244 résultats
194652436Monte-Carlo:: Andre Sauret; Editions du Livre 1946. First edition; No. 181 of 385 copies plus 25 hors commerce. folded sheets laid into printed wrappers and glassine as issued; in publisher's cloth portfolio and slipcase. A fine copy. There are splits to the joints of the cloth portfolio and slipcase which shows some light wear. . Folio. Complete with 41 plates and one signed and numbered lithograph. Andre Sauret; Editions du Livre, hardcover
193075000Paris: Emile Hazan 1930. Fine. Emile Hazan Paris 1930 20.50 x 26.50 cm relié Edition illustrated with 8 original etchings by André Dignimont one of 25 numbered copies on Holland paper deluxe issue after 8 different Japan papers. Bound in full red morocco shagreen spine with five raised bands set with gilt fillets decorated with double gilt compartments ornamented at their centers with gilt floral motifs triple gilt fillet frame on boards moiré-effect paper endpapers and pastedowns gilt dentelle frame on pastedowns covers and spine preserved top edge gilt on deckled edges binding signed Barth fils. Our copy contains the complete suite in black of the illustrations as stipulated in the justification page. Handsome copy attractively bound. Emile Hazan hardcover
193128214Paris: Emile-Paul frères 1931. Fine. Emile-Paul frères Paris 1931 15 x 19.50 cm relié First edition printed in only 30 copies on Hollande paper. Half morocco spine very slightly faded covers preserved top edge gilt. Handsome autograph inscription signed by Francis Carco to a relative. Exceedingly rare. Emile-Paul frères unknown
200239254Villerville: Nanga 2002. Paul Collomb. Two volumes complete. A livre d'artiste with 52 full-page loose high-quality color reproductions of watercolors executed by Paul Collomb 1921-2010 in 1952. From a total edition of 100 numbered copies printed on extremely fine wove paper and signed by the artist below the justification / colophon this is ONE OF ONLY 20 COPIES WITH A SIGNED ETCHING AN ORIGINAL FULL-PAGE SIGNED WATERCOLOR BY COLLOMB ON JAPANESE PAPER and all 52 reproductions the other 80 copies include only 20. Enhanced with a warm signed dedication inscription by Collomb. Large 4to. Loose as issued in the original wraps cloth chemises and slipcase. FINE AND BRIGHT with no defects. <br/><br/> Nanga paperback
191858388Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper deluxe copies after 6 Japan. Half brown shagreen binding with corners spine with five raised bands slightly faded marbled paper boards endpapers and pastedowns covers and spine preserved top edge gilt. Endpapers entirely shaded. Beautiful cover illustrated by Lobel-Riche. Handsome copy nicely bound of this sequel to Jésus-la-Caille. A l'édition hardcover
19509120Paris: André Sauret 1950. First Thus. Hardcover. Fine. This collection of bohemian poems by the French Fantaisiste poet Francis Carco was first published in 1912. It proved to be a popular text for livres d'artiste and illustrated versions appeared in 1927 1943 1950 this and 1974. This version illustrated by Dignimont may have been the most successful paring of artist and poet.<br /> <br /> This example of the Carco-Dignimont edition is the copy reserved for the artist's wife with "Exemplaire réservé à Madame Dignimont" printed on the colophon. This copy matches the contents of the 12 copies on vélin de Rives with the finished book accompanied by three extra suites of plates: one in color without the text "une suite en couleurs" a suite of single color lithographs "une suite dans le ton du dessin" and one of rejected designs "une suite de lithographies refusées". The book and extra suites of plates are unbound being loose sheets laid into the printed covers with a vellum-backed chemise. The two chemises fit into a two-compartment box.<br /> <br /> The colophon is signed by Carco and Dignimont. A fine copy complete with all plates. Signed by Carco and Dignimont and additionally inscribed by Carco to Mme. Digninmont with a small self-portrait drawing. André Sauret hardcover
