CENDRARS (Blaise)Livre Rare Book
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43324Paris, Denoël, 1949. In-8°, 344p. Broché.
40272Paris, La Sirène, 1918. In-8° carré (230 x 190 mm), 40 pages non chiffrées. Broché, couverture illustrée.
40842Paris : Denoël, 1949 - un volume pleine basane, dos lisse orné du titre, auteur et d'un fleuron avec monogramme, tête dorée, couverture conservée, 344 pages - en frontispice, photo de l'auteur par Robert Doisneau - bon état - Edition originale : 1/500 exemplaires numéroté sur papier d'alfa -
19575129Paris Editions Pierre Seghers 1957 In-4 (h. 28 cm.) 38-(8) pp.reliure cartonnée vertes, titrage blanc, carte du parcours du Transsibérien imprimée en ocre et contrecollée sur le plat. Tirage limité à 1212 exemplaires, celui-ci est un des 1200 sur Japon mat des papeteries Barjon, reliés par Peghaire.
1949cv3083Denoël Broché 1949 In-8 broché, 344 pp., Edition Originale sur papier d'édition, frontispice de Robert Doisneau, bandeau ; papier bruni, couverture un peu frottée, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
194918633Denoël, 1949. In-8 broché, couverture imprimée, légèrement frottée en bords. Portrait photographique de Cendrars en frontispice, par Doisneau. Inscription sur garde.
201521839Fata Morgana, 2015. In-8 broché, couverture à grands rabats. En très belle condition, non coupé.
19463896Paris et Marseille, Jean Vigneau, 1946. Grand in-4 de 104 p., [4 ff.]. Couverture blanche à rabats, 1er plat illustré sous chemise et étui bordeaux moucheté. Plats insolés, mors de la chemise en partie fendus.
194911035Paris, Denoël, 1949. In-12 broché de 344-[8] pages, couverture imprimée, très légèrement insolée en bords.
192720624Paris, Au Sans Pareil, 1927-1929. 2 volumes petit in-8 brochés de 258-[5] et 237-[3] pages, couvertures gris-vert imprimées en deux tons.
16015Paris, Au Sans Pareil, 1929. In-12, 258 pp., broché, couverture originale imprimée (petits manques, déchirures et taches de la couverture).
16866Montrouge, Draeger, s.d. [1935]. In-4, [19] ff., en feuilles, emboîtage de papier et de toile signé Julie Nadot (petites déchirures des marges des perforations).
16982Paris et Marseille, Jean Vigneau, 1946. In-4, 104 pp., en feuilles, couverture originale illustrée, chemise de carton de l'éditeur, étui de carton, non coupé (frottements, insolation, chemise et étui défraîchis).
22738Montrouge, Draeger frères, [1935]. In-folio, non paginé, reliure à spirale, couverture gaufrée, emballage de papier cristal (quatre petites déchirures au papier cristal).
14767P., Denoël, 1949 ; in-12, broché. 344 pp.-2 ff. Frontispice (Photo de Robert Doisneau). Des rousseurs sur la couverture et les premières pages. En grande partie non coupé (à partir de la p. 44). Dos refait.
890667Au Sans Pareil Paris 1929 In-12 ( 190 X 125 mm ) de 259 pp. 2 ff.n.ch., broché sous couverture imprimée. EDITION ORIGINALE. Un des 1000 exemplaires numérotés sur vélin Montgolfier ( troisième papier après 28 Japon et 56 Hollande ). Très bel exemplaire non rogné.
195674986Galerie Louis Carré | Paris 1956 | 17 x 26.50 cm | broché
1928011166Paris René Kieffer 1928 In-4 Reliure éditeur
1928011263Paris René Kieffer 1928 In-4 Broché
191887198Editions de la Sirène | Paris 1918 | 19 x 23.50 cm | broché
19562091[Paris], Caractères, 1956. Un volume in-4 (284 x 225 mm), en feuilles sous couverture à rabats imprimée sur le front. 4 COMPOSITIONS ORIGINALES AU POCHOIR DE SONIA DELAUNAY, EN HORS-TEXTE. Tirage unique à 60 exemplaires sur pur fil du Marais, celui-ci numéroté 37, signé à l'encre par Tristan Tzara et Sonia Delaunay. Très bel exemplaire parfaitement conservé dans sa condition d'origine. De toute rareté, un grand nombre de ceux-ci ayant été, de plus, démembrés. - ENGLISH: [Paris], Editions Caracteres, 1956. A vol. 4° (284 x 225 mm), in loose sheets, cover with flaps printed on the front. 4 ORIGINAL STENCIL/POCHOIRS COMPOSITIONS BY SONIA DELAUNAY, OUT OF TEXT. A unique edition of 60 copies on pur fil Marais paper, this one numbered 37, signed in ink by Tristan Tzara and Sonia Delaunay. Very nice copy, perfectly preserved in its original condition. EXTREMELY SCARCE, a large number of these having been dismembered. Note: “Le Fruit permis marks Sonia Delaunay’s return to book illustration since La Prose du transsibérien and to the stencil technique that she used from 1913 to 1916.” - Reference: Sonia and Robert Delaunay, National Library, 1977, p. 52, no. 150. More pictures on request.
