244 résultats
65764Couverture rigide. Bon/1946. in-4. Paris 1946 in-4 23pp En feuilles sous chemise emboitage Exemplaire en parfait état de l'édition numérotée sur papier Vélin Blanc de Lana n° 214/330 après 20 ex. sur Vidalon. Frontispice par Daragnès. Très bel envoi manuscrit de l'auteur adressé à Madame Nénard ""en souvenir de Montmartre et de l'Isle d'Adam très cordialement Carco"" unknown
31664Couverture rigide. Bon/1949. in-12. Paris Albin-Michel 1949 in-12 44pp broché Exemplaire en parfait état neuf de l'édition originale sur papier d'édition. unknown
31666Couverture rigide. Bon/1934. in-8. Paris Albin-Michel 1934 in-8 253pp broché Exemplaire en parfait état de l'édition originale sur papier d'édition. Très bel envoi manuscrit de l'auteur adressé à Gérard le Dantec! unknown
67600Couverture rigide. Bon/1935. in-8. Paris Albin-Michel 1935 in-8 315pp broché Exemplaire en parfait état de l'édition originale sur papier d'édition après 5 ex. pur fil Montgolfier. Superbe envoi manuscrit de l'auteur adressé à Lucien Descaves. unknown
78717Couverture rigide. Bon/1948. in-8. Paris 1948 in-8 214pp broché Très bel exemplaire portant sur la page de faux titre un dessin et un envoi autographe signé de l'auteur au poète Jean Berthet Ex. numéroté sur Bouffant. on joint un billet autographe signé de l'auteur! unknown
32771Couverture rigide. Bon/1948. in-8. Paris Points et contrepoints 1948 in-8 214pp broché Exemplaire en parfait état de l'édition originale sur papier Vélin Crèvecoeur des papeterie du Marais N°26/300. Très bel envoi manuscrit de l'auteur augmenté d'un joli dessin. unknown
31462Couverture rigide. Bon/1958. in-8. Paris Albin-Michel 1958 in-8 266pp broché Exemplaire en parfait état de l'édition originale numérotée sur Vélin Pur Fil des Papeteries d'Arches N°31/50 premier grand papier. non coupé non rogné. Superbe! unknown
31663Couverture rigide. Bon/1957. in-8. Paris Albin-Michel 1957 in-8 237pp broché Exemplaire en parfait état neuf de l'édition originale numérotée sur papier Vélin Pur Fil des Papeteries de Rives N° XVI/XX un des 10 ex. hors commerce. unknown
31674Couverture rigide. Bon/1935. in-8. Paris Albin-Michel 1935 in-8 254pp broché Exemplaire en parfait état de l'édition originale sur papier Alfa Mousse. Très bel envoi manuscrit de l'auteur adressé à Willy de Witasse! unknown
31705Couverture rigide. Bon/1956. in-8. Paris 1956 in-8 224pp broché Exemplaire en parfait état de l'édition originale numérotée sur papier Alfa. N°IX/XV unknown
1921296876La Renaissance 1921. Boards. Good. 225 pp leather spines with raised bands tears to leather spine with small pieces missing on spine marbled type decorated boards @813 Limited edition N°497 / 500. Illustrations par Chas. Laborde signed by Carco under justification La Renaissance hardcover
1927BLR - HAY352761927 - Belle édition de bibliophile un des 34 exemplaires sur papier de hollande numérotés 27 à 60 celui-ci n°39 après 26 Japon. Paris à la Cité des Livres. relié demi-maroquin vert reliure signée ASPER. Reliure en excellente condition dos marron passé intérieur très frais et sans rousseurs très bel exemplaire. in-4 19 x 25 cm. dos lisse orné du titre et de l'auteur en lettres dorées ; couverture et dos conservés ; tête dorée. unknown
1928334585Paris: Au Sans Pareil 1928. First edition one of 1200 on vélin Montgolfier. With six original etchings by Pierre Falké. 59 1 1 limitation leaf pp. 1 vols. 8vo. Blue wrappers. Some toning to wrappers. Fine in custom slipcase and chemise. First edition one of 1200 on vélin Montgolfier. With six original etchings by Pierre Falké. 59 1 1 limitation leaf pp. 1 vols. 8vo. Vignettes of lowlife Paris by Francis Carco 1886-1958 French poet novelist dramatist and art critic whose memoir The Last Bohemia: From Monmartre to the Latin Quarter was published by Henry Holt in 1928. <br/><br/> Au Sans Pareil unknown
