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B9798388905642Paperback / softback. New. paperback
45857074-nnew. unknown
45865071-nnew. unknown
45865071like new. unknown
45857074like new. unknown
ria9798388911421_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Pediatric NursingPediatric nursing is a specialization of the nursing calling that spotlights on pediatrics and the clinical care of youngsters from outset to the high school years. This is a significant field in light of the fact that paperback
ria9798388905642_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1997__0757932495Warner Bros Pubns 1997. Paperback. New. 250 pages. 12.00x9.25x0.75 inches. Warner Bros Pubns paperback
254 pages. A gently written novel dealing with a brutal theme. A story of colonialism in Canada and the rest of the continent. Colonialism over the aboriginal peoples, with its own special quality of cultural and physical deprivation and a legacy of racial genocide. The story of one personality attempting to find a way out of this living death by way of prison, spiritual confirmation and active political struggle. - George Ryga Book
19962761996 - broché - Editions Fleuve Noir - Collection "La Compagnie des glaces - l'intégrale" - Publié entre 1996 et 2000 - Édition revue par l'auteur et François DUCOS - 16 volumes in-12 (format poche) - Environ 700 pages par tomes, chaque ouvrage regroupant 4 histoires - Illustrations de couvertures de Philippe JOZELON - Cycle complet en 16 tomes
2010mon0003223231DISNEY/PIXAR. 2010T. paperback. Very Good. . SIGNED by Michael Arndt. A copy that's been read but with minimal wear and creases. Pages are clean. DISNEY/PIXAR. paperback
2010311583NP: DISNEY PIXAR. Fine. 2010. First Edition. Specially designed SCRIPT produced for distribution to the voting members of the Screenwriter's Guild for Academy Award nominating purposes. Fine in plain black covers with white printed titles. Oscar winner for Best Animated film of the year. . DISNEY PIXAR. unknown
1863Paris, Julliard, 1983 15 x 24, 778 pp., broché, bon état
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, except price sticker residue at back cover, text/interior is clean and free of marking of any kind save previous owner's name at front endpaper. Unpaginated, about 25 pages, larger format, fully illustrated in color. Text is in Swedish.
13462In 12 broché, 190x120mm, faux titre, titre, 15pages, Le Puy en Velay 1875. Envoi manuscrit de l’auteur à M. le Préfet de la haute Loire. Extrait de l’écho du Velay des 21-23-28-30 octobre et 16 novembre 1875
BN67945Art Smiths Story the Autobiography of T <br/><br/> unknown
(23)p. Illustrated with Bible Verses. 8vo. Original color pictorial wraps. PA PAMPH 20_16 BX6
19281559689045Houghton Mifflin & Co. 1928. Hardcover. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Cover and binding are worn but intact. A reading copy in fair condition. Missing frontis illustration and title page other two color illustrations present one detached. Rare. Priced accordingly. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Houghton Mifflin & Co. hardcover
1965147277London: Compton-Tekli Film Productions / Sir Nigel Films 1965. Draft script for the 1965 horror film here under the working title "Fog." With a single manuscript ink annotation on the front wrapper noting the number 8.<br /> <br /> Mr. Holmes and Dr. Watson team up once again to stop Jack the Ripper from murdering Whitechapel innocents. <br /> <br /> Set in London.<br /> <br /> Blue untitled wrappers with a die-cut title window in the British style. Title page present dated 15th March 1965 with credits for screenwriters Jim O'Connolly and Donald and Derek Ford along with novelist Sir Arthur Conan Doyle. 142 leaves with last page of text numbered 140. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Compton-Tekli Film Productions / Sir Nigel Films unknown
1942149240Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br /> <br /> First is a First Draft script under the working title "'Sherlock Holmes' #2" by screenwriters Edward T. Lowe and Scott Darling dated March 24 1942. Ribbon copy typescript on onionskin with annotations in manuscript pencil on several pages inquiries about plotline question marks as well as dates and name of screenwriter Darling. Bound in preceding script are: A two-page carbon typescript breakdown of the story in 21 points with annotation of "1st rough draft" and "One 3/24/42" in manuscript pencil in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2" broken into nine points dated 4-6-42 and a three-page ribbon copy typescript synopsis dated 3/24/42.<br /> <br /> Second is a Third Draft script under the working title "'Sherlock Holmes' #2" crediting screenwriter Scott Darling on front wrapper and Edward T. Love and Scott Darling on title page dated April 22 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin with several annotations in red or graphite manuscript pencil question marks an asterisk underlines and screenwriter S. Darling's name and date "4-27-42." <br /> <br /> Third is a Draft script under the working title "Sherlock Holmes Fights Back" with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann" and screenwriters Scott Darling and Edward T. Lowe dated May 22 1942. Carbon typescript with mimeograph duplication revision pages. Bound in preceding script is a page describing concept for "The Miss Bently School for Girls" with photograph affixed illustrating concept. Annotations in red and graphite manuscript pencil throughout noting dialogue locations shots characters as well as strikes and dates.