126 résultats
189017001890 Reims F. Michaud 1890. Gd in8, br, 87 pp. + 4 pl. h.t.
18931153601893 Paris, Librairie Plon, Plon-Nourrit et Cie, Imprimeurs-éditeurs - 1893 - Troisième édition - 2 volumes in-8, demi chagrin marron, dos à 5 nerfs avec titre, tomaison et filets dorés, plats marbrés, tranches supérieures dorées - Couvertures d'origines conservées - 452 + 496 pages - Quelques illustrations en N&b hors texte
1893595181893 Paris, Plon, 1893-1895, 3 volumes in 8° reliés demi maroquin, dos très ornés ; dos uniformément insolés et éclaircis ; rousseurs éparses.
1893861961893 Paris, Plon, 1960, 3 volumes in 8° reliés pleine toile rouge de l'éditeur ; une note manuscrite sur la première garde blanche du premier tome.
189317456AB1893. 3e édition 2 volumes off 3 Paris Plon 1893. LV 462; 2 leaves 496 pages 2 plates. Original wrappers. Uncut in original wrappers. unknown
1893052637<p>Paris: Plon-Nourrit. Near Fine. 1893. 3e Edition. Hardcover. Complete in 3 volumes with French text 452 496 488 pages this beautifully-preserved set has been rebound in sturdy black cloth with bright gold spine-titles the original front and rear wraps are bound-in also each volume features a frontis illustration Volumes 1 & 2 contain a fold-out facsimile illustration Volumes 1 & 2 subtitled "Precede D'une Etude Sur Le Maitre Par Paul Flat" which translates to "Preceded by a study on the master by Paul Flat" Volume 3 subtitled "Suivi D'une Table Alphabetique Des Noms Et Des Ouevres Cites" which translates to "Followed by an alphabetical table of names and works cited" the set is in excellent condition some mild tanning to the pages and to a small portion of the fold-outs the original wraps in volume one have a couple of shallow edge-chips the original front wrap to volume 1 has a few neat tape-mends the bindings are tight and in as new condition and the text is clean as can be .</p> Plon-Nourrit hardcover
186514621Paris: Published by A. Cadart et Luquet 79 rue de Richelieu 1865. Etching. Printed on watermarked aqua-fortistes laid paper. State i/iii before letters with artist's name and date engraved in the upper left corner of plate. Monogram in upper right corner of plate. Full sheet in excellent condition. Image size: 7 7/8 x 6 1/6 inches. This stunning image is a rich proof impression of Delacroix's famous print "Juive d'Alger."<br/> <br/> In early 1832 Delacroix visited North Africa. He accompanied his friend the Count de Mornay on his good-will mission to the Sultan of Morocco Abd-er-Rahman II. This experience had a drastic influence on his art introducing an edge of brilliant realism into his majestic paintings and bold engravings. He filled countless sketchbooks with drawings and observations of Arab life and gathered a wealth of ideas that served him for the rest of his life. This sumptuous etching is inspired by Delacroix's travels in North Africa and is considered one of his greatest prints. Assigned to the delegation as dragoman was Abraham-Ben-Chimol of Tangiers a Jew who introduced Delacroix to his wife Saada and daughter. Delacroix was greatly influenced by this encounter and he did a number of images depicting young Jewish women in simple interiors. This breathtaking image depicts a young Jewish woman in traditional dress seated in a simple room; she is accompanied by an Algerian woman who is seated on the floor beside her. The leader of the French Romantic movement Delacroix is widely considered to be one of the greatest French painters in history but he is also one the most hailed printmakers of the modern age. The simple lines and bold textures of this monumental print delineate Delacroix's genius and distinguish him as a true master of his art. This is an exceptional early impression of this important print executed before the published title and publication details were added. Included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart this print is extremely rare in this early state. With its rich dark tones and fresh details this is a magnificent example of Delacroix's work and a true collector's item. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best<br/> <br/> Delteil Le Peintre-Gravure Illustre vol. III no. 18 i/iii; Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 158 i/ii. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs; Biographical information has been taken from the website of the National Gallery in Washington and The Metropolitan Museum in New York. Published by A. Cadart et Luquet, 79, rue de Richelieu unknown
