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Folio. 17 text vols., 11 plate vols., 5 vols. of supplements. Without the 2 index vols. Altogether 33 vols. with 3129 plates (doubles and triples counted as such) and the engraved frontispiece. Contemporary marbled calf, gilt, with double spine labels. First edition, second printing, issued simultaneously with the final volumes of the original edition and even reproducing its predecessor's imprint down to the original years of publication. It can be distinguished from the original edition only by the missing accent over the word "Mathématique" and two additional composition errors in the title, for which reason the trade usually offers it as the first edition: indeed, among the more than fifty "Paris" folio editions of the "Encyclopédie" auctioned during the last decades, not a single one is identified as the Geneva reprint, although this edition's press-run was fully half as great as that of the Paris original. - The supplement volumes, which "had no formal connection with the original 'Encyclopédie' and involved a new group of contributors" (Darnton 33), are here present in the 1776-1777 edition published in Paris and Amsterdam, which is generally treated as part of the Paris first edition. Lough 15-21 & 52-110. Darnton 34. Cf. PMM 200.
In-folio (28,8 x 20,5 cm.); 10 cc.nn., 59 cc., 1 bl., 14 cc.nn, 1 bl.; with two woodcuts (15,8 x 12,9 cm) and 30 full-page calligrams in red and black, poems arranged in such a way that it forms a thematically related image. Bound in XVIII century half-leather.
In-folio (mm 293x198). Carte CCLXXXXI, [1]. Segn. π¹⁰ (mancante) a-z⁸ &⁸ [con]⁸ [rum]⁸ A⁸ B⁶ C-I⁸ K⁶ L⁸. Testo in caratteri romani (R 108) su 61 linee. Con 4 illustrazioni xilografiche a piena pagina alle carte a1v, s1v, s2v e C1r e 97 vignette xilografiche all’inizio di ciascun canto; iniziali xilografiche. Esemplare privo delle 10 carte iniziali contenenti la Apologia e la Vita di Dante e completa del Credo, dai Dieci Comandamenti, dai Sette Salmi penitenziali, dal Pater Noster e dall’Ave Maria pubblicate all'ultima carta. Macchie e piccole gore marginali, qualche riparazione. Legatura in piena pergamena rigida con titolo manoscritto al dorso (ca. fine XVII). Applicato al contropiatto anteriore ritratto di Dante eseguito a matita e acquerello.
cm. 20,5 x 29,5. Rilegata in buckram. Inventari dei manoscritti delle biblioteche d'Italia 0 gr.
Zus. 177 Kataloge in 12 schönen Halblederbänden um 1920 (gebunden von Paul Bosquet). 8vo und 4to. Dabei zwei weitere Kataloge in bedr. Originalbroschuren (Carteret 1926 und Hinterberger 1936, s. u.). Schöne Reihe aus der Handbibliothek des belgischen Bibliophilen und Autographensammlers Georges Van der Meylen (Kolonialoffizier, 1871-1935), vielfach mit seinen eigenh. Ergebnisvermerken in Bleistift. Enthält im einzelnen: - A) Boerner: Auktion 87 (1907), 92 - Josef Joachim u. a. (1908), 95 - Prof. Hewett (1909), 97 - C. G. Wenzel, NL C. Ullrich (1909), Stammbücherslg. Warnecke (1911). - B) Stargardt: Slg. Meyer Cohn (2 Tle., 1905-1906), Slg. Fritz Donebauer-Prag (1908) (2 Exemplare: 1 ohne Ergebnisvermerke auf starkem Papier). - C) Charavay: 34 Auktionskataloge Varia (1906-1912) in 2 Bdn. - D) Charavay: Autographenkataloge ("Bulletin", Liste) Nrn. 345-436 in 3 Bdn. - E) Sotheby, Wilkinson & Hodge: 42 Auktionskataloge 1905-1912 in 3 Bdn. Dabei: Heinrich Hinterberger Kat. IX [Wien 1936, Slg. Stefan Zweig] sowie Katalog "Manuscripts de Pierre Louys" (Paris, Carteret, 1926).
cm. 20,5 x 29,5. Inventari dei manoscritti delle biblioteche d'Italia 0 gr.
In-4, 6 ff., 194 pp., (1) ff., frontesipizio figurato inciso e 36 tavole a piena pagina incise su rame, colophon con registro e data 1569 in fine; legatura in piena permamena molle coeva. Bellissimo esemplare genuino.
Folio (320 x 215mm). (16) ll, including frontispiece, 618 pp, (14) ll. Engraved frontispiece, title in red and black with large engraved vignette, numerous engraved illustrations including large-format ones, and numerous woodcut illustrations, headpieces and initials, with final blank. Contemporary vellum, manuscript title on spine. Somewhat browned and with a small defect in the engraved title-page, but still in good condition, binding slightly bowed.
