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pp. ix, 385. 8vo. Original blue cloth binding. Reprint of the 1946 edition. REF7
First Edition, xiv, 141pp., 40 illustrs., orig. cloth.
8vo., First Edition, with plates, illustrations and maps in the text; green cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper. This copy was formerly in the library of naturalist Joyce Pope, with her pictorial bookplate on front free endpaper and a carbon copy of her typsescript review loosely inserted.
First Edition, oblong 4to, orig. cloth, d.w.
pp. iv, 72. 8vo. Original red cloth binding. Reprint of the Newcastle edition of 1820. Battery Park Bibliographical Reprint Series. Reprint limited to 600 copies. **PRICE JUST REDUCED REF7
Second Edition, iv, 72pp., one of 150 copies, vignette of title page, a little and light occasional foxing, recent quarter calf, uncut, t.e.g. Willett, 1719-95, English book collector, discusses the origin of printing; the work of Gutenberg and Caxton, the Coster legend, etc., and favours the claims of Mainz to the invention.
In 8 (cm 19 x 26), pp. (64) con riproduzioni fotografiche in bianco/nero. Brossura editoriale. Catalogo della sezione della mostra svoltasi allo Stedelijk Museum di Amsterdam, dedicata alla tipografia, facente parte di quella generale del "Design for industry".
75p. Title page printed in red and black. Printed on Japan vellum. Partially unopened. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Slightly soiled. Limited Edition of only 425 copies. Third Edition. Nice example." The story is about an attempt to uncover the identity of Mr W.H., the enigmatic dedicatee of Shakespeare's Sonnets. It is based on a theory, originated by Thomas Tyrwhitt, that the Sonnets were addressed to one Willie Hughes, portrayed in the story as a boy actor who specialized in playing women in Shakespeare's company. This theory depends on the assumption that the dedicatee is also the Fair Youth who is the subject of most of the poems. The only evidence for this theory is a number of sonnets (such as Sonnet 20) that make puns on the words 'Will' and 'Hues." - Wiki. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. - Wiki. PRESS/W39. **PRICE JUST REDUCED!
8vo., First Edition, with frontispiece, illustrated title, 16plates on 14 and numerous facsimiles (a number full-page) in the text, presentation inscription on front free endpaper; original pictorial wrappers, a near fine copy. Catalogue of the collection of printing specimens and artefacts at the famous Fleet Street pub. Lists 140 items together with essays on The Printed Page by A. Lloyd-Taylor and The Printed Illustration by John Lewis.
This is a very good copy in a plastic comb binding (intact), stiff paper covers printed in color with Weyerhaeuser paper sample names: 'Weycroft', 'Louvain', 'Carousel', 'Kashmir', 'Gainsborough', etc. No date but ca. 1970's. Each of the 10 paper sample sections has a color printed title page with the different paper weights and characteristics available in that sample, followed by a number of blank sheets in different colors that are available with that sample. A typical early to mid 1970's Weyerhaeuser trade catalog. 11" high X 10" wide. All printing in offset lithography. Publisher's 'Complimentary Copy' business reply card laid in. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
8vo, 22.8cm. Pp. xvi,210, 2 frontisp., numerous facsimiles and type proofs throughout. Orig. cloth. Very good.
First edition, 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text spotted, paper wrappers, uncut and unopened. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963". (John Carter). Bigmore & Wyman, III. p.78.
First edition, 8vo (233 x 145 mm), 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text lightly spotted, paper wrappers, orig. plain boards. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963"?John Carter. Bigmore & Wyman, III. p.78.
A posthumous homage to Dutch typographer and artist Hendrik Nicolaas Werkman, publisher of the magazine "The Next Call" and pioneer in the art of avant-garde printing. As a member of the Dutch resistance in World War II, Werkman operated an illegal printing press and was shot by the Gestapo in 1945. His colleagues and peers compiled this homage book more than a decade later to commemorate his work. The book contains both examples of Werkman's own art prints, as well as art and text from the many contributors - totaling around 100 distinct pieces of artwork from all involved, as well as multiple pieces of artistically-arranged texts about (or related to) Werkman. Contributors include F.R.A Henkels, W. Sandberg, Kurt Martin, HAP Grieshaber, H.L. Greve, Riccarda Gregor, Herbert Schwobel, Emil Kiess, Raoul Ubac, Wilhelm Geyer, Walter Renz, Werner Oberle, Fritz Ruoff, and the students of the Karlsruhe academy of arts. [ATTRIBUTES:] 295x210mm. ~120 unnumbered pages. Beige board hardcover with tan cloth spine. A reproduction of the cover of issue #9 of "The Next Call" appears on the front cover. [CONDITION:] Cover corners bumped and mildly worn. Front cover very lightly scratched. Otherwise, this loving homage to a pioneer and martyr is in very good condition.