186514621Paris: Published by A. Cadart et Luquet 79 rue de Richelieu 1865. Etching. Printed on watermarked aqua-fortistes laid paper. State i/iii before letters with artist's name and date engraved in the upper left corner of plate. Monogram in upper right corner of plate. Full sheet in excellent condition. Image size: 7 7/8 x 6 1/6inches. This stunning image is a rich proof impression of Delacroix's famous print "Juive d'Alger."<br/> <br/>In early 1832 Delacroix visited North Africa. He accompanied his friend the Count de Mornay on his good-will mission to the Sultan of Morocco Abd-er-Rahman II. This experience had a drastic influence on his art introducing an edge of brilliant realism into his majestic paintings and bold engravings. He filled countless sketchbooks with drawings and observations of Arab life and gathered a wealth of ideas that served him for the rest of his life. This sumptuous etching is inspired by Delacroix's travels in North Africa and is considered one of his greatest prints. Assigned to the delegation as dragoman was Abraham-Ben-Chimol of Tangiers a Jew who introduced Delacroix to his wife and daughter. Delacroix was greatly influenced by this encounter and he did a number of images depicting young Jewish women in simple interiors. This breathtaking image depicts a young Jewish woman in traditional dress seated in a simple room; she is accompanied by an Algerian woman who is seated on the floor beside her. The leader of the French Romantic movement Delacroix is widely considered to be one of the greatest French painters in history but he is also one the most hailed printmakers of the modern age. The simple lines and bold textures of this monumental print delineate Delacroix's genius and distinguish him as a true master of his art. This is an exceptional early impression of this important print executed before the published title and publication details were added. Included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart this print is extremely rare in this early state. With its rich dark tones and fresh details this is a magnificent example of Delacroix's work and a true collector's item. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best<br/> <br/>Delteil Le Peintre-Gravure Illustre vol. III no. 18 i/iii; Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 158 i/ii. Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs; Biographical information has been taken from the website of the National Gallery in Washington and The Metropolitan Museum in New York. Published by A. Cadart et Luquet, 79, rue de Richelieu unknown books
1878586671 vol. in-folio reliure de l'époque demi-veau blond, dos à 5 nerfs dorés orné, tête dorée, tome IV de l'année 1878 et Tome I de l'année 1879, tomes 15 et 16 de la collection, A. Ballue, Editeur, Paris, London, 1878-1879, 2 ff., 340 pp., 2 ff., 339 pp. avec 32 eaux-fortes
188549337Paris Charavay 1885 1 vol. relié fort in-4, demi-chagrin bleu nuit, dos à nerfs, LXII + 537 pp., 2 portraits hors-texte, table analytique et index. Edition originale de ce monumental catalogue raisonné décrivant 1968 oeuvres, la plupart reproduites. Un des 50 exemplaires numérotés sur vergé à la cuve, avec un double état avant la lettre des portraits. 3 petits accrocs au mors supérieur. Sinon très bon exemplaire, dans une solide reliure de l'époque.
188549337Paris Charavay 1885 1 vol. relié fort in-4, demi-chagrin bleu nuit, dos à nerfs, LXII + 537 pp., 2 portraits hors-texte, table analytique et index. Edition originale de ce monumental catalogue raisonné décrivant 1968 oeuvres, la plupart reproduites. Un des 50 exemplaires numérotés sur vergé à la cuve, avec un double état avant la lettre des portraits. 3 petits accrocs au mors supérieur. Sinon très bon exemplaire, dans une solide reliure de l'époque.
186330079Paris L'univers illustré 1863 in folio du N° 238 du 4 décembre 1862 au N° 289 du 29 novembre 1863 Les années complètes commençaient à cette date début Décembre pour se finir à la dernière semaine de novembre de l'année suivante , 414 pp et un ff de tables , quelques feuillets déchirés sans manque
1885211400Paris France: Charavay Freres Editeurs 1885. Hardcover. Good textblock has some cuts on side first few pages have ripped edges reinforced with tape other small tears throughout are sometimes repaired with small tape page content is otherwise good condition. Black boards with gilt text on spine. 537 pp. Some bw illustrations. "Eugene Delacroix is part of this illustrious family of mysetious artists on whom the investigation remains open forever. It belongs to this group of superior minds that the admirable philosopher R. W. Emerson named: representatives of Humanity Representative Men. But in addition he offers our sympathies an even more imperative title. Delacroix is the supreme last and highest manifestation in this century of French genius in art." - from introduction. Charavay Freres Editeurs hardcover
1845424Curmer 1845 in-folio 1/2 basane rouge
1845boz_003035Eugène Delacroix, gravé par Adolphe Mouilleron et imprimé par Berlants, La Tasse en Prison Peintre La Tasse en Prison, gravé par Adolphe Mouilleron et imprimé par Berlants - Eugène Delacroix - France - 1845 Dimensions : taille de la feuille : 31 x 22.5 cm taille à la cuve : 22.5 x 15 cm. État : Petites rousseurs éparses. Infimes traces d'onglets dans les 4 coins.
