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Second Edition, 3 vols., frontispiece in each volume (offset), 9 plates, illustrs., in the text, orig. cloth, hinges torn, one spine lacking. Windle & Pippin A38b; Jackson 49.
First edition, 3 vols., bound in 4, 4to (279 x 185 mm), ONE OF 100 COPIES PRINTED ON THICK AND LARGE PAPER WITH EXTRA PLATES, [4], xxv, [7], 462,lxxix, [1]; [2], 555, [1]; [2], 298; [2], 299-622, lxiipp., with the author's wood-engraved device on each title-page, a wood engraving of the elaborately-quartered coat of arms of the Roxburghe Club on the dedication page, 85 engraved plates ((including the private plate of 'Diana de Poictiers' in vol. 2, which was apparently destroyed after only 50 copies had been printed, and a proof of the 'Prater' plate in vol. 3), 62 illustrations printed on fine and thin "India" paper and mounted on the text leaves, 55 other illustrations in the text, with the additional sixty engraved plates on 52 leaves from Lewis' Series of Groups bound in at the appropriate places as designated by Lewis in his 'Directions to the binder', contemporary notes in pencil to several endpapers and a few within the text, text and plates have staining of varying degrees, pale stain to many lower margins, a little damage to endpapers where bookplates have been removed, full red hard grain red morocco,,covers waterstained, spines lettered in gilt, all edges gilt. Unfortunately this handsome large paper copy has suffered from water damage sometime in the past, additional photographs are available upon request. This set with the additional set of etchings on india paper by George Lewis, of a classic work of the utmost importance for its wealth of eye-witness information and anecdotes about printed books, manuscripts, buildings, other artefacts and people, both from past centuries and from the author's own day, for the extraordinary collection of illustrations, mostly drawn during the tour itself, and finally as a sumptuous piece of book production. As soon as the book appeared, leading scholars derided Dibdin for his lack of scholarship, especially concerning early manuscripts and printed books. But one must distinguish between the extensive and extremely useful information about things and people Dibdin saw during his 1818 tour, and his own interpretations and conclusions, which now serve only as a window to the attitudes of the time. Dibdin's enthusiasm, readable style and entertaining anecdotes, moreover, caught the mood of his age, making the book extremely popular and influential. Lewis' A Series of Groups... was intended to accompany Dibdin's Tour but was rejected by Dibdin as unworthy of his book. Lewis, most perturbed, issued them at his own expense and presented his case in the eight-page Advertisement which was separately printed. Jackson 48; 56; 56n: Windle & Pippin A38a; A44; D13.
3 Vols., in one, illustrs., in the text, orig. cloth, d.w. Since its original publication in 1880 this famous work has established itself as the greatest work in its chosen field. Many thousands of books and monographs are fully described, many with detailed collations.
8vo., First Edition, with a portrait frontispiece and numerous illustrations and plans (a number full-page) in the text; cloth, a very good, clean copy. EDITOR'S WORKING COPY, WITH NUMEROUS ANNOTATIONS AND REVISIONS IN A NEAT HAND THROUGHOUT; PAGES 97-98 CUT TO EXCLUDE ONE ILLUSTRATION ('Caxton and his Press from a painting by Vivian Forbes). SOLD WITH TWO A.L.s. FROM THE AUTHOR TO HIS EDITOR AUDREY WILLIAMSON (AT FREDERICK MULLER) DISCUSSING WORKS IN PROGRESS (IN PARTICULAR THE AUTHOR'S 'THE HISTORY OF THE JAPANESE SECRET SERViCE' ALSO PUBLISHED BY MULLER IN 1982) AND A RELEVANT CUTTING.
This is a near fine hardcover copy in a near fine dust jacket with virtually no wear. Completely clean inside and out. This copy has been signed by Joseph Sinel and briefly inscribed to a colleague, under the limited edition information. This is copy 1360 out of 2000 available for sale. Beautifully printed by the Pynson Printers of New York. Illustrated in color and black & white. Pages uncut as issued. 12" high X 10" wide, 64 pages. Index. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
36p. Full page and text pochoir color drawings by Albert Rutherston. Damp stained. Tall thin 8vo. Original cloth backed paper binding. Dampstained. Hardbound. PRESS/W32
8vo., First Edition, with numerous type-facsimiles in the text, neat inscription on front free endpaper; original boards, cloth corners and backstrip, paper label, boards very lightly rubbed else an unusually bright, clean copy in the scarce dustwrapper, the latter lightly age-soiled and chipped with minor loss at head and tail of backstrip. . A small portion of the contents appeared in a more condensed form in a printing supplement issued with the Manchester Guardian, 23 May 1922. Scarce in this condition, especially in the dustwrapper. Appleton 18.
A typographic exhibition in the Toronto Public Library June 1965 with examples of proclamations, publications and posters, some legal and official others private and commericial. The typefaces used, the name of the printer, and the size of the poster are described for each of the 64 samples illustrated. Book
127p. + Engraved portrait frontis with tissue guard. Text printed on Fabriano Italian paper. Uncut. Top edge gold. 12mo. Original vellum style spine over blue paper boards, gold decorated and lettered. Hardbound. First Edition. Nice copy. PRESS/W33
Issued (by subscription) in forty-six eighty (46) original parts, bound in 28 magazine-format issues. 4to. 200 x 285 mm. Numerous engravings, portraits, maps and plates. Though the spines on many of the paper wraps are gone, this set is generally in wonderful condition. Books in parts are works which were published piecemeal (mainly in the 19th century) over a period of months or years. Each unit usually having a separate magazine-like cover. This method of publishing benefited the publisher as it was thought that the price of a weekly or monthly part at one shilling or a quarter was affordable to a wider readership than the price of pound sterling or $ 5.00 for a bound volume. They also qualified for mailing at a cheaper rate. Since they were meant to be bound by the purchaser, very few have survived into our present era. This set is extremely scarce in parts format. This edition apparently not in Arents (1957). **PRICE JUST REDUCED! PARTS 3
In 8 (cm 15,5 x 25), pp. (14) con 6 fogli di carta velina di colore giallo con illustrazioni di macchinari tipografici. Brossura editoriale con piatto posteriore doppio con illustrazioni. Catalogo non datato, ma ascrivibile agli anni Sessanta (?), di questa tipografia della Pennsylvania, A-1 Typographers, con caratteri tipografici e ornamenti.