<br/> TITOLO: Inventari dei manoscritti delle biblioteche d'Italia. Collezione completa (1 - 111). <br/> EDITORE: Olschki Ed.<br/> DATA ED.: (v.a.),<br/> COLLANA: Coll. Inventari dei manoscritti delle biblioteche d'Italia.<br/> EAN: 9788822212665
In-4, [12] ll. (incl. frontispiece), 689 pp., [9] ll., engraved title-page, full-page coat of arms of the dedicatee on the verso of the title, 12 copper-engraved plates; contemporary vellum, ms. title stamp, one clasp remaining, blue edges (tiny stain touching some margins, very rare sporadic browning, small cover defects). Genuine beautiful copy.
Complete series of 167 volumes, together over 100.000 pages, 29cm., uniform editor's hardcover bindings in green cloth, gilt lettering at spine, upper edges of some volumes are somewhat spotted (though not the pages themselves), this is a reprint of the original 194O's-edition, good condition, text and pages in very good condition, total weight: ca. 330kg., V91162
9 voll. in folio, bella legatura uniforme ottocentesca in mezza pergamena con tasselli in pelle e titoli oro ai dorsi, angoli. Bel ritratto dell’Affò in antiporta al primo volume, protetto da velina, inciso in rame da F. Rosaspina su disegno di J. Turchi. Fontamentale e insuperabile lavoro, fatica del Padre Affò (Busseto 1741 – Parma 1797) cui dedicò molti anni di studio e ricerca, contiene le biografie e opere degli scrittori parmigiani, in ordine cronologico, fino alla fine del XVII secoli, anche scrittori meno noti, minori o “che per soverchia modestia nulla composero o le cui opere furono trascurate e consunte” (dall’ ”Avviso a chi legge”). L’opera fu dedicata a Ferdinando di Borbone, Duca di Parma Piacenza e Guastalla. L’Affò, minore osservante, storico ed erudito, fu per anni bibliotecario della Palatina di Parma. A lui si deve anche una incompiuta storia della città di Parma e una storia di Guastalla. La continuazione dell’opera, nel secolo successivo, è dovuta ad Angelo Pezzana (Parma 1772-1862) che la dedica a Maria Luigia Duchessa di Parma, e contiene anche un’ampia biografia dell’Affò con il catalogo delle opere edite ed inedite. Pezzana fu anche bibliotecario della Palatina e valido bibliografo, nonchè direttore della Gazzetta di Parma, ma soprattutto i sui studi ebbero applicazioni sulle opere dell’Affò che si impegnò ad ampliare e portare a termine. Pregevole copia della più importante e attendibile opera sugli scrittori parmigiani, nell’insieme completo dei 4 volumi aggiuntivi del Pezzana e in elegante legatura uniforme. Splendido esempl. in barbe.
9 voll. in folio, belliss. leg. m. pelle coeva con doppi tass. e fregi oro ai d. Tagli spruzzati. Marca tipografica allegorica inc. in rame ai front. di ciascun volume con il motto “Stat sine morte decus propert” e graziosa vedutina di Bologna sullo sfondo. Fregi xilogr. n.t. Giovanni Fantuzzi (Bologna 1718-1799) di nobile famiglia bolognese ormai prossima alla borghesia, ebbe nella città di Bologna incarichi pubblici e quindi presa parte attiva allo studio bolognese divenendo membro dell’Istituto delle Scienze. In questi anni, dalla collaborazione con i maggiori letterati bolognesi, in particolare con il gesuita Francesco Alessio Fiori (1718-90), nacquero i 9 volumi delle “Notizie” non quale opera di erudizione asettica ma come propaganda dell’operato e dei valori, della cultura e "classicità" bolognese che non è solo scientifico-letteraria ma anche politico-giuridica. Opera assai rara e fondamentale non solo per la storia della letteratura bolognese ma anche italiana. Minimi interventi di restauro integrativo alle cuffie, ottimo esempl. marginoso.
Royal 8vo (245 x 155 mm), title printed within a heavy border of flowers, followed by 115 leaves of specimens printed on one side only, of which two a folding, some occasional offsetting, cont. cloth-backed boards with wine auction sale particulars pasted over boards, manuscript paper spine label, uncut and partial unopened, an attractive copy. Bigmore & Wyman I, p. 243 mentioning only 1816, 1824 & 1827 editions; B&J citing the Oxford copy; Mosley locating four copies with between 91 and 118 leaves (Oxford, Cambridge, V&A, and Columbia University Library); OCLC adds the Huntington and Detroit copies; none added by JISC; not in the British Library or St Brides Catalogue. Berry & Johnson p. 49; Mosley, 135.
