Livre Rare Book
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1956ABE-1569787321244168 PAGES-24,5 CM X 31,5 CM-EN COUVERTURE JEAN VILAR ET MARIA CASARES DANS CE FOU DE PLATONOV DE TCHEKOV-JEAN VILAR DE RICHARD II A PLATONOV, PAR GUY DUMUR, PHOTOGRAPHIES AGNES VARDA-LE TRIOMPHE DE L'AMOUR, DE MARIVAUX AU T.N.P.-COMPAGNIE MADELEINE RENAUD JEAN LOUIS BARRAULT, 10e ANNIVERSAIRE, PAR ANDRE FRANK-LE CHIEN DU JARDINIER, D'APRES LOPE DE VEGA, PAR GEORGES NEVEUX-LES SUITES D'UNE COURSE MIMO FARCE DE JULES SUPERVIELLE-AVANT GARDE: LE THEATRE DE BABEL, PAR LOU BRUDER-JACQUES OU LA SOUMISSION, EUGENE IONESCO, JEAN LOUIS TRINTIGNANT-LES CHAISES, IONESCO-SOLEDAD, COLETTE AUDRY-ORNIFLE, ANOUILH, PIERRE BRASSEUR, LOUIS DE FUNES-LE MAL COURT, AUDIBERTI-LA COMEDIE DE SAINT ETIENNE FETE SON 10e ANNIVERSAIRE-MOLIERE ET DIDEROT-CYRANO DE BERGERAC, PIERRE DUX-GRANDS AUTEURS ETRANGERS-CROMMELYNCK, PHOTO PLEINE PAGE DANIEL EMILFORK PAR THERESE LE PRAT-MARCEL MARCEAU A L'AMBIGU, 2P PAR ROBERT KEMP-ROLAND PETIT PAR ROLAND PETIT-JAQUETTE REMPLIEE ILLUSTREE DE 2 PHOTOGRAPHIES NOIR ET BLANC-EN SUPPLEMENT TABLEAU DES PIECES CREEES A PARIS DE SEPTEMBRE 1955 A JUILLET 1956, 8 PAGES-JAQUETTE LEGEREMENT FROTTEE EN PERIPHERIE ET LEGER MANQUE EN 4 DE JAQUETTE SINON TRES BON EXEMPLAIRE-(400K)
1947ABE-176796481737527 CM X 36 CM-EN COUVERTURE LUCILLE BALL (PHOTO COLUMBIA)-CHAT PERCHE MENE A 5 CONTRE 1 DANS NOS CONCOURS-PHOTOS, 2 PAGES, PHOTOS-J'AI RETROUVE A "L'ENFER" UN RESCAPE DE SPADA, 1P, 5 PHOTOS-ROSNY PROPOSE LA GUERRE DU FEU PARCE QU'IL VEUT VIVRE A L'AIR LIBRE, PHOTO (ROBERT BOREL-ROSNY)-TABOU OR NOT TABOU?, DEMI PAGE, 4 PHOTOS-MEFIEZ-VOUS DE LA BARCAROLLE ELLE PORTE MALHEUR-COLETTE RICHARD MISE SUR LA TELEVISION, PHOTO-PICASSO COUPE LES CHEVEUX EN QUATRE ET PEINT LES POTEAUX TELEGRAPHIQUES, 2 PAGES, 16 PHOTOS-AU PMU NOIR LE CHAMEAU TIENT LA COTE, SUR 1 PAGE, 4 PHOTOS-LA PREMIERE TOILE DE CHURCHILL A REGLE L'ARDOISE D'EUGENE, PHOTO-LACHER FINAL DE NOTRE CONCOURS PHOTOS, 1P, 14 PHOTOS-EN 4 DE COUVERTURE DESSINS DE J DAVID
1908004104Paris 1908 In-8 Broché Edition originale
15769Orig. wrappers, uncut. No 822 of 1100 ""sur papier de Rives"", a total of 1180 copies. 35 colourillustrations by Chas Laborde.