<br /> <br /> Lastly a Post-production Dialogue and Contitnuity script dated August 6 1942 with single annotation in manuscript ink on front wrapper.<br /> <br /> Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men" by Sir Arthur Conan Doyle.<br /> <br /> The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" 1942 directed by John Rawlins and followed by "Sherlock Holmes in Washington" 1943 also directed by Roy William Neill who would go on to direct all subsequent Holmes films at Universal.<br /> <br /> Watson and Holmes transplanted from their usual Victorian setting now in England in the midst of WWII have to protect Swiss scientist Dr. Franz Tobel and his invention an advanced bomb site from falling into the hands Nazi Germany as well as Holmes' arch-nemesis Professor Moriarty Lionel Atwill. The first Holmes film to feature Inspector Lestrade Dennis Hoey of Scotland Yard.<br /> <br /> March 24 1942 script "'Sherlock Holmes' #2":<br /> Gray titled wrappers dated March 24 1942 with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page dated 3/24/42 noted as 1st draft screenplay with credits for screenwriters Lowe and Darling. 103 leaves with last page of text numbered 96. Ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper bound with three gold brads.<br /> <br /> April 22 1942 script "'Sherlock Holmes' #2":<br /> Gray titled wrappers noted as THIRD DRAFT on the front wrapper dated April 22 1942 with credits for screenwriter Scott Darling. Title page integral with first page with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves with last page of text numbered 110. Ribbon copy typescript rectos. Pages Near FIne wrapper Very Good with closed tears and chipping at extremities bound with three gold brads.<br /> <br /> May 22 1942 script "Sherlock Holmes Fights Back":<br /> Gray titled wrappers with credits for screenwriter Edmund L. Hartmann. Title page present dated May 22 1942 with credits for Additional Chages by screenwriter Edmund L. Hartmann screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities bound with three gold brads.<br /> <br /> script:<br /> Titled self wrappers noted as DIALOGUE CONTINUITY on the front wrapperdated August 6 1942 with credits for director Neill. 109 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown
1942149229Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page likely as used or issued.<br /> <br /> First an early Draft script under the working title "Sherlock Holmes vs. Lord Haw-Haw" by screenwriter John Bright noted as "Contract File Copy" on front wrapper. Carbon typescript preceded by a four page ribbon copy typescript outline dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page in manuscript pencil. Several annotations throughout of Bright's name page numbers strikes question mark and dates ranging from 3/10/42 to 3/27/42 in manuscript pencil and ink.<br /> <br /> Second is a Draft script under the working title "Sherlock Holmes #1" by screenwriter Lynn Riggs dated April 2 1942. Annotations in red and graphite manuscript pencil on front wrapper some illegible citing Arthur Conan Doyle and the story upon which script is based and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin with annotations in manuscript pencil and ink throughout primarily amending page numbers scene numbers and character names as well as striking the "#1" on title page title and adding "Saves London" amending title to "Sherlock Holmes Saves London" another early working title. <br /> <br /> Third is a Draft script under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'" credited as "A Free Adaptation" by Robert Andrews and credits for screenwriters Lynn Riggs and John Bright dated May 4 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107 likely a stenographer.<br /> <br /> Lastly the post-production Dialogue and Contitnuity script here under the working title "Sherlock Holmes and the Voice of Fear" dated July 28 1942. Annotation on front wrapper in manuscript pencil striking "Fear" in title adding "Terror" amending title to it's release title.<br /> <br /> Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes" by Sir Arthur Conan Doyle and loosely on the real-life exploits of Lord Haw-Haw several broadcasters but most notably William Joyce a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946 the last person executed for treason in the UK.<br /> <br /> The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" 1939 directed by Alfred L. Werker and followed by "Sherlock Holmes and the Secret Weapon" 1942 directed by Roy William Neill.<br /> <br /> Watson and Holmes transplanted from their usual Victorian setting and from the WWI setting of the original story are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror" apparently from Nazi Germany warning of acts of terror moments before their occurrence.<br /> <br /> 3/10/42 script "Sherlock Holmes vs. Lord Haw-Haw":<br /> Gray titled wrappers with credits for screenwriter John Bright. Title page present with credits for screenwriter John Bright. 126 leaves with last page of text numbered 121. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus with some chipping creasing and closed tears at extremities primarily to front wrapper bound with three gold brads.<br /> <br /> April 2 1942 script "Sherlock Holmes #1":<br /> Gray titled wrappers dated April 2 1942 with credits for screenwriter Lynn Riggs. Title page integral with first page with credits for screenwriter Lynn Riggs. 