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8vo., First Edition; red cloth, upper board lettered in black, a near fine copy in unclipped dustwrapper, the latter lightly browned on (predominantly white) rear panel and chafed at head and tail of backstrip. SCARCE IN THIS CONDITION. Fifoot OA37
Very Good English Paperback. Pbo. 114, [1], [4] p. Foolscap 8vo. (17.5 x 12 cm). In Ottoman script. Roumi. 1335 = Gregorian. 1919. Özege: 20132. Tayflar geçidi [Külliyat-i asar].
As New English Paperback. Pbo. Mint. Cr. 8vo. (19 x 13 cm). In Kurdish. 163 p. B/w ills. First Kurdish Edition of Lindgren's 'An lever Emil i Lönneberga'. Wergera ji Swêdî: Firat Cewerî. Wêneya bergê: Björn Berg. Emîl hê jî li Lönnebergayê. Ills. by Björn Berg. Translated by Firat Cewerî. [= An lever Emil i Lönneberga].
As New English Paperback. Pbo. Mint. Cr. 8vo. (19 x 13 cm). In Kurdish. 155 p. B/w ills. First Kurdish Edition of Lindgren's 'Nya Hyss av Emil i Lönneberga'. Wergera ji Swêdî: Firat Cewerî. Wêneya bergê: Björn Berg. Kurdish language.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 581 p. Tuva destanlari, Vol. 1. Tuvan folk legends and epics.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). Signed and dedicated by the author. 112 p. In Turkish. Tasraya dogru. Yeni hayat, istasyonda, yazik, Maçahel'deki tavuk, Maradit köprüsü, Lâmazitualli ve dönüs
<p>25 cm, rilegatura coeva in piena tela con titolo in oro al dorso, p. 290. Numerose illustrazioni in nero a piena pagina di Scarpelli. </p>
In-8 (cm. 22.90), tela editoriale, sovracoperta editoriale bianca con titolo in rilievo, pp. 24, (2), con numerose illustrazioni a colori fuori testo. Text in English. Tracce di polvere alla sovracoperta; peraltro, volume in ottimo stato (nice copy).
46p. Title page printed in red and black. Printed on Japan vellum. Stamped ownership of Mrs. Frank T. Griswold. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Original floral pattern slip case, with small loss at top and bottom. Limited Edition of only 425 copies. Seventh Edition. Nice copy. PRESS/W39x2
71p. + Plus frontis and full page illustrations with tissue guards. Text blocked throughout in ornate borders of fishes, vines and flowers. Top edge gold with other edges deckled. 8vo. Original full green cloth binding embossed and decorated in gold and blind. Heavily gold lettered. Spine slightly faded. Lovely First Edition printed at the Devinne Press. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W69
82p. Red chapter headings and initials. Uncut. Bookplate of J. M. Bundscho Typographers, Chicago. 12mo. Original vellum-like backed paper printed boards. Spine darkened. Original slip case, soiled. Nice copy. Very scarce. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W70
11p. Gilt stars on title page. Deckle edged. Large gold initial. Thin 8vo. Original full gold flecked paper binding, gold lettered. Lacks spine. Limited to only 245 copies. A beautifully printed Christmas story. There seem to have been a variety of these issued in very limited editions for various collectors and wealthy people to give at Christmas. First Edition thus. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W67.
8vo., with coloured and monmochrome photographs throughout; pictorial wrappers, wire-stitched as issued, a fine copy. Royal Marines Historical Society Special Publications 23.
8vo., Second Edition, on laid paper, with a coloured frontispiece and 7 coloured plates; original blue cloth, upper board and backstrip blocked and lettered in darker blue, an unusually bright, crisp, clean copy. First published in 1915. The present edition is updated to include an account of the Great War.