192060344Paris, 1920. Bound uncut with the original printed wrappers, also the backstrip, in a magnificent bright purple lambskin binding with title and author in bright, metallic lettering to spine, blue, pink, and green respectively. Triple bright metallic line-borders to boards (same three colours), inside which the remainder of the boards are covered with a large inlay of shiny, coloured leather in crocodile skin-like relief pattern. Recto and verso respectively of flyleaves covered with pink/purple suede. Housed in a chemise with purple lambskin spine with same lettering as the binding and purple cloth boards, inside grey suede, and purple full lambskin slipcase. The binding is signed Leroux (in shiny green lettering to inside of front board). A handwriiten postcard from Leroux to the previous owner of the book is enclosed. The postcard is dated 1997 and concerns the binding, including the price. The slipcase has a bit of edgewear, but the binding is near mint. Apert from a tiny tear (no loss) to the upper margin of the front wrapper, also internally near mint. Front free end-paper with a four-line inscription for ""René Baer"" signed ""Colette de Jouvenel"".
192615195Small 4to. Bound uncut with orig. wrappers in a fine green hmorocco, 5 raised bands, spine with 6 compartments, each richly gilt. Top edge gilt. Back slightly faded. No 225 of 350 copies ""sur vergé de Rives"", a total of 420. With 33 fine original engravings by Laboureur.
lc_91011Flammarion, 1956
19302948# AUTEUR: Colette # ÉDITEUR: Ferenczi et fils, Paris # ANNÉE ÉDITION: 1930 # ENVOI, BEAUX PAPIERS: vélin bibliophile # COUVERTURE: illustrée en couleurs # DÉTAILS: In 12° broché 279pp. N° 443 des 500 exemplaires sur papier Vélin bibliophile, non coupé # PHOTOS visibles sur www.latourinfernal.com
2012G-815-817DOUAYEUL 2012. Paperback. Very Good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations. DOUAYEUL paperback
191321235391913. Paris: Librairie des Lettres. 1913. 8vo. Original cream wrappers printed in grey and red uncut preserved in a modern cloth slipcase; pp. iv 307 1 blank; book and inkwell device to upper wrapper and title; a few light stains to upper wrapper short tear to head of upper joint neatly repaired hinges reinforced; uniform light toning light marginal dampstaining mostly at the beginning small hole repaired and traces of adhesive to inner margin of front free endpaper and half-title; overall a remarkably good copy; presentation inscription to half-title in ink: 'A Georges Abric en temoignage d'une grande sympathie Colette de Jouvenel' see below.First edition in book form particularly rare in the original wrappers inscribed by Colette to one of the witnesses at her second wedding.Originally serialised in La Vie Parisienne L'Entrave The Shackle is the sequel to La Vagabonde 1910. Reflecting Colette's own life however the tone of the two novels differs markedly: if La Vagabonde celebrates independence and self-discovery L'Entrave turns inward exploring the ambivalence and quiet disillusion that come with love's constraints. In the intervening years Colette at the time of publication married to Henri Gauthier-Villars better known by his pen name Willy had married the journalist and diplomat Henry de Jouvenel 1876-1935 and given birth to their daughter Colette de Jouvenel 1913-1981. She recalled with characteristic humour in L'Etoile Vesper the double strain of childbearing and serial publication: 'The child and the novel were racing me and La Vie Parisienne which was publishing my unfinished novel in instalments was gaining ground. The child announced that it would arrive first and I screwed the cap back onto my pen'. Colette and de Jouvenel divorced in 1924 after she became romantically involved with his son their affair inspiring her the characters of Phil and Mme Dalleray in Le Ble en herbe 1923.In later years Colette was unsparing in her assessment of L'Entrave criticising its 'narrow ending' 'diminished heroes' and 'blessing tone'.Provenance: From the library of Georges Abric editor-in-chief of Le Matin and a close friend of Henry de Jouvenel. Together with Leon Hamel and Jean Sapene Abric was one of the witnesses temoins at the wedding of Colette and Jouvenal on 19 December 1912.See La Societe des amis de Colette online. hardcover
c5053Bruxelles, Editions de la Chimère, 1922 ; 1 volume in-8°, broché, couverture rempliée beige imprimée en bleu et gris; 185pp., ( 1)f.Illustré dans le texte de dessins par Robert Bonfils tirées en beige rosé.Ouvrage tiré à 1000 exemplaires, celui-ci n° 971, un des 800 sur velin du Marais.
