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1907230323East Aurora NY: The Society of the Philistines; The Roycroft Printing Shop 1907. Hard Cover. near Very Good binding. Periodicals bound together June 1907 - November 1907. No pencil or ink markings in texts. Tan suede spine and blue paper-covered boards gilt lettering. Front board slightly loose but holding. Mylar cut to protect boards.; Mylar Cover. near Very Good binding. The Society of the Philistines; The Roycroft Printing Shop unknown books
1764KC8048Venice: Remondini 1764. Hardcover. Very Good. Folio 315 x 240mm. 38pp. I-XXXVIII. Finely printed with decorative chapter headings and tail-pieces. Engraved printerÂ’s device of Remondini depicting bishop with putti carrying crozier and miter. Engraved vignette of muses on dedication page. Decorative paper covered boards; some minor soiling or staining joint repaired on title verso lacking first and last blanks otherwise complete and in good form with good wide margins. <br/><br/>Collection of poetic essays in song of Sister Maria Theresa Crocefissa 1645-1699 an Augustinian nun from Venice known for her long orations printed by the Remondini press. In the 16th century Venice was the marketplace of the world. Its location on the lagoon and its unique connections with the sea distinguished it as a cosmopolitan center among the great cities of the Renaissance. In this larger context commerce and trade played a central role in the development and achievements of music printing. The subject of this work is poems written as canzones and sonettoes or songs and little songs of Sister Maria Crocefissa. From an early age Maria Crocefissa was devoted to long poetic orations. Soon she was also engaged in self-punitive actions including wearing a hairshirt. At the age of 23 she experienced her first religious ecstasies. During these periods of trance some lasting well over a week she regressed into a childlike state that left her completely paralyzed. The presence of Maria Crocefissa in her Augustinian convent of San Girolamo brought about a series of supernatural episodes and mysterious sightings which interested the public. While she was still alive her papers were widely published. This particular title of her poems addressed to Girolama Gaudio is of utmost rarity not located in a contemporary library collection or market worldwide. From the Remondini press who by the second half of the 18th century were employing more than a thousand people in the Bassano del Grappa with hundreds of others busy in their local paper mills and selling their products in scores of countries making them perhaps the biggest publishers in Europe. Between 1751 and 1790 Remondini were granted more licenses for books than all the other Venice booksellers put together. Printed matter was a luxury and the Remondini press was known to employ refined typographical features to suit the tastes of buyers. In this work attention is paid to the decorative elements initials and layout of each page. Remondini hardcover books
1785EPL107London 1785. Paperback. Near Fine. Printed scripts of Syriac Armenian Arabic Samaritan Gothic Coptic Ethiopic Etruscan Saxon etc. Variations of English Greek and Hebrew and a leaf of floral devices with music and ship imprints on verso. Interesting specimen for those interested in typographic history. Size: 401 x 255mm. <br/><br/> paperback books
196428328New York: Art Direction Book Company 1964. First edition. Hardcover. Very Good/very good. Hardbound quarto in dustwrapper. 279 pp. Profusely illustrated in black and white. An important text on typography. Very good condition in photo-illustrated boards in a very good unclipped dustwrapper. Small prior ownership bookplate afixed to the front pastedown. Art Direction Book Company hardcover books
187326237New York NY: Not Published 1873. A folding announcement for the wedding at the Methodist Episcopal Church in NY of this prominent Baltimore MD physician and his fiancee. Elaborately engraved invitation copper-plate style in black on polished paper. On the opposite side of the text is an embossed stylized coat-of-arms. Approx. 5 1/4" x 6 1/2" size; simple folded paper format; some offsetting to the printing on the embossment side. Light wear in very good condition. Ephemera. Soft Cover. Very Good. Not Published paperback books
198525492Nashua New Hampshire: Famous Faces Typography Typefaces Style Poster with Portraits of Aldo Novarese Ed Bengulat Tony Stan Herb Lubalin Eric Gill By Bill Ogden Itek Graphix Itek Compositions Systems 1985. Poster with type face specimens; illustrated by Bill Ogden; with biographical details below the portraits of these typographic giants below. Printed on one side only in black & blue on glossy paper stock; with additional information about licensing of the typefaces listed by various companies. Not dated circa 1985. Approx. 42" x 28 1/2" size; old fold lines as made. Light wear on edges; in very good condition. Typography. Not Bound. Very Good. Illus. by Bill Ogden. Famous Faces Typography Typefaces Style Poster with Portraits of Aldo Novarese, Ed Bengulat, Tony Stan, Herb Lubalin, Eric Gill paperback books
