435 résultats
1966132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. <br/><br/>Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction."<br/><br/>Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. <br/><br/>Artwork by Jerzy Flisak. <br/><br/>22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. <br/><br/>Pitts 2240. N.p. unknown books
1940148708Los Angeles: Twentieth Century-Fox 1940. Final Draft script for the 1941 film here under the working title "Corncob Kelly's Benefit." Production No. 301 and copy No. 105 rubber stamped on front wrapper with FINAL printed at the top right corner of same. Single annotation in holograph pencil of two names on verso of page 119. Eight blue revision pages follow final page of script.<br/><br/>Young "Corn Cob" Kelly Marvin Stephens a natural with horses is taught to be a jockey by trainer Duke Martin Eugene Pallette but runs into trouble when he gets word racehorse owner Dan Thomas Richard Lane is conspiring with gangsters to fix the race.<br/><br/>Set in Thousand Oaks California. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 105 and production No. 301 dated SEPT. 6 1940. Distribution page present with receipt intact. Title page present dated September 6 1940 noted as Final Script with credits for screenwriters William Conselman Jr and Irving Cummings Jr. 129 leaves with last page of text numbered 95. Mimeograph duplication rectos only with blue revision pages following last page dated 10/17/40. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1978148026New York: Sheldon R. Lubliner/F. Wendell Minnick 1978. Draft script for the 1978 musical which was to premiere at the Palace but closed during its out-of-town tryout and played The National Theatre in Washington DC from January 1 1978 to February 4 1978. Copy number "#34" written in holograph marker on top corner of title page.<br/><br/>The story of fictional song-and-dance man Jack Beaumont who becomes a Hollywood superstar during the golden age of movie musicals.<br/><br/>Yellow Studio Duplicating Service titled wrappers. Title page present with credits for Richard Seff book Jerry Bresler music Lyn Duddy lyrics David Black director and Leonard Starr story. 84 leaves with last page of text numbered 2-4-24. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with bruise near spine bound with two gold screw brads. Sheldon R. Lubliner/F. Wendell Minnick unknown books
1944140148Hollywood: Paramount Pictures 1944. Draft script for the 1945 film musical. Based on the 1940 French comedy "L'homme qui cherche la verite" written by Poerre Wolff. With three pages of shooting schedule laid in and holograph pencil annotations to the verso of the rear wrapper. <br/><br/>America's wealthiest bachelor Eddie Bracken joins the Navy to escape his gold-digging suitors only to be wooed by another Veronica Lake. a cigarette girl at a club already engaged to his best friend Sonny Tufts. Luckily another girl appears at the same club a singer Marjorie Reynolds and the quartet of main characters sort things out via a series of comedic if predictable falterings. Veronica Lake's first proper musical and her return to the screen after a several-month absence in which she lost a child and got divorced. <br/><br/>Set largely in Miami. <br/><br/>White titled self wrappers noted as production No. 1384 dated January 4 1944 with credits for screenwriters Karl Tunberg and Darrell Ware. Title page integral with the front wrapper as issued. 117 leaves with last page of text numbered E-53. Mimeograph duplication with blue revision pages throughout dated variously between 1-10-44 and 3-18-44. Pages about Fine wrapper Near Fine bound with two gold brads. <br/><br/>Hirschhorn 254. Paramount Pictures unknown books
189288902 vols. London: Richard Bentley & Son 1892. 2 vols. 8vo Vol. I: xxi 308pp; Vol. II: 284pp. 2 frontispieces with tissue guards and 21 illustrations. Original blue cloth with gilt edges and lettering to spine. Moderate foxing to title pages and throughout. Pages untrimmed. Very good. § First edition. John Linnell was an English Romantic painter 1792-1882. Linnell was one of the best friends and patrons of William Blake. Bentley Blake Books 2769. Richard Bentley & Son hardcover books
1944128914Universal City CA: Universal Pictures 1944. Draft script for the 1945 film. Copy belonging to studio secretary Marion Pecht with her name in holograph pencil at the top right corner of the front wrapper. <br/><br/>The sixth and final Inner Sanctum installment featuring spiritualists a haunted house and a murder by suffocation in what was seemingly a last gasp from the studio's film series. Sadly the film's failure superseded its potential even with all the right elements of a chilling melodrama. <br/><br/>ChaneyJr. plays attorney Wayne Fletcher who is engaged in an affair with his secretary Donna Joyce who is tied to a rich family. He arrives home after a late night at the office to discover his wife has been murdered a death by asphyxiation with Wayne as the suspect. With the help psychic Julian Julian Bromberg the police investigate the murder. The psychic's motives are questionable but he says he can contact Wayne's dead wife. At a seance to reach Vivian's spirit the reluctant Wayne hears what he thinks is her voice but discovers Julian Julian in the shadows and accuses him of conspiracy. After several sleepless nights haunted by the voice of his lost wife Wayne finally "gives in" to her spirit and attempts to kill Donna with a pillow but is overpowered by police and leaps from a window to his death per his wife's instructions. <br/><br/>Gray card titled wrappers lacking rear wrapper rubber-stamped production No. 7285 dated February 19 1945 with credits for screenwriter Bricker and story writer Babcock. 