126 résultats
189017001890 Reims F. Michaud 1890. Gd in8, br, 87 pp. + 4 pl. h.t.
1813RO30088305CHEZ PERISSE ET COMPERE. 1813. In-16. Cartonné. Etat d'usage, Coins frottés, Mors arrachés, Intérieur frais. 547 pages. Quelques pages détachées.. . . . Classification Dewey : 840.08-XIX ème siècle
183823057Paris Dufey 1837-1838 -in-8 demi-basane 12 volumes, reliure demi-basane (half binding sheepskin) marron foncé in-octavo (22 x 14,5 cm), RELIURE D'EPOQUE, dos long (spine without raised band), décoré "or" (gilt decoration), titre et tomaison frappés "or" (gilt title and volume numbering) avec un filet fin "or" de part et d'autre, filet large "or" en place des nerfs avec un filet fin "or" de part et d'autre et en tête et en pied, papier marbré marron, rouge et crème aux plats (cover with marbled paper), toutes tranches lisses (all smooth edges), Cinquième edition et PREMIERE EDITION ILLUSTREE (l'édition originale a été publiées sans gravures en 1824-1826), orné de 16 cartes et plans, dont 13 dépliants(dont 1 grande carte de la France féodale) et 104 figures ou portraits sur chine collé sous serpente par Louis Bellanger, Decamps, Eugène Delacroix, Devéria, Lamy, Grandville, Tonly Johannot, Ary Scheffer, etc..., Fines et Légères Rousseurs, 420 + 430 + 418 + 434 + 432 + 439 + 415 + 418 + 448 + 448 + 446 + 465 pages, 1837-1838 Paris Dufey Editeur,
1883RO40249794Bray et Retaux, Paris. 1883. In-12. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 416 pages. Papier muet encollé sur le dos, le consolidant. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Manques sur le bord du 1er plat.. . . . Classification Dewey : 922-Religieux
1835RO80176542GAUME FRERES. 1835. In-12. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Mouillures. 207 Pages. 1er plat désolidarisé. Dos manquant .Trace de mouillures.. . . . Classification Dewey : 840.08-XIX ème siècle
1865R32273Paris, Giraud s.d. [1865] iv + 648pp., 1e éd., reliure cart., dos en cuir (titre, nerfs et fleurons dorés), tranches marbrées, qqs.rousseurs, bon état
184348704Paris.: Chez Gihaut Frères. 1843. Loose as issued with the original front and rear wrappers housed in modern box; wrappers torn with tape repair; occasional foxing to some plates mainly in the margins damp-staining affecting the upper margin only of one plate a small stain on the far right margin of another plate. Folio. 13 original lithographs by Eugène Delacroix. The complete suite of the first published edition on large paper.From the first published edition with 13 original lithographs limited to 80 copies with this one of 60 on French paper; 20 copies were also issued on Chine.Delacroix originally composed 16 lithographs in order to illustrate Hamlet the work gradually being completed between 1834 and 1843 but only 13 were issued with the first published edition. All of the prints presented here are with letters and the majority are with the printer’s imprint of Villain. The prints in the set are as follows: - 'La reine s'efforce de consoler Hamlet' Robaut 577; Delteil 103; - 'Hamlet veut suivre l'ombre de son père' Robaut 578; Delteil 104; - 'La fantôme sur une autre partie de la terrasse' Robaut 579; Delteil 105; - 'Polonius and Hamlet' Robaut 580; Delteil 106; - 'Hamlet fait jouer aux comediens la scène de l'empoisonnement de son père' Robaut 583; Delteil; Delteil 109; - 'Hamlet et Guildenstern' Robaut 584; Delteil 108; - 'Hamlet tente de tuer le roi' Robaut 585; Delteil 110; - 'Le meurtre de Polonius' Robaut 586 - 587; Delteil 111; - 'Hamlet et la reine' Robaut 588; Delteil 112; - 'Hamlet et le cadavre de Polonius' Robaut 589; Delteil 113; - 'Mort d'Ophélie' Robaut 591 - 592; Delteil 115; - 'Hamlet et Horatio devant les fossoyeurs' Robaut 593 - 594; Delteil 116; - 'Mort d'Hamlet' Robaut 597; Delteil 118. Chez Gihaut Frères. unknown