190025506Paris L.-HENRY MAY 1900 in-4° couvertures en mauvais état avec manques plus de dos, intérieur en bon état , 336 pp, livre à relier
1866LFA-126711755Un ouvrage de 961 pages, format 180 x 260 mm, illustré de 40 gravures sur bois tirées à part par E. Bayard, relié cartonnage, publié en 1866, Librairie L. Hachette et Cie, bon état
181517657Nouvelle édition corrigée, suivie de Discours sur les Causes des dernières Révolutions, et sur les Moyens d'asseoir le Gouvernement sur une base inébranlable.A Versailles, de l'Imprimerie de J.-A. Lebel, 1815 - 463 pages. Ex-libris.Reliure demi basane fauve de l'époque. Dos lisse avec pièce de titre noire. Tranches marbrées. Coiffes frottées. Pas de rousseur. Bon état. Format in-4°(21x13).
1843108791843 Paris, L. Curmer, 1843-1844, reliés en 2 vol. in-4, demi-chagrin noir dos à faux-nerfs,tres ornés ; (4)-486, (4)-444 pp.,illustré de 55 +56 planches originales ht ,gravures,eaux fortes,lithographies la plus part sur chine collé,par Gavarni,Isabey,Descamps,Dupré,Calame ,Daubigny,Français etc, texte à 2 colonnes,frais ,textes par les plus grands ecrivains de l'epoques,ornés de vignettes romantiques,
186918240Paris, Rothschild, 1869 ; in-12, demi-cuir de Russie fauve, dos à nerfs, caissons à froid, titre et fleurons dorés, tête marbrée et dorée (Petit successeur de Simier) ; XVI, 287 pp.
1841024480Paris L. CURMER 1841 un volume in-4°, broché, couverture verte titrée noir, [2]ff. (faux-titre, titre) VIII 396 pp. [4]ff. (table des illustrations). (dos renforcé à l'adhésif, couvertures salies et marquées, présence de rousseurs sur plusieurs feuillets de texte, les planches sont propres). Ouvrage orné de nombreuses gravures dont cinquante hors-texte en noir.
1841024777Paris L. CURMER 1841 un volume in-4°, broché, couverture verte titrée noir, [4] ff. (frontispice, faux-titre, titre, planche I) 392 pp. [4] ff. (table des illustrations). (dos renforcé à l'adhésif, couvertures salies et marquées, présence de brunissures marginales et de rares rousseurs sur plusieurs feuillets de texte, les planches sont propres en majorité). Ouvrage orné de nombreuses gravures en noir dont cinquante hors-texte (avec le frontispice). Tome II SEUL.
1894RO80106060LIBRAIRIE DE LA NOUVELLE REVUE. 1894. In-12. Relié demi-cuir. Etat passable, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 328 pages. Ouvrage débroché, quelques pages volantes, accrocs en marges. Etiquette de code sur la coiffe en-tête et tampons de bibliothèque sur la page de titre et dans quelques marges. Déchirure page 133 / 134.. . . . Classification Dewey : 133.4-Magie, sorcellerie, démonologie
1896R320058392HAVARD G. FILS². 1896. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 328 pages - 1 étiquette collée en coiffe en pied - 1 tampon sur la page de titre.. . . . Classification Dewey : 133.4-Magie, sorcellerie, démonologie
1896R260209225G. HAVARD FILS EDITEUR. 1896. In-12. Broché. Etat d'usage, Coins frottés, Dos fané, Rousseurs. 328 pages - quelques annotations au crayon de papier - 1 tampon sur la page de titre - Pages partiellement désolidarisées. . . . Classification Dewey : 133.4-Magie, sorcellerie, démonologie