24696New York NY: Tri-Arts Press Inc. Poster with type face specimens in 18 point printed black on cream paper stock. With additional information about planned revisions to existing fonts and availability of those shown here as well as announcing a new specimen book. Not dated circa 1980. Approx. 17 1/4" x 22 1/4" size; old fold lines as made. Light wear on edges; in very good condition. Typography. Not Bound. Very Good. Tri-Arts Press, Inc. Paperback books
24697New York NY: Lettra Graphcis Inc. Poster with type face specimens printed black on chrome-finish paper stock; with additional information on availability of the styles. Not dated circa 1980. Approx. 17 1/2" x 23" size; old mounting holes at top corners some edge-crinkling & creasing; in very good condition. . Typography. Not Bound. Very Good. Lettra Graphcis Inc. Paperback books
198025332San Francisco CA: Scenic Road Press 1980. Small broadside keepsake printed at the Scenic Road Press for members of the Roxburghe & Zamorano Clubs on the occasion of their Joint Meeting in 1980; one of 200 printed. A letter of February 24 1887 from William Morris to 'My dear Smith' noticing his indignation that he'd been sent by Smith to visit a woman he'd thought to be a potential client who actually wanted him instead to look at her designs. Approx. 4 1/2" x 7" size; printed black in a Kelmscott-style type on quality paper stock; with the original plain paper envelope; slight wear; in very good condition. First Edition. Broadside. Very Good. Scenic Road Press books
198825327San Francisco California: Scenic Road Press 1988. Folding keepsake printed at the Scenic Road Press for members of the Roxburghe & Zamorano Clubs on the occasion of their Joint Meeting in San Francisco in September 1988; one of 150 printed. A letter of November 3 1879 from William Morris to Ruskin noticing the indignation in England at the proposed restoration of St. Marks in Venice. Approx. 6" x 9 3/4" size; printed black and white on quality paper stock; slight wear; in very good condition. First Edition. Soft Cover. Very Good. Scenic Road Press paperback books
198125274San Francisco CA: The Arion Press 1981. Andrew Hoyem's letter-announcement only for his new discount policy for the Arion Press. With detailed information on currently available and forthcoming projects for the press. Approx. 8 1/2" x 11" letter size printed one side only. Old fold lines; light shallow creasing at one top tip; clean and in very good condition. First Edition. Not Bound. Very Good. The Arion Press paperback books
199225341California US: The Zamorano Club 1992. Keepsake ".meant as a companion piece to The Zamorano Club Programs 1928 - 1991 which was issued in 1992 to commemorate the joint meeting of Roxburghe-Zamorano at San Francisco." Within the cover is the tipped-in pamphlet-announcement a simple folder with no text of The Treachery of Recollection talk of Professor Daniel Aaron of Smith College speaking at the Zamorano Club Wednesday March 3 1965; the keepsake-cover approx. 8 1/2" x 11" size; printed in red & black on quality paper stock; light wear; in very good condition. First Edition. Soft Cover. Very Good. The Zamorano Club paperback books
196425255New York NY: Royal Typographers Inc. 1964. 227 pages. ". for the first time deals with copy in mass. This is a type book for body copy only.many different type faces.the samples are set in 54 pica 9" measures. The purpose of those extra-long settings is to give you the opportunity to "crop" the type as it will actually be set. To frame it with your hands or paper so you can actually see the "color' of each different type face as it will finally appear in your piece." from the prefatory information. Tipped-on at front endpaper is a presentation slip from the company to John Collins. Volume approx. 8 5/8" x 11" size; two-tone cloth over hardcover boards with illustrated endpapers; in a black cloth-covered cardstock slipcase. Slipcase with some edge tips wear; Light wear to the binding; first text page with old crease; in very good condition. First Printing. Hard Cover in Slipcase. Very Good. Royal Typographers Inc. hardcover books
198225267San Francisco CA: The Arion Press 1982. The announcement only for this publication; Folding 4 panel-pages; cover with silhouette illustration text in red and black giving the details of the book and its printing. Approx. 5 3/4" x 8 3/4" size; laid-in discount to book dealers card; light wear; clean and in very good condition. . First Edition. Soft Cover. Very Good. The Arion Press paperback books
