Francis CARCOBiblio.com
244 résultats
194836939Paris: Albin Michel 1948. Fine. Albin Michel Paris 1948 14 x 21.50 cm broché First edition on ordinary paper false statement of thousand. Signed autograph inscription by Francis Carco. Iconography. A small tear with tiny lack at head of spine. Albin Michel unknown
192346710Paris: Albin Michel 1923. Fine. Albin Michel Paris 1923 13.50 x 21 cm broché First edition one of 140 numbered copies on Holland paper deluxe issue after 75 on Japan paper. Spine and boards uniformly and slightly sunned as usual some deckled edges marginally and slightly sunned and spotted a crease mark at head of front board. A full-margined copy. Albin Michel hardcover
192346750Paris: Albin Michel 1923. Fine. Albin Michel Paris 1923 12 x 19 cm broché First edition one of copies on alfa paper. Autograph inscription from Francis Carco ""à son vieil ami"" to his old friend André Warnod. Spine sunned. Albin Michel unknown
192349890Paris: Albin Michel 1923. Fine. Albin Michel Paris 1923 12 x 19 cm broché Edition one of the copies Alfa paper. Precious autograph signed by Francis Carco Descaves to Lucien: "". no hard feelings ."" spine slightly insolated. Albin Michel unknown
192546704Paris: Marcelle Lesage 1925. Fine. Marcelle Lesage Paris 1925 12.50 x 16.50 cm broché First edition one of 20 numbered copies on Roma jaune de Naples paper the tirage de tête with 20 on Japan paper. A good copy. Marcelle Lesage unknown
194715234AB1947. Paris Editions de la Galerie Charpentier 1947. 34 : 26 cm. 127 pages 1 blank leaf with 16 9 full-page original etching by Dignimont. Contemporary dark-blue morocco boards and spine richly gilt boards withn inlead red decoration deltelles and inside deltelles blue silk endpapers edges gilt original wrappers bound in One of 250 numbered copies on velin teinté du Marais. Bound in a wonderful decorated morocco binding. - In perfect condition. hardcover
58811Les Cahiers du Mouton Bleu 1957 In-8 54pp. exemplaire numeroté sur Alfa Navarre pages non coupées Nb-0299 unknown
194681083Paris: Emile-Paul frères 1946. Fine. Emile-Paul frères Paris 1946 21.50 x 28 cm broché sous chemise et étui Illustrated edition with a frontispiece by Jean-Gabriel Daragnès one of 330 numbered copies on Lana laid paper the only issue with 20 on Vidalon. Gift inscription from a previous owner at head of an endpaper. Handsome copy. Emile-Paul frères unknown
193147811Châtenay-Malabry.: Pro Amicis. 1931. Full Jansenist black calf by Georges Cretté with his signature 'G. Cretté Succ. de Marius Michel' gilt smooth spine with gilt titles turn-ins ruled in gilt to surround inset copper printing plates for illustrations in the book gilt-spotted black silk guardleaves marbled endpapers original printed wrappers preserved a.e.g. calf-edged marbled board chemise. Small 4to. 288 x 236 mm. Half-title with etched frontispiece verso printed title with etched vignette and copy number verso leaf with etching and 'imprimé pour . ' and Carco's 'Prologue' and text illustrated with 46 original etchings by Louis Legrand 13 full-page final leaf with justification and achevé d'imprimer together with the additional suite. Copy number one printed for Henri Prost with original signed pastel drawings a signed suite of first states two copperplates and bound by Georges Cretté.From the edition limited to 142 copies with this copy number one one of four from the édition de tête on Japon with the additional suite also on Japon with each etching signed in pencil by Legrand.This copy also has a duplicate of one of the plates which is dedicated to Henri Prost in pencil and a further plate is also inscribed to Henri Prost. In addition bound-in at the rear of the volume are 7 letters in the hand of Legrand all to Prost concerning the production of the book. The final inclusion is a full-page leaf of manuscript a critique of the book for the 'Journal des Débats' and dated '10 Janvier 1932' presented by its author 'Bormans': 'Pour mon excellent Ami Prost'. Pro Amicis. unknown
193050208Paris: Pour les amis du docteur Lucien-Graux 1930. Fine. Pour les amis du docteur Lucien-Graux Paris 1930 14 x 19.50 cm broché Edition a 125 copies on vellum numbered only 25 draw with Japan. Book illustrated with original lithographs by Maurice Berdon. A few bites on the guards. Pour les amis du docteur Lucien-Graux hardcover
