861 résultats
1986BN256794Gifkendorf : Merlin-Verlag 1986. 1986. Wunder der Rose. - Miracle de la rose : Roman Ins Dt. übertr. von Manfred Unruh <br/><br/>Wunder der Rose. - Miracle de la rose : Roman Ins Dt. übertr. von Manfred Unruh Jean Genet Gifkendorf : Merlin-Verlag unknown
1976R100052228Presses Universitaires de Lille. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 787 pages - quelques planches en noir et blanc - quelques fac similés en noir et blanc hors texte - jaquette conservée.. Avec Jaquette. . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
198321505Paris, Éditions de l'Herne, 1981. In-4 broché, 450 pages, 30 illustrations, couverture illustrée. Une discrète et petite annotation en tête de la petite page de titre. Très bon état.
197620825Villeneuve D'ascq Presses Universitaires De Lille 1976 Fort In-8 757 pp
1918034937N.Y.: Scribner's. nice copy . Very Good. Hardcover. 1st Edition. 1918. Scribner's hardcover
196533531Paris : Editions de l'Herne, 1981. Sous la direction de Jacqueline Genet. In-4 broché (27 x 21 cm), 450 pages, quelques illustrations photographiques. La formation, Le poète, L'homme de théâtre, Le prosateur, Yeats et les autres, bibliographie française. Contributions de Michael Yaets, Ezra Pound, Francis Stuart etc. Très bon état de cette première édition.
19706013Austin TX: University Of Texas At Austin Humanities Research Center 1970. First Edition. Original Wraps. Fine in Wraps in Near Fine Archival Case. Tiht bright and unmarred. Printed paper wraps mustard ink lettering black ink pictorial elements. Green cloth slipcase matching green cloth sleeve black leather spine gilt lettering and decorative elements. Square 8vo. 48pp. Illus. b/w plates. <br/><br/>Exhibition catalogue covering the books and manuscripts from the Van der Poel Collection at the Miriam Lutcher Stark Library. A handsome copy in a lovely archival case. University Of Texas At Austin Humanities Research Center paperback books
1955Genet4<p><strong>GENET Jean 1910-1986</strong></p><p>First draft manuscript<br />N.p.n.d c. 1955 3/4 p. in-4° in blue ink on lined paper<br />Numerous repentirs by the author</p><p><strong>Unpublished and provocative manuscript about the Algerian war</strong></p><p><strong><u>From the</u></strong><u> <strong>B. & R. Broca</strong> <strong>collection</strong></u></p><p><em>" Me revoici</em><br /><em>Belles gonzesses de France préparez vos miches !</em><br /><em>Je rentre d'Algérie une patte en moins trois doigts coupés mais le reste en bon état.</em><br /><em>Rappellez-vous</em> sic<em> de moi. Vous me reconnaîtrez : il y a dix ans j'étais milicien chez les Boches. Entre temps j'ai rôti du Viet au feu des paillottes. Les vaches ils nous ont tous foutu dehors à coup de pompes dans l'ognon. Heureusement il y a eu l'Algérie ! Alors là pardon je me suis régalé avec la viande de Bic ! J'en ai crevé quelques-uns et c'en est devenu du vice. J'ai défoncé des moukères : J'en ai même travaillé une à coup de talons dans le bide. Elle avait deux mômes dans le ventre deux sales petits Bicots qui ne ne couperont pas</em> les <em>jolies couilles de petit Français ! </em><br /><em>Je rentre mesdames je rentre moi votre petit milicien de 44. </em><br /><em>Une patte en moins je vous l'ai dit mais le reste en bon état. Alors dites à vos hommes de se barrer là bas pour continuer le boulot et me laisser dans vos draps une petite place bien chaude pour moi votre petit milicien bien aimé et boiteux. </em><br /><em>Vos mâles J'espère bien qu'on les arrangera comme moi ! "</em></p><p>Entirely unpublished this text seems to be linked to the play <em>Les Paravents</em> first performed on 16 April 1966 at the Théâtre de l'Odéon. Although the complete manuscript of the work as we know it was written in 1961 we nevertheless know that the first drafts were composed as early as 1955. Genet made profound changes and this sequence a monologue by a colonist was probably discarded.<br />The text deliberately provocative embodies here more than ever the moral intellectual and sexual transgression of its author. Strongly committed to anti-colonialism Genet expressed his position not only through his work but also through political combat. He thus took a violent stand against France during the Algerian War and pleaded more generally the cause of independence.</p><p><u>We would like to thank Albert Dichy for confirming the unpublished nature of this document</u></p>
198629315Paris: Revue des études palestiniennes 1986. Fine. Revue des études palestiniennes Paris Automne 1986 17 x 24 cm broché First edition. Contributions by R. Wischenbart L. Shahid Barrada F. Guattari. Revue des études palestiniennes unknown
1995DADAX2070392988GALLIMARD 1995-05-23. pocket_book. New. 4.21x1.06x7.09. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD unknown
198628801Paris Gallimard 1986 In-8, broch, couverture imprime.Edition originale. Un des 70 exemplaires numrots sur vlin de Rives, seul tirage sur grand papier. Neuf, non coup.