c2836Cap d'Antibes, Editions la Joie de Vivre, 1946 ; in-4°, en feuilles, couverture crème imprimée en noir et vert sous chemise et étui cartonnés de papier beige marbré, auteur et illustrateur calligraphiés (postérieurement) à l'encre noire au dos de la chemise ; 55pp., 2ff.nch. ; petit manque de papier dans la marge inférieure du dernier feuillet (blanc), très petites piqûres à la couverture, très bon exemplaire.
9516Disques Festival, FLD 34; 33 tours 25 cm sous pochette illustrée. Portrait de Colette au recto.
19679452Editions Flammarion 1967. In-4 cartonnage éditeur pleine toile bleue, de 37 pages au format 22 x 27 cm. Dos carré. Plats et intérieur frais. Jaquette illustrée un peu plus petite que le livre. Texte de Colette. Couvertures et magnifiques illustrations d'Adrienne Ségur en noir et en couleurs, hors texte. Superbe état général, proche du parfait. Edition originale pour les illustrations d'Adrienne Ségur. Rare, surtout dans un tel état de fraicheur.
1930104271930 Paris, Flammarion, 1930; in-8° demi-chagrin vert tendre à coins de l'éditeur, dos à 4 nerfs cernant 2 par 2 nom d'auteur et titre dorés avec fer doré au centre di dos, 1er plat de la couverture conservé ( Flammarion relieur); 223 pp. - (1)f. Les initiales en tête des chapitres sont imprimées en bleu. Edition tirée à 2200 exemplaires sur papier pur fil des papeteries Outhenin-Chalandre.
201230423Photographie argentique noir et blanc de André Nisak, au format carte postale, 14 x 9 cm, sans date ( années 50 ), représentant Colette Renard. Belle photographie en superbe état, avec rare et belle dédicace de Colette Renard.
19503850Programme du Théâtre des Variétés, Saison 1950-1951. In-8 agrafé de 24 pages au format 32 x 24 cm. Superbe couverture illustrée en lithographie par Xavier Badia Vilato. Bords des plats un peu insolés. Coins avec petits tassements. Intérieur frais. Programme avec textes inédits de Sacha Guitry ( sur feuille volante ), Colette et André Maurois. Photos de Maurice Chevalier. Bel état général. Edition originale.
195326071Suisse, Lausanne, La Guilde du Livre 1953. In-4 broché de 126 pages, au format 28 x 22 cm. Couvertures à rabats, illustrées. Dos carré, avec infimes frottis en haut et en bas. Plats et intérieur frais. Les photographies sont un peu pâlies, car le livre est encore sous son papier cristal d'origine. Joli recueil consacré à la forêt, comportant 50 photographies en noir et blanc d'Izis Bidermanas dit Izis, sur les textes de Colette. Ces derniers sont composés de quatre chapitres extraits du livre " En pays connu " ( La Maison proche de la forêt, Le Désert de Retz, Amertume, Paradis terrestre ) et de 8 textes inédits, écrits spécialement pour ce livre. Un des exemplaires hors commerce, numérotés sur papier blanc, réservés aux membres de la Guilde du Livre ( n° 5225 ). Edition originale en superbe état général.
