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This is a very good softcover copy with just light wear. Completely clean inside and out. Folded illustrated wrapper with loose sheets. Text in English and Dutch. Essay by Sonja Herst. 11" high X 8" wide.
4°. 116 S. Graublaue Original Leinwand mit Rückentitel und Deckeltitel, minimal berieben, Vortitel fehlt. (=Schriftenreihe der Wirtschaftswiss. Ges. zum Studium Niedersachsens). Erstausgabe. Raabe 98.22. Mit 88 Abbildungen im Text. Graphische Gestaltung des Buches, Typographie im Stil der "Neuen Sachlichkeit" v. Vordemberge-Gildewart.
8° (CM. 25), TELA NERA CON TITOLO ORO AL DORSO (LIEVI SEGNI ALLA TESTA DEL DORSO), PG. XVI 301 (3), 184 FIGURE B.N. N.T. (ANCHE A PIENA PG. E ALCUNI DI CARATTERI TIPOGRAFICI), UNA FIRMA E UNA DEDICA AL FRONTESPIZIO, SENZA SOVR., BUONO STATO, PRIMA EDIZIONE (FIRST PRINTING). (C)
Hong Kong, Artpower, 2012, 4to (cm. 28 X 21) cartonato editoriale con copertina illustrata a colori, pp. 280 completamente illustrato a colori.
200 pages. Small folio. 370 mm. A miscellaneous collection of 50 musical works, Copious decorative advertisements at front and at the top of each page for businesses in and around Philadelphia. Handsomely Bound in full red leather gilt by Wm. Rutter & Co. Contents include: Turlurette (quadrille) / H. Marx -- Praise of tears (song) / F. Schubert -- Captain Jinks (song) / T. Maclagan - Vaillance (polka militaire) / J. Ascher -- Robinson Crusoe (Quadrille) / Offenbach -- Not for Joseph (song) / Arthur Lloyd -- The lover and the bird (song) / P.D. Guglielmo -- Orphee aux enfers (quadrille) / Offenbach -- Jerusalem the golden (hymn) / A. Ewing -- The merriest girl that's out (song) / arr. by C. Minasi -- Cousin et cousine (schottisch elegante) / J. Egghard - How fair art thou (song) / H. Weidt -- In the starlight (duet, vocal) / S. Glover -- On the beach at Cape May (song) / words by E.N. Slocum -- Schtzen-Marsch / Carl Faust -- Voll humor (polka) / Carl Faust -- Ohne Zgel und Bgel (galop) / Carl Faust -- Good bye, sweetheart, good bye (song) / J.L. Hatton - La chatelaine (polka mazourka) / Carl Faust -- The young recruit (march) / B. Richards -- Five o'clock in the morning (ballad) / by Claribel - The moon behind the trees (My cottage home, chorus) (song) / G.T. Wilson -- Up and down (galop) / Carl Faust -- The black-key (polka mazurka) / A. Herzog-- Romance from Don Pasquale (opera song) / Donizetti -- Crispino e la comare (opera bouffe) fantaisie / arr. by E. Ketterer -- Home sweet home (variation) / J.H. Slack -- Marche des tambours (militaire) / Sydney Smith -- Les varietes parisiennes (new quadrille) -- La belle Helene (galop) / arr. by D. Godfrey -- Come back to Erin (song) / Claribel -- Adrienne (polka mazourka) / A. Talexy - Maggie's secret (My heart is over the sea) (song) / Claribel - Im Strudel (galop) / Carl Faust -- Blue bird (polka Redowa) / Weingarten -- Barbe bleue (galop) / arr. by T.A' Becket, Jr. -- The naiad's (barcarolle) / E. Mack -- Fire and flame (galop) / Carl Faust - Victoria lancers (quadrilles) / Weingarten -- Lucrezia Borgia (Il brindisi) (song) / Donizetti -- Scenes that are brightest (Maritana) (song) / W.V. Wallace -- My first wife's dead (Barbe bleue) (song) / Offenbach -- Les adieux (nocturne) / P. Horro -- Fra diavolo (fantaisie) / arr. by Sidney Smith -- Valse des roses (waltz) / E. Ketterer -- Cujus animam (opera Stabat Mater) / W. Kuhe -- La favorite (morceau de concert) / J. Ascher -- Immotellen (waltz, 4 hands) / J. Gung'l -- Kunstler Leben (waltz) / Strauss - Sanger's(march). A very impressive piece of local typography and binding. SE Map Case / Also Music Section
79 S. Original Halbleinwand mit verziertem Deckeltitel (Jugendstil). Einband etwas berieben und bestoßen. Innen sauberer, ordentlicher Zustand.