127 leaves with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine wrapper Very Good plus with some creasing and small closed tears to extremities on front wrapper bound with three gold brads.<br /> <br /> May 4 1942 script "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'":<br /> Gray titled wrappers dated May 4 1942 with credits for adaptation by Robert Andrews author Sir Arthur Conan Doyle and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves with last page of text numbered 113. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 5/8/42 and 5/14/42. Pages Near Fine wrapper Very Good with some chipping creasing and closed tears to extremities bound with three gold brads.<br /> <br /> July 28 1942 Dialogue and Contiuity post-production script:<br /> Title self wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated July 28 1942. 117 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown
1942149229Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br/><br/>First an early Draft script under the working title "Sherlock Holmes vs. Lord Haw-Haw" by screenwriter John Bright noted as "Contract File Copy" on front wrapper. Carbon typescript preceded by a four page ribbon copy typescript outline dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page in holograph pencil. Several annotations throughout of Bright's name page numbers strikes question mark and dates ranging from 3/10/42 to 3/27/42 in holograph pencil and ink.<br/><br/>Second is a Draft script under the working title "Sherlock Holmes #1" by screenwriter Lynn Riggs dated April 2 1942. Annotations in red and graphite holograph pencil on front wrapper some illegible citing Arthur Conan Doyle and the story upon which script is based and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin with annotations in holograph pencil and ink throughout primarily amending page numbers scene numbers and character names as well as striking the "#1" on title page title and adding "Saves London" amending title to "Sherlock Holmes Saves London" another early working title. <br/><br/>Third is a Draft script under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'" credited as "A Free Adaptation" by Robert Andrews and credits for screenwriters Lynn Riggs and John Bright dated May 4 1942. One annotation in holograph pencil of the name "M. Nicht" on top right of page 107 likely a stenographer.<br/><br/>Lastly the post-production Dialogue and Contitnuity script here under the working title "Sherlock Holmes and the Voice of Fear" dated July 28 1942. Annotation on front wrapper in holograph pencil striking "Fear" in title adding "Terror" amending title to it's release title.<br/><br/>Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes" by Sir Arthur Conan Doyle and loosely on the real-life exploits of Lord Haw-Haw several broadcasters but most notably William Joyce a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946 the last person executed for treason in the UK.<br/><br/>The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" 1939 directed by Alfred L. Werker and followed by "Sherlock Holmes and the Secret Weapon" 1942 directed by Roy William Neill.<br/><br/>Watson and Holmes transplanted from their usual Victorian setting and from the WWI setting of the original story are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror" apparently from Nazi Germany warning of acts of terror moments before their occurrence.<br/><br/>3/10/42 script "Sherlock Holmes vs. Lord Haw-Haw":<br/>Gray titled wrappers with credits for screenwriter John Bright. Title page present with credits for screenwriter John Bright. 126 leaves with last page of text numbered 121. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus with some chipping creasing and closed tears at extremities primarily to front wrapper bound with three gold brads.<br/><br/>April 2 1942 script "Sherlock Holmes #1":<br/>Gray titled wrappers dated April 2 1942 with credits for screenwriter Lynn Riggs. Title page integral with first page with credits for screenwriter Lynn Riggs. 127 leaves with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine wrapper Very Good plus with some creasing and small closed tears to extremities on front wrapper bound with three gold brads.<br/><br/>May 4 1942 script "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'":<br/>Gray titled wrappers dated May 4 1942 with credits for adaptation by Robert Andrews author Sir Arthur Conan Doyle and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves with last page of text numbered 113. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 5/8/42 and 5/14/42. Pages Near Fine wrapper Very Good with some chipping creasing and closed tears to extremities bound with three gold brads.<br/><br/>July 28 1942 Dialogue and Contiuity post-production script:<br/>Title self wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated July 28 1942. 117 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown books