184387676Paris: Chez Gihaut frères Edit. Boulevard des Italiens 5 1843. Fine. Chez Gihaut frères Edit. Boulevard des Italiens 5 Paris s.d. 1843 36.40 x 49.80 cm relié Complete set of 13 original lithographs by Eugène Delacroix in first edition first issue with the letter one of 20 copies on Chine paper pasted on laid paper: ""It was originally printed in a few proofs on Chine the format of which exceeds the square line by one or two centimeters. They are highly sought-after even though they bear the letter"" Robaut. Bound in the original publisher's brown half-shagreen binding title gilt stamped on first board original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm sunned spine joints and corners rubbed scattered foxing and a dampstain to the lower part of the laid paper on which the lithographs are pasted on without affecting the lithographs themselves. Exceptional and rare set of original lithographs by Eugène Delacroix on Chine paper illustrating Shakespeare's masterpiece. A cornerstone of Romantic art this series was ""made at M. Delacroix's personal expense. Only 80 copies were printed 60 on blanc and 20 on chine and these were sold out at the time of the author's death"" Henri Béraldi. It is now esteemed as Delacroix's most accomplished graphic undertaking which took him more than ten years to achieve and generally considered to be one of the first modern livres de peintre. This is Delacroix's second lithographic portfolio based on a literary work after Goethe's 'Faust' in 1828. Strongly influenced by Goya's Caprices the plates feature deep black tones and striking contrasts magnified by the Chine paper: ""No one is unaware of the important role played by Delacroix in lithography . in the Hamlet in the Horse struck down by a tiger or better still in the Lion of the Atlas and the Royal Tiger these marvels he shows what vigor and color the lithographic pencil can acquire in the hand of a master""Henri Béraldi. Despite good reviews from Théophile Gautier and Jules Janin the Hamlet suite remained little-known from the moment of its publication by the Gihaut brothers upon Delacroix's request: ""I had them printed in small numbers and I was well advised for they were not successful and were far from having met printing costs"" wrote Delacroix in a letter to Champfleury May 1 1852. Even in the 19th-century copies on Chine paper were almost impossible to find: only twenty years after publication Philippe Burty considered the set ""so rare now"" regardless of its different issues Colonel De La Combe sale 1863. His contribution to Hamlet's visual imagination and iconography is immense. Delacroix first created the pose of Ophelia's lifeless body lying horizontally on the water - foreshadowing John Everett Millais' famous painting. It was from these lithographs that a number of his paintings were created: ""Between the 1830s and his death Delacroix also painted oil versions of a number of lithographs including Hamlet and His Mother now in the Metropolitan Museum."" Alan R. Young Hamlet and the Visual Arts 1709-1900. Delacroix showed interest in Shakespeare's theater - and Hamlet in particular - early on. As a youth he signed some of his letters ""Yorick"" when recounting his first passions for the young Englishwoman Elizabeth Salter. According to his diary studied by Luciana Lourenço Paes he probably read the play in the original English and identified with the main protagonist who inspired his ""Self-portrait as Hamlet"" now in the Musée Delacroix. In 1825 the painter traveled to London where he attended several of the Bard's plays and apparently regretted missing the Hamlet performed by the legendary Henry Keane at the Drury Lane Theater. Two years later Delacroix was among the Romantics who fell under the spell of a special performance of Hamlet at the Théâtre de l'Odéon by the English company of Covent Garden director Charles Kemble. It was the first time Shakespeare had been played in his origin Chez Gihaut frères, Edit. Boulevard des Italiens, 5 unknown
18431167<p>1843. Lithograph. L. Delteil 107 after the third state with letters in face. From the series of 16 illustrations for Hamlet. Image: 9 x 8. Margins: 21¾ x 14.</p> Villain
184387676Chez Gihaut frères, Edit. Boulevard des Italiens, 5 | Paris s.d. (1843) | 36.40 x 49.80 cm | relié
1858003173Paris Schulz et Thuillié 1858 In-12 Demi-reliure Edition originale