19685385Ancona: Bucciarelli 1968. Brossura wrappers. Perfetto Mint. Con 5 acqueforti originali di <strong>Orfeo Tamburi</strong> numerate e firmate cm 16x12 e 20x15. Traduzione dell'Artista. Folio. pp. 46. Perfetto Mint. Edizione originale di 110 XXV es. numerati. Bucciarelli, unknown
201827935Playa Vista California: Two Hands Press 2018 2018. First Two Hands Press edition a facsimile - or "recreation" as the press prefers to describe it - of the first edition of 1913 letter "J" of 30 lettered copies hors de commerce; there are also 150 numbered copies for a total edition of 180 copies. As new. 78.25 x 14.25 inches folded accordion style once vertically and 21 times horizontally to create a 7.25 x 3.625 inch "book" that is enclosed in painted vellum wrappers with a separate essay by Kitty Marryat proprietor of the Two Hands press on the history of La Prose du Transsibérien. A seminal avant-garde artist book of the 20th century. Of the 11 copies of the original edition that have sold at auction in this century the average price realized has been about $200000. This is the first true facsimile using similar methods and materials as the first edition of 1913. ¶ La Prose du Transsibérien was written designed and printed by letterpress and illustrated by pochoir in an edition that was stated to be 150 copies in three subsets in the French manner. The actual number completed has long been in dispute as has the number of surviving copies. A census by Kitty Marryat of the Two Hands Press located 40 copies; a French scholar claims to have recorded 73 copies but will not produce his list for examination. The poem by Blaise Cendrars 1887-1961 Swiss-born modernist poet and novelist is a free verse free wheeling look at the poet's life and the events of the Russian Revolution as contemplated during a journey on the Trans-Siberian railway followed by a short poem about Paris. The letterpress text is printed in over 38 typefaces in four colors printed in 22 panels on a narrow long sheet. Cendrars's collaborator the artist Sonia Delaunay-Terk 1885-1979 interwove the text with colorful abstract pochoir that when folded made a relatively small accordion book but when fully opened was 78.25 x 14.25 inches. Cendrars and Delaunay-Terk called it the "first simultaneous book." It created a sensation among those who saw it when it was first displayed particularly among those who were involved in the avant-garde artistic movement. <br/><br/> Playa Vista, California: Two Hands Press, 2018 hardcover books
2018CNBR360Playa Vista California: Two Hands Press 2018. Limited Edition. Accordion. Fine. Delauney Sonia. Lettered copy "X" of 30 lettered copies hors de commerce artist book folded accordion style. This the first Two Hands Press edition a facsimile - or "recreation" as the press prefers to describe it - of the first edition of 1913 lettered copy "X" of 30 lettered copies hors de commerce; there are also 150 numbered copies for a total edition of 180 copies. "Transsibérien" is considered a seminal avant-garde artist book of the 20th century; of the eleven copies of the original edition that have sold at auction in this century the average price realized has been about $200000. This is the first true facsimile using similar methods and materials as the first edition of 1913. <br/><br/>The original "La Prose du Transsibérien" was written designed and printed by letterpress and illustrated by pochoir in an edition that was stated to be 150 copies in three subsets in the French manner. The actual number completed has long been in dispute as has the number of surviving copies. A census by Kitty Marryat of the Two Hands Press located 40 copies; a French scholar claims to have recorded 73 copies but will not produce his list for examination. <br/><br/>The poem by Blaise Cendrars 1887-1961 Swiss-born modernist poet and novelist is a free verse free wheeling look at the poet's life and the events of the Russian Revolution as contemplated during a journey on the Trans-Siberian railway followed by a short poem about Paris. The letterpress text is printed in over 38 typefaces in four colors printed in 22 panels on a narrow long sheet. Cendrars's collaborator the artist Sonia Delaunay-Terk 1885-1979 interwove the text with colorful abstract pochoir that when folded made a relatively small accordion book but when fully opened was 78.25" by 14.25". Cendrars and Delaunay-Terk called it the "first simultaneous book." It created a sensation among those who saw it when it was first displayed particularly among those who were involved in the avant-garde artistic movement. <br/><br/>___DESCRIPTION: Artist book created by letterpress printing in four colours in sixteen print runs on a Heidelberg press which was digitally produced to match the original typefaces with the abstract artwork created using pochoir; when extended the "book" measures 78.25 by 14.25 inches folded accordion style vertically one time and horizontally twenty-one times which creates a 7.25 by 3.625 inch "book" paper label on one side of the folded "book" with the title and Kitty Marryat's signature that is enclosed in painted vellum wrappers. The folding pattern is deliberate such that "you can't actually see anything in the book neither the text nor the imagery until the book is completely unfolded" creating "a frisson of excitement as the book finally reveals itself". With a separate essay by Kitty Marryat proprietor of the Two Hands press on the history of La Prose du Transsibérien and how this re-creation was brought to life this also accordion style printed on one side only consisting of twelve panels with the colophon at the end this copy X of 30 lettered copies total edition 180 and signed by Kitty Marryat enclosed within a three-panel folding wallet which itself is enclosed within the vellum wrap which also protects the artist book this encased in a clear plexiglass slipcase. <br/><br/>___CONDITION: Fine as new having been acquired directly from the Two Hands Press; the plexi-glass slipcase also fine clean and without wear. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Two Hands Press unknown books
2008Alibris.0015848Beinecke Rare Book Library. 2008. Trade paperback. Good. Moderate wear to box. Includes 200cm x 37cm poem and booklet containing English translation. Beinecke Rare Book Library paperback