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
[Figurato Farmacopea-Bibliografia] (cm.37) voll.2, bella piena pergamena originale con nervi e titolo calligrafato al dorso. -- cc. 4 nn., pp. 1019; cc. 2 nn., pp. 1146 + cc. 31 nn.. Ben completo del ritratto e delle 34 tavv. f.t. incise in rame che illustrano piante, animali, alambicchi e strumenti vari. Edizione originale di grande importanza e rarità. Caillet: " Rare ouvrage tres estimeè. Contenant une abondante collection de preparations chimiques et pharmaceutiques, et enrichi d' une quantite de figures de plantes et d' instruments de laboratoire. Cet ouvrage est encore consultè avec fruit de nos jours". L' autore (1652-1742) fu grande medico, ma all' epoca molte sue interessanti scoperte passarono quasi inosservate. ombreggiature varie per la qualità della carta, più o meno accentuate come in tutti gli esemplari, altrimenti esemplare bello e genuino. Antichi rinforzi alle cuffie. Antico ex libris manoscritto alle sguardie "Ex libris Leonardi Castellini de Pontremolo, Philosofo et medico doctoris...". * Ferguson II 71; * Waller 6214; * Wellcome IV 43; * Ferchl 336; * Hirsch IV 56; * Brunet III 1365. Manca a Blake "National Library Of Medicine" e al Caillet che ha l' edizione del 1704. [F80] Libro
Wittemberg, Vidua Scheffler, 1753. 4to. Contemporary full calf with five raised bands to richly gilt spine. Edges of boards blindtooled. Boards slightly warped and with lsigns of wear. Internally very nice and clean with only a few scattered brownspots. A nice, tight, clean, and completely unrestored copy. Title-page printed in red and black. (4), 18, (6), CCLII, (2) pp. + two folded engraved plates.
ONE OF ONLY 100 LARGE-PAPER SETS. 28 volumes, complete. The standard bibliography of books in Spanish and books in other languages relating to Spain and Spanish America. A monumental work: it took over 40 years to publish, and describes over 400,000 books, many in detail and with price information. Each volume printed in a limited edition of 2,100 copies, of which this is ONE OF ONLY 100 NUMBERED SETS PRINTED ON EXTREMELY FINE, THICK GUARRO LAID PAPER, WITH EACH VOLUME SIGNED BY THE AUTHOR (volumes 1-7 are signed in ink; volumes 8-28 are signed in facsimile, as the author died in 1955). Some index volumes were published later (albeit not in deluxe form), but they are useless since the work is organized alphabetically. Large, thick 4tos. Original wraps. A bit of wear and tear to the wraps of a few volumes, internally UNCUT, UNOPENED, FINE AND BRIGHT. A rare and important set, and perhaps the only extant complete deluxe set with the pages unopened.
In folio (314x206), pp. 115. Iniziali e finalini in xilografia. Antoporta allegorica e 5 grandi tavole calcografiche ripiegate disegnate da Ilario Spolverino e incise da Giovanni Battista Sintes e Francesco Maria Francia. Piccolo strappo al margine interno di 3 tavole che lambiscono l’immagine, strappo al margine interno della tavola in prossimità della delegazione vaticana che si estende circa 40 mm, tenue vecchia macchia di umidità all’ultima tavola. Legatura coeva in vitello, dorso a nervi e scomparti decorati col giglio Farnese in oro, tagli a spruzzo rossi.
in 16° - pp.8nn, 12, 16, 132, 40 p - Pelle con titolo e fregi in oro al dorso - Testo in latino - Marca non controllata al frontespizio (Due colombe e un serpente: Simplex in malo prudens in bono) - Frontespizio in rosso e nero - Pagine lievemente brunite, Piccoli fori di tarlo che interessano i piatti e il foglio di sguardia - Prima e unica edizione di questa rarissima e poco conosciuta bibliografia sistematica di oltre 2.200 mappe e carte. La bibliografia comincia con la registrazione delle mappe antiche, sacre e profane seguita dal catalogo generale dei recenti mappe geografiche d'Europa, d'Africa, Asia e America.L'ultima sezione descrive circa 130 carte nautiche.
6 gr. voll. in folio, leg. cart. rust. coevo con eleganti tit. mss ai d. Belle vignette in rame ai front. di gusto veneziano. Famoso repertorio bibliografico in cui raramente manca un’Autore, anche minore, o non viene citata un’opera. Interess. anche i giudizi e i commenti del Mazzucchelli sulle opere, sopratutto per i testi più vicini al suo tempo. Gamba 2349: “Quest’opera dettata con giusta critica e facile e netto stile per la morte dell’A. non progredì oltre la lettera B...”. Brunet III, 1563: “Excellent ouvrage”. Belliss. esempl. a larghi margini in barbe.