182848710Paris.: Ch. Motte & Sautelet. 1828. Black morocco-backed marbled boards and endpapers gilt spine original printed wrappers by Devéria bound in. Folio. Frontispiece portrait of Goethe half-title additional lithograph wrapper by Devéria title and 17 lithographs by Delacroix. A large paper copy of the first edition of Delacroix’s masterful interpretation of ‘Faust’ a pioneering meeting of word and image and a monument of nineteenth-century illustration.All of the plates printed on chine and mounted to larger sheets conform to first or first published state with the address of ‘Ch. Motte’. The wrapper is present in two states one of the front cover on white paper and the other including both the front and rear covers and the backstrip on blue paper.One of the monuments of nineteenth-century illustration.'Ouvrage remarquable et typique de l'époque romantique illustration magistrale du grand Delacroix qui est heureusement de plus en plus estimé des bibliophiles de gout.' Carteret. Ch. Motte & Sautelet. hardcover
1893R110018913PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 340 à 354 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1893R110018922PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 538 à 553 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1893R110018964PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 551 à 573 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1893R110019004PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 529 à 548 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1893R110019080PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 366 à 381 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1893R110019090PARIS, BOULEVARD POISSONIERE. 1893. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 597 à 620 . Ce fascicule ne contient pas d'illustrations. Une page photocopié. Livré sans couverture.. . . . Classification Dewey : 70.4-Journalisme, chronique
1845R110033104LANGLOIS ET LECLERCQ. 1845. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 181 à 192. Portrait en pied gravé sur acier.. . . . Classification Dewey : 920-Biographie générale et généalogie
1847R110033164LANGLOIS ET LECLERCQ. 1847. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 179 à 198. Portrait en pied gravé sur acier.. . . . Classification Dewey : 920-Biographie générale et généalogie
18381017591838 Paris, Vinchon, fils et successeur de Me. Ve. Ballard, 1838, petit in-8, 186x110mm, 72pp., plein maroquin violet, dos lisse avec titre et date, filets et motifs circulaires dorés, plats avec encadrement de filets et motifs en coins, filets sur coupes et contreplats, tranches dorées, gardes marbrées.Description de 175 oeuvres exposées avec un commentaire sur le sujet et les Salons auxquelles elles ont été acquises.
1864009457Paris Lainé et Havard 1864 Plaquette in-4, couverture bleue Broché
18171241821817 A Valence, De l'imprimerie de Jacques Montal, Imprimeur du Roi - 1817 - In-8, broché - ix + 493 pages
186732647A Valence, chez Jacques Montal, 1817. In-8 relié (20 x 12 cm), reliure demi-maroquin brun, titre doré sur le dos, IX-493 pages, tableaux. Histoire, topographie des anciens peuples et du passage d'hannibal dans le département, population, agriculture, commerce, industrie, (templiers - vaudois et albigeois - muriers - vers à soie - truffes -distillateurs - minéralogie, etc.), important dictionnaire des communes (256 pages): description et état politique.Nicolas Delacroix, homme politique, Employé à la sous-préfecture de Nyons, il est chef de division en 1810, puis passe à la préfecture de la Drôme. Député de la Drôme pendant les Cent-Jours. Conseiller municipal de Valence en 1821, il est maire en 1830 et conseiller général. Il est député de la Drôme de 1839 à 1843, siégeant dans la majorité soutenant les gouvernements de la Monarchie de Juillet. Décédé le 7 juillet 1843 à Valence (Drôme). Très bon état.
1830RO20148328BACHELIER SUCCESSEUR DE MmE vE courcier. 1830. In-16. Broché. Etat passable, Couv. défraîchie, Dos fané, Rousseurs. 216 pages. Nombreux schémas en page replié en noir et blanc en fin livre.. . . . Classification Dewey : 500-SCIENCES DE LA NATURE ET MATHEMATIQUES