Story, Alfred Thomas,Biblio.com
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12447874like new. unknown
1358175764.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1241546347.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241546223.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1343418046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1361521740.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3337173047.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0827171153.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197152079Barre Massachusetts: Barre Publishers 1971. First edition. Hardcover. Near Fine/Near Fine. Introduction by Philip C.F. Smith. Illustrated with photographs by John M. Clayton. Review copy with the publisher's slip and press release laid in. A unique and definitive record of the craft of wooden shipbuilding from the clear white pine model of the envisioned ship to the crack of the champagne bottle against the prow. A near fine copy in a near fine dust jacket. Barre Publishers hardcover
1334089272.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332713319.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0822201526.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949137966Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1949. Vintage photograph showing an illustrated advertisement for the 1949 film noir based on the short story of the same name by Frederick Nebel. <br /> <br /> 10 x 8 inches. Very Good plus. <br /> <br /> Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Metro-Goldwyn-Mayer [MGM] unknown
1969299520Chicago: Lance Pub 1969. Magazine. 64p. includes covers 8.5x11 inches explicit full-frontal b&w and color photos of young nude males a story ads very good gay men's magazine in stapled pictorial wraps. Bayou Studios was based in Houston Texas. Lance Pub unknown
1023405679.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243933312.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1951161406Los Angeles: RKO Studios Inc 1951. Revised Final Draft script for the 1951 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Eight reference photographs from the film bound in variously among the script pages each with an RKO stamp on the versos and four with a mimeo snipe on the versos. Original wrapper bound in with the manuscript ink annotation of Wald's name on the top right as well as six pink revision pages of an "Optional Ending" following the script.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. <br /> <br /> Remake of the 1942 French film "Le volle bleu" direced by Jean Stelli and starring Gaby Morlay and Elvire Popesco. Jane Wyman stars as a WWI war widow who after loosing her only child spends her life as a children's nurse.<br /> <br /> Bound in light green cloth with dark green quarter leather binding with five raised bands and gilt titles on the spine. Distribution page integral with title page with receipt removed dated April 9 1951 noted as REVISED FINAL SCRIPT with credits for screenwriter Norman Corwin and story credit for Francois Campaux. 163 leaves with last page of text numbered "143-146." Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/23/51 and 5/25/51. Pages Near Fine binding Very Good plus with light rubbing and edgewear. RKO Studios, Inc unknown
1941137043Universal City CA: Universal Pictures 1941. Draft script for the 1941 film. Copy belonging to studio secretary Marion Pecht with her name in manuscript pencil at the top right corner of the front wrapper. File copy rubber-stamped on the front wrapper. Housed in a custom black cloth clamshell box. From the Richard Manney collection of horror film scripts. <br /> <br /> The 1941 version of "The Black Cat" is neither a remake of Edgar G. Ulmer's 1934 Karloff-Lugosi film of the same name nor does it bear much relation to the Edgar Allan Poe story though in fairness neither did the 1934 version. It is more of a horror-comedy affair than its predecessor with Broderick Crawford and Hugh Herbert in the lead Bela Lugosi reappearing now in the more minor role of "Eduardo" and Basil Rathbone ably handling the part of the shady Mr. Hartley. Shot by the legendary Stanley Cortez of "Magnificent Ambersons" fame. Hal Erickson Rovi<br /> <br /> Gray titled wrappers rubber-stamped copy No. 6856 dated February 15 1941. 117 leaves with last page of text numbered 117. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Weaver Universal Horrors. Universal Pictures unknown
196961786Baltimore MD: Enoch Pratt Free Library 1969. Presumed first edition/first printing. Wraps. Good. No dust jacket as issued. Signed by previous owner. Ink notation on last page. COver has some wear and soiling. Unpaginaged 16 pages or 20 counting the cover. This work was compiled byt three Young Adult Librarians at the Enoch Pratt Free Library and was prepared for Maryland Public Libraries. Staplebound pamphlet of African-American booklists on topics including Growing Up Black Black Power Black Magic Black Beauty Black Rage. This represents an early attempt to bring the emerging field of black studies a youth oriented reference tool. Enoch Pratt Free Library paperback