198646686Paris Gallimard 1986 1 vol. Broché in-8, broché, couverture à rabats, non coupé, 503 pp. Édition originale. Un des 70 exemplaires numérotés sur vélin pur chiffon de Rives, seul grand papier. En bonne condition.
198646686Paris Gallimard 1986 1 vol. Broché in-8, broché, couverture à rabats, non coupé, 503 pp. Édition originale. Un des 70 exemplaires numérotés sur vélin pur chiffon de Rives, seul grand papier. En bonne condition.
1986100153761Gallimard 1986 in8. 1986. Cartonné.
19865003793001986 1986.
1954D16536New York: Grove Press 1954. First Edition First Printing Stated. Hardcover. Near Fine/Very Good. Original cloth in DJ. 8vo; pp. 166. Nice copy in sunfaded and lightly edgeworn DJ. <br/><br/> Grove Press hardcover books
195112311TRIPTYCH OF ORIGINAL SCRATCHBOARDS FOR STEWARD'S UNPUBLISHED TRANSLATION OF JEAN GENET'S QUERELLE <br /> Three scratchboards two 12'x 15" the other 16" x 12" depicting critical scenes from Jean Genet's classic Querelle. Two are uniform in size and are matted and framed in the style of the oblong one which wads originally matted and framed by the artist. <br />The life of Sam Steward 1909 - 1983 the subject of Justin Spring's biography "Secret Historian: The Life and Times of Samuel Steward Professsor; Tattoo Artist and Sexual Renegade "Farrar Strauss Giroux 2010 took Steward from a small town Ohio upbringing to personal friendships with Gertrude Stein and Alice B. Toklas associations with George Platt Lynes Glenway Wescott and other literati and a close relationship with sex researcher Alfred Kinsey. Steward's life may well be most provocatively known for his explicit diaries journals photography and art that both recorded his sexual life in detail and which he shared with Kinsey. Starting out as an English professor at DePaul University with literary aspirations and after writing several commercially unsuccessful books Steward attempted mid-life in the early 1950s to seek approval from Jean Genet to publish his own English translation—with his own original illustrations - of Querelle de Brest. When it became clear to Steward that Genet was disinterested he dropped the project: these three scratchboards the art he he created for it. Steward's pursuit of "serious" literary expression ebbed and later in the 1960s under the pseudonym Phil Andros he authored a series of gay paperback novels STUD The Greek Way etc. regarded as the most literate of homoerotic fiction featuring his alter-ego hustler. He turned his artistic energies to tattooing operating parlors catering to naval and military servicemen in Chicago Milwaukee and finally Oakland. And his sexual activities increasingly involved sadomasochism in which he had always been interested All three of these drawings were reproduced in "An Obscene Diary: The Visual World of Sam Steward" Antonius Press/ Elysium Press 2010. During Steward's lifetime the "Lucky Strike" image was published in the Zurich-based Der Kries an early homophile publication introduced to Steward by Dr. Kinsey and also in the rare anthology of homoerotic art published by Der Kries in 1960 Der Mann in der Zeichnung under one of Steward's pseudonyms <br />Philip von Chicago. Spring writes: "Noteworthy among Steward's many illustrations for Der Kries is one that was originally created for Steward's 1951- 1952 English language translation of Querelle de Brest. Working form Polaroid photographs taken of himself in various poses Steward fashioned three scratchboard illustrations for the story. In the first a man lights a cigarette for a sailor; in the second Querelle strangles the Armenian pederast; in the third Querelle is penetrated by the bartender husband of Madame Lysiane. The illustration of the sailor having his cigarette lit subsequently appeared in Der Kreis under the caption "Lucky Strike." Indeed Steward etched "LUCKY STRIKE" in the cigarette in the picture on the verso it is signed "Sam Steward 1951 1952". The strangulation picture has in Steward's hand on the verso: "From Genet's Querelle de Brest. Querelle strangles the Armenian". In the picture itself Steward etched his signature and date in the design on the Armenian's shirtcuff: "Sparrow Phil 1951". The picture of Querelle and the bartender in sexual union hung on the wall of Steward's apartment for many years. It is pictured in one of Steward's sex Polaroids reproduced in "Obscene Diary". On the verso of it Steward wrote "L'Execution De Querelle 9-19-51" <br />Steward did not work in scratchboard alone. His art was quite versatile: murals in his apartments tempera