194774125Paris: Editions Pétridès 1947. Fine. Editions Pétridès Paris 1947 28 x 38 cm relié First edition one of 240 numbered copies on vélin d'Arches with 22 color lithographs after gouaches including 12 full-page plates by Maurice Utrillo printed in the ateliers of Fernand Mourlot and Lucien Détruit. White aniline calf with gilt titanium joints ink-painted boards in green and grey decoration continuing edge-to-edge on the liners loose endpapers on papier japon dyed with Kakishibu by the binder title lengthwise on the spine decorated chemise titled on the spine and matching custom slipcase. Original wrappers and spine preserved. Binding signed by Julie Auzillon gilt title by Geneviève Quarré de Boiry and gilt top edge by Jean-Luc Bongrain 2022. This book presenting every style of the famed artist from Montmartre was published on the occasion of his exhibition in 1947 at the Paul Pétridès gallery. This book presenting every aesthetic period of Montmartre artist Maurice Utrillo was published for his 1947 exhibition at the Paul Pétridès gallery. Mounted at the front of the book an autograph sonnet entitled ""L'Art pictural"" signed by Maurice Utrillo and addressed to Francisque Poulbot; two quatrains and two tercets written in black ink on lined paper. Before the poem Utrillo specified: ""Sonnet par Maurice Utrillo V < dédié à son ami et confrère < Georges Kars."" Sonnet by Maurice Utrillo V < dedicated to his friend and colleague < Georges Kars Signed and inscribed by Utrillo a second time at the top of the sheet: ""Amicalement à Francisque Poulbot"". A few stains to the margins not affecting reading. The sonnet was published in ART vol. 2 October 1934-July 1935 p. 9. This beautiful poem a true poetic manifest of pictorial independence twice signed by Utrillo is dedicated to cartoonist Francisque Poulbot a key figure in Montmartre society. It brings together iconic figures of the Butte famous for their bohemian life and eternal drunkenness: Utrillo Poulbot and Georges Kars a Cubist artist of Czech origin living in Montmartre whose paintings are celebrated by Utrillo in the sonnet. Utrillo wrote this manuscript in 1928 to Francisque Poulbot former classmate of the Lycée Rollin who had become a renowned draughtsman goguettier and founder of the République de Montmartre. Poulbot sketched the painter many times in his beloved Montmartre streets brush in one hand and bottle in the other the silhouette of the Sacré-Coeur church looming in the distance. Utrillo and Poulbot both stayed at some point in their lives at 12 rue Cortot where the Musée de Montmartre is now located. The year he wrote this poem Utrillo painted a superb gouache of Poulbot's house on avenue Junot. Although known for his paintings Utrillo also found in poetry a form of redemption for his bouts of alcohol-induced hysteria. Considered by his friends as a ""builder of sonnets or dithyrambic quatrains"" his verses were praised by famed critic Félix Fénéon. Utrillo also used poetry to celebrate his Montmartre artist neighbors. He wrote this poem in honor of Czech painter Georges Kars thanking him for a striking portrait of him exhibited at the Berthe Weill gallery: « Qu'il me soit donc ici permis en compagnon Sincère et noble et pur en non troubleur en rond Sur cet Art pictural d'émettre un trait austère Georges Kars en ce lieu de digne réunion Rue Laffitte chez Weill de l'art porte-fanion S'affirme en ses tableaux inventif et sincère. » Kars had settled in Montmartre in 1908 and spent many summers in Cadaquès with his wife Utrillo and his mother Suzanne Valadon. In these verses dedicated to the lines of ""his friend and colleague"" Kars Utrillo celebrates the independence and aesthetic personality emancipated from any artistic movement which also characterized Utrillo's own style. Utrillo being a self-taught painter he states his difference from academism and even the avant-gardes of yesteryear citing the Impressionist revolution embodied by the Cormon s Editions Pétridès hardcover