1930LD5793Paris: Emile Hazan & Cie 1930. Limited Edition. Paperback. Very Good. Original wraps in glassine dust jacket; 4to; with full-color frontipiece and plates untrimmed edges. Total limited edition of 833 copies with variations. This copy number 12 from a limited edition of 25 on Hollande van Gelder paper with an additional suite of 6 plates in b/w and 1 in full-color these loose in fine condition and suitable for framing. Covers a little wrinkled along the edges; small chips at spine tips. Glassine torn along spine. Internally simply lovely. <br/><br/> Emile Hazan & Cie paperback
191845550Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper the deluxe issue after 6 on Japan paper. Half anthracite morocco binding with bands smooth spine enhanced at the head with a mosaic piece of red and brown morocco covers and spine preserved top edge gilt bookplate pasted on the front pastedown elegant binding signed by Devauchelle. Attractive cover illustrated by Lobel-Riche. A handsome copy perfectly executed of this sequel to Jésus-la-Caille. A l'édition unknown
192175745Paris: Ferenczi 1921. Fine. Ferenczi Paris 1921 12.50 x 19 cm broché First edition one of 15 numbered copies on pur fil the only deluxe paper issue. A minute tear without loss at the foot of the spine otherwise a rare and very handsome copy. Illustrated wrappers. Ferenczi unknown
1924IRCblCAR12Paris: Éditions De La Nouvelle Revue Française 1924. 1924. 8vo. pp. 2 p.l. vii1blank 9-122 1 leaf. with half-title. 12 original tinted lithographed plates of women by Luc Albert Moreau. Uncut & partly unopened in original printed wrs. One of 315 copies on 'vélin pur fil Lafuma-Navarre' 15 hors commerce of a total edition of 335. Bénézit refers to Moreau's output as relatively limited but important and notes that his work relating to women had been described by some critics as revealing a certain baudelairian spirit. Paris: Éditions De La Nouvelle Revue Française, [1924]. unknown
83820Paris Ed. de la Roseraie 1925. Gr.8° 162 S. Mit 15 Originalradierungen auf Tafeln und 1 Titelillustration alle leicht koloriert. Orig.-Brosch. Monod 2273. - Nr. 178 von 200 nummerierten Exemplaren auf Vélin de Rives aus einer Gesamtauflage von 276. - Charles Laborde 1886-1941 aus Buenos Aires stammend machte sich als Buchillustrator einen Namen viele Illustrationen von ihm erschienen auch in gängigen Zeitschriften und Magazinen. 010 Paris, Ed. de la Roseraie, 1925 unknown
191253500Paris: S. n. 1912. Fine. S. n. Paris 1912 12.50 x 19.50 cm relié first edition of the second book of the author. Bound in half red morocco spine slightly discolored with five nerves decorated with black boxes golden tail date a little bit split head marbled paper plates guards and contreplats of handmade paper wrappers and back preserved and bound in gilded head signed binding Alix. Precious autograph signed by Francis Carco: ""A tribute to Charles Maurras vivid literary sympathy."" Our copy has two handwritten corrections Francis Carco pages 62 and 66. Nice copy pleasantly established. S. n. unknown
003197Paris. Limited First Edition. Wraps. Very Good Plus. Scarce collection of watercolors from a now forgotten or unjustly overlooked artist who incomparably captures in her paintings the l'esprit of Colette. No copies found on OCLC notwithstanding this was a limited edition of 500 copies. This copy is numbered 500. Also no information on the publisher suggesting this might have been privately printed. N.d. circa 1925. 