193828286Superbe photographie en tirage argentique de Colette de Glarélial, dite Colette Deréal. Tirage vintage datant des années 60 en noir et blanc, au format 17,5 x 12,5 cm. Colette de Glarélial, dite Colette Deréal, fut actrice et chanteuse. Superbe état. Rare.
19200086896Paris: Artheme Fayard 1920. Hardcover. Fine. Large 8vo original yellow wraps bound into calf backed patterned boards very good with 16 woodcuts by Hermann Paul. Very handsome. Artheme Fayard hardcover
198483209Paris: Gallimard Bibliothèque de La Pléiade 1984. Fine. Gallimard Bibliothèque de La Pléiade Paris 1984 10.50 x 17.50 cm reliure de l'éditeur sous étui souple et cartonné First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with dust jacket acetate wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
193219048Paris: Editions Surréalistes 1932. Fine. Editions Surréalistes Paris 1932 12 x 19 cm broché First edition on ordinary paper. Handsome autograph inscription from the author to Colette. Spine faded as usual two small glued tears to head and to foot of a joint a leave badly cut by the dedicatee with small marginal lacks. Editions Surréalistes unknown
190777332s. l. Paris 1907. Fine. Colette the ""nude dancer"" in her stage costume s. l. Paris s. d. 1907 28.70 x 20.40 cm une photographie contrecollée sur carton Rare and superb original contemporary mounted albumen print showing Colette languidly stretched out on a lion skin and covered with a leopard skin. Photographer's penciled number and studio stamp on the back of the mount. A substantially cropped print bearing the same penciled number on the back of our photograph 11214 is in the Reutlinger archives at the Bibliothèque nationale de France Album Reutlinger de portraits divers vol. 53 p.3. We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008. A beautiful sultry shot of Colette probably taken the year of her banned dance show ""Rêve d'Egypte"" at the Moulin Rouge where she shared the bill and a scandalous kiss with her cross-dressing aristocrat lover Missy. ""Colette was a nude dancer which at the time meant that she . draped herself in vaporous veils concealing part of her anatomy under animal skins"" Paula Dumont. Colette had already used animal skins hugging her figure in this picture as a sensual costume in Charles Van Lerberghe's Pan accompanied on stage by Lugné-Poe and Georges Wague. This was the first time anyone had dared to go without a flesh-colored body suit. Justifying her choice she went on to say: ""I want to dance naked if the body suit bothers me and humiliates my plasticity"". At the time of this photograph in 1907 Colette was performing in countless shows following her debut two years earlier in Nathalie Clifford Barney's Sapphic Salon where Mata Hari also danced. For Colette dance was synonymous with emancipation in more ways than one - as a means of sustenance and liberation of her body which finally belonged to her after her separation from her abusive husband Willy in 1906. Her undulating almost gestureless dance was linked by contemporary critics to that of Loïe Fuller and Isadora Duncan; her greatest success remained ""La Chair"" a risqué mime show she performed two hundred times in Paris and was subsequently produced with a new cast in New York's Manhattan Opera House. It was also in the halls of Parisian dance venues that Colette flaunted herself freely on the arm of her lovers. Her scandalous union with Missy the virile Marquise de Morny who accompanied her on stage in male costumes contributed to the fame of her performances. This is probably the rarest photograph of Colette taken by Reutlinger who also photographed her draped in Grecian style or wearing her costume from ""Le Rêve d'Egypte"". A rare visual testimony to a revolution in dance costume brought about by Colette a key figure in twentieth-century artistic and literary Paris. unknown
19549634Paris: C. Fremanger 1954. Fine. C. Fremanger Paris 1954 14 x 19 cm broché First edition for which there were no large paper copies. C. Fremanger unknown
1968187961968 Paris, Lettres modernes - Minard, Bibliothèque des Lettres modernes, Thèses et Travaux de Critique et d'Histoire littéraire, 1968. In-8 broché de 301 pp., avec bibliographie in fine. Très bon état, comme neuf