In 8 (cm 16,5 x 24,5), pp. (12). Brossura editoriale. Specimen edito dalla American Type Founders Company dedicato alla famiglia tipografica del Copperplate Gothic, carattere ideato nel 1901 di cui sono riportate varie applicazioni.
First edition, [2], vi-viii, 815, [1]pp., title page and first leaf of preface loose with blank margins slightly chipped, pages 439-442 loose, numerous illustrs., rebound in buckram, a very good working copy.
181X260 mm. 86 pages. Hardcover. Rebounded. Pages partly detached from cover. Pages yellowing. Else in good condition.
In 8° piccolo ducale (144x98); pagg. XV. Cartoncino editoriale. Elegante pubblicazione nella sua primitiva veste editoriale. Minime piccole fioriture ma perfettamente conservato. Brooks, 419. <BR>
4to., First Edition, with folding coloured frontispiece and plates in monochrome; green cloth, gilt back, a near fine copy in unclipped, unevenly sunned dustwrapper.
A clean, unmarked book with a tight binding. 8 3/4"w x 11 1/4"h. 510 pages.
This is a very good softcover copy with light wear to back cover. Completely clean inside. No text. Illustrated mostly in black & white with reproductions of prints, broadsides, and photographs pertaining to the history of New York. Bound simply in blue card wrappers, title printed on spine. 10" high X 7" wide. This book will be securely packed and shipped with tracking.
Mm 195x280 Volume in tela editoriale, titolo in oro impresso al dorso, 400 pagine. illustrazioni nel testo e una ripiegata. Nuova edizione aggiornata. Testo in lingua inglese. Ottimo stato. Spedizione entro 24 ore dalla conferma dell'ordine.
28p. Title page printed in orange and black. Thin 8vo. Original paper binding, lettered in orange. Binding soiled. Hardbound. Limited Edition. Number 345 of only 1000 copies. A remarkable account describing: the crossing of the Isthmus of Panama; the voyage to San Francisco; trips to Sacramento City; Sutter's Fort; life in the mines; lawlessness; & etc. Though the binding is a bit soiled and stained, the text is bright and clean. ** . PRESS/W33
32p. + frontis. Wood engraved color frontis, chapter heading and colophon by Mallette Dean. Title page bordered in red. Number 5 of the Colt Press Series of California Classics. Uncut. 8vo. Original cloth backed decorated paper binding. Hardbound. Limited Edition of only 500 copies. Nice copy. PRESS/W32
pp. viii, 42. Title page and limitation pages decorated with Mosher's design in red. Printed on Van Gelder hand-made paper. Tall 12mo. Original full paper binding. Original spine and front cover paper labels. Spine stained with loss at tail. Hardbound. Limited Edition of only 950 copies. First Edition. Bishop 214. PRESS/W39
48 Leaves. Printed on recto only. Illustrated with woodcuts from William Dodd's "Specimens of Early Wood Engraving". Also some wood blocks by A. O. Decorative title page. 8vo. Original full marble boards with original spine and front cover paper labels. Extremities worn. Hardbound. PRESS/W32
Third Edition, corrected, xix,117,[3]pp., 2 fold-out lithographed plates, the first containing twelve figures of tools and implements, the second nine figures of printing presses and parts, both plates are lightly water-marked affecting the image, & with 1" marginal tear to vertical fold of each, final leaf includes publisher's advertisements for two additional titles by Hullmandel; front & back endpapers soiled, with early owner's signature (L. Stilson) & date on front pastedown, final two blank leaves bit stained, half calf with early marbled paper over boards, red leather label (3x2") with gilt border & title, "A Manual of Lithography", & the name "L. Stilson" added to front board; spine worn & rubbed with 1-1/4" piece missing at head & small label with black "C" at foot; 3" split in front joint; corners, edges & joints worn, paper boards chipped, edges of cover label chipped. Hullmandel's best know work and most influential publication is his book 'The art of drawing on stone' which was first published in 1824. But in terms of establishing lithography in Britain, his translation from the French of this treatise by Raucourt de Charleville was probably just as important. This third and final edition contains some important new additions. Colonel Antoine Raucourt was chief engineer at the Ecole des Ponts et Chauss?es in Paris and ran its in-plant lithographic press. His book was originally published in Toulon in 1819. Hullmandel thought highly of Raucourt's treatise and wrote in the preface: "The books which have hitherto been published on lithography are very imperfect, and are much more adapted to persons who already understand the art than those who wish to learn it... I have repeatedly wished for a guide to explain the new accidents which occur every instant, and which... appear each time so new and intricate, that the beginner is consequently tempted to give up all hopes of ever succeeding. I am consequently better enabled to appreciate the value of this excellent treatise on lithography, and hesitate not an instant to pronounce it the best work which has ever been published on the art." Bigmore & Wyman II, p.240; Twyman, pp.110-14.
280x215 mm. Unpaginated. Softcover. Rear cover slightly stained. Several first pages slightly age stained. In good condition.