watercolor pastel pen/ink and some wire sculpture and collage. These drawings could be regarded as the most important of his visual art. While they were motivated by literary aspiration they in effect represented a real turning point in his life. They combine a fascination with uniformed sailors and sadomasochism that was thematic to much of his art. And finally with their clear bold stroke of line these scratchboards capture intrinsically the violence and passion in Genet's landmark of 20th century erotic literature. <br /><i>NOTES ON THE IMAGES: The framed pictures are the orignals. The picture on the horizontal hung as framed on Seward's wall witness to his sexual activites as imaged in the cropped snapshot reproduced in Obscene Diary. The two original images on the vertical were reframed in the style that Seward framed the horizontal one. The close-ups of Seward's signature is from the verso of the horizontal image: the other two are photocopies taken from the versos before they were framed. The two reproduced images are as reproduced in the book Obscene Diary. </i> original art books
1950WRCLIT82484Paris: Transition Press 1950. Whole number four of six published. Pictorial wrappers. Text block browned as usual short snag at crown of upper joint but a good c. Edited by Georges Duthuit with an advisory board including Char Bataille Gilbert Jolas Sartre et al. An important venue for the introduction of then contemporary French writing to the English reading public. Contributions to this number by the editors Genet excerpt from THIEF'S JOURNAL Gide Michaux et al. Transition Press unknown books
19622082402113803114Hayakawashobo 1962. Soft Cover. Fine. Number of books: 1 Hayakawashobo paperback
196623627Nrf Gallimard 1966 402 pages in-8. 1966. broché. 402 pages.
19532110502150306545Shinchosha 1953. Soft Cover. Fine. Volume: 1 Shinchosha paperback
19532111902160603616Shinchosha 1953. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
194925971Westport: Tiger's Eye Publishing 1949. First edition. Paperback. Very Good. Ninth and final issue of this small press arts and literary periodical. Edited by Ruth Stephan. Featuring poems drawings and photographs. A clean very good copy in tall bound illustrated wrappers. Paper loss along the leading edge of the front cover else a very well-bound copy of a magazine often found in poor condition. Some stains to first printed page. Tiger's Eye Publishing paperback books
19492410060053Westport: Tiger's Eye 1949 1949-10-01. paperback. Very Good. 8x1x9. Excellent condition cover and text. Only noted issue- tipped in plates are detached plate at 44 has edge/corner crease. Additional photos on request. US orders shipped via US Mail. International orders shipped via Asendia or DHL. Additional postage may be required on oversize books and sets. NO prison orders. Westport: Tiger's Eye, 1949 paperback
1949558750New York: The Tiger's Eye 1949. Softcover. Very Good. Nos. 1-9 all published. Octavos. Illustrated in black and white and tipped-in color plates. Printed wrappers. Modest general wear with a couple of tiny tears at the spine most color plates neatly reattached first two volumes with hinges neatly strengthened Number 2 with a small foredge stain affecting the a small area of the margins of the second half of the text and Number 1 with a bit of cover erasure and a bit of loss at the spine a very good set. <br /> <br /> Text highlights include "The Night's Children" by Jean Genet translated by Bernard Frechtman; "Japanese Goblin Poems" translated by Lafcadio Hearn; "Forerunners of Modern Music" by John Cage; "Two Poems about Heaven and Earth" by Kenneth Patchen; "To Walter de la Mere" by T.S. Eliot; "The Gift of Understanding" and "The Landfall" by Thomas Merton; "The Furies" by Weldon Kees; "At the Edge of the Forest" by Raymond Queneau translated by Ralph Manheim; and "Demolition Proejct" by William Stafford among many others. <br /> <br /> In 2002 Yale's Beinecke Library organized an exhibition of Ruth and John Stephan's work with an emphasis on The Tiger's Eye. Reviewing the exhibition and accompanying catalog for The New York Times Roberta Smith wrote: "the magazine which took its title from William Blake was one of the few that 'took visual art as seriously as literature.' It was also an eccentric mom-and-pop operation put together with love sophistication and a fair amount of attitude as well as Ruth's money. Her family owned Walgreen's.'" A complete run of this important and nicely-produced mid-Century journal. The Tiger's Eye unknown