Francis CarcoBiblio.com
244 résultats
0484892894.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192057717Paris: Ronald Davis & Cie 1920. Fine. Ronald Davis & Cie Paris 1920 19 x 27 cm broché First edition one of 300 numbered copies pure cloth one draw after 13 Chinese and 37 Japanese. Signed autograph Francis Carco Paul Lombard. Book illustrated with 18 original woodcuts by Deslignieres. A small lack in foot of the first flat flat with slight angles. Ronald Davis & Cie hardcover
19600186641960. Original Wraps. Very Good. Paris sans éditeur. En feuilles sous couverture rempliée 26 cm x 34 cm 171 pages tirage n°73 à 137 exemplaires sur papier pur chiffon des Papeteries d'Arches. Scarce title total print run of 150 in collectible condition: immaculate interior and illustrations covered with rice paper inserts; only visible flaw are a few faint smudges to the covers see photos. Loose leaf as issued and verified to be complete. <br/> <br/> paperback
feb69568Used. For more details please contact me unknown
194184070Lyon: S. n. 1941. Fine. S. n. Lyon 18 Mai 1941 13.50 x 21 cm une feuille Autograph letter dated and signed by Francis Carco 24 lines in black ink from the Royal Hotel in Lyon place Bellecour providing details regarding a conference he is giving on the poetry of Paris. Fold marks inherent to the mailing. Léon Daudet having added a few words in black ink in the upper right corner of the letter ""mon fils ira."" ""my son will go."" Francis Carco who met François Daudet is very busy with organizing his conference and asks his correspondent when he might be able to meet him : "". j'attendais d'être moins bousculé pour vous demander d'aller vous voir."" "". I was waiting to be less rushed to ask you if I could come see you."" He also invites him to this conference while expressing all the admiration he holds for him: "". je serais ravi que vous puissiez y assister. Veuillez croire à ma bien fidèle et toujours jeune admiration."" "". I would be delighted if you could attend. Please believe in my most faithful and ever young admiration."" S. n. unknown
194188431Lyon: s. n. 1941. Fine. s. n. Lyon 3 juin 1941 13.5 x 21 cm Un double feuillet une enveloppe Autograph letter dated 3 June 1941 signed and addressed to Frédéric Lefèvre comprising 40 lines in blue ink on two pages of a bifolium written from Lyon.  Folds from original mailing envelope present.  During these troubled times Frédéric Lefèvre was difficult to reach for his friend Francis Carco: ""J'ai appris par Raymond Millet - qui me donne ton adresse - que tu es à Vichy ! On m'avait dit que tu étais retourné à Paris. . c'est pour cette raison que je ne t'ai pas envoyé mon dernier livre mais je dois recevoir des exemplaires prochainement et le premier sera pour toi.""  Francis Carco discusses his future plans: ""J'irai me poser en Haute Savoie afin d'écrire le roman que je dois à Gringoire. . un éditeur suisse désire publier une petite plaquette de mes vers inédits. N'aurais-tu pas une copie de ceux que je t'ai envoyés à Cannes l'automne dernier et de ceux qui commencent par : C'est le pays de Gérard de Nerval.""  s. n. unknown
194180354Nice 1941. Fine. Nice 29 Novembre 1941 16 x 20.50 cm une feuille Autograph letter signed by Francis Carco of 20 lines written in black ink from Nice to Roger Bellion Roger Rabiniaux in literature to whom he presents his apologies for the delay in responding due to his state of physical and mental fatigue related to his work as a writer. Fold inherent to postal delivery. ""Nice 29 Novembre 1941. Cher ami je suis bien en retard avec vous. Excusez-moi. mais je ne viens pas à bout de mon sacré roman de Gringoire et je suis complètement à plat. Où en est le vôtre de roman Y travaillez-vous Avance-t-il Donnez-moi de vos nouvelles. Vous me trouverez ici et ravi de vous revoir - tout le mois prochain. Merci pour mon ami Picon ! Vous êtes chic je n'en doutais pas et je suis heureux d'avoir eu à le constater. Bon courage mon cher Bellion. Je vous serre très cordialement la main. F. Carco."" ""Nice November 29 1941. Dear friend I am quite late in responding to you. Forgive me. but I cannot manage to finish my damned Gringoire novel and I am completely exhausted. How is your novel coming along Are you working on it Is it progressing Give me your news. You will find me here and delighted to see you again - all next month. Thank you for my friend Picon! You are wonderful I never doubted it and I am happy to have been able to confirm this. Good luck my dear Bellion. I shake your hand most cordially. F. Carco."" unknown
