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[S.l., s.n.t., c. 1850], foglio volante di mm. 180x225, impresso su una facciata. Segnaliamo fra i cantanti: Erminia Bertuzzi Ronconi, soprano. Ottime condizioni.
Insieme di 2 manoscritti. a) Quaderno cm. 20,5x16 composto da 2cnn. b) Quaderno cm. 20,5x16 composto da 12 cc (di cui 6 bianche). I due quaderni sono composti da molti distici ('Couplet'), Romanze ('Romance') di argomento amoroso. Il vaudeville è un genere teatrale nato in Francia a fine Settecento (primo teatro di gran successo in cui venivano rappresentate i vaudevilles, risale al 1792) . Il termine "vaudeville" stava a indicare le commedie leggere in cui alla prosa vengono alternate strofe cantate su arie conosciute (vaudevilles).
1872ABE-1477305906954SUR FORMAT 12,6 CM X 21 CM MONOGRAMME BG (BERNARD GAFFIOT)-"MON CHER CAMARADE, VOULEZ-VOUS ME PERMETTRE DE VOUS (?) ET DE VOUS RECOMMANDER MON JEUNE FILS QUE LE VAUDEVILLE QUITTE.POUR RAISONS D'ECONOMIES? IL GAGNAIT 2400 F PAR AN!!!.M. DERVAL LUI A PROPOSE UNE AUDITION SERIEUSE AU GYMNASE, DANS LES PREMIERS JOURS DE JUIN. A CE SUJET, MON JEUNE HERITIER AURAIT GRAND BESOIN DE VOS CONSEILS ET DE VOTRE TALENT. VOUS SERIEZ MILLE FOIS BON DE LUI VENIR EN AIDE DANS DES CIRCONSTANCES QUI ME SEMBLENT CAPITALES POUR SON AVENIR. PARDON DE MON IMPORTUNITE, ET MILLE REMERCIEMENTS AFFECTUEUX. BIEN A VOUS" SIGNATURE "DE L'OPERA 27 MAI 1872" (CPP4)
6135Paris Ledentu 1816 petit in 12 1 volume relié demi veau lisse havane, dos à nerfs orné, pièce de titre, 250 pages, non rogné. Dédié à Mr Desaugiers, directeur
6073Ne semble pas avoir été édité.Très bel état. Plein papier, pièce de titre sur le plat supérieur. Reliure moderne dans le style de l'époque. Très bon XIXè siècle 1 volume in-4°
1380paris 1959 in 8 broché
[Paris, 1906], in-8 piccolo, br. edit., pp. [4]. Con ill. n.t. e una raffigurazione del Theatre de Vaudeville con i nomi delle logge e dei palchi.
AMA-654Belle affiche imprimée Belle affiche imprimée en noir sur papier saumon dans un encadrement de feuilles d’acanthe. Orléans, Imprimerie Ve Huet-Perdoux. 600 x 435 mm.
AMA-655Affiche imprimée en noir sur papier blanc, [Orléans],Imprimerie de Danicourt-Huet rue Royale n° 94, 1825. Petite mouillure avec menu manque au coin supérieur gauche.
Firenze, Tip. Adriano Salani (Via S. Niccolò N. 102), 1876, in-24, br. edit. verde con graziosa copertina ant. figurata, pp. 30. Collezione di farse italiane e straniere, 140. Apparsa anonima, ma tratta dal vaudeville in un atto dell'attore e drammaturgo francese.
654In 8 broché,190 pages,24 illustrations hors-texte en couleurs et 19 dans le texte de DUBOUT.Edition du livre Monte-Carlo.1944.édition numérotée sur grand velin Crèvecoeur. emboîtage avec titre doré pour le premier et bordure toilée bleu pour le second.très bon état.
S.l., s.n.t., s.d. (18..), in-24, copertina verde muta coeva, pp. 26, (2).
