986 résultats
51-4005Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. circa 1883. Original etching on laid paper with a crown watermark. Signed in the plate. 25 x 26.5 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., circa 1883 unknown
BN107151L'Ecole des Loisirs. Hardcover. La valise de Lolotte <br/><br/>La valise de Lolotte L'Ecole des Loisirs hardcover
2003BN157537Collection Archeologie Navale Francaise 2003. 2003. Softcover. Gabare du Roi Le gros Ventre Concu par Jean-Joseph Ginoux execute a Bayonne par leon Michel Guignace 1766-1779 Monographie accompagnee avec planches <br/><br/>Gabare du Roi Le gros Ventre Concu par Jean-Joseph Ginoux execute a Bayonne par leon Michel Guignace 1766-1779 Monographie accompagnee avec planches Gerard Delacroix Collection Archeologie Navale Francaise paperback
1852713631852. Fine. 13 septembre 1852 12.20 x 19 cm une feuille Long autograph letter signed by the archaeologist and curator of antiquities at the Louvre Museum Adrien de Longpérier to a journalist 4 pages on a folded sheet. In this fascinating letter about Eugène Delacroix the curator of Egyptian antiquities Longpérier castigates a journalist author of a harsh critique of the painter's ceiling at the Galerie d'Apollon in the Louvre: ""mais quand il s'agit seulement d'un plafond fait pour une galerie roccoco quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste"" ""but when it concerns merely a ceiling made for a rococo gallery when moreover I have recognized that this work produces an excellent decorative effect that the general tone is perfectly adapted to the place and that besides this the painting contains a certain number of details treated with real talent I do not see the necessity of going to attack very vigorously very harshly not only the work but also the person of the artist"". Delacroix had created a composition entitled Apollon terrassant Python for the gallery built under Louis XIV and newly restored under the Second Republic. In the midst of the Romantics' quarrel Longpérier also mentions Jean-Auguste Dominique Ingres himself the author of a ceiling at the Louvre L'apothéose d'Homère: ""Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon vous n'eussiez pas pu empêcher que dans la discussion on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres qui aime si peu la discussion vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés . Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal et que je vous apporte un article violent contre M. Ingres Je dis : imaginez car je suis moi un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer . Iriez-vous donner aide à celui qui voudrait le combattre "" ""Since you have the imprudence to put Homer's ceiling in parallel with that of Apollo you could not have prevented that in the discussion people would attack your venerable friend. Do you believe that if Ingres who so dislikes discussion would have been very grateful to you for these horizons that you would have provided him . Imagine that you had made the sacrifice of a considerable sum to found a journal and that I bring you a violent article against M. Ingres I say: imagine for I am myself an admirer of M. Ingres and have no desire whatsoever to criticize him . Would you go to aid the one who would want to fight him"". Ingres the painter representing the classical school had his preference unlike Delacroix the Romantic whose style he did not appreciate but whose human qualities he nevertheless recognized: ""J'ai reconnu que c'est un homme très doux très poli fort instruit et fort modeste . Je parle de l'homme ; quant à ses oeuvres elles sont plus ou moins bonnes. Il y en a même de fort mauvaises"" ""I have recognized that he is a very gentle man very polite well educated and very modest . I speak of the man; as for his works they are more or less good. There are even some very bad ones"". Longpérier speaks at length about the restoration work at the Louvre led by the architect Félix Duban who supervised the renovation of the Galerie d'Apollon and other major projects: ""Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon de la façade du jardin de l'infante de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré avec tout de goût de f unknown
18431167<p>1843. Lithograph. L. Delteil 107 after the third state with letters in face. From the series of 16 illustrations for Hamlet. Image: 9 x 8. Margins: 21¾ x 14.</p> Villain
BN104335Talents Hauts Editions. Hardcover. La poupée d'Auguste <br/><br/>La poupée d'Auguste Talents Hauts Editions hardcover
BN312673Bayard Jeunesse. Softcover. Cléo a la varicelle <br/><br/>Cléo a la varicelle Sibylle Delacroix et Sibylle Delacroix Bayard Jeunesse paperback
BN312572Belin. Softcover. L époque contemporaine 1815-2005 <br/><br/>L époque contemporaine 1815-2005 Sylvie Aprile Nicolas Beaupré Christian Delacroix Vincent Duclert et Michelle Zancarini-Fournel Belin paperback
