Delacroix eugène

1843 · 87676 — Paris: Chez Gihaut frères Edit. Boulevard des Italiens 5 1843. Fine. Chez Gihaut frères Edit. Boulevard des Italiens 5 Paris s.d. 1843 36.40 x 49.80 cm relié Complete set of 13 original lithographs by Eugène Delacroix in first edition first issue with the letter one of 20 copies on Chine paper pasted on laid paper: ""It was originally printed in a few proofs on Chine the format of which exceeds the square line by one or two centimeters. They are highly sought-after even though they bear the letter"" Robaut. Bound in the original publisher's brown half-shagreen binding title gilt stamped on first board original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm sunned spine joints and corners rubbed scattered foxing and a dampstain to the lower part of the laid paper on which the lithographs are pasted on without affecting the lithographs themselves. Exceptional and rare set of original lithographs by Eugène Delacroix on Chine paper illustrating Shakespeare's masterpiece. A cornerstone of Romantic art this series was ""made at M. Delacroix's personal expense. Only 80 copies were printed 60 on blanc and 20 on chine and these were sold out at the time of the author's death"" Henri Béraldi. It is now esteemed as Delacroix's most accomplished graphic undertaking which took him more than ten years to achieve and generally considered to be one of the first modern livres de peintre. This is Delacroix's second lithographic portfolio based on a literary work after Goethe's 'Faust' in 1828. Strongly influenced by Goya's Caprices the plates feature deep black tones and striking contrasts magnified by the Chine paper: ""No one is unaware of the important role played by Delacroix in lithography . in the Hamlet in the Horse struck down by a tiger or better still in the Lion of the Atlas and the Royal Tiger these marvels he shows what vigor and color the lithographic pencil can acquire in the hand of a master""Henri Béraldi. Despite good reviews from Théophile Gautier and Jules Janin the Hamlet suite remained little-known from the moment of its publication by the Gihaut brothers upon Delacroix's request: ""I had them printed in small numbers and I was well advised for they were not successful and were far from having met printing costs"" wrote Delacroix in a letter to Champfleury May 1 1852. Even in the 19th-century copies on Chine paper were almost impossible to find: only twenty years after publication Philippe Burty considered the set ""so rare now"" regardless of its different issues Colonel De La Combe sale 1863. His contribution to Hamlet's visual imagination and iconography is immense. Delacroix first created the pose of Ophelia's lifeless body lying horizontally on the water - foreshadowing John Everett Millais' famous painting. It was from these lithographs that a number of his paintings were created: ""Between the 1830s and his death Delacroix also painted oil versions of a number of lithographs including Hamlet and His Mother now in the Metropolitan Museum."" Alan R. Young Hamlet and the Visual Arts 1709-1900. Delacroix showed interest in Shakespeare's theater - and Hamlet in particular - early on. As a youth he signed some of his letters ""Yorick"" when recounting his first passions for the young Englishwoman Elizabeth Salter. According to his diary studied by Luciana Lourenço Paes he probably read the play in the original English and identified with the main protagonist who inspired his ""Self-portrait as Hamlet"" now in the Musée Delacroix. In 1825 the painter traveled to London where he attended several of the Bard's plays and apparently regretted missing the Hamlet performed by the legendary Henry Keane at the Drury Lane Theater. Two years later Delacroix was among the Romantics who fell under the spell of a special performance of Hamlet at the Théâtre de l'Odéon by the English company of Covent Garden director Charles Kemble. It was the first time Shakespeare had been played in his origin Chez Gihaut frères, Edit. Boulevard des Italiens, 5 unknown