Delacroix, EugeneBiblio.com
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1695871Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1312780Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1312781Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1825. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3564278Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1808. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3564279Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1808. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3564281Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1808. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3564280Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1808. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
38867Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
38866Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
38864Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
38865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1833. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1841Sand14<p><strong>DELACROIX SAND George 1804-1876</strong></p><p>Autograph letter signed " G.S. " to Eugène Delacroix<br />Paris Postal mark 23rd December 1841 1 p. 1/2 in-8°<br />Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 "</p><p><strong>Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the <em>Femmes d'Alger</em> her contempt for the <em>Ingresque</em> school and other artistic news</strong></p><p><em>" Vous avez bien fait cher ami de ne pas venir à l'Opéra. <strong>C'était ennuyeux à crever malgré la beauté et la pompe du spectacle.</strong> J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1</em><br /><strong><em>Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!!</em></strong> le mot est entouré par Sand d'un triple trait de plume.<strong><em> Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. </em></strong><em>2</em><br /><em>Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable.</em><br /><em>G.S.</em><br /><strong><em>La Lélia</em></strong><em>4<strong>avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger</strong>5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue</em> La Revue indépendante<em> et <strong>vous savez que je ne caponnerai pas</strong></em> ne se montrera pas lâche <strong><em>avec tout cette école silhouettiste</em></strong><em>6<strong> qui se dit en possession du dessin</strong> ".</em></p><p>1 <em>La Reine de Chypre</em> an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration.<br />2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form".<br />3 Possible reference to an English restaurateur or caterer frequented by George Sand.<br />4 <em>Lélia avec son moine et son mort</em> is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix.<br />5 This is the <em>Femmes d'Alger dans leur appartement</em> a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire.<br />6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color".</p><p><u>Bibliography:</u><br /><em>George Sand</em> – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369<br /><em>Correspondance</em> éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50</p><p><u>Provenance:</u><br />Achille Piron Delacroix's universal legatee<br />Bibliothèque Marc Loliée</p>
1997107203Paris : EditÂŽ par A.N.C.R.E. 1997. 320x240mm. photos n/b illustrations in et hors texte 21 planches n/b en feuilles ÂŽchelles 1/36 1/48 1/72 collation: effectuÂŽ brochÂŽ. Sous cartable rigide en toile et avec jaquette. TrÂs bel exemplaire. 1618 Edit par A.N.C.R.E. unknown
26545Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf Normandy from various French locations principally Paris. 105 items of correspondence in French in various formats mainly 8vo. In good condition on lightly-aged paper. Each text clear and complete. The whole contained in a grey paper folder with 'Juillet 1818' on the front wrap. Each item unobtrusively numbered in neat red pencil. Featuring a wide range of the correspondents as few write more than once. Occasional letters docketed. Accompanied by a modern abstract by a French-speaker reflecting the difficulty of the various hands contained in the collection. Beginning on the eve of Napoleon's defeat at the Battle of Waterloo this substantial correspondence provides a mass of valuable information about social history and textile industry in France in the early nineteenth-century. Textile mills began to appear at Elbeuf at the beginning of the sixteenth century; by 1802 the industry was deemed of sufficient importance for the Emperor Napoleon to pay a visit. For more on the subject see 'La draperie d'Elbeuf des origines à 1870' by Alain Becchia Université de Rouen 2000. Included are several accounts including one for the whole of 1816 from Bertrand et Fils for dying textiles with the various colours given including 'bleu carbeau' and 'vert dragon'. This account is followed by a bill to the younger Delacroix from his vintner Boules and a long statement of account by 'Barbier Sellier Caroissier a Rouen'. Also present is an itemised bill by another 'sellier' named Le Roi followed by a long itemised bill by a 'chaudronnier' named Morchaud. Although the first letter in the collection from Welz et Cie of Rouen 4 May 1815 together with another from the same firm four days later sets the general tone giving detailed instructions regarding business about an 'envoy de laine' by a third party L. F. Ehrmann of Strasbourg the early correspondence also reflects the political anxieties of the period. On 15 May 1815 a correspondent writes anxiously from Paris of 'les morts et blessés la perspective de veuves et enfants de créancier et ouvriers'. On 21 May Duruflé of Paris comments with equal anxiety: 'il faut attendre le resulta du chant de mai. On a lespoir - s'il ya Delusion - que sa poura detourner les ennemis du projet qu'ils ont d'<arracher> notre territoire. S'il en est autrement il parait que nous avons des forces considerable sur toute la Ligne de nos frontieres et bien disposée'. On 12 July one Boulé writes from Paris that 'depuis la fin du Courant je n'ai pas recu un Soli et je n'avait presque rien recu de ce que je devait recevoir obligé de recevoir des Troupes étranger et de les faire nourire il faut de l'argent'. Duruflé writes again on 20 July that 'les moments de crise qui vienne de se passé in ne nous est heureusement rien arrivé. Madame Duruflé en a été quitté come bien d'autres pour <>'. Shortly afterwards one Choberl compliments the firm on not sending cloth to Angers. A. J. Curet on 30 July 1815 states that 'nous jouissons de la paix et de la tranquilité'. Among the orders contained in the correspondence is a request for cloth 'pour manteau capotte' for the 'habillement du 11e. Regiment. de Dragons'. Reflecting the state of affairs after Napoleon one Boucher writes from Paris in September of 1815 that the movement of troops in Paris is 'toujours considerables et nocturnes'. Of interest is a letter in French from the English inventor Samuel Pugh writing that he has not received a bill. A small swatch of green cloth is attached to a letter from Lamargne of Toulouse. With inadvertently poetic utterance a correspondence writes on 14 October that 'la couleur feuille morte n'est pas ma nuance'. Commenting on financial impropriety G. Jammon writes 18 October 1822 about 'des chevaliers d'industrie' who with 'aucun Domicile fixe' can have goods delivered and then disappear. One of the last letters contains a handwritten cheque by Henry Delacroix made out to 'Monsieur Charles Michel'. This is followed 24 October 1822 by an offer of the 'Sistemes sic de Tisseranderie Continue'. Written between May 1815 and October 1822. Addressed to Messrs Henri Pierre Delacroix et Fils of Elbeuf, Normandy, from various hardcover
333326Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
333329Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
333328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
333327Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1504761863.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1990879322.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2001Q-0440236371Dell 2001-01-09. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Dell paperback
2010Q-0823422542Holiday House 2010-02-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Holiday House hardcover
17-3101Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. ca 1850. Original etching on laid paper with a crown watermark. Signed in the plate. 22.5 x 18.5 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., [ca 1850]. unknown
139224Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1826. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
139223Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1826. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