003197Paris. Limited First Edition. Wraps. Very Good Plus. Scarce collection of watercolors from a now forgotten or unjustly overlooked artist who incomparably captures in her paintings the l'esprit of Colette. No copies found on OCLC notwithstanding this was a limited edition of 500 copies. This copy is numbered 500. Also no information on the publisher suggesting this might have been privately printed. N.d. circa 1925. 33 by 25 cm. 2 pp. preface by Carco a novelist regarded as the "Last Bohemian" followed by sixteen watercolors each preceded by a tissue guard containing the title of the painting. Whether or not May Wanda herself felt a connection to Colette is immaterial; in her subject matter her treatment of her subjects the economy of line in her portraits her bold application of color and finally her straightforward unblinking honesty the comparison of the two is inevitable. There are a few men appearing in these paintings but this is artwork about women by a woman from a woman's point-of-view. That point-of-view is both inscrutable and acerbic in its traversal of the frivolous and gaudy aspects of urban life and there is somehow created a bond between the women living in comfort and luxury and those of meaner circumstance. Here are depicted a woman sitting alone with a glass of wine a young ingenue on a fashionable boulevard a flapper behind the wheel of a car a woman at a pool sisters in an opera box smartly dressed women shopping a woman at a "Bal Musette" etc. Carco likens May Wanda to Toulouse-Lautrec and that is also an apt comparison in many ways particularly in the weary enigmatic expressions of many of the women. unknown
1924IRCblCAR12Paris: Éditions De La Nouvelle Revue Française 1924. 1924. 8vo. pp. 2 p.l. vii1blank 9-122 1 leaf. with half-title. 12 original tinted lithographed plates of women by Luc Albert Moreau. Uncut & partly unopened in original printed wrs. One of 315 copies on 'vélin pur fil Lafuma-Navarre' 15 hors commerce of a total edition of 335. Bénézit refers to Moreau's output as relatively limited but important and notes that his work relating to women had been described by some critics as revealing a certain baudelairian spirit. Paris: Éditions De La Nouvelle Revue Française, [1924]. unknown
200239254Villerville: Nanga 2002. Paul Collomb. Two volumes complete. A livre d'artiste with 52 full-page loose high-quality color reproductions of watercolors executed by Paul Collomb 1921-2010 in 1952. From a total edition of 100 numbered copies printed on extremely fine wove paper and signed by the artist below the justification / colophon this is ONE OF ONLY 20 COPIES WITH A SIGNED ETCHING AN ORIGINAL FULL-PAGE SIGNED WATERCOLOR BY COLLOMB ON JAPANESE PAPER and all 52 reproductions the other 80 copies include only 20. Enhanced with a warm signed dedication inscription by Collomb. Large 4to. Loose as issued in the original wraps cloth chemises and slipcase. FINE AND BRIGHT with no defects. <br/><br/> Nanga paperback
191838244Genève Geneva: L'éventail 1918. Fine. L'éventail Genève Geneva 15 Novembre 1918 19 x 23.50 cm broché First edition. Contributions by Paul-Jean Toulet ""Quatrains et distiques"" then ""Contrerimes"" Francis Carco ""Les veillées du Lapin Agile"" Louis Thomas. Issue illustrated with drawings by Félix Appenzeller and William Muller and reproductions of works by Raoul Dufy Maurice de Vlaminck Ossip Zadkine Henry de Waroquier. Handsome copy. L'éventail unknown
1998Q-0814403875AMACOM 1998-01-27. Hardcover. New. New. In shrink wrap. Looks like an interesting title! AMACOM hardcover
192865144Paris: Au sans pareil 1928. Fine. Au sans pareil Paris 1928 14 x 19.50 cm broché First edition one of the numbered copies on Montgolfier laid paper. Spine and covers marginally sunned and faded as generally. Work illustrated with 6 etchings by Pierre Falké. Au sans pareil unknown
192846705Paris: Au sans pareil 1928. Fine. Au sans pareil Paris 1928 14.50 x 19.50 cm broché First edition one of 1200 numbered copies on Montgolfier laid paper. Work illustrated with 6 original etchings by Pierre Falké. Spine and boards sunned a light stain at head of front board interior in pleasant condition. Au sans pareil hardcover
194545383Paris & Étampes: Marcel Gasnier 1945. Fine. Marcel Gasnier Paris & Étampes 1945 14 x 20.50 cm relié New edition decorated with original illustrations by Van Rompaey. Half brown shagreen binding with corners spine faded with four raised bands minor rubbing to head and foot of joints marbled paper boards covers and spine preserved top edge gilt. Handsome copy. Marcel Gasnier hardcover
