Watano, ShigeruMareMagnum
Handbuch fur Papier, Schrift und Druck
in tedesco tela edit. con titoli impressi al piatto e al dorso, lievi tracce d'uso
Libreria Tara s.n.c. · Roma, IT41,80 €
1 970 résultats
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Text in Japanese and English. Illustrated in color and black & white. This is an 'Idea Special Issue' that surveys early 1980's French illustrators. Dozens of artists included. Edited by Shigeru Watano and Martine Jamaux. 11" X 9" wide, 131 pages. This book will be securely packed and shipped with tracking.
75p. Title page printed in red and black. Printed on Japan vellum. Partially unopened. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Slightly soiled. Limited Edition of only 425 copies. Third Edition. Nice example." The story is about an attempt to uncover the identity of Mr W.H., the enigmatic dedicatee of Shakespeare's Sonnets. It is based on a theory, originated by Thomas Tyrwhitt, that the Sonnets were addressed to one Willie Hughes, portrayed in the story as a boy actor who specialized in playing women in Shakespeare's company. This theory depends on the assumption that the dedicatee is also the Fair Youth who is the subject of most of the poems. The only evidence for this theory is a number of sonnets (such as Sonnet 20) that make puns on the words 'Will' and 'Hues." - Wiki. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. - Wiki. PRESS/W39. **PRICE JUST REDUCED!
in tedesco tela edit. con titoli impressi al piatto e al dorso, lievi tracce d'uso
cm. 18 x 25,5, xvi-100 pp. con 34 tavv. f.t. Biblioteca di bibliografia italiana 355 gr. xvi-100 p.
3 Parts, price list to each part loosely inserted, coloured illustrs., throughout, orig. decorated stiff wrappers, 1639 lots. The auction catalogue of the magnificent bibliographical library of Bernard H. Breslauer. For almost six years he employed Michael Laird to assist him in cataloguing the collection, Christie's have used these scholarly notes in the compilation of this catalogue.
Large 4to, frontis., orig. cloth, d.w. Research done since the book was issued, particularly by the late Stanley Morison into the origins of the Fell types, is digested in revisions by Hart have been added. This edition is, therefore, an up-to-date survey of one of the world's richest collections of historical printing types.
Large 4to, frontis., orig. cloth, d.w. Research done since the book was issued, particularly by the late Stanley Morison into the origins of the Fell types, is digested in revisions by Hart have been added. This edition is, therefore, an up-to-date survey of one of the world's richest collections of historical printing types.
4to, vii,[i],276+4pp., of adverts, numerous plates and illustrs., (some coloured), orig. printed wrappers, a nice copy. Profusely illustrated and containing some superb coloured plates. Includes an article by Douglas Cockerell 'La Reliure de luxe en Angleterre.' p.69-121. From the library of Pierre Ber?s.
First edition, 4to, lix, 286, [2]pp., one of 1,500 copies, facsimiles (some printed in two colours), orig. publishers cloth, slight sign of tape having been removed from base of spine. A detailed illustrated catalogue of all of the editions produced at this world-famous press, with the introduction forming an important account of Mardersteig as scholar, printer and publisher.
Folio (340 x 215 mm), 4pp., caption-title, disbound. The Will of Colonel Barwick who lived in Barbados in the 17th century. Barwick sent his daughter to be educated in England and his Will provided her with a sum of money upon marriage with further sums to be paid on the birth of any children. "All the rest of my Landes, and Negroes, Goods' and Chattles, Rightes, and Credites,, I give to my Son, Samuel Barwick...". Shortly after making this Will in 1673 he moved to Bermuda where he made a codicill which greatly complicated matters. Holzenberg 74.
cm. 17 x 24, xxxvi-128 pp. con 16 tavv. f.t. Fondazione Giorgio Cini - Annali della tipografia veneziana nel Cinquecento 362 gr. xxxvi-128 p.
8vo., on laid paper, black-letter throughout, neat signature on front free endpaper; original buckram, gilt back, a near fine copy in publisher's board slip-case. The first facsimile of Caxton's famous work was published by Elliot Stock in 1877.
8vo., First Edition, with title in red and black, plates, and several mounted type specimens at end; patterned boards, red cloth back lettered in gilt, a near fine copy in publisher's board slip-case.