106 leaves mimeograph duplication. Pages Near Fine wrapper Good lacking rear wrapper bound with two gold brads. <br/><br/>Weaver Universal Horrors. Universal Pictures unknown books
1944148705Los Angeles: Twentieth Century-Fox 1944. Shooting Final Draft script for the 1945 film here under the working title "Two-Faced Quilligan." Production No. 911 and copy No. 6 rubber stamped on the front wrapper with SHOOTING FINAL printed at the top right corner of same. Single annotation in the script in holograph pencil noting three names on the verso of last leaf.<br/><br/>Patrick Michael Quilligan William Bendix captain of a barge named Mary named after his mother meets and falls for two women Joan Blondell and Mary Treen who remind him of his beloved deceased mother inadvertently marrying both.<br/><br/>Set in Brooklyn and Utica New York. <br/><br/>Brown titled wrappers noted as SHOOTING FINAL on the front wrapper rubber-stamped copy No. 6 and production No. 911 dated DECEMBER 21 1944. Distribution page present with receipt intact. Title page present dated December 21 1944 noted as Shooting Final with credits for screenwriter Arthur Kober. 127 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 1/2/45 and 2/28/45. Pages Near Fine wrapper Very Good plus with large chip on right edge of front wrapper bound internally with two gold brads. Twentieth Century-Fox unknown books
1938144158Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodd's who played Silvia Sidney's infant son in the film. <br/><br/>Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br/><br/>5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
1953134790Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1953. Set of 4 original lobby cards for the 1953 film "Bright Road" based on the Christopher Award winning story "See How They Run" written by Mary Elizabeth Vroman and first published in 1951 in the Ladies' Home Journal. <br/><br/>Notable for its nearly all-black cast "Bright Road" stars Dorothy Dandridge as an Alabama schoolteacher intent on motivating one of her more lackluster students. Dandridge is said to have accepted the role because of the film's lack of racial tension as a central theme. As a result she hoped that young women of all colors could identify with her character. Harry Belafonte's debut feature film. <br/><br/>14 x 11 inches. Both lobby cards quite clean with no pinholes about Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
133025London: British Lion Film Corporation. Early Draft script for the 1950 British film "Into the Blue" seen here under the early working title "Rendezvous in Cannes." The film was released in the US under the title "Man in a Dinghy." Copy belonging to sound recordist Peter Handford with his name in blue holograph ink to the front wrapper. <br/><br/>Hal Erickson: A film much enhanced by the presence of two veteran British movie favorites. Jack Hulbert and Constance Cummings as John and Kate Ferguson who embark upon their first vacation in years. Traveling from England to Norway by yacht the Fergusons are joined by their taciturn skipper Bill Edward Rigby and romantic leads Nicholas Foster top-billed Michael Wilding and ship's cook Jackie Odile Versois. A quiet story one whose strongest suits are its stars and its location photography. Set on the Seine river and other waterways between Norway and England. <br/><br/>Blue titled wrappers with a yellow cloth tape spine marked copy No. 14. Title page present with credits for screenwriters Wilcox and Taylor and dialogue and story writer Phipps. 124 leaves mimeograph duplication. Pages Very Good plus wrapper Good perfect bound. British Lion Film Corporation unknown books
1952143716Los Angeles: Paramount Pictures 1952. Final White script for the 1953 film. <br/><br/>A loose adaptation of the popular 1925 silent film directed by James Cruze retelling a largely fictionalized account of the formation of the US mail system. Charlton Heston plays a gritty Buffalo Bill Cody and Forrest Tucker plays Wild Bill Hickock. In reality however Wild Bill Hickock never rode for the Pony Express Buffalo Bill Cody was only fourteen when he rode for the route and the route itself ran for only eighteen months of service before being superseded by the transcontinental telegraph. <br/><br/>Set between Missouri and California shot on location in Utah and Arizona. <br/><br/>White titled self wrappers noted as FINAL WHITE on the front wrapper noted as production No. SF 88972 dated May 21 1952 with credits for producer Nat Holt and writer Frank Gruber. Distribution page present with receipt removed rubber stamped as copy No. 84. Title page integral with the distribution page dated May 21 1952 noted as FINAL WHITE with credits for writer Frank Gruber. 123 leaves with last page of text numbered 120. Mimeograph duplication. Pages Fin wrapper Near Fine bound with two gold brads. Paramount Pictures unknown books
