Livre Rare Book
51 résultats
174942104Paris, Vaneck, 1749. Titre et 20 gravures sur cuivre (12 x 7,5 cm) frappées par 4 ou 5 sur 5 feuilles (24 x 38 cm).[CHEVILLARD (Jacques)]. Methode facile pour apprandre le blason, ou l'on joint les armes accollees, des Princes, et Princesses Ducs, et Duchesses, et celles des Maisons des plus considerables de France, avec les Explications des ornements exterieurs. Paris, Vanheck, 1749. 71 gravures sur cuivre (12 x 7,5 cm) frappées par 3 ou 4 sur 18 feuilles (24 x 38 cm).Ensemble 2 suites reliées en 1 vol. in-folio, demi-chagrin prune à coins, dos fleurdelisé à nerfs, double filet doré d'encadrement sur les plats (reliure du XIXe siècle).
178341804Paris, Imprimerie Royale, 1783. In-8 (199 x 120 mm) de (4)-49 pp., maroquin rouge, titre en long sur le dos «ÉPREUVE DE LA NOUVELLE PRESSE DE L’IMPR. ROYALE» encadré d’un double filet doré, triple filet doré d’encadrement sur les plats armes royales serties de la mention « Imprimerie royale », roulette dorée sur les coupes, dentelle intérieure, doublures et gardes de moire bleue, tranches dorées (reliure de l’époque).
171444331S.l.n.d., , 1714-1734. Placard in-quarto sur soie (39 x 25 cm).
176539594Sienne, , 1765. 1 feuille (45 x 36 cm) pliée en deux et 1 feuillet (22 x 36 cm), les deux imprimés recto verso.
176739595Augsburg, Innsbruck, Joseph Wolff, 1767. 21 feuilles (43 x 36 cm) pliées en deux, imprimées recto verso.
178216064A Paris, de l'Imprimerie de Monsieur, 1782. In-8 de 232 pp., veau marbré, dos lisse orné, pièce de titre en maroquin rouge, armes et triple filet doré d'encadrement sur les plats, tranches dorées (reliure de l'époque).
171015877Lyon, Pierre Valfray, 1710. In-folio de 51-2-2-2-2-(4) pp., maroquin noir, décor à la Duseuil frappé à froid sur les plats, dos à nerfs muet, tranches rouges (reliure de l'époque).
17910005591Worcester & Boston: Isaiah Thomas 1791. First edition. Hardcover. Good. With two of the 50 copperplate engravings from the folio edition plates 29 & 48. Royal quarto 1310 pages contemporary blindstamped full sheep repaired joints and head and foot spine panels replaced and with new endpapers; The frontispiece has been tipped-in on the new endpaper; rear cover very scuffed foxing and spots throughout edgeworn <br /> <br /> a few minor marginal tears and chips some leaves imperfectly sewn in. The Family Record leaves have extensive handwritten notes of the families of Gen. Joseph Badger Jr. Signed by him of Gilmanton Belmont NH father of Gov. Wm. Badger 1834-36. & Charles Jacobs of Gilmanton. <br/><br/>Isaiah Thomas whom Benjamin Franklin called 'the Baskerville of America' was one of the notable publishers during the early days of the Republic.He made every effort to ensure accuracy of the text by comparing some thirty different editions and having the text carefully examined by several clergymen and others who compared it with eight Bibles - Herbert 1353." The First Illustrated Bible printed in America is the 1791 folio Bible by Isaiah Thomas "The most sumptuous American Bible of the eighteenth century" : thus this quarto-sized version of that work is the Second Illustrated Bible printed in America and the first Royal Quarto Bible in English published in American both editions were announced as "completed" on the same date altho vol. 2 of the folio was still in progress. Rumball-Petre 172; Sabin 5173 variant; O'Callaghan pp. 40-42; Hills 30. Evans 23185 states that some copies were issued with no Concordance and 48 additional plates. This state however has only two copperplates as frontispieces of the 50 copperplate engravings from the folio edition plates 29 & 48 . Included are 200 pages of Tables Apocrypha and Family Records Index etc. The subscription price was $7 but half the price could be paid in wheat rye Indian corn butter or pork! It is believed that 1500 copies of each format were printed. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution - Wright EARLY BIBLES OF AMERICA." Isaiah Thomas hardcover
