Delacroix, EugeneBiblio.com
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1020148349.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978080589Paris: A Quantin 1978. Hardcover. Good/No Jacket as Issued. Robust unmakred copy. Bound in pale cloth boards which have darkened. Corners bumped. Small amount of wear and tear to head and foot of spine. Significant 5cm tear down front edge of head of spine with 1cm tear across the spine at thec foot of the vertical tear. <br/> <br/> A Quantin hardcover
0266025722.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012581641.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
75-1278Paris FR: A. Quantin 1878. 4to. 391pp. Good. Softcover. Pages uncut. Tear to bottom of spine. Wrapped in wax paper covering. Advertisement for book laid in. En Francais. Paris, FR: A. Quantin, 1878 paperback
0260603481.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0260607053.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265027489.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
187828585Paris: Quantin 1878. Quantin unknown
1852713631852. Fine. 13 septembre 1852 12.20 x 19 cm une feuille Long autograph letter signed by the archaeologist and curator of antiquities at the Louvre Museum Adrien de Longpérier to a journalist 4 pages on a folded sheet. In this fascinating letter about Eugène Delacroix the curator of Egyptian antiquities Longpérier castigates a journalist author of a harsh critique of the painter's ceiling at the Galerie d'Apollon in the Louvre: ""mais quand il s'agit seulement d'un plafond fait pour une galerie roccoco quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste"" ""but when it concerns merely a ceiling made for a rococo gallery when moreover I have recognized that this work produces an excellent decorative effect that the general tone is perfectly adapted to the place and that besides this the painting contains a certain number of details treated with real talent I do not see the necessity of going to attack very vigorously very harshly not only the work but also the person of the artist"". Delacroix had created a composition entitled Apollon terrassant Python for the gallery built under Louis XIV and newly restored under the Second Republic. In the midst of the Romantics' quarrel Longpérier also mentions Jean-Auguste Dominique Ingres himself the author of a ceiling at the Louvre L'apothéose d'Homère: ""Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon vous n'eussiez pas pu empêcher que dans la discussion on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres qui aime si peu la discussion vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés . Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal et que je vous apporte un article violent contre M. Ingres Je dis : imaginez car je suis moi un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer . Iriez-vous donner aide à celui qui voudrait le combattre "" ""Since you have the imprudence to put Homer's ceiling in parallel with that of Apollo you could not have prevented that in the discussion people would attack your venerable friend. Do you believe that if Ingres who so dislikes discussion would have been very grateful to you for these horizons that you would have provided him . Imagine that you had made the sacrifice of a considerable sum to found a journal and that I bring you a violent article against M. Ingres I say: imagine for I am myself an admirer of M. Ingres and have no desire whatsoever to criticize him . Would you go to aid the one who would want to fight him"". Ingres the painter representing the classical school had his preference unlike Delacroix the Romantic whose style he did not appreciate but whose human qualities he nevertheless recognized: ""J'ai reconnu que c'est un homme très doux très poli fort instruit et fort modeste . Je parle de l'homme ; quant à ses oeuvres elles sont plus ou moins bonnes. Il y en a même de fort mauvaises"" ""I have recognized that he is a very gentle man very polite well educated and very modest . I speak of the man; as for his works they are more or less good. There are even some very bad ones"". Longpérier speaks at length about the restoration work at the Louvre led by the architect Félix Duban who supervised the renovation of the Galerie d'Apollon and other major projects: ""Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon de la façade du jardin de l'infante de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré avec tout de goût de f unknown
1836877641.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
63-0187Geneve Switzerland: Skira 1946. Folio. 4 pp. 6 leaves of color plates Light Glassine-Covered Boards Unbound Leaves Glassine Good with tears losses minor staining & creasing else VG. Eight Color Plates some mounted. Swiss edition of multi-volume set originally published 1939 in Paris. Text in French. Geneve, Switzerland: Skira, [1946]. hardcover
0270935096.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483013838.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
75-1258Paris FR: Calmann-Levy 1963. 12mo. 157pp. Very Good. Softcover. En Francais. Paris, FR: Calmann-Levy, 1963 paperback
ria9798313520896_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
2012989012.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1957GLAsDELA64Paris: Librairie Grund & Monaco: Editions De L'Acanthe 1957. 1957. 8vo. pp. 421 1 leaf. 8 colour plates many illus. on 32 double-sided plates 5 colour map plates 3 fold-outs & numerous text illus. incl. more maps. biblio. wrs. upper spine becoming unglued institutional bookplate & blindstamp. dw. lightly rubbed torn in two along back spine edge two short tears. Hardcover. Paris: Librairie Grund & Monaco: Editions De L'Acanthe, [1957]. Hardcover
