p>7.5 x 8.75 in</p> Les Feuilles libres paperback
1950B-2022-0915Photographs by Izis Bidermanas. Edition Clair Fontaine Lausanne Switzerland 1950. Texts in facsimile by Cocteau Pierre Emmanuel Blaise Cendrars Paul Eluard Andre Breton and others. <br />Very good. Please ask for complete conditions repor Edition Clair Fontaine hardcover
195191872Paris: Denoël 1951. Fine. Denoël Paris 1951 23 x 29.50 cm broché First edition of the French translation one of 1000 numbered copies on pur fil paper the only issue with 10 copies on Auvergne paper. Frontispiece with an original portrait of Blaise Cendrars by Riera covers illustrated with an original lithograph by Orfeo Tamburi. Spine and boards slightly and marginally sunned as usually. Denoël hardcover
192648312Paris.: Au Sans Pareil. 1926. Original publisher's dark turquoise printed wrappers with titles to front cover and spine in black spine with some fading. 8vo. 194 x 144 mm. Half-title with 'Du Même Auteur' verso leaf with Hecht's original engraving as frontispiece verso printed title with copyright verso leaf with Cendrars' dedications to Jacques Doucet and to Conrad Moricand and Cendrars' prose illustrated with four further original engravings by Hecht leaf with 'table des Matières' leaf with 'Note Bibliographique' and final leaf with justification; the additional double suite of Hecht's engravings is included after the justification. A scarce example on Japon Impérial of Blaise Cendrars' 'L'Eubage aux Antipodes de l'Unité' with Joseph Hecht's plates on three different paper stocks.From the edition limited to 1100 copies with this one of 25 examples on Japon Impérial with Hecht's engravings on three paper stocks: Japon Impérial Hollande and vélin Montgolfier; the first 20 copies all nominatif and 'reservés aus Amis du Sans Pareil' were issued on vélin de cuve.Born in Poland Joseph Hecht 1891 - 1951 was a painter and print-maker and a founder member - with Stanley William Hayter and others to whom he had taught the technique of burin engraving - of Atelier 17. Au Sans Pareil. unknown
193867264Paris: Grasset 1938. Fine. Grasset Paris 1938 14.50 x 19.50 cm broché First edition of the French translation established by Blaise Cendrars one of 150 numbered copies on alfa paper the only deluxe copies after 16 on pur fil. Spine slightly sunned and creased without gravity. Grasset unknown
1919B-2022-1202<p>Paris Éditions de la Sirène 1919. This very rare innovative book is a collaborative work between artist Ferand Leger and writer Blaise Cendrars. It was originally intended to be a screenplay but due to financial constraints and technical limitations it was published as a novel instead. The book combines Leger's bold and dynamic visual style with Cendrars' poetic and evocative prose creating a rich and immersive reading experience. Léger illustrated Cendrars' novel with 20 pochoirs in color plus two pochoirs for the cover in black. The narrative explores themes of destruction rebirth and the resilience of the human spirit in the face of catastrophe. It is considered an important work in the history of avant-garde cinema and literature reflecting the innovative spirit of the early 20th century. The collaboration between Leger and Cendrars brings together the visual and literary arts in a unique and visionary way offering a glimpse into the creative minds of two influential figures in modernist culture. This very fragile book is in good condition complete in the original tan cover. It is limited edition one of 1200 numbered copies in Velin LaFuma</p> La Sirène paperback
195674986Paris: Galerie Louis Carré 1956. Fine. Galerie Louis Carré Paris 1956 17 x 26.50 cm broché First edition printed with 750 numbered copies on Arches Velin and planned for the exhibition of Léger's works organised at the Louis Carré gallery from 19 November to 31 December 1954 for which the catalogue has been published only two years after the retrospective. Work illustrated with original lithographs by Fernand Léger: 6 unpaged colour plates two of which are double pages 5 black and white unpaged plates and 10 within the text. A beautiful copy despite slight rubbing to the caps. Galerie Louis Carré unknown
194928665Paris: Pierre Seghers 1949. Minor smudging to printed cream boards; near fine. With a near fine example of the panoramically-illustrated jacket showing only minor rubbing. Housed in quarter-leather slipcase with pull-tab chemise. First Edition of the preferred version in cloth with dust jacket. Small quarto. The landmark first book from photographer Robert Doisneau featuring 130 gravure images of Parisian suburbs in the aftermath of war accompanied by an impassioned text from Blaise Cendrars. Punctuated by the marvelous dust jacket with the Eiffel Tower—symbol of French modernism—superimposed over a landscape of postwar housing projects. In the same year a separate edition was issued in wrappers by La Guilde du Livre in Lausanne Roth 101 Parr vol. 1. Paris: Pierre Seghers unknown
195667068New York: Simon & Schuster 1956. American edition. Hardcover. Very Good . Quarto 28 cm Bright yellow cloth over boards with a red ink stamped title on the backstrip. With trivial foxing to the cloth of the upper extremities and a couple of negligible spots on the front cover. The front free endpaper has a former owner's name in pen with the notation "March 30 1957 / Santa Fe New Mexico." In a very attractive dust jacket with subtle edgewear minor soiling to the rear panel and a very short closed tear along the top edge of the rear panel. $10.00 price intact in bottom corner of front inside flap. An all-around bright copy. Uncommon in such vibrant condition. Robert Doisneau 1912-1994 was a master of humanist photography and a pioneer of photojournalism. He is known for his 1950 photograph of a couple kissing on a busy Parisian street "Le Baiser de l'hôtel de ville." In 1956 Doisneau won the Niépce Prize and in 1983 was awarded the Grand Prix National de la Photographie. He also won the Balzac Prize in 1986. Other famous works by the photographer include the 1942 photograph "Le Cheval Tombé" and "Le Violoncelliste" 1957. Simon & Schuster hardcover
61462Eds Arthaud - edition originale In-4 28 cm 170pp. illustr. 148 photographies en noir par Robert Doisneau reliure cart. de l'editeur sur papier Johannot d'Annonay Nb-0358 unknown