1977143667N.p.: N.p. 1977. Draft script for an unproduced film. With 19 pages of budget estimates laid in. <br/><br/>A man returns to his small southern home town and finds that he is the heir to a Voodoo artifact and the ancient spirit that possesses it. Had the script been picked up by a studio it would have been J.S. Cardone's first screenwriting credit. <br/><br/>Black titled leatherette wrappers. Title page present with credits for screenwriters Lincoln Kilpatrick and J.S. Cardone and story writers Lincoln Kilpatrick and Bill Nolan. 150 leaves with last page of text numbered 149. Mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1947144819Culver City CA: Columbia Pictures 1947. Vintage photograph of director Charles Vidor and stars Rosalind Russell and Melvyn Douglas speaking to Orson Welles on the set of the 1947 film. Welles was directing the classic Columbia Pictures film "The Lady from Shanghai" at the same time. Mimeo snipe and agency stamps on the verso.<br/><br/>Janet Ames Rosalind Russell seeks out five soldiers who her husband sacrificed his life for during World War II. After suffering a serious injury she meets Smithfield "Smitty" Cobb Melvyn Douglas who helps her find the men her husband saved though he does not tell her he is one of them. He tries to help her reconcile her pain and guilt while he treats his own pain from the war with heavy drinking. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
192917091106London: Hodder and Stoughton Limited 1929. Hardcover. Near fine/very good . Rackham Arthur. Octavo size 123 pp. With Ex-Libris of J.M. Barrie which apparently is not unique there being one other copy online as of this writing with the same plate. The ink looks genuine but the signatures are the same; interestingly the library bookplates are tipped onto different pages. We can come up with several scenarios for the existence of these bookplates but since the bibliographies are silent on it we cannot state anything with certitude. Mary Clarissa "May" Byron 1861-1936 was an author in her own right but was best known for her abridgements of J.M. Barrie's works for children. This work with six full-colour plates and fifteen black and white illustrations all by Arthur Rackham was an excellent gift for young readers. <br/><br/>Arthur Rackham 1867-1939 born into a "typical middle-class Victorian family" showed an aptitude for drawing from an early age especially with "fantastic" subjects. In the autumn of 1884 he enrolled in the Lambeth School for Art; upon graduation he began working on his illustrations part-time submitting them to various periodicals and publishers while working as a clerk. Success found him in 1905 with the publication of his "Rip Van Winkle" which "decisively established Rackham as the leading decorative illustrator of the Edwardian period". His work remained popular and highly sought for decades through his final illustrated book "The Wind in the Willows" completed just a year before his death in 1939. N.B. above quotes from Derek Hudson "Arthur Rackham His Life and Work". However important Rip Van Winkle and The Wind in the Willows are it is perhaps for his depictions of Peter Pan that Rackham remains most remembered and this book geared towards children is a delight and a joy.<br/><br/>___DESCRIPTION: Bound in green cloth with dark green lettering on the front and spine dark green vignette of Peter Pan after the illustration on the dust jacket front endpapers only have half-page map in black and white of "Peter Pan's Map of Kensington Gardens" the verso of the front free endpaper has the bookplate of J. M. Barrie as referred to above likely not his original hand frontispiece is a coloured illustration by Rackham of "Peter Pan is the Fairies' Orchestra" plate not included in the book title page vignette of Peter Pan the same image as on the front board volume not dated printed in 1929 per the bibliographies; six illustrations in colour fifteen other illustrations in black-and-white all by Rackham octavo size 8" by 5.75" pagination: i-iv v- viii 9-123. Lovely pictorial dust jacket with the full colour illustration of Peter Pan referred to above lettering in red and green on the front panel and black on the spine black and white illustrated rear panel listing the three May Byron re-tellings of Peter Pan this title being the last listed; price of 2/6 on the spine.<br/><br/>___CONDITION: Volume near fine the binding clean and the green lettering deep the corners straight and unrubbed a strong square text block with solid hinges clean pages the "Barrie" bookplate is in fine condition and the volume is entirely free of prior owner markings; some foxing to the top edge of the text block and a couple of light marks to the bottom edge some mild offsetting to the endpapers else fine. The unclipped dust jacket is very good plus with some mild edgewear most noticeably to the head of the spine no loss to text and some light dustiness.<br/><br/>___CITATION: Latimore & Haskell pp. 65-66; Riall p. 168.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Hodder and Stoughton Limited hardcover books