198510553Woodbridge Suffolk & Dover New Hampshire: Boydell Press 1985. Limited Facsimile Edition. One of 500 sets this set unnumbered. Tan cloth with titling and pictorial elements stamped in gilt on the spine and covers. Gilt lightly rubbed on front board of Volume 1 and rear board of Volume 2 due to their being in the slipcase. Publisher's original black paper-covered slipcase lighly rubbed. Profusely embellished with black and white illustrations in Beardsley’s beautiful art nouveau style. Fine in a Near Fine slipcase. A handsome facsimile edition of Malory’s 1893 work. Boydell Press unknown
132794Universal City CA: Universal Pictures 1986. Archive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters both elaborately designed and executed in a calligraphic style from Adler to author illustrator and editor Fridolf Johnson relating to Adler's work with Hitchcock. <br /> <br /> Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" 1963 his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "In the Heat of the Night" 1967 and "Justine" 1969. <br /> <br /> In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br /> <br /> In the first letter dated May 16 1986 Adler describes after touching on other topics meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill stating that Hitchcock "was amazed" by this answer and after that would "request 'to be sure to bring that nice young man along" meaning Adler whenever he had a job for Adler's firm. <br /> <br /> The second letter dated June 10th 1986 focuses almost exclusively on Adler's work on "The Birds" going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did knew what he wanted and smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. <br /> <br /> The letters themselves are works of art executed in a variety of inks in Adler's detailed penmanship with Johnson's name on each in particular receiving full calligraphic treatment. <br /> <br /> Also included are draft title cards for the film stylistically similar to each other but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil with titles executed in white paint on black board. The third card photo stat on black paper which accompanied the June 10th letter has been annotated by Adler on both the recto and verso explaining the in more detail the technical process of putting the lettering on film. <br /> <br /> Overall a significant collection of material illuminating a little explored aspect of film design with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. <br /> <br /> Each letter 19 x 24 inches single leaf rectos only. May 16th letter folded twice for mailing June 10th letter folded. Two long diagonal creases to the May 16th letter else both are Fine. Original mailing envelope for the May 16th letter included. <br /> <br /> "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. <br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
081018001Script Format reprint. Like New. A FILM BY WIM WENDERS /1998 DRAFT / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/SHIPS WITHIN 24HRS!! unknown
1965148379Hollywood: Berkshire Productions 1965. Draft script for the 1968 film with titled written on front wrapper very boldly in manuscript marker script containing a few copied annotations striking dialogue and altering actions. <br /> <br /> From an original story from producer and director Josef Shaftel.<br /> <br /> When no one will pay the ransom for the return of retired Mob Boss Cesare Celli Vittorio De Sica he sides with his kidnappers Robert Wagner Raquel Welch and offers to help them pull off a huge heist even bringing in criminal mastermind Professor Samuels Edward G. Robinson to help run the operation.<br /> <br /> Set in and shot on location in France and Italy. <br /> <br /> Green hand titled wrappers. Title page present with credits for screenwriter Sy Salkowitz and author Josef Shaftel. 151 leaves with last page of text numbered 150. Spirit duplication rectos only. Pages Near Fine with fading at edges wrapper Very Good plus with creasing and light foxing on lower outer edge bound with prong binding. Berkshire Productions unknown
1977308395NY: BLACK SPARROW PRESS. Fine with no dust jacket. 1977. First Edition; First Printing. Hardcover. 0876853696 . SIGNED Limited Edition. Copy #52 of 200 numbered copies. Fine in quarter cloth & decorated boards in a clear acetate protective wrapper as issued. Signed by Paul Bowles & Mohammed Mrabet. . BLACK SPARROW PRESS. hardcover
080918010script format reprint. Like New. / 207 PAGES /1957 FINAL DRAFT / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/SHIPS WITHIN 24HRS!! unknown