198524920New York N.Y.: The International Typeface Corporation 1985. 80 pages; black and white & color illustrated with a very useful index to typefaces employed in the journal. With editorials of typographic interest; a piece on the work of John Baskerville; on Robert Osborn; an article with color illustrations on hot air ballooning; new developments from ITC; the book art forms of Lois Polansky; advertisements in the trade more. Large format approx. 11" x 14 1/2" size printed and illustrated newsprint-weight paper covers. Covers darkened as are all pages within; the color printed sections still bright. Light wear in good condition. First Edition. Soft Cover. Good. The International Typeface Corporation paperback books
194025470New Haven Connecticut: William Edwin Rudge Publisher Inc. 1940. The first volume of this graphic arts quarterly issues 1-4 published June 1940 - March 1941. With artistic contributions by John Taylor Arms Georgia O'Keefe Margaret Sommerfeld Edward A. Wilson Boris Artzybasheff Ludwig Bemelmans Warren Chappell Mary Falconer Eric Gill Leslie Gill Paul Landacre Raymond Lufkin Valenti Angelo Fritz Kredel E. McKnight Kauffer Rudolph Ruzicka William Addison Dwiggins and many others. Articles on printmaking wallpaper illustrated books calligraphy the rare book market book reviews reproductions and the collotype process illustrators printing education woodcuts and wood engravings propaganda and the graphic arts: influencing public opinion for national unity and more. The issues approx. 7 1/4" x 10" size; illustrated softcovers; the index a folded sheet. Slight wear; in very good condition; the slipcase and box with wear and chipping rubbed; has protected the issues very well. A very good set of this graphic arts compendium from mid-20th century. . First Edition. Softcovers in Box. Very Good. William Edwin Rudge, Publisher, Inc. hardcover books
194825475Woodstock Vermont: William Edwin Rudge Publisher Inc. 1948. 25475 Art - Design - Typography - 20th Century - Graphic Arts - Print Quarterly. Print Quarterly Journal of the Graphic Arts Volume VI Number 1 1948. Woodstock Vermont: William Edwin Rudge Publisher Inc. 1948. 79 pages 24 pages of advertisements at back. Cover design by Thoreau MacDonald; the issue is illustrated in black and white and occasionally in colors tipped-on plates. Contributions from Imre Reiner George Salter on Book Jacket Designs The Society of Typographic Arts; P.K. Thomajan Karl Kup Ruthven Todd on William Blake's Illuminated Printing Jean-Francois Millet John Taylor Arms Walter Lewis Ray Nash with book reviews graphic arts topics production notes. Laid-in is a Christmas gift suggestion form and the useful Index to Print Volume V 1947-1948 Numbers 1-4. Old rubber stamp of Contempo Advertising Artists Inc. on a few leaves at lower margin. Approx. 7 1/4" x 10" size; brick-orange paper softcovers; Covers with a few tiny chips at corners few small dog-ears at first leaves; contents clean and very good condition. A very good graphic arts compendium from mid-20th century. . First Edition. Softcover. Very Good. William Edwin Rudge, Publisher, Inc. paperback books
194925476Woodstock Vermont: William Edwin Rudge Publisher Inc. 1949. 68 pages 8 pages of advertisements at back. Cover design by Frank Lieberman; the issue is illustrated in black and white. Contributions from Mary Kingsbury writing on Emily Connor and the Marchbanks Press; Dorothy Miner on Illuminated Books of the Middle Ages & Renaissance; John Taylor Arms Ray Nash with book reviews graphic arts topics production notes. Old rubber stamp of Contempo Advertising Artists Inc. on a few leaves at lower margin. Approx. 7 1/4" x 10" size; illustrated paper softcovers. Binding with a few tiny chips at bottom edge top corner; contents clean and very good condition. A very good graphic arts compendium from mid-20th century. First Edition. Softcover. Very Good. William Edwin Rudge, Publisher, Inc. paperback books
194225472New Haven Connecticut: William Edwin Rudge Publisher Inc. 1942. 87 pages; color cover design by Jean Carlu; woodcut frontispiece by J.J. Lankes; the issue is illustrated in black and white including tipped-in plates. Contributions from Henry Watson Kent Amos Stote Cedric Larson Bartram D. Lewis Lawrence C. Wroth Clarence E. Sherman John Taylor Arms Ray Nash Zoltan Haraszti; book reviews graphic arts topics calendar of events. Approx. 7 1/4" x 10" size; typographically illustrated softcovers. Slight wear; in very good condition; excellent graphic arts compendium from mid-20th century. First Edition. Softcover. Very Good. William Edwin Rudge, Publisher, Inc. paperback books