Amsterdam, vers 1963. Petit In-4 carré broché non paginé très illustré.
(ca. 32,5 x 23 cm). 43 Seiten, Fraktur (vereinzelt auch Antiqua). Mit zahlreichen Abbildungen teilw. in Farbe, sowie einigen unpaginierten Extraseiten mit Druckbeispielen. Original-Karton mit Deckeltitel. Einband leicht fleckig, innen noch sehr gut erhalten. Insgesamt guter Zustand. Zeitschriftenausgabe aus dem Jahr 1936 mit vielen Beispielen für Satz und Schriftgestaltung. Die Ausgabe enthält mehrere farbige Beispiele von Werbegraphik ("Neue Sachlichkeit") für Firmen der Zeit: Stabilo Farbstifte, Beton Brückenbau Reger, Büchergilde Gutenberg, Hamburg-Amerika Linie. Die Ausgabe gibt auch Einblick in Selbstverständnisse des Berufsstandes im Nationalsozialismus. Sehr interessante Zeitschrift zur Schrift und Graphik im NS-Staat!
Torino, Frassinelli, 1952, in-8 piccolo, cartonatura edit. con la copertina anteriore figurata, custodia, pp. XIII, [3], 582, [2].
pp. xiii, 395. Illustrated by Lynton Lamb with paintings and drawings; designed by Bert Clarke; printed at The Thistle Press; set in monotype Caslon Old Style; Curtis Colophon laid paper. Inked ownership of Jefford F. Oller on front fly leaf. 6 3/4 x 9 1/4 inches. Bound by the Russell-Rutter Company in full woven forest-green cloth, very slight spotting tail of spine. Original color printed paper spine label. Original yellow slip case, slightly soiled. Fifteen hundred copies have been made, of which this is copy number 420 and it is signed by the illustrator, Lynton Lamb (1907-1977). Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W92
pp. xi, 41. Ruled throughout in black. Title page printed in red and black. Decorative head and tail pieces. Uncut and unopened. 24mo. Original stiff wraps, decorated in gold. Original printed glassine wraps, slight loss on spine. Original slip case, slightly stained. Nice copy. PRESS/W39
This is a very good hardcover copy in a very good dust jacket with just light wear, short closed tear to the top edge of the back of the jacket.. Completely clean inside, very clean outside. Light toning to page-edges. Text in German. Essays by Klaus Weber and Bettina Schob. Illustrated throughout in color. Bauhaus chronology. Biographies of the designers. Bibliography. 12" high X 9" wide, 311 pages.
89p. Numerous illustrations. Some in color. Small 4to. Original full cloth binding. Worn. XLib. Second Edition. REF4 **PRICE JUST REDUCED! $40.00
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Text in Japanese and English. Illustrated in color and black & white. This is an 'Idea Special Issue' that surveys early 1980's French illustrators. Dozens of artists included. Edited by Shigeru Watano and Martine Jamaux. 11" X 9" wide, 131 pages. This book will be securely packed and shipped with tracking.
82p. Red chapter headings and initials. Uncut. Bookplate of J. M. Bundscho Typographers, Chicago. 12mo. Original vellum-like backed paper printed boards. Spine darkened. Original slip case, soiled. Nice copy. Very scarce. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W70
257p. + Plus frontis and full page illustrations with tissue guards by Edmund H. Garrett. Pictorial chapter headings. Title page printed in red and black with decorative border. Top edge gold. Deckled edges. Designed by Bruce Rogers. 8vo. Original half cloth over paper boards. Original paper spine label. Spine darkened. Binding worn and faded. Hardbound. Limited Edition. Number 27 of only 250 copies. Nice copy. First Edition. BAL 21242; Warde 23. PRESS/W32
96p. Decorated title page engraved by Stephen Gooden. Music and text engraved by Lowe & Brydone with the punches designed at the Oxford University Press. Eighteenth century ornaments engraved in wood by W. M. R. Quick. Printed at the Curwen Press. Uncut and unopened. 4to. Original full vellum binding. Front joint fragile. Loss at tail of spine. Hardbound. Limited Edition. Number 828 of only 875 copies. Selection of the songs sung at the London Pleasure Gardens during the latter half of the eighteenth century. Wonderful cultural record. Handsome copy. **PRICE JUST REDUCED! PRESS/W43