18301301830. Etching drypoint and roulette on watermarked Hallines cream laid paper 3 3/4 x 5 7/8 inches 95 x 148 mm full margins. A very good impression of this charming image with all of the fine lines printing clearly. Plate is inky and well-wiped. Scattered light surface soiling age tone and mat tone. Several scattered spots of foxing all outside of image area. Issued 1908 as the frontispiece in Le Peintre-Graveur Illustre third volume: Ingres and Delacriox. Sixth state of 6. <br /> <br /> Delteil 12. unknown
177793447Mérigo T l'aine Courtier fils Libraires 1777. hardcover. Bueno. París 1777. Mérigo T l'aine Courtier fils Libraires. Pasta española. Lomo con nervios y dorados. Cantos coloreados. 679796810 pp. 18x12. Contienen desplegables. Cinta punto de lectura. Cantos algo rozados. Texto en FRANCÉS. Mérigo T l'aine Courtier fils Libraires hardcover
16-5675Paris: Quatre Chemins - Editart 1964. 4to. 21 x 27 cm. Original boards and dust-jacket. Outside the edition of 500 copies: likely a presentation copy to Claude Roger-Marx.OCLC Number:1333434508 Paris: Quatre Chemins - Editart, 1964 hardcover
109344Bonadona Editeur n.d. Hardcover. Good/No jacket. 14 loose pochoir plates out of 48. In a worn folder that is stained and faded. Lovely architectural renderings by Delacroix. No date but library records have it at 1935. As-Is. Bonadona Editeur hardcover
76-0549Paris: Cadart et Luquet 1865. . Etching on laid paper. 24 x 19.5 cm sheet. Signed and dated in upper left corner of plate. Monogram in upper right corner of plate. Ex. Coll.: Philippe Burty Lugt 413. Very Good sheet toned along the edges a few specks of foxing tape remains at upper left and right sheet corners.Literature: Delteil 18 state 2 of 4. Paris: Cadart et Luquet, 1865. unknown
1930101347Paris: Éditions S. de Bonadona Ca. 1930. Oblong Folio. 45 of 48 pochoir plates by Ranson et Fils. Title leaf and contents/introduction leaf. Loose as issued in publisher's black cloth portfolio; light yellowing to margins wear to contents leaf and margin of plate 16 portfolio lightly worn and lacking ties. Previous owner's ink stamp and small bookseller's ticket to inside covers of portfolio. Colorful pochoir plates illustrating interior designs of a number of French architects and designers Henry Delacroix Djo-Bourgeois Lezine Francis Jourdain Pierre Chareau Jacques Adnet etc. The introduction by Henry Delacroix expresses the challenges of designing for modern urban living where space is at a premium and every fixture and piece of furniture must justify the space it occupies. Éditions S. de Bonadona hardcover
16-4301Paris: 10 octobre 1846. ALS. 8vo. 206 x 137mm. See below for text.Signed both in the body of the letter and on the postmark side. .Jean François Jules Hyacinthe Laure né à Grenoble le 14 mai 18061 et mort le 1er avril 1861 dans le 10e arrondissement de Paris fut un artiste-peintre français. Élève d’Ingres Jules Laure est un habitué des Salons de peinture .Eugène DELACROIX 1798-1863 peintre. L.A.S. 10 octobre 1846 à Jules LAURE ; 1 page in-8 adresse.« J’aurai grand plaisir à vous recevoir ainsi que Monsieur votre frère : seulement je pars aujourd’hui pour quelques jours. … Comme je ne travaille pas chez moi maintenant il faudrait que vous ayez la bonté de passer vers 10 hres au plus tard.Expertise by M. Thierry Bodin45 rue de l'Abbé Grégoire75006 PARIS Paris: 10 octobre 1846 unknown
1928188419Paris: Maurice Le Garrec 1928. Hardcover. VG- light shelfwear to boards; plates are very clean and clear. All plates are present. Green slipcase is torn and has overall wear. Oversized portfolio bound in 3/4 red leather and red paper over boards; title page followed by 31 mounted plates. Protected in a green cardboard slipcase. Text is in French. Includes 20 watercolors and 11 drawings. Printed in edition of 300 copies. Maurice Le Garrec hardcover
346London: C.Motte 1828. Lithograph on Chine appliqué 9 1/4 x 8 1/8 inches 235 x 206 mm full margins. First state of 4. Extremely minor uniform age tone otherwise in good condition. A superb richly-inked impression. <br /> <br /> Delteil 61.1. At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school. He expected painting would be a hobby but on the death of his father he found he had to make his own way in life. In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault. His first exhibited work was Dante and Virgil in 1822 in the Salon. <br /> <br /> His success in 1822 having brought him fame Delacroix for a time led a busy social life. He was a friend of Richard Parkes Bonington who frequented the studio of Gros and he became acquainted with Thales Fielding. Tradition has it that after seeing one of Constable's landscapes at a Parisian art dealer's in the four days remaining before the opening of the Salon Delacroix re-painted the entire background landscape of his picture introducing half-tones broken color and glazes which gave his canvas its incomparable brilliance. Like a quintessential modern artist he revisited themes he had painted decades before turning out more thoughtful interpretations of the same subjects. In technique and color he was a visionary. He used unmixed pigments more boldly and freely than any artist before him and in ways that directly inspired painters from Manet and Renoir to Matisse and