1935147721Los Angeles: Paramount Pictures 1935. Draft script for the 1935 film. Paramount "File Copy" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period.<br/><br/>Based on F. Britten Austin's 1923 short story "The Drum."<br/><br/>During WWI British Officer Michael Andrews Cary Grant is captured and awaiting execution when local Turkish commander helps him escape revealing he is British intelligence officer John Stevenson Claude Rains. Convalescing in Cairo Andrews falls in love with his nurse Rosemary Haydon Gertrude Michael who reveals she's secretly married to a man she'd briefly known a few years before John Stevenson.<br/><br/>Tall white self wrappers in the 1930s Paramount style. Title page dated May 15 1935 rubber-stamped production No. 967. 135 leaves with last page of text numbered C-52. Mimeograph duplication rectos only. Pages Near Fine saddle-stapled with three staples. Paramount Pictures unknown books
1931140125Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1931. Vintage still photograph from the set of the 1931 film. Featuring Madge Evans and Lew Cody comparing binoculars while a very young and not yet famous Clark Gable smiles over their shoulders. Mimeograph snipe on the verso. Based on the short story "Horse Flesh" by Frederick Hazlitt Brennan published in the "Saturday Evening Post" on September 13 1930. <br/><br/>An orphaned foal's journey through various owners including that of nefarious gambler Ludeking Hallam Cooley before being returned to his loving breeder Jim Ernest Torrence. Clark Gable's first starring role as a card dealer with occasional moral failings whose love story with Ruby Madge Evans makes for an entertaining side plot. <br/><br/>Set in Kentucky shot on location in Lexington Kentucky and California. <br/><br/>8 x 10 inches. Just about Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1934147697N.p.: Paramount Pictures 1934. Final draft script for the 1934 film with two annotations in holograph pencil and Paramount "File Copy" stamp on front wrapper. Laid in are four blue revision pages dated 1-20-34 "Changes in Scene A-28" with Paramount "File Copy" stamp and one annotation in holograph pencil on first page.<br/><br/>US Marine Sergeant "Lucky" Davis Richard Arlen leads his squadron on an expedition through the Philippine jungle against a guerrilla rebellion and are assigned to rescue a group of children cut off from communication. Davis and his squadron are pleasantly surprised to discover the "children" are a group of 18-25 year old girls bathing in a pool awaiting rescue.<br/><br/>Tall self wrappers front wrapper dated January 16 1934 rubber-stamped production No. 310. 127 leaves with last page of text numbered E-2. Mimeograph duplication rectos only with laid in blue revision pages dated 1-20-34. rubber-stamped production No. 310. Pages Near Fine saddle-stapled with three staples.<br/><br/>Laid in Revision Pages 8 x 12.25 inches Near Fine. Paramount Pictures unknown books
1957145964N.p.: Bel-Air Productions 1957. Vintage studio photograph from the 1957 film. Bel-Air Productions stamp on the verso. <br/><br/>Based on the story "Wanton Murder" by Peter Godfrey and shot under the working title "Black Stockings" Howard W. Koch's B movie noir "The Girl in Black Stockings" despite it being a low-budget "second feature" film is surprisingly enjoyable mostly due to its exceptional cast.<br/><br/>LA lawyer David Hewson Lex Barker arrives at a Utah lodge for a peaceful vacation only to find women being mutilated and murdered and everyone is suspect. Featuring a young Anne Bancroft as pretty young Beth Dixon switchboard operator and assistant to the bitter wheelchair-bound lodge owner Edmund Parry Ron Randell. Mamie Van Doren is Harriet Ames the flirtatious bombshell of course and "the Queen of the B's" the fabulous Marie Windsor is Julia Parry Edmund's dutiful companion and sister.<br/><br/>Filmed in and around the Parry Lodge in Kanab Utah. The Parry lodge opened in the early 1930s by the Parry brothers was built to lodge Hollywood film crews filming early Westerns in the area and was popular among movie stars of Hollywood's golden age.<br/><br/>Set in Kanab Utah shot on location in Kanab Utah and Fredonia Arizona. <br/><br/>8 x 10 inches. Very Good plus light creasing and edgewear. <br/><br/> Spicer US. Grant US. Selby US. Bel-Air Productions unknown books