194625474Woodstock Vermont: William Edwin Rudge Publisher Inc. 1946. 103 pages; cover design label by William G. Meek; the issue is illustrated in black and white and occasionally in colors. With a tipped-in booklet showing many examples from the AIGA show. Contributions from Carl P. Rollins Edward Colin Dawson William K. Zinsser L.G.A. Schlichting Helmut Lehmann-Haupt John Taylor Arms Karl Kup Ray Nash; with reviews graphic arts topics production notes. Stamp on last leaf of Contempo Advertising Artists Inc. Approx. 7 1/4" x 10" size; black construction-paper softcovers with tipped-on label. Covers chipped contents clean and very good condition. Good graphic arts compendium from mid-20th century. First Edition. Softcover. Good. William Edwin Rudge, Publisher, Inc. paperback books
19537011London: Privately Printed 1953. First Limited Edition. One of 300 numbered copies. 16mo; quarter linen over printed paper boards; original glassine unprinted jacket; 59pp; 10 gravure plates of Gill's friezes for the Archaeological Museum of Jerusalem commissioned in 1934. Hint of sunning to upper board edges else Fine in original glassine. GILL Bibliography 54a. Privately Printed unknown books
123156New York: Herald Book and Job Office 97 Nassau Street 1846. Single sheet folio 492 x 628 mm. Printed on recto only title and three columns of verse surrounded by a highly elaborate border composed of printer's ornaments. Very good with old folds slightly toned two 30 mm closed tears to top margin minor loss to right margin at point of fold no loss of image. Together with single issue of the Sacramento Union: Folio 430 x 585 mm 4pp. Very good lightly toned and foxed with evidence of a former binding along left margin. § A New Year's address to the readers of the New York Herald reviewing the events of 1845 in enthusiastic verse the broadsheet is notable for an extraordinarily elaborate decorative border composed primarily of printer's ornaments. The review runs through the highlights of 1845's local national and international events among them the Great Fire of New York the election of Polk and the Irish Potato Famine. Accompanying the broadside is a contemporaneous issue of the Sacramento Union which on its back page bears a similar New Year's address with border composed of printer's ornaments. It is interesting to compare the two both for the news reviewed and for the typographic resources available to the East and West coast printers. Both addresses refer to the imminent statehood of Texas and Oregon; the Sacramento Union alone spends several lines decrying the issue of slavery. Herald Book and Job Office unknown books
1962D7989Draeger Freres a Montrouge 1962. Paperback. Very Good. Full-color illustrated wraps; 4to; pp. 32 2 with 7 double-page watercolors by Buffet. Covers a bit scuffed along the edges otherwise fine. <br/><br/> Draeger Freres a Montrouge paperback books
1962D7995Draeger Freres a Montrouge 1962. Paperback. Very Good. Full-color illustrated wraps; 4to; pp. 32 2 with 7 double-page watercolors by Buffet. Covers a bit scuffed along the edges otherwise fine. With glassine jacket and laid-in ads. <br/><br/> Draeger Freres a Montrouge paperback books
004987Paris: Agence Générale de Publicité et de PropagandePrinter: E. Desfosses. Wraps. Brochure. Near Fine. N.d. circa 1930. 8vo. 24.5 by 18.5 cm. Unpaginated 31 leaves all of a weighty card stock or over 60 pages about half with color plates we count 31 but one can quibble about whether one or two of them so qualify. Eleven of these are non-product illustrations -- attempts to capture concepts or abstractions -- the balance being exquisite depictions of the company's fine perfume bottles. The catalogue exudes an unalloyed dreamy luxury in every respects as befits high-end perfume marketing. Cassandre a name adopted by the Ukrainian-born Adolphe Jean-Marie Mouron 1901-1968 -- his parents were French -- was a highly celebrated commercial artist theatrical designer magazine illustrator and poster artist. He worked heavily with the prestige printer Draeger as well as the couturier Lucien Lelong and others. In time he was awarded the French Legion of Honor. Lelong was a top Parisian couturier from the twenties til his retirement in the late forties. He was himself not a designer but rather relied on a stable of designers and among his proteges was Christian Dior. As this catalogue also shows dress designers were branching out into fragrances for a long time; this catalogue predates the creation of Chanel No. 5 by a few years. Light wear to the wraps -- a minor closed tear along the upper joint and some minor wrinkling or creasing to the cover paper. Otherwise clean and fresh. <br /><br /> Agence Générale de Publicité et de PropagandePrinter: E. Desfosses. paperback books