Picasso. Compared with other artists his travels were offbeat. He made no pilgrimage to Greece or Rome; instead he went to England where he fell under the spell of the landscapists notably Constable. In 1831 he visited Spain Morocco and Algiers; several important works were a result of this journey. In 1832 through influence of Thiers received his first public commission. From 1832 to 1855 he executed decorative works for the Chamber of Deputies Library of Luxembourg Galerie d'Apollon in the Louvre Salon de la Paix in the Hotel de Ville and church of St. Sulpice. Delacroix was elected to the Academy in 1857 and last exhibited at the Salon in 1859. He died in Paris in 1863. <br /> Schatz Jean Ershler Phaidon Encyclopedia 1978 Phaidon PressUK as presented on AskArt Eugene Delacroix.<br /> <br /> According to the British Museum Delteil mistakenly identified the figure accompanying Faust as Méphistophélès while in fact it is Wagner Faust's assistant. See British Museum object number 19241014.7.5. C.Motte unknown
74804<p>Michel Delacroix <br />A La Manille<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition EA lower left<br />Image size: 48 x 57 cm<br />Sheet size: 56 x 76 cm</p><p>A La Manille is a very early lithograph from 1979. It depicts the everyday life of one of Paris' residential neighborhoods with laundry hanging out of windows and old storefronts selling groceries and everyday goods.</p>
1771262814Paris: V. Regnard & Demonville 1771. First. hardcover. good. 2 volumes. 16mo contemporary tree calf leather label gilt spines spine ends edges of corners and top of back cover all lightly worn on volume II blank page near end of volume II has 2 inch tear first and last blank pages lightly soiled on volume II inner hinge strengthened on volume I. A Lausanne et se trouve a Paris: V. Regnard & Demonville 1771. First Edition<br/> <br/> Jacques-Vincent Delacroix was a prominent French lawyer judge and journalist. He also was the author of many works.<br/> <br/> V. Regnard & Demonville unknown
74783<p>Michel Delacroix <br />Rendez Vous de Macons 1984<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition E.A. lower left<br />Published by Lublin Graphics</p><p>A lovely street scene view of the colorful bustling daily activity of wartime Delacroix's 1940's Childhood Paris. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
74813<p>Michel Delacroix <br />Paris - Chez Riton<br />Original lithograph <br />Hand signed in pencil lower right<br />Edition EA lower left<br />Image size: 48 x 57.5 cm<br />Sheet size: 56 x 75.5 cm</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
74814<p>Michel Delacroix <br />Arrivee du Tour de France sur le Champs Elysees 1990<br />Original lithograph <br />Hand signed in pencil lower right<br />Numbered XIX/CC lower left<br />Sheet size: 78.5 x 91.5 cm<br />Published by Axelle Fine Arts</p><p>classic paris street scene with bicycle cafes and shops. Michel Delacroix master of the Naïf Folk Art or Naive the most popular and successful artists in the world today. A self-styled "painter of dreams and of the poetic past" Delacroix has devoted five decades to painting a city he calls "the Paris of then" the magical place where he was born where he spent his boyhood and where he continues to live to this day.</p><p>But the Paris Delacroix paints is not the urban metropolis of the present. It is the dream-like place the city became in the 1940's during the Occupation when "we suddenly jumped fifty years into the past. No more cars in the streets very few lights. Paris suddenly became very quiet very dark and though people were afraid there was a brotherhood and spirit that was very delightful." For Delacroix who was then a child of seven and spared by his age from understanding "the cruelties and absurdities" of war it was "the one great adventure of my life."</p><p>And it is to this special Paris - the Paris of by-gone years and innocent splendors - that Delacroix has returned to over and over again in his gentle works. Theses works renowned for their graceful balance of "the earthy and the urban the cosmic and the ordinary" have captivated private collectors museums and ordinary people alike throughout the world earning the artist both universal acclaim and numerous awards.</p>
196351401Paris France: Musée Du Louvre. As New. 1963. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine pages tight to spine - Text in French. 115 items catalogued including several letters a journal fragment and a copy of a "testament" from Delacroix ; 24 black and white plates. -- with a bonus offer-- . Musée Du Louvre paperback
195155570Munich Germany: Verlag F. Bruckmann. As New. 1951. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 175 page monograph. -- with a bonus offer-- . Verlag F. Bruckmann hardcover
197453849Paris France: Galerie Daber. As New. 1974. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 36 works catalogued many illustrated in color or black and white. Among the artists represented: Berthe Morisot Courbet Eva Gonzales Bonvin Jongkind and others. -- with a bonus offer-- . Galerie Daber paperback