1787DEMO006589IAugsburg : Christ. Friderici Burglen 1787. First edition. Hardcover. Very Good. 8 engravings two woodcuts. 4to 251 pages later speckled boards rebacked new spine some waterstains <br/><br/>Moguntina is the city of Mainz birthplace of moveable type and home to Johann GUTENBERG. This is Bishop Wurdtwein's study of the first hundred years of printing concentrating on the contribution of Gutenberg as continued by Fust & Schoefer and their followers. 8 engravings two woodcuts Christ. Friderici Burglen hardcover
1764KC8048Venice: Remondini 1764. Hardcover. Very Good. Folio 315 x 240mm. 38pp. I-XXXVIII. Finely printed with decorative chapter headings and tail-pieces. Engraved printerÂ’s device of Remondini depicting bishop with putti carrying crozier and miter. Engraved vignette of muses on dedication page. Decorative paper covered boards; some minor soiling or staining joint repaired on title verso lacking first and last blanks otherwise complete and in good form with good wide margins. <br/><br/>Collection of poetic essays in song of Sister Maria Theresa Crocefissa 1645-1699 an Augustinian nun from Venice known for her long orations printed by the Remondini press. In the 16th century Venice was the marketplace of the world. Its location on the lagoon and its unique connections with the sea distinguished it as a cosmopolitan center among the great cities of the Renaissance. In this larger context commerce and trade played a central role in the development and achievements of music printing. The subject of this work is poems written as canzones and sonettoes or songs and little songs of Sister Maria Crocefissa. From an early age Maria Crocefissa was devoted to long poetic orations. Soon she was also engaged in self-punitive actions including wearing a hairshirt. At the age of 23 she experienced her first religious ecstasies. During these periods of trance some lasting well over a week she regressed into a childlike state that left her completely paralyzed. The presence of Maria Crocefissa in her Augustinian convent of San Girolamo brought about a series of supernatural episodes and mysterious sightings which interested the public. While she was still alive her papers were widely published. This particular title of her poems addressed to Girolama Gaudio is of utmost rarity not located in a contemporary library collection or market worldwide. From the Remondini press who by the second half of the 18th century were employing more than a thousand people in the Bassano del Grappa with hundreds of others busy in their local paper mills and selling their products in scores of countries making them perhaps the biggest publishers in Europe. Between 1751 and 1790 Remondini were granted more licenses for books than all the other Venice booksellers put together. Printed matter was a luxury and the Remondini press was known to employ refined typographical features to suit the tastes of buyers. In this work attention is paid to the decorative elements initials and layout of each page. Remondini hardcover books
1785EPL107London 1785. Paperback. Near Fine. Printed scripts of Syriac Armenian Arabic Samaritan Gothic Coptic Ethiopic Etruscan Saxon etc. Variations of English Greek and Hebrew and a leaf of floral devices with music and ship imprints on verso. Interesting specimen for those interested in typographic history. Size: 401 x 255mm. <br/><br/> paperback books