1837894P35Paris: Gaume Freres 1837. Leather. Very Good. 5.5" by 3.5". None. A very scarce French textbook on the wonders of nature a concise and educational work. The second edition of this very scarce work. The only record of this work being held institutionally is at the Bibliotheque Nationale de France.In the original French.A study on the wonders of nature in which the author presents concise explanations for a variety of natural occurrences and phenomena.With chapters on the elements earthquakes mountains the position of the sun the moon eclipses the sea and her use and more as well as notes on the nature of humans such as vision gout spirit the creation of man man's dignity and the difference between men and animals. Half-title is present.Written by Frederic-Titeux Delacroix. Ink inscription to the front paste down dated 1837. In a half calf binding with marbled paper to the boards. Externally generally smart with light rubbing to the spine and extremities and lighter rubbing to the boards resulting in a small patch of loss to the tail of the rear board. A few very light marks to the boards. Minor bumping to the extremities. Prior owner's ink inscription to the front paste down. Internally firmly bound. Pages are bright with the occasional scattered spot. Faint tide mark to the bottom edge a little heavier to the final 40 pages of text. Very Good Gaume Freres hardcover
1391384601.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391360257.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2019107201LÕUnion : Editions GÂŽrard Delacroix 2019. 320x250mm. photos couleurs et n/b illustrations in et hors texte 39 planches n/b en feuilles ÂŽchelles 1/48 1/72 1/ 96 collation: effectuÂŽ brochÂŽ. Sous cartable rigide en toile et avec jaquette. TrÂs bel exemplaire. 3223 Editions Grard Delacroix unknown
184077055Paris: Léon Curmer 1840. Fine. Léon Curmer Paris 1840-1842 18 x 26.50 cm 11 volumes reliés Les Français peints par eux-mêmes. Encyclopédie morale du dix-neuvième siècle Le Prisme with Les Anglais peints par eux-mêmes The French painted by themselves The English painted by themselves Léon Curmer Paris 1840-1842 18 x 265 cm 11 volumes in half morocco First edition one of the grand papier deluxe copies with two states of the illustrations for the 8 volumes of Les Français peints par eux-mêmes: one in black on tinted paper and one enhanced by hand using the so-called coloris gommé technique with watercolour and varnish on white paper. Les Anglais peints par eux-mêmes includes the engravings in black. No deluxe copies in colour have been made for this rare set of Les Français. Bound in half brown morocco spine in five compartments enhanced with stipple engraving and double gilt panels richly decorated with gilt floral motifs framing a mosaic medallion of green morocco with a gilt rose stamped in the center cartouches at the top decorated with a gilt garland framing the place and publication date some light minor rubbing on some compartments gilt fillets on the marbled paper boards comb-patterned endpapers top edges gilt. Elegant late nineteenth century bindings signed Durvand-Thiret. Complete with all engravings along with added engravings i.e. 930 engravings including 415 in colour. Title pages dated 1841 for all volumes of Les Français except for volume 5 of Les Parisiens and volume 3 of La Province dated 1842. Les Français peints par eux-mêmes has 415 engravings in black including that of Napoleon on horseback instead of the 405 announced and 415 in colour including a double page map of France in volume III of the Province. The English volume illustrated by Kenny Meadous is complete with 100 plates in black. This unique set contains in total almost a thousand black and coloured engravings and more than 1500 in-text illustrations. Famous gallery of woodcut portraits depicting the social classes of the 19th century by the greatest artists of the time: Gavarni Daumier Delacroix Grandville Johannot Bellangé Charlet Daubigny etc. The portraits are all accompanied by original texts from the most famous Romantic authors including: Balzac Nodier Gautier Nerval Gozlan Janin Karr etc. Scarce foxing affecting mainly the Prism and the Anglais. The texts and illustrations of the book paint a lively picture of inhabitants and their trade in metropolitan France and its colonies. It sets the tone for panoramic literature a new genre coined by Walter Benjamin in Charles Baudelaire. A lyric poet at the height of capitalism. In addition to these portraits of the Français the contribution of a whole areopagus of great and small authors and illustrators S. Le Men La 'littérature panoramique' dans la genèse de la Comédie Humaine: Balzac et Les Français peints par eux-mêmes L'Année balzacienne 2002/1 No. 3 CAIRN includes some of the most renowned authors and cartoonists of the time each of whom made an original creation for the project. This protean fresco was directed by editor Léon Curmer already known for the publishing success of Paul et Virginie between 1836 and 1838. Curmer is represented here by an article L'éditeur in volume IV written by Elias Regnault. The latter takes example in Louis-Sebastien Mercier's Tableau de Paris published in 1781 whose vision is even further extended by the representation of French provinces in Les Français. Thanks to Curmer the work finds an even deeper meaning: the editor has widened his frame and instead of letting a few fleeting portraits get lost in the immense daily whirlwind that engulfs all things he has sought to bring together the most salient physiognomies of that time. S. Le Men Ibid. Curmer selected the authors and illustrators closest to the ones they depict: It is therefore a question of calling upon authors and illustrators who are wel Léon Curmer hardcover
2070343367.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
20052-2200268114Armand Colin 2005. Paperback. New. French language. 9.21x6.30x0.87 inches. Armand Colin paperback