1974131516New York: Chelsea Theater Center 1974. Original script for the 1974 play. Based on the 1962 short story by Isaac Bashevis Singer and adapted by him and playwright Leah Napolin for the stage the play premiered October 25 1975 at the Eugene O'Neill Theatre and ran for a total of 223 performances. Tovah Feldshuh was nominated for a Tony for her portrayal of the title role. <br/><br/>Faithful to the original story the play follows a young woman who begins living as a man named Anshel after her father dies in order to continue studying the Torah in defiance of Jewish tradition. An early exploration of transgender identity as Anshel describes himself as "neither one sex nor the other" and having "the soul of a man in the body of a woman." Yentl's choice to live as Anshel even after being discovered strongly contrasts with the text of the better known Barbra Streisand musical film purportedly despised by Singer where the transgender aspect of the narrative is replaced by a more heteronormative romance.<br/><br/>Blue studio wrappers. Title page present dated 1974 with credits for novelist Singer and playwright Napolin. 155 leaves mimeograph duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Chelsea Theater Center unknown books
1958144208Tokyo: Toho Company 1958. Vintage photograph from the 1958 Japanese film. Holograph annotations in pencil and black ink on the verso. <br/><br/>A drug smuggler's death stumps the police until they are convinced by a young scientist of the presence of "H-Men" slimy radioactive creatures who dissolve anything they come into contact with. The scientist refers to a ghost ship that washed up in the harbor as evidence of the H-bomb tests role in creating these monsters. <br/><br/>Shot on location in Tokyo Japan. <br/><br/>8 x 10 inches. Near Fine. Toho Company unknown books
1967152327Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. <br/><br/>An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government.<br/><br/>Set in a near-future England shot on location in London and Birmingham.<br/><br/>8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. <br/><br/>BFI Flipside 7. Rosenbaum 1000.<br/><br/>Complete collation details available on request. Universal Pictures unknown books
1956146265Hollywood: William F. Boidy Pictures 1956. Final Draft script for the 1956 film. Laid in are 7 pages of revisions on pink paper from 4/3/56. <br/><br/>Mexican bandit Yacqi Jack J. Carrol Naish teams up with ranch owner Webb Dunham Rod Cameron to oppose the crooked land grabbing saloon keeper Matt Quigg Roy Roberts.<br/><br/>Red titled wrappers rubber-stamped copy No. 49. Title page present noted as Final Draft Screenplay with credits for screenwriter D. D. Beauchamp. 104 leaves with last page of text numbered 95. Mimeographed rectos only with blue revision pages throughout dated variously between 3/23/56 and 3/26/56 with laid in pink revision pages dated 4/3/56. Pages Near Fine Laid in Pages Very Good with fading and chipping the the outer right edge wrapper Near Fine bound with two gold brads. William F. Boidy Pictures unknown books
1978138793N.p.: Recorded Picture Company 1978. Vintage borderless matte photograph from the set of the 1978 film. Shown are Skolimowski working with his cinematographer Mike Molloy on a shot. With some brief annotations on the verso. <br/><br/>Shot on location in Devon town and beaches in the United Kingdom. <br/><br/>Ignored upon its release but subsequently an iconic art-horror film in which a traveler by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon and uses the aboriginal magic he has learned to displace his host. <br/><br/>9.5 x 7.5 inches. Recorded Picture Company unknown books
1957149134Universal City: Universal International Pictures 1957. Vintage reference photograph of James Cagney in makeup as Lon Chaney's Quasimodo with Bud Westmore head of Universal-International Make-up Department and his assistant Jack Kevan on the set of the 1957 film. Mimeo snipe affixed to verso and folded over recto. <br/><br/>A loose biography of actor Lon Chaney played by James Cagney portraying his beginnings as a vaudeville clown his struggle with cancer and finally the passing of his makeup kit to his son. Regarded as one of the better Hollywood films about Hollywood and a high point of Cagney's career. <br/><br/>8 x 10 inches. Near Fine. Universal International Pictures unknown books
1948147739Los Angeles: Twentieth Century-Fox 1948. Final Draft script for the 1948 film. <br/><br/>Based on Raphael Blau's unpublished story. Widow Abby Abbott Loretta Young and her teenage daughter Susan Betty Lynn support themselves on a trust fund started from her late husband. In order to get Susan the needed funds to pay for college tuition Abby must enroll as well to get a needed scholarship and both end up falling for English professor Richard Michaels Van Johnson.<br/><br/>Nominated for an Academy Award.<br/><br/>Shot on location at the University of Nevada-Reno.<br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 186 and production No. 241 dated July 15 1948. Distribution page present with receipt removed. Title page present dated July 15 1948 noted as Final Script with credits for screenwriters Mary Loos and Richard Sale. 153 leaves with last page of text numbered 151. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with creasing and closed tears at the outer edges bound internally with three gold brads. Twentieth Century-Fox unknown books