Edizione originale. Esemplare appartenente all’emissione originale, sciolta, fatta per la circolazione pubblicitaria; in eccellenti condizioni di conservazione, pulito e intatto in ogni sua parte, senza gli inevitabili segni di adesione degli esemplari inseriti tramite pinzatura («glued» secondo l’Associazione Campo Grafico) nel numero IV,2 di «Campo grafico». Rarissimo opuscolo pubblicitario firmato dalla ditta di grafica e pubblicità R + M di Milano, fondata nel 1931 dai giovani Riccardo Castagneri (RiCas) e Bruno Munari, artista futurista già piuttosto noto e destinato a diventare uno dei principali designer del Novecento italiano. «Nero A.O.» è un prodotto eccezionale sia sotto il profilo grafico che dal punto di vista della comunicazione pubblicitaria (slogan, copywriting &c.), configurandosi in tutto e per tutto all’altezza delle più creative realizzazioni degli anni ’60 — ma siamo a metà degli anni trenta, nel profondo dell’Italia fascista e imperialista. -- Oltre alla celebre «Tavolozza delle possibilità tipografiche», «another advertising project, however, receives a positive reception, this one also created during the same period together with Muggiani, marked by an improved economy of means. It is the promotional brochure “Nero A.O.” 1936 for the company Concentra/F.lli Hartmann, and features a new printing ink, appropriately renamed with a nod to the war going on in Africa, as is the photographic idea on the cover; inside, instead, text and images alternate in a clear layout, with large, well-spaced type, printed in color and, on the front, suggestive black-and-white images (photo- montage and typographic compositions) or demonstrative images displaying the product’s qualities (print proofs with different screens)» (Colizzi). -- Fu recensito molto positivamente sul n. IV,2 di «Campo grafico», febbraio 1936, p. 29, che ne proponeva anche copia dell’originale interfoliata (si ricorda qui che la tiratura dei fascicoli di «Campo grafico», in ogni caso, non superava le cinquecento copie). Colizzi, Bruno Munari and the invention of modern graphic design in Italy (PhD thesis Universiteit Leiden 2011), p. 124; manca a Maffei, Munari: i libri
Torino, Centro di Studi Piemontesi, 1977, in-8, br., pp. (7). Estratto.
[Ancona, Stab. Tip. Civelli, 1886], foglio volante di mm. 480x370, impresso su una sola facciata, testo inquadrato da cornice in cromolitografia. Antonio Civelli fu celebre editore e tipografo. Qualche fioritura.
[Firenze, stab. tip. Civelli, 1881], foglio volante di mm. 305x440, impresso su una sola facciata, testo inquadrato da ricca cornice in cromolitografia. Antonio Civelli fu celebre editore e tipografo.
This is a very good hardcover copy in the original tan cloth elaborately decorated in black with an art nouveau floral design, title in gilt script on the spine. Some wear to spine tips. Very clean inside and out. Text in Dutch. Both the cloth binding and the endpapers with a geometric design in gray and white were designed by J.L.M. Lauweriks. 132 black & white plates, including photographs of modern Dutch interior design and decorative arts with designs by C.A. Lion Cachet, K.P.C.de Bazel, Jan Wils, P. Kramer, H.Th. Wydeveld, J.A. Snellebrand & A. Ebink, J. Crouwel Jr., F. Spanjaard, G.A. Roobol, P. Bromberg, B. Bijvoet & J. Duiker, S. van Ravesteyn, J.B. van Loghem, Corn. van der Sluys, J. Mendes da Costa, Hildo Krop, Theo van Reijn, Th.A. Vos, Herman van Remmen, J. Radecker, W.C. Brouwer, Jansen van Galen, Bieling, H. Vaillant, A. Riemans, Toorop, Thorn Prikker, J.H.E. Schilling, Toon Berg, W. Bogtman, R.N. Roland HolstLeo Visser, Jan Eisenloeffel, Jac A. Jacobs, Jan van Ham, Erich Wichman, Arnold Pipers, E. Siewertz van Reesema, Joan Collette, S.H. de Roos, among many others. Also 2 full-page black & white woodcuts memorializing M. de Klerk and K.P.C. de Bazel. List of illustrations, with designers, media or materials, dates. This yearbook of the modern decorative arts in the Netherlands covers interior architecture, furniture, metalwork, glass, ceramics, lighting designs, textiles, stained glass, and typography. 10" high X 7" wide, 72 text pages + plates and illustrations.This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
New New English Original bdg. Dust wrapper. In publisher's special box. Folio. (42 x 31 cm). In English and Turkish. 398 p., color and b/w ills. Most comprehensive and detailed study on Ibrahim Müteferrika, his works and Ibrahim Müteferrika Printing House. A heavy volume. Müteferrika: Basmaci Ibrahim Efendi and the Muteferrika Press.= Müteferrika: Basmaci Ibrahim Efendi ve Müteferrika Matbaasi. OTTOMANIA Reference Muteferrika Printinghouse Turkish incunabula Typography Intellectual.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 88 p. Müteferrika'dan Birinci Mesrutiyet'e kadar Osmanli Türklerinin bastiklari kitaplar. First and Only Edition. Signed and inscribed by Baysal.