1764KC8048Venice: Remondini 1764. Hardcover. Very Good. Folio 315 x 240mm. 38pp. I-XXXVIII. Finely printed with decorative chapter headings and tail-pieces. Engraved printers device of Remondini depicting bishop with putti carrying crozier and miter. Engraved vignette of muses on dedication page. Decorative paper covered boards; some minor soiling or staining joint repaired on title verso lacking first and last blanks otherwise complete and in good form with good wide margins. <br/><br/>Collection of poetic essays in song of Sister Maria Theresa Crocefissa 1645-1699 an Augustinian nun from Venice known for her long orations printed by the Remondini press. In the 16th century Venice was the marketplace of the world. Its location on the lagoon and its unique connections with the sea distinguished it as a cosmopolitan center among the great cities of the Renaissance. In this larger context commerce and trade played a central role in the development and achievements of music printing. The subject of this work is poems written as canzones and sonettoes or songs and little songs of Sister Maria Crocefissa. From an early age Maria Crocefissa was devoted to long poetic orations. Soon she was also engaged in self-punitive actions including wearing a hairshirt. At the age of 23 she experienced her first religious ecstasies. During these periods of trance some lasting well over a week she regressed into a childlike state that left her completely paralyzed. The presence of Maria Crocefissa in her Augustinian convent of San Girolamo brought about a series of supernatural episodes and mysterious sightings which interested the public. While she was still alive her papers were widely published. This particular title of her poems addressed to Girolama Gaudio is of utmost rarity not located in a contemporary library collection or market worldwide. From the Remondini press who by the second half of the 18th century were employing more than a thousand people in the Bassano del Grappa with hundreds of others busy in their local paper mills and selling their products in scores of countries making them perhaps the biggest publishers in Europe. Between 1751 and 1790 Remondini were granted more licenses for books than all the other Venice booksellers put together. Printed matter was a luxury and the Remondini press was known to employ refined typographical features to suit the tastes of buyers. In this work attention is paid to the decorative elements initials and layout of each page. Remondini hardcover
176218193Cambridge J. Baskerville, 1762 ; grand in-12, maroquin rouge, dentelle d’encadrement des plats, dos très décoré et doré, roulette sur les coupes et d’intérieur, tranches dorées (reliure de l’époque), 202 ff. non chiffrés (coll. a, b, c, A-Z, Aa-Hh 6 ; A3, B-I 6, K 1).
17852936Parmae, ex Regio Typographeco, s.d. (1785) ; in-4 ; plein veau havane moucheté, dos à nerfs, caissons décorés, pièce de titre rouge, triple filet doré d’encadrement des plats, toutes tranches dorées, roulette décorative dorée d’intérieur (reliure de l’époque) ; (2) ff. de titre et dédicace, XCIV pp., 100 pp., (1) f. d’achevé d’imprimer, portrait gravé d’Anacréon à la page de titre et vignette gravée par Cagnoni en tête de la dédicace.
177215319[], [], 1772-1777. 4 pièces en 2 volumes in-8, texte encadré, veau marbré, dos lisse orné à la grotesque, pièces de titre en maroquin rouge et de tomaison en maroquin noir, tranches rouges (reliure de l'époque).
179144407Paris, Imprimerie de Provost, Garnery, 1791. In-12 de (8)-260 pp., demi-maroquin noir à petits coins, dos à nerfs orné de filets dorés, entièrement non rogné (Bauzonnet).
176244592Arles, Jacques Mesnier, 1762. In-12 de (8)-235-(1) pp. maroquin rouge, dos lisse orné, roulette, filet et frise dorés d'encadrement sur les plats, armes et devise dorées de la ville d'Arles frappées au centre, tranches dorées (reliure de l'époque).
17840041201784 Parmae [Parme], Ex Regio Typographeio [Bodoni], 15 septembre 1784. Petit in-quarto (170 X 246 mm) maroquin rouge à grain long, encadrement de dentelle et filet dorés sur les plats, dos lisse fileté, titre doré avec en queue la date d'impression et la mention «Bodoni», chainette dorée en queue, coupes et coiffes filetées, tranches dorées (Reliure de l'époque); (7) ff. dont titre, LXXXII-103 pages, (1) page d'achevé d'imprimer. Deux ex-libris gravés collés sur le premier contreplat.