33 by 25 cm. 2 pp. preface by Carco a novelist regarded as the "Last Bohemian" followed by sixteen watercolors each preceded by a tissue guard containing the title of the painting. Whether or not May Wanda herself felt a connection to Colette is immaterial; in her subject matter her treatment of her subjects the economy of line in her portraits her bold application of color and finally her straightforward unblinking honesty the comparison of the two is inevitable. There are a few men appearing in these paintings but this is artwork about women by a woman from a woman's point-of-view. That point-of-view is both inscrutable and acerbic in its traversal of the frivolous and gaudy aspects of urban life and there is somehow created a bond between the women living in comfort and luxury and those of meaner circumstance. Here are depicted a woman sitting alone with a glass of wine a young ingenue on a fashionable boulevard a flapper behind the wheel of a car a woman at a pool sisters in an opera box smartly dressed women shopping a woman at a "Bal Musette" etc. Carco likens May Wanda to Toulouse-Lautrec and that is also an apt comparison in many ways particularly in the weary enigmatic expressions of many of the women. unknown
192245552Paris: Albin Michel 1922. Fine. Albin Michel Paris 1922 17 x 25.50 cm en feuilles sous chemise et étui First edition one of 20 numbered copies on vélin de cuve paper reserved for the XX bibliophile group the tirage de tête. A good copy complete with its double covers by Albin Michel and the XX bibliophile group. Joints of chemise rubbed modern slipcase tiny insignificant worming to endpapers. Signed by the author on justification page. Albin Michel unknown
1947OA8<p> 127 pages 1 blank leaf with 16 9 full-page original etching by Dignimont. Contemporary dark-blue morocco boards and spine richly gilt boards with inlead red decoration dentelles' and inside dentelle's blue silk endpapers edges gilt original wrappers bound in One of 250 numbered copies on velin teinté du Marais. Bound in a wonderful decorated morocco binding. - In perfect condition.</p> Editions de la Galerie Charpentier hardcover
1928539515Chicago: Pascal Covici Publisher 1928. Hardcover. Fine/Fine. First American edition. Translation credited to Ford Madox Ford but in reality translated by his then-mistress Jean Rhys. Slight foxing on fly leaves still fine in about fine dust jacket with a touch of foxing on the spine. Exceptionally scarce in this condition. Pascal Covici, Publisher hardcover
194715234AB1947. Paris Editions de la Galerie Charpentier 1947. 34 : 26 cm. 127 pages 1 blank leaf with 16 9 full-page original etching by Dignimont. Contemporary dark-blue morocco boards and spine richly gilt boards withn inlead red decoration deltelles and inside deltelles blue silk endpapers edges gilt original wrappers bound in One of 250 numbered copies on velin teinté du Marais. Bound in a wonderful decorated morocco binding. - In perfect condition. hardcover
193147811Châtenay-Malabry.: Pro Amicis. 1931. Full Jansenist black calf by Georges Cretté with his signature 'G. Cretté Succ. de Marius Michel' gilt smooth spine with gilt titles turn-ins ruled in gilt to surround inset copper printing plates for illustrations in the book gilt-spotted black silk guardleaves marbled endpapers original printed wrappers preserved a.e.g. calf-edged marbled board chemise. Small 4to. 288 x 236 mm. Half-title with etched frontispiece verso printed title with etched vignette and copy number verso leaf with etching and 'imprimé pour . ' and Carco's 'Prologue' and text illustrated with 46 original etchings by Louis Legrand 13 full-page final leaf with justification and achevé d'imprimer together with the additional suite. Copy number one printed for Henri Prost with original signed pastel drawings a signed suite of first states two copperplates and bound by Georges Cretté.From the edition limited to 142 copies with this copy number one one of four from the édition de tête on Japon with the additional suite also on Japon with each etching signed in pencil by Legrand.This copy also has a duplicate of one of the plates which is dedicated to Henri Prost in pencil and a further plate is also inscribed to Henri Prost. In addition bound-in at the rear of the volume are 7 letters in the hand of Legrand all to Prost concerning the production of the book. The final inclusion is a full-page leaf of manuscript a critique of the book for the 'Journal des Débats' and dated '10 Janvier 1932' presented by its author 'Bormans': 'Pour mon excellent Ami Prost'. Pro Amicis. unknown