194546686Paris: Pierre Seghers 1945. Fine. Pierre Seghers Paris 1945 17.50 x 21.50 cm broché Edition illustrated with original illustrations by André Warnod one of 625 numbered copies on Johannot paper. Spine very lightly sunned without consequence a blue ink stain on the bottom edge not touching the text. Signed and inscribed copy by Francis Carco to Raymond Calvet: "". à la bonne chance."" "".to good fortune."" Pierre Seghers unknown
193075000Paris: Emile Hazan 1930. Fine. Emile Hazan Paris 1930 20.50 x 26.50 cm relié Edition illustrated with 8 original etchings by André Dignimont one of 25 numbered copies on Holland paper deluxe issue after 8 different Japan papers. Bound in full red morocco shagreen spine with five raised bands set with gilt fillets decorated with double gilt compartments ornamented at their centers with gilt floral motifs triple gilt fillet frame on boards moiré-effect paper endpapers and pastedowns gilt dentelle frame on pastedowns covers and spine preserved top edge gilt on deckled edges binding signed Barth fils. Our copy contains the complete suite in black of the illustrations as stipulated in the justification page. Handsome copy attractively bound. Emile Hazan hardcover
192747081Paris: La cité des livres 1927. Fine. La cité des livres Paris 1927 19 x 25.50 cm relié First collected edition one of 290 numbered copies on Rives vellum. Full lemon yellow shagreen binding smooth spine the letters composing the title of the work are inlaid in grey shagreen and set in gold on the first cover which bears at foot the author's name in a grey shagreen rectangle grey box endpapers and pastedowns two endpapers marginally soiled original wrappers preserved top edge gilt. The work is illustrated with a frontispiece portrait of the author by André Derain. Handsome copy pleasantly bound. La cité des livres hardcover
191858388Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper deluxe copies after 6 Japan. Half brown shagreen binding with corners spine with five raised bands slightly faded marbled paper boards endpapers and pastedowns covers and spine preserved top edge gilt. Endpapers entirely shaded. Beautiful cover illustrated by Lobel-Riche. Handsome copy nicely bound of this sequel to Jésus-la-Caille. A l'édition hardcover
191845550Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper the deluxe issue after 6 on Japan paper. Half anthracite morocco binding with bands smooth spine enhanced at the head with a mosaic piece of red and brown morocco covers and spine preserved top edge gilt bookplate pasted on the front pastedown elegant binding signed by Devauchelle. Attractive cover illustrated by Lobel-Riche. A handsome copy perfectly executed of this sequel to Jésus-la-Caille. A l'édition unknown
6829Frontis. port. & eight full-page illus. all black & white. Large 8vo 240 x 157 mm. orig. printed wrappers staple-bound. Paris: 1935.<br/> <br/> The rare auction catalogue of Carco’s art collection and library. Carco 1886-1958 the celebrated writer and journalist and early devotee of Modigliani’s work often went to Montmartre and there befriended artists such as Utrillo Max Jacob Eugène Paul and Modigliani with whom he developed a close friendship. An amateur art historian Carco wrote Le Nu dans la peinture moderne: 1863-1920 1924 in which he refers to a number of works in his collection. An earlier sale of paintings prints and drawings from Carco’s collection took place in 1925 Lugt 88156.<br/> <br/> This catalogue divided into three vacations describes 381 lots: 1-190 are illustrated books and first editions nearly all special copies; 191-242 consist of prints drawings and paintings by Bonnard Derain Dufy Toulouse-Lautrec Matisse Picasso Utrillo Valadon Vlaminck etc.; 243-381 are also illustrated books and first editions.<br/> <br/> In nice condition. This catalogue is scarce in North America. unknown