1791bn1506I. B. Bodonius Regis Catholici Typographys et B. Parm. Typogr. Praef. Relié 1791 In-12 relié demi chagrin havane à coins, faux titre et titre puis CXVIII, feuille de titre : Anacreontos Thioy Melh, puis 111 pages, portrait gravé au titre et au faux titre. Il s'agit de la réimpression de l'édition en caractères grecs majuscules de l'Anacréon que Bodoni fit paraître pour la première fois à Parme en 1784 en caractères minuscules. Il est dédié au Chevalier De Azara ambassadeur d'Espagne, devenu son conseiller et mécène. L'un des premiers chefs-d'Oeuvre de la typographie bodonienne. On consultera le numéro 28 de la revue FMR où un article : Question de Caractère est consacré à Bodoni. Ex-Libris de P. de la Morandière et de A. -G. Du Plessis ; dos en partie insolé, bon exemplaire Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
180011109[Entstehung 1700 - 1800]. 54 x 65 mm. Kupferstich, eng beschnitten, rückseitig kleine alte Montagereste und kleiner Sammlerstempel.
1783192186Receuil des planches", tome premier". Paris, Panckoucke u. Liège, Plomteux, 1783. Plattengröße ca. 35,5 : 24 cm. [7 Warenabbildungen]
178212394Aux Deux-Ponts, [Parme, Stamperia Reale, Giambattista Bodoni], 1775 [1782]. 13 vol. grand in-8, veau marbré, dos lisses ornés, pièces de titre en maroquin rouge, et de tomaison en maroquin rouge sur pièce de maroquin vert, tranches dorées (reliure de l'époque).
17606364Alphabets Anciens et Modernes. 25 gest. Tafeln von Niodot u. a. nach Goussier u. des Hautesrayes. [Paris ca. 1760]. Folio (ca. 45 x 30 cm). Lose nicht gefaltete u. beschnittene Bogen.
176443525A Paris, Imprimé par l'Auteur, et se vend chez Barbou, 1764-1766. 2 vol. in-8 (161 x 105 mm) de (3)-V à XXXII-323-[5] ; (2)-XLIV-306 pp., planches, veau marbré, dos orné à nerfs, pièces de titre et de tomaison en maroquin lavallière, tranches rouges (reliure de l'époque).
179546401750Paris, Renouard, 1795 ; 4 volumes in-12, demi-maroquin prune à longs grains, coins, dos lisses ornés, tranches marbrées. (Reliures de l’époque.) 2 ff., XL pp., 273 pp. - 2 ff., 264 pp., 1 f. - 2 f., 250 pp., 1 f. - 2 ff., 277 (1) pp., 1 f., 2 ff. d’avertissement aux textes de Diderot insérés p. 156. - 3 portraits par Denon, Graff et Vanloo et 48 figures de Moreau le Jeune gravées par Baquoy, Dambrun, Delvaux, Dupréel, de Ghendt, Girardet, Lemire, Petit, Simonet et Trière...hors textePremier tirage. Splendide édition typographique imprimée à Dijon par Pierre Causse. Les traductions sont de Huber et Turgot pour Daphnis et Chloe, les Idylles et la Mort d’Abel, de Meister pour Les nouvelles idylles, de l’abbé Bruté de Loirelle pour Les Pastorales. On a ajouté deux contes de Diderot, Les deux amis de Bourbonne et Entretien d’un père avec ses enfants. Édition curieusement inconnue de Cohen - Quérard III, p. 340. - Mahérault, L’Oeuvre de Moreau le Jeune, n°189.L’imprimeur dijonnais Pierre Causse, né en 1761, avait repris les presses de son père en 1788. “Il imprima presque toutes les brochures locales sur la Révolution. Quelques-unes sont devenues fort rares ; toutes se distinguent par le bon goût , la correction, la beauté de l’impression... C’est notre meilleur typographe.” écrit M. Clément-Janin dans Les Imprimeurs et les Libraires dans la Côte-d’Or. Il s’agit d’une des toutes dernières impressions de ce grand typographe dijonnais puisque c’est en 1795 qu’il se retire définitivement dans son château de Vantoux qu’il avait acheté un an auparavant. Bel exemplaire sur papier vélin avec les figures en état définitif. Il est d’une parfaite fraîcheur.