8vo. First Edition with plates and facsimiles in the text; terracotta cloth gilt back blue endpapers a very good bright clean copy in unclipped dustwrapper. WITH AN A.L.s FROM THE AUTHOR LOOSELY INSERTED. The letter is dated 18 September 1974 and written from Meynell's residence at The Grey House, Lavenham, Suffolk. It is highly characteristic, referring as it does to the design shortcomings of a published document -'the matter of the Report is full of interest - but its presentation - ugh! What conceivable justification is there for the vast head-of-page margins (and diminutive tail-margins) on type pages - made all the sillier by the full page arrangements of illustrated pages.' A copy of a newspaper obituary of the author is also included. A SPLENDID ASSOCIATION COPY OF MEYNELL'S AUTOBIOGRAPHY , ACCOMPANIED BY A TYPICALLY FORTHRIGHT CREATIVE OPINION FROM ONE THE LEADING BRITISH DESIGNERS AND TYPOGRAPHERS OF THE TWENTIETH CENTURY.
18x18 cm. Unpaginated. Softcover. In good condition.
This is a very good softcover copy in the printed soft card covers with a glassine wrapper, though just the front panel and spine of the wrapper survive. Very clean inside and out. Text in French. This catalog was prepared by the Comite d'Installation for the Exposition International in Paris in 1900. This section contained books, musical works, bindings, newspapers and posters. Well illustrated in black & white. 11" high X 7.5" wide, 139 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
47p. Text illustrations by Walter Jack Duncan. Decorative endpapers. Tall thin 8vo. Original cloth backed paper binding. Original spine paper label, slight loss. Hardbound. Nice copy. PRESS/W32 x2
430p. + Plus color frontis and full page color illustrations by John Leech. The collotype base of the plates has been printed by Chiswick Press and the hand coloring carried out by M. Johnson. Inked ownership of Jefford F. Oller, 11-20-52. 8vo. Original full orange cloth binding. Gilt lettered spine labels. Spine very slightly faded. Hardbound. Nice example. **PRICE JUST REDUCED! PRESS/W74
Mm 165x220 Brossura cucita di pp. 381, con 39 tavole in bianco e nero fuori testo. Atti dei convegni della Società internazionale di studi francescani, vol. VII. Testi in lingua (italiano, francese, tedesco) di: J. Leclercq, G. Gonnet, F. Bisogni, C. Gennaro, E. Grau, R. Manselli, R. Rusconi, A. Vauchez. Opera in buone condizioni.
172p. Illustrated. 8vo. Original paper covered boards. Original dust jacket. First edition. Freeman was a publisher in many different parts of the West after the Civil War. **PRICE JUST REDUCED! REF2
In-8°, pp. 142, illustrazioni f.t., brossura editoriale
In-8 gr., brossura, pp. 226, con 24 tavole in bianco e nero fuori testo. In buono stato (good copy).
In 8, pp. 26 + (2) + 48 tavv. f.t. raff. lavori tipografici di Maestri. Leggero alone al p. ant. Br. ed. Catalogo stampato su carta grave, dedicato al maestro tipografo Luigi Maestri, pubblicato in occasione della mostra alla Biblioteca comunale di Milano nel dicembre 1867 gennaio 1968.
In 8, pp. 27 con 48 tavv. con riproduzioni di frontespizi e pagine di opere stampate da Luigi Maestri. Br. ed.
In-8° (cm. 26,4x19,5) pp. 26, (2) + 48 TAVOLE di facs. di "capolavori" tipografici stampati dal 1957 al 1967 (frontespizi, pagine di libri con o senza ill.) b.n. su fondino avorio f.t. Br. ed. Carta pregiata nelle sue barbe. BALLO (Adrano 1914 - Milano 2010), poeta e critico d'arte, amico di Arnaldo Pomodoro e Lucio Fontana docente di storia dell'arte all'Accademia di Brera di Milano, curatore di celebri mostre
