477 résultats
19962111902153303493Rikuruto 1996. Soft Cover. Fine. Number of books: 1 Rikuruto paperback
19602081002109001954Kokubunsha 1960. Soft Cover. Fine. Number of pages: 129p Size: 16cm Kokubunsha paperback
20102083002115713236Kobunsha 2010. Soft Cover. Fine. Number of pages: 524p Size: 16cm Number of books: 1 Kobunsha paperback
19532111902160603616Shinchosha 1953. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
199324020New York City NY: Alfred A. Knopf 1993. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Alfred A. Knopf 1993. Hardcover. Fine/Fine. First Edition/First Printing. 820 pages. Massive Biography on subject. One of Edmund White's masterworks it is the best book on Genet in English ever written thus far. The first appearance of the title in the United Kingdom. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only that sold out despite its intimidating length. In terms of production values the British Edition is superior to the American in every respect. The First Edition is now scarce. Presents Edmund White's "Genet: A Biography". The great French Modernist writer as seen by the perceptive and insightful American writer/expatriate of the time. As such White has written a meticulous hence its daunting length and illuminating account a necessary antidote to Jean-Paul Sartre's impenetrable "biography" "Saint Genet". According to many dependable critics there is no other 20th-century writer whose prose style is as commanding as authoritative and as original as Jean Genet's with the exception of Marcel Proust and Franz Kafka. That Genet was largely self-taught makes his achievement all the more astonishing. It is just as fascinating that he and Proust the unsurpassed French literary artists of the 20th century should both be homosexual. As such "Genet" is also biography-as-autobiography: Edmund White also homosexual and profoundly influenced by Genet examines this cultural phenomenon its continuity in the constellation of such writers as Andre Gide Jean Cocteau Michel Tournier the philosopher Michel Foucault and the culture critic Roland Barthes all seminal figures all gay. Every Edmund White book is deep down a fable. "Genet" is no exception. Every fable as Michael Ondaatje has remarked about White is marked by a melancholy beauty. Indeed Genet's life-story is when all is said and done about EVERY truly great writer's temperament which is always melancholy. An absolute "must-have" title for Edmund White and Jean Genet collectors. This title is a great book. This is one of very few copies of the First Hardcover Edition/First Printing British still available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have very serious flaws or are in multiple subsequent printings. Readers actually read and re-read this book because it is absorbing and beautifully written. Hence too many used copies online. This is surely an accessible and lovely alternative. A rare copy thus. Lavishly illustrated with vintage photographs. Winner of the National Book Critics Circle Award in 1994 for "Genet: A Biography". Anointed by Vladimir Nabokov as his American successor. One of the greatest writers of our time on one of the greatest writers of the 20th century. A fine copy. SEE ALSO OTHER JEAN GENET AND EDMUND WHITE TITLES IN OUR CATALOG. ISBN 070113397X. Alfred A. Knopf hardcover
1245944711.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6128750898VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG pp. 172 . Papeback. New. VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG unknown
1997Q-0943396530Willmann-Bell 1997. Hardcover. New. In shrink wrap. Looks like an interesting title! Willmann-Bell hardcover
19992092902140315650contemporary planning room 1999. Soft Cover. Fine. Number of books: 1 contemporary planning room paperback
19662092902140306250Shinchosha 1966. Soft Cover. Fine. Number of books: 1 Shinchosha paperback
19632111902160604779Shinchosha 1963. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
19562110502150306314Shinchosha 1956. Soft Cover. Fine. Volume: 1 Shinchosha paperback
19532110502150306545Shinchosha 1953. Soft Cover. Fine. Volume: 1 Shinchosha paperback
189375430Eagle Printing 1893-01-01. Acceptable. Fair; Front cover is lose but still present; Soft Cover; Eagle Printing; 1893; 0 Eagle Printing paperback
012311No Binding. Fine. Three scratchboards two 12'x 15" the other 16" x 12" depicting critical scenes from Jean Genet's classic Querelle. Two are uniform in size and are matted and framed in the style of the oblong one which wads originally matted and framed by the artist. The life of Sam Steward 1909 - 1983 the subject of Justin Spring's biography "Secret Historian: The Life and Times of Samuel Steward Professsor; Tattoo Artist and Sexual Renegade "Farrar Strauss Giroux 2010 took Steward from a small town Ohio upbringing to personal friendships with Gertrude Stein and Alice B. Toklas associations with George Platt Lynes Glenway Wescott and other literati and a close relationship with sex researcher Alfred Kinsey. Steward's life may well be most provocatively known for his explicit diaries journals photography and art that both recorded his sexual life in detail and which he shared with Kinsey. Starting out as an English professor at DePaul University with literary aspirations and after writing several commercially unsuccessful books Steward attempted mid-life in the early 1950s to seek approval from Jean Genet to publish his own English translation-with his own original illustrations - of Querelle de Brest. When it became clear to Steward that Genet was disinterested he dropped the project: these three scratchboards the art he he created for it. Steward's pursuit of "serious" literary expression ebbed and later in the 1960s under the pseudonym Phil Andros he authored a series of gay paperback novels STUD The Greek Way etc. regarded as the most literate of homoerotic fiction featuring his alter-ego hustler. He turned his artistic energies to tattooing operating parlors catering to naval and military servicemen in Chicago Milwaukee and finally Oakland. And his sexual activities increasingly involved sadomasochism