194180353Nice 1941. Fine. Nice 10 Mars 1941 13 x 21 cm une feuille Autograph letter signed by Francis Carco 15 lines written in blue ink from the Plaza Hotel in Nice regarding an article he intends to have published in Le Figaro concerning the poems that his correspondent had sent him. Fold inherent to postal delivery. ""Nice 10 Mars 1941 Hotel Plaza. Cher monsieur je vous remercie de votre lettre ainsi que des poèmes et des renseignements qu'elle contient. J'écrirai l'article dans une dizaine de jours et l'enverrai au Figaro. Nous verrons alors ce qu'on me répondra. Soyez sans crainte : il passera. Très cordialement à vous. F. Carco."" ""Dear Sir I thank you for your letter as well as for the poems and information it contains. I will write the article in about ten days and send it to Le Figaro. We shall then see what they reply. Have no fear: it will be published. Very cordially yours. F. Carco."" unknown
1928334585Paris: Au Sans Pareil 1928. First edition one of 1200 on vélin Montgolfier. With six original etchings by Pierre Falké. 59 1 1 limitation leaf pp. 1 vols. 8vo. Blue wrappers. Some toning to wrappers. Fine in custom slipcase and chemise. First edition one of 1200 on vélin Montgolfier. With six original etchings by Pierre Falké. 59 1 1 limitation leaf pp. 1 vols. 8vo. Vignettes of lowlife Paris by Francis Carco 1886-1958 French poet novelist dramatist and art critic whose memoir The Last Bohemia: From Monmartre to the Latin Quarter was published by Henry Holt in 1928. <br/><br/> Au Sans Pareil unknown
15524Orig. wrappers uncut. No 1163 of 1200 "sur velin Montgolfier" a total of 1400. With 6 orig. etchings by Falké. unknown
192865144Paris: Au sans pareil 1928. Fine. Au sans pareil Paris 1928 14 x 19.50 cm broché First edition one of the numbered copies on Montgolfier laid paper. Spine and covers marginally sunned and faded as generally. Work illustrated with 6 etchings by Pierre Falké. Au sans pareil unknown
192846705Paris: Au sans pareil 1928. Fine. Au sans pareil Paris 1928 14.50 x 19.50 cm broché First edition one of 1200 numbered copies on Montgolfier laid paper. Work illustrated with 6 original etchings by Pierre Falké. Spine and boards sunned a light stain at head of front board interior in pleasant condition. Au sans pareil hardcover
0260167460.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
133270591X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334950903.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
FLFR0219Paris La Renaissance du Livre 1918. 238 S. Ill.OBrosch. Einbd. angestaubt u. stellenw. randrissig. Erste Ausgabe. Illustr.von G.Bofa. - Schmutztitel mit Widmung von Carco an Fred Antoine Angermayer. Paris, La Renaissance du Livre 1918. unknown
0656754036.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
003197Paris. Limited First Edition. Wraps. Very Good Plus. Scarce collection of watercolors from a now forgotten or unjustly overlooked artist who incomparably captures in her paintings the l'esprit of Colette. No copies found on OCLC notwithstanding this was a limited edition of 500 copies. This copy is numbered 500. Also no information on the publisher suggesting this might have been privately printed. N.d. circa 1925. 33 by 25 cm. 2 pp. preface by Carco a novelist regarded as the "Last Bohemian" followed by sixteen watercolors each preceded by a tissue guard containing the title of the painting. Whether or not May Wanda herself felt a connection to Colette is immaterial; in her subject matter her treatment of her subjects the economy of line in her portraits her bold application of color and finally her straightforward unblinking honesty the comparison of the two is inevitable. There are a few men appearing in these paintings but this is artwork about women by a woman from a woman's point-of-view. That point-of-view is both inscrutable and acerbic in its traversal of the frivolous and gaudy aspects of urban life and there is somehow created a bond between the women living in comfort and luxury and those of meaner circumstance. Here are depicted a woman sitting alone with a glass of wine a young ingenue on a fashionable boulevard a flapper behind the wheel of a car a woman at a pool sisters in an opera box smartly dressed women shopping a woman at a "Bal Musette" etc. Carco likens May Wanda to Toulouse-Lautrec and that is also an apt comparison in many ways particularly in the weary enigmatic expressions of many of the women. unknown