194774125Paris: Editions Pétridès 1947. Fine. Editions Pétridès Paris 1947 28 x 38 cm relié First edition one of 240 numbered copies on vélin d'Arches with 22 color lithographs after gouaches including 12 full-page plates by Maurice Utrillo printed in the ateliers of Fernand Mourlot and Lucien Détruit. White aniline calf with gilt titanium joints ink-painted boards in green and grey decoration continuing edge-to-edge on the liners loose endpapers on papier japon dyed with Kakishibu by the binder title lengthwise on the spine decorated chemise titled on the spine and matching custom slipcase. Original wrappers and spine preserved. Binding signed by Julie Auzillon gilt title by Geneviève Quarré de Boiry and gilt top edge by Jean-Luc Bongrain 2022. This book presenting every style of the famed artist from Montmartre was published on the occasion of his exhibition in 1947 at the Paul Pétridès gallery. This book presenting every aesthetic period of Montmartre artist Maurice Utrillo was published for his 1947 exhibition at the Paul Pétridès gallery. Mounted at the front of the book an autograph sonnet entitled ""L'Art pictural"" signed by Maurice Utrillo and addressed to Francisque Poulbot; two quatrains and two tercets written in black ink on lined paper. Before the poem Utrillo specified: ""Sonnet par Maurice Utrillo V < dédié à son ami et confrère < Georges Kars."" Sonnet by Maurice Utrillo V < dedicated to his friend and colleague < Georges Kars Signed and inscribed by Utrillo a second time at the top of the sheet: ""Amicalement à Francisque Poulbot"". A few stains to the margins not affecting reading. The sonnet was published in ART vol. 2 October 1934-July 1935 p. 9. This beautiful poem a true poetic manifest of pictorial independence twice signed by Utrillo is dedicated to cartoonist Francisque Poulbot a key figure in Montmartre society. It brings together iconic figures of the Butte famous for their bohemian life and eternal drunkenness: Utrillo Poulbot and Georges Kars a Cubist artist of Czech origin living in Montmartre whose paintings are celebrated by Utrillo in the sonnet. Utrillo wrote this manuscript in 1928 to Francisque Poulbot former classmate of the Lycée Rollin who had become a renowned draughtsman goguettier and founder of the République de Montmartre. Poulbot sketched the painter many times in his beloved Montmartre streets brush in one hand and bottle in the other the silhouette of the Sacré-Coeur church looming in the distance. Utrillo and Poulbot both stayed at some point in their lives at 12 rue Cortot where the Musée de Montmartre is now located. The year he wrote this poem Utrillo painted a superb gouache of Poulbot's house on avenue Junot. Although known for his paintings Utrillo also found in poetry a form of redemption for his bouts of alcohol-induced hysteria. Considered by his friends as a ""builder of sonnets or dithyrambic quatrains"" his verses were praised by famed critic Félix Fénéon. Utrillo also used poetry to celebrate his Montmartre artist neighbors. He wrote this poem in honor of Czech painter Georges Kars thanking him for a striking portrait of him exhibited at the Berthe Weill gallery: « Qu'il me soit donc ici permis en compagnon Sincère et noble et pur en non troubleur en rond Sur cet Art pictural d'émettre un trait austère Georges Kars en ce lieu de digne réunion Rue Laffitte chez Weill de l'art porte-fanion S'affirme en ses tableaux inventif et sincère. » Kars had settled in Montmartre in 1908 and spent many summers in Cadaquès with his wife Utrillo and his mother Suzanne Valadon. In these verses dedicated to the lines of ""his friend and colleague"" Kars Utrillo celebrates the independence and aesthetic personality emancipated from any artistic movement which also characterized Utrillo's own style. Utrillo being a self-taught painter he states his difference from academism and even the avant-gardes of yesteryear citing the Impressionist revolution embodied by the Cormon s Editions Pétridès hardcover