in which he had always been interested All three of these drawings were reproduced in "An Obscene Diary: The Visual World of Sam Steward" Antonius Press/ Elysium Press 2010. During Steward's lifetime the "Lucky Strike" image was published in the Zurich-based Der Kries an early homophile publication introduced to Steward by Dr. Kinsey and also in the rare anthology of homoerotic art published by Der Kries in 1960 Der Mann in der Zeichnung under one of Steward's pseudonyms Philip von Chicago. Spring writes: "Noteworthy among Steward's many illustrations for Der Kries is one that was originally created for Steward's 1951- 1952 English language translation of Querelle de Brest. Working form Polaroid photographs taken of himself in various poses Steward fashioned three scratchboard illustrations for the story. In the first a man lights a cigarette for a sailor; in the second Querelle strangles the Armenian pederast; in the third Querelle is penetrated by the bartender husband of Madame Lysiane. The illustration of the sailor having his cigarette lit subsequently appeared in Der Kreis under the caption "Lucky Strike." Indeed Steward etched "LUCKY STRIKE" in the cigarette in the picture on the verso it is signed "Sam Steward 1951 1952". The strangulation picture has in Steward's hand on the verso: "From Genet's Querelle de Brest. Querelle strangles the Armenian". In the picture itself Steward etched his signature and date in the design on the Armenian's shirtcuff: "Sparrow Phil 1951". The picture of Querelle and the bartender in sexual union hung on the wall of Steward's apartment for many years. It is pictured in one of Steward's sex Polaroids reproduced in "Obscene Diary". On the verso of it Steward wrote "L'Execution De Querelle 9-19-51" Steward did not work in scratchboard alone. His art was quite versatile: murals in his apartments tempera watercolor pastel pen/ink and some wire sculpture and collage. These drawings could be regarded as the most important of his visual art. While they were motivated by literary aspiration they in effect represented a real turning point in his lif. unknown
1949558750New York: The Tiger's Eye 1949. Softcover. Very Good. Nos. 1-9 all published. Octavos. Illustrated in black and white and tipped-in color plates. Printed wrappers. Modest general wear with a couple of tiny tears at the spine most color plates neatly reattached first two volumes with hinges neatly strengthened Number 2 with a small foredge stain affecting the a small area of the margins of the second half of the text and Number 1 with a bit of cover erasure and a bit of loss at the spine a very good set. <br /> <br /> Text highlights include "The Night's Children" by Jean Genet translated by Bernard Frechtman; "Japanese Goblin Poems" translated by Lafcadio Hearn; "Forerunners of Modern Music" by John Cage; "Two Poems about Heaven and Earth" by Kenneth Patchen; "To Walter de la Mere" by T.S. Eliot; "The Gift of Understanding" and "The Landfall" by Thomas Merton; "The Furies" by Weldon Kees; "At the Edge of the Forest" by Raymond Queneau translated by Ralph Manheim; and "Demolition Proejct" by William Stafford among many others. <br /> <br /> In 2002 Yale's Beinecke Library organized an exhibition of Ruth and John Stephan's work with an emphasis on The Tiger's Eye. Reviewing the exhibition and accompanying catalog for The New York Times Roberta Smith wrote: "the magazine which took its title from William Blake was one of the few that 'took visual art as seriously as literature.' It was also an eccentric mom-and-pop operation put together with love sophistication and a fair amount of attitude as well as Ruth's money. Her family owned Walgreen's.'" A complete run of this important and nicely-produced mid-Century journal. The Tiger's Eye unknown
6128761660VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG pp. 84 . Papeback. New. VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG unknown
3838315731.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0526278919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
698172081Editorial Academica Espanola pp. 92 . Papeback. New. Editorial Academica Espanola unknown
1963100147771Hatier 1963. Bon Etat intérieur propre. in8. 1963. Cartonné. Manuel de philosophie destiné aux classes terminales lycée en France publié dans les années 1970-1980 par les éditions Nathan. L'ouvrage couvre les principaux domaines de la philosophie philosophie anthropologie métaphysique et existe en différentes versions adaptées aux séries du baccalauréat A B C D E F G H manuel scolaire histoire contemporaine 1789-1870 Hatier programme 1962 troisième moderne Révolution française XIXe siècle Paul Coquerelle Simone Coquerelle Histoire scolaire Manuel pédagogique Période contemporaine Programme éducatif Histoire de France Enseignement secondaire Hatier unknown
1987604421987. hardcover. Used very good. Almost like new. Glossy black hardcover without jacket Fairborn Press 211pp. Slightest barely visible wear; clean and unmarked. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. hardcover
20172-2017009695Hachette Education 2017. Paperback. New. 368 pages. French language. 9.45x6.69x0.87 inches. Hachette Education paperback
1972744504PN. New. 1972. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
19952021399Melbourne Australia: Ross Moore 1995. First . Ring_bound. Fine. Oblong 48mo spiral-bound covers cut from industrial PVC sheeting. Very Rare: WorldCat cites no locations for this. <br/><br/>Copy no. 22 of only 50 copies each numbered signed and dated by the artist. The images proofed by the artist were editioned by Bashir Baraki from the original paintings using a Canon Laser Colour Copier. The paintings were first exhibited at Linden Gallery St. Kilda in 1993. "The miniaturisation of my Genet works in forcing the visual frame to function as portal into an imprisoned interior aims to establish the pictorial boundary as orifice - either mouth or anus - and the entry into art itself as an unavoidable even unbearable passage of coitus." - Artist's Foreword. These tiny works started as watercolours. 64 leaves of images. Ross Moore unknown