191858388Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper deluxe copies after 6 Japan. Half brown shagreen binding with corners spine with five raised bands slightly faded marbled paper boards endpapers and pastedowns covers and spine preserved top edge gilt. Endpapers entirely shaded. Beautiful cover illustrated by Lobel-Riche. Handsome copy nicely bound of this sequel to Jésus-la-Caille. A l'édition hardcover
191845550Paris: A l'édition 1918. Fine. A l'édition Paris 1918 11.50 x 18.50 cm relié First edition one of 15 numbered copies on Arches paper the deluxe issue after 6 on Japan paper. Half anthracite morocco binding with bands smooth spine enhanced at the head with a mosaic piece of red and brown morocco covers and spine preserved top edge gilt bookplate pasted on the front pastedown elegant binding signed by Devauchelle. Attractive cover illustrated by Lobel-Riche. A handsome copy perfectly executed of this sequel to Jésus-la-Caille. A l'édition unknown
0265081335.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265318408.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
191826832Paris: Mercure de France 1918. Fine. Mercure de France Paris mars-avril 1918 15 x 23 cm Pre-first edition. Full soft grey cardboard binding original wrappers preserved contemporary binding. Other contributions by F. Gaiffe ""L'Ame de la Pologne d'après son théâtre"" A.-Ferdinand Hérold ""L'Espagne en 1917"" G. Batault N. Minsky ""L'Idéologie de la Révolution russe"" M. Gay ""Isabelle Rimbaud"" Rachilde C. Merki G. Kahn G. Dauville ""L'Internationalisme et la guerre"" M. Dufaux ""Une Mentalité d'avant-guerre : le Tiers-esprit"" M. Boigey ""Notes sur l'esthétique des combats"" C. Bessonnet-Favre ""Leibniz et la colonisation germanique de la Russie"" J.-E. Blanche ""Les Spectacles de la société Shakespeare"". Copy illustrated with portraits of Sacha Guitry by André Rouveyre. Handsome interior condition. The 'Mercure de France' originated as a French review founded in the 17th century under the name 'Mercure Galant' which evolved to become a publishing house in the 20th century. Under the impulse of Rémy de Gourmont and Alfred Jarry a literary review revived the name 'Mercure de France' in 1890 and featured symbolist texts notably by Jean Moréas Ernest Raynaud Jules Renard Louis Dumur. Gradually gaining recognition this review published both the greatest Parnassians Baudelaire Rimbaud Verlaine Mallarmé Heredia etc. and witnessed the emergence of Jarry's Pataphysics. The publishing house was born in its wake. It notably published the first works of Gide and Claudel Colette Apollinaire Georges Duhamel Mercure de France unknown
193075000Paris: Emile Hazan 1930. Fine. Emile Hazan Paris 1930 20.50 x 26.50 cm relié Edition illustrated with 8 original etchings by André Dignimont one of 25 numbered copies on Holland paper deluxe issue after 8 different Japan papers. Bound in full red morocco shagreen spine with five raised bands set with gilt fillets decorated with double gilt compartments ornamented at their centers with gilt floral motifs triple gilt fillet frame on boards moiré-effect paper endpapers and pastedowns gilt dentelle frame on pastedowns covers and spine preserved top edge gilt on deckled edges binding signed Barth fils. Our copy contains the complete suite in black of the illustrations as stipulated in the justification page. Handsome copy attractively bound. Emile Hazan hardcover
1921296876La Renaissance 1921. Boards. Good. 225 pp leather spines with raised bands tears to leather spine with small pieces missing on spine marbled type decorated boards @813 Limited edition N°497 / 500. Illustrations par Chas. Laborde signed by Carco under justification La Renaissance hardcover