13 Volumes bound in five, large 8vo printed on good wove paper, [iv], 388; xii, 363, [1]; [iv], 295, [1]; vii, [iii], 355, [1]; [iv], 257; [iv], 314; [iv], 306; [iv], 170; [iv], 195, [1]; [iv], 117, [1]; [iv], 189, [1]; [iv], 83, [1]; [iv], 82, [2]pp., parts 1-3 in orig. boards, spines chipped, covers loose, orig. printed label on upper covers, uncut, parts 4-7 cont. half calf, rubbed, spine stained and spotted, parts-8-13 cont. quarter morocco, rubbed, foot of spine torn, faint stamp of 'Mercantile Library, Philada.', front hinge shaken, title page to part 8 loose, prices and buyers' names supplied in a cont. hand, a made-up set of the complete English sale catalogues of the library of Richard Heber (the 13th volume is notoriously rare). Heber was a book collector on a monumental scale, De Ricci estimated his library between two and three hundred thousand volumes. The sales took place at a time when the market was absolutely glutted and there were practically no buyers. The total realised was ?65,774, for books which had cost their late owner a good deal over ?100,000. "The Dibdinian age may be aptly said to terminate with the dispersal of the gigantic library accumulated by Richard Heber, a bibliomaniac if there ever was one... From 1800 to 1830, he purchased at every London sale... He thought nothing of securing whole libraries... When he died, his books filled two houses in London, one at Hodnet, one at Oxford, one at Ghent and one at Paris, not to speak of smaller stores at... other Continental cities. The total number of volumes in his library must have been between two and three hundred thousand, and it is doubtful whether any private individual has ever owned so large a library... The London sales produced ?56,744, for books which had cost their late owner over ?100,000. The market was absolutely glutted and there were practically no new buyers... The Heber catalogues, although... arranged in the most inconvenient manner, are daily consulted by every bibliographer... His series of Continental books, early Italian and Spanish works, later Latin poetry, humanistic treatises... were unrivalled... The real strength... was, however, in the field of early English literature... For thirty years he... purchased nearly every item which came on the market".?De Ricci, p.102. Organised according to the residences where Heber kept his libraries, the present catalogues number 1 - 13 and were held in 1834, 1835, 1836 & 1837. Sotheby's managed the sale for parts 1- 3 and 9 - 10; R. H. Evans, for parts 4 and 6 - 8 and 11; B. Wheatley, parts 5 and 12-13.
Venezia, 1941; ril., pp. 406, 92 tavv. b/n. italiano
in-12 (mm. 180 x 140), due opere in un volume, ff. 72 e 112, (8, l'ultimo bianco), legatura secentesca in pergamena rigida, titolo ms. al dorso. Con 4 differenti imprese tipogr. al titolo e in fine, due differenti di Giolito e quella dello Scoto all'inizio ella seconda e quella del Marcolini in fine. - Vol II: pp.112, (13). Dedica a Jacopo del Pero e a Ferrante Caraffa. Curioso notare che i due caratteri utilizzati non potrebbero essere più diversi fra loro: prima minutissimi sia il corsivo sia il tondo, poi in un inusualmente allungato corsivo e grande tondo, quasi "grassetto" in certi casi. Prima e seconda edizione, prima tiratura. La presente opera è la Prima Bibliografia pubblicata a stampa nei tempi, straordinario primato bibliografico. La seconda parte registra le opere manoscritte. Le due parti uscirono insieme nel 1557. Le 6 parti della ''Libraria Prima'' citano un gran numero di opere della letteratura italiana, le traduzioni dal latino e da lingue moderne, un indice per generi letterari, una sezione di musica a stampa. Il Doni (1513-1574) fu il primo ad avere consapevolezza della novità della materia e ad intuire le varie potenzialità del libro nel campo collezionistico, culturale e commerciale. (Diz.Bompiani IV, 363). Opera di notevole rarità e grande importanza bibliografica e letteraria. Buon esemplare, malgrado fioriture ed una lieve alone su mezza pagina in quasi tutto il volume.. Bongi, Annali di Giolito 287. Besterman 1558; Petzholdt 352 f.; Breslauer-Folter 18: ''The first bibliography in a vernacular and the first attempt to describe all books in Italian (including translations), with a special section of printed music''. MGG III, 672 f.; Eitner III, 231; Mortimer 163. C. Ricottini Marsili-Libelli, Anton Francesco Doni, scrittore e stampatore, 1960, no. 22 and 32. Casali, Giolito Annali, 83. J. Bradbury, "A.F. Doni and his ‘Librarie': Bibliographical Friend or Fiend?", (2009), pp. 90-107. La Bibliofilia, 114 (2012). pp. 327-352. .