8vo., First Edition, with a frontispiece (original tissue guard present), very numerous illustrations (many full-page) in the text and a folding plan, neat contemporary signature on front free endpaper; cloth gilt, gilt back, backstrip lightly browned, joints mildly rubbed else a very good, clean copy. Scarce
24p. With colored wood engravings by Bernard Brussell-Smith. Designed and printed by Kurt H. Volk. Wide margins. Uncut. Holiday Greetings insert from Kurt H. Volk. Pastedowns beginning to brown. Tall thin 8vo. Original full cloth binding, lettered in silver with fir tree vignette on front cover. Original slip case with paper label. Limited Edition, but no statement of number of copies. Very nice example. The illustrator, Bernard Brussel-Smith (1914-1989) studied at the Pennsylvania Academy of Fine Arts, Philadelphia, and the New School for Social Research, New York. He taught at the Brooklyn Museum, Cooper Union, City College, and the National Academy. His work was widely exhibited and is in many major art collections. The printer publisher Kurt Hans Volk (1884-1962) was born in Germany, and probably trained as a printer/typographer there. He worked for many years at N.W. Ayers in Philadelphia before starting his own typographic firm in 1927. He widely lectured on advertising typography and authored the important work: "Using Type Correctly." He greatest influence as a designer was probably as a consultant to the Merganthaler Linotype Company. Today he is probably best known for a private series of keepsakes and limited edition books distributed to friends at Christmas. We are pleased to be able to offer one of these here. Fine books from earlier Christmas seasons make great gifts today. CHRISTMAS/W67.
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 151 p., color and b/w ills. Karagöz & Hacivat. Seyirlik perde: Karagöz oyununun Osmanli topraklarina gelisinin 500. yildönümü anisina. [Exhibition catalogue]. Karagoz & Hajivat, traditional Turkish theater for the 500th anniversary of the development of Karagöz plays in the Ottoman lands.
Very Good English In modern aesthetic cloth bdg. with Ottoman lettered gilt. Cr. 8vo. (19 x 13 cm). In Ottoman script. 85 p. Hegira: 1301 = Gregorian: 1884. Özege: 19306. First Edition.
New Kazakh Paperback. Large8vo. (20 x 20 cm). In Turkish. [42] p. First and Limited-Numbered Edition: 055/200. 200 copies were printed. Numerous Edition. 055/200. Matem için matem. [= Liberty or love! And mourning for mourning]. Translated by Dilan Kirat. Turkish Edition. Mystery, the marvelous, the city of Paris transmuted by love, and Sanglot the Corsair s pursuit of the siren Louise Lame: these are the essential ingredients of Liberty or Love!, a masterpiece of early Surrealism written by Robert Desnos (1900-1945) and first published in 1924 to immediate acclaim. Characters appear and disappear at whim; they walk underwater and accept the most astounding coincidences with calm nonchalance. This crown jewel of Surrealist eroticism is part hymn to the erotic and part adventure story illumined by the shades of Lautreamont, Jack the Ripper and Sade. Desnos was famously lauded by Andre Breton--in his First Manifesto of Surrealism--for having come closest to the Surrealist truth, and his novel is a dream at once violent and tender--the perfect embodiment, in fact, of the Surrealist spirit: joyful and despairing, and effortlessly scandalous. This new hardback edition also includes Mourning for Mourning, Desnos first book--his own selection of his early stories from the period of sleeping fits and automatic writing.
32 p. Double column. Paper browning but not brittle. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers very slightly soiled. Volume One, Number Nine. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic. W8RtRear
32 p. Double column. Paper browning but not brittle. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers very slightly soiled. Volume One, Number Thirteen. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic. W8RtRear
32 p. Double column. Paper browning but not brittle. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers very slightly soiled. Volume Two, Number Sixteen. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic. W8RtRear
32 p. Double column. Paper browning but not brittle. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers slightly soiled. Slight chipping on front margin. Volume Two, Number Twenty-Three. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic. W8RtRear
32 p. Double column. Paper browning but not brittle. Lightly damp stained. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers very slightly soiled. Volume Two, Number Fourteen. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic. W8RtRear
32 p. Double column. Paper browning but not brittle. Softcover. 190 mm. Original tri-color printed pictorial wraps. Covers very slightly soiled. Volume One, Number Two. Very good. Edward Lytton Wheeler (1854-1885) was a professional 'Sensational Novelist' whose "Deadwood Dick" was the most popular hero of the dime novel era at the end of the 19th century. Through 'Dick' he greatly influenced boys (and men) to view the West as eternally exciting and heroic.W8RtRear