1942149240Universal City: Universal Pictures 1942. Archive of three scripts and one post-production script for the 1942 film.<br/><br/>First is a First Draft script under the working title "'Sherlock Holmes' #2" by screenwriters Edward T. Lowe and Scott Darling dated March 24 1942. Ribbon copy typescript on onionskin with annotations in holograph pencil on several pages inquiries about plotline question marks as well as dates and name of screenwriter Darling. Bound in preceding script are: A two-page carbon typescript breakdown of the story in 21 points with annotation of "1st rough draft" and "One 3/24/42" in holograph pencil in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2" broken into nine points dated 4-6-42 and a three page ribbon copy typescript synopsis dated 3/24/42.<br/><br/>Second is a Third Draft script under the working title "'Sherlock Holmes' #2" crediting screenwriter Scott Darling on front wrapper and Edward T. Love and Scott Darling on title page dated April 22 1942. Annotation in holograph pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin with several annotations in red or graphite holograph pencil question marks an asterisk underlines and screenwriter S. Darling's name and date "4-27-42." <br/><br/>Third is a Draft script under the working title "Sherlock Holmes Fights Back" with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann" and screenwriters Scott Darling and Edward T. Lowe dated May 22 1942. Carbon typescript with mimeograph duplication revision pages. Bound in preceding script is a page describing concept for "The Miss Bently School for Girls" with photograph affixed illustrating concept. Annotations in red and graphite holograph pencil throughout noting dialogue locations shots characters as well as strikes and dates.<br/><br/>Lastly a Post-production Dialogue and Contitnuity script dated August 6 1942 with single annotation in holograph ink on front wrapper.<br/><br/>Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men" by Sir Arthur Conan Doyle.<br/><br/>The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" 1942 directed by John Rawlins and followed by "Sherlock Holmes in Washington" 1943 also directed by Roy William Neill who would go on to direct all subsequent Holmes films at Universal.<br/><br/>Watson and Holmes transplanted from their usual Victorian setting now in England in the midst of WWII have to protect Swiss scientist Dr. Franz Tobel and his invention an advanced bomb site from falling into the hands Nazi Germany as well as Holmes' arch-nemesis Professor Moriarty Lionel Atwill. The first Holmes film to feature Inspector Lestrade Dennis Hoey of Scotland Yard.<br/><br/>March 24 1942 script "'Sherlock Holmes' #2":<br/>Gray titled wrappers dated March 24 1942 with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page dated 3/24/42 noted as 1st draft screenplay with credits for screenwriters Lowe and Darling. 103 leaves with last page of text numbered 96. Ribbon copy typescript on onionskin rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper bound with three gold brads.<br/><br/>April 22 1942 script "'Sherlock Holmes' #2":<br/>Gray titled wrappers noted as THIRD DRAFT on the front wrapper dated April 22 1942 with credits for screenwriter Scott Darling. Title page integral with first page with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves with last page of text numbered 110. Ribbon copy typescript rectos. Pages Near FIne wrapper Very Good with closed tears and chipping at extremities bound with three gold brads.<br/><br/>May 22 1942 script "Sherlock Holmes Fights Back":<br/>Gray titled wrappers with credits for screenwriter Edmund L. Hartmann. Title page present dated May 22 1942 with credits for Additional Chages by screenwriter Edmund L. Hartmann screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages rectos only with pink revision pages throughout undated. Pages Near Fine wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities bound with three gold brads.<br/><br/>script:<br/>Titled self wrappers noted as DIALOGUE CONTINUITY on the front wrapperdated August 6 1942 with credits for director Neill. 109 leaves. Mimeograph duplication rectos only. Pages Near Fine bound at top with two gold brads. Universal Pictures unknown books
1942136737Los Angeles: David O. Selznick 1942. Mimeograph story reproduction for an unproduced film taken from Arthur Conan Doyle's 1908 book "Round the Fire Stories."<br/><br/>A private train on a journey from Liverpool to London disappears and a nameless private detective thought to be Sherlock Holmes writes into a newspaper explaining how he believes the crime was accomplished only to be vindicated eight years later when the criminal mastermind behind the job admits to his actions for use as a bargaining chip. <br/><br/>Light blue titled wrappers dated June 11 1942 with credits for story writer Doyle. Title page integral with the first page of the script. 22 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine side stapled. David O. Selznick unknown books
290 pages. Reproductions of black and white photos in text. "Whether by accident or design, governments and agencies have remained silent, so all the research has been up to us. However this true fifty year old shame must be revealed in the hope that mankind remembers and never allows it to be repeated." - from Foreword. "Our story tells what happened to 168 Allied Airmen who jumped into Northern Europe after their planes had met with an explosive and fiery end... Because our eventual betrayal to the Gestapo was accomplished so smoothly, a number of these encounters will be explained so that you can better understand our dilemma. The retelling of our encounter with our Gestapo hosts is mild, for many of us do not wish to recall the most unpleasant details that deserve to stay well hidden in the back of our minds... Now with this story told, we again wish to forget." - from Prologue. Moderate wear. Unmarked. Binding intact. A sound copy. Book