Sm. 4to., with a portrait frontispiece and numerous illustrations and facsimiles in the text, signature on front free endpaper and title; original pictorial wrappers, wire-stitched as issued, a very good, bright, clean copy. Harling's study was first published in 'Alphabet & Image 6' (1948); this is a considerably revised and expanded edition
Dernier volume, de 1964, de ces luxueux hors-série annuels publiés à Noël (14 volumes de 1950 à 1964) par la Fédération Française des Syndicats Patronaux de l'Imprimerie et des Industries Graphiques, dans le but "de mettre en valeur, par tous les moyens et sur tous les sujets, la gamme des procédés, des matériaux - et des talents - sur lesquels se fonde l'industrie graphique française": typographie, reproductions de photos, dessins, gravures... d'EXCOFFON, Jean MERMET, MASSIN, Jacques LAGRANGE, Claude SCHURR, Gérard BLANCHARD, A. J. KOVALEFF, Robert DOISNEAU, JOSSERAND, Michel CIRY, Pierre BROCHET, Jacques-André PAVLOVSKY, Jean BOTTIN, Jean-Claude CASTELLI, Jean JACUS, Vincent GUIGNEBERT, Claude SERRE... (et bien d'autres !); couverture originale de Georges MATHIEU. Ouvrage "conçu et présenté par Maximilien VOX et réalisé par Blaise MONOD assisté d'Andrée MONOD"; index des artistes, écrivains, imprimeurs, photograveurs et papetiers. Français
112p. Beardsley style Art Nouveau endpapers and dust jacket designed by Frank Mechau. Decorative bordered title page. Some foxing. 8vo. Original full cloth binding, gold decorated and lettered. Binding worn with small loss at head of spine. Original dust jacket, spotted and torn with loss. Hardbound. Limited Edition of only 1010 copies of which 500 are for England and 510 for America. This copy is numbered 460. PRESS/W32
pp. (v) 26 (3). + Frontis and full page reproductions made by Mr. Edward Bierstadt of New York with the "Albertype" process. Printed only on the recto. Uncut. Top edge gold. XLib. 8vo. Original yellow cloth binding. Gilt lettered. XLib tape on top of front cover. Hardbound. Limited Edition of only 200 copies. An important discussion of the Gilbert Stuart portrait of Washington, painted from life in 1795, and sold soon thereafter to the painter's friend, Colonel George Gibb. This study in provenance was composed to uphold the historic importance of the painting for the then (1900) owner Mr. S. P. Avery of New York, who purchased it in 1889. PRESS/W32
181X260 mm. 86 pages. Hardcover. Rebounded. Pages partly detached from cover. Pages yellowing. Else in good condition.
pp. xi, 303 + Plus engraved frontis and full page plates. Decorated title page printed in red and black. Uncut. XLib. Tall 8vo. Original full purple cloth binding with spine paper label. Binding worn at extremities. Large paper copy. Hardbound. Limited Edition. Number 491 of only 500 copies. PRESS/W32
66p. Title page bordered in black. Printed by Bruce Rogers for Alfred A. Knopf, at the Press of William Edwin Rudge, Mount Vernon, NY. Uncut. Inked ownership of Clifford J. Oller, May 29, 1944. 8vo. Original cloth backed floral paper binding. Original slightly worn spine label. Edges of paper boards slightly darkened. Hardbound. Limited Edition. Number 638 of only 950 copies. Signed by the author on limitation page. Nice copy. PRESS/W34 x2
4 leaves. Ruled and underlined in silver. 16mo. Original plain wraps, paper label decorated in silver. Very nice copy. Very scarce. CPHAM/W71C1?
21p. Color decorated title page. Designed by Douglas Rader and Norman W. Forgue. Signed by the author on the Colophon. XLib. Foxed. Tall thin 8vo. Original cloth backed paper binding. Worn at extremities. Hardbound. Limited Edition of only 149 copies of which 100 copies are for sale. This copy is number 26. PRESS/W32
pp. xiii, 33 + Frontis printed on Japanese vellum. Printed in red and black throughout. Large red and black decorative initials. Some leaves ruled in red. Printed on Kelmscott hand-made paper. Uncut. Ownership of Grace M. Borden, 1907. Square 12mo. Original full paper binding. Hinges beginning to crack, but sound. Original printed paper labels on spine and front cover. Third edition. Limited Edition of only 450 copies. PRESS/W39
36p. Full page and text pochoir color drawings by Albert Rutherston. Damp stained. Tall thin 8vo. Original cloth backed paper binding. Dampstained. Hardbound. PRESS/W32
Firenze, Tipografia economica. Pubblicazione quindicinale, rilegate in un volume in mezza pergamena coeva, dal n. 1 26 giugno 1876 al n. 24 16 giugno 1877, ovvero il primo anno del giornale fiorentino. Dall’indice: Watt e la sua macchina a vapore; una gita in California; Bartolomeo Cristofori ossia l’invenzione del pianoforte; la terra applicata alla chirurgia; macchina per scrivere; storia del tabacco; il raccolto del miele; il vino a Parigi; vantaggi della stampa a macchina; etc.