1923H6749Dayton OH: Paine Publishing Co 1923. Paperback. Very Good. Wraps 67 pp very good light wear. Story centers on the Merkle family and her two daughters one of whom is ambitious one of whom is not and the complications that ensue from this. Included in the cast are Rastus Johnsing 'An Honest Coon' and his wife Dinah Johnsing a servant. OCLC locates three copies in institutions. Paine Publishing Co paperback
1887H7060New York: Richard A. Saalfield 1887. Good. Quarto 11.5 inches tall pictorial color wraps 171 pp of music plus a few ads. Good with some staining and loss to spine crease on cover mended on the verso with old tape; it has not stained the page light wear and soil some wear to title page and to table of contents page soil but generally very good and clean inside. RARE with only one copy cited by OCLC at Brown University. Unusually the cover artist misspelled 'motto' as 'mottoe' -- see one of the pics for a shot of the table of contents. Richard A. Saalfield unknown
21698Au Temple de Mémoire 1775 in 8 (19,5x12,5) 1 fascicule broché, sous couverture muette de papier marbré ancien, faux-titre, frontispice gravé, titre, 32 pages. Par un Avocat au Parlement de Bretagne. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1899List2923Portland Oregon 1899. Two double-sided clippings measuring approximately 7 ½ x 4 ¾ inches both put together with tape. Slightly wrinkled and toned; excellent. Matilda Sissieretta Jones 1869–1933 was an African-American opera singer from Portsmouth Virginia. She studied at the Providence Academy of Music and the New England Conservatory in Boston. At the start of her career Jones sang solo or in small groups touring North and South America the Caribbean and Europe. Jones’ talent was renowned; she was the first Black artist to sing at Carnegie Hall and she performed for multiple US presidents and the English royal family among many other accomplishments.1 In 1896 she formed Black Patti’s Troubadours—Jones was given the nickname “Black Patti†by a critic after famed Spanish opera singer Adelina Patti. The Troubadours would perform comical vaudeville and minstrel skits without Jones followed by Jones performing her “operatic kaleidoscope†of musical excerpts.<br /> <br /> Offered here are two magazine clippings—based on the advertisements these were printed in Portland Oregon—promoting two Black Patti’s shows: “A Rag Time Frolic at Ras-Bury Park†and “Jolly ‘Coon’-ey Islandâ€. The latter was written by Ernest Hogan a musician widely credited with creating the ragtime genre; he would become the first African-American performer to produce and star in a Broadway show 1907’s The Oyster Man. Jones’ kaleidoscope pieces include excerpts from Faust Pirates of Penzance and others; both shows also feature an audience-judged cakewalk. Of interest to scholars of M. Sissieretta Jones and African-American entertainers at the turn of the century.<br /> <br /> 1 “Jones M. Sissieretta ‘Black Patti’†in Africana: The Encyclopedia of the African and African American Experience ed. Anthony Appiah and Henry Louis Gates Basic Civitas Books 1999 1064. unknown
194921512Paris, Mercure de France, 1949; in-4°, broché; 59 pp., [2] ff. le dernier blanc, couverture crème imprimée en rouge avec caducée du Mercure de France.
1419219549奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 18.7 x 12.7cm 33pp original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
184511299Paris, H. Fournier, 1845 ; cartonnage polychrome à fond noir représentant un personnage chinois fumant, en habit traditionnel doré rehaussé de rouge, bleu et blanc, fond décoré de scènes et objets symboliques, second plat à grand décor doré et vert, tranches dorées ; VI, (2), 396 pp., 50 planches hors-texte, nombreuses illustrations in-texte de tous formats, dessins de Auguste Borget.
020388[Edmond Rostand, Cyrano de Bergerac] Gilles de Saint Germain (1833-1899), acteur notamment de l'Odéon, de la Comédie française et du Vaudeville. L.A.S., sd [après le 28 décembre 1897], 2p in-8. A Coquelin aîné (1841-1909). Belle lettre de félicitations pour « son grand succès » qu'il n'a pu voir étant absent et malade. « mais j'ai les comptes-rendus et j'ai vu beaucoup de spectateurs, même enthousiasme, mêmes éloges sur toi, pour plusieurs cela rappelait les triomphe de Mascarille ». Il s'est procuré la pièce et a pu la lire. « M. Rostang [sic] est un homme de théâtre. Il y a deux ou trois situations originales et théâtrales, par contre d'autres scènes qu'on ne peut juger qu'à la représentation ». Il verra la pièce à son retour. Mascarille fait référence à l'un des grands succès de Coquelin quand il joué ce rôle dans L'étourdi (Molière) à la Comédie-Française en 1871. Très belle lettre. [490]
1969120102Paris, École française d'Extrême-Orient, coll. « Publications de l'École française d'Extrême-Orient », n° 73 1969 In-4 28 x 19,5 cm. Broché, couverture grise, auteur & titre en noir sur le dos et le premier plat, 170 pp., notes en bas de page, bibliographie, index verborum, table des matières. Exemplaire en très bon état, pages non coupées.
1955120663Paris, Librairie d'Amérique et d'Orient 1955 In-4 27 x 18 cm. Broché, couverture grise, auteur & titre en noir sur le dos et le premier plat de couverture, XXVIII-157 pp., notes bibliographiques en pied de page, table des matières.Exemplaire en bon état.
1910List3655New York / Chicago / London: M. Witmark & Sons 1910. Folio sheet music 13 ½ x 10 ½ inches. Color pictorial cover. Light wear and minor creasing to edges; very good overall. A lively Irish-themed novelty song promoted as “Emma Carus’ Great Irish Song Hit†issued by the major popular music publisher M. Witmark & Sons. The cover illustration shows Carus dancing before a marching crowd carrying a banner reading “Home Rule†evoking the Irish nationalist movement then a prominent political issue both in Ireland and among Irish-American communities. Emma Carus 1879–1927 was a well-known American vaudeville performer and comic singer who appeared widely in theaters and variety shows during the early twentieth century. Born in New York she became a popular stage personality through novelty songs and character performances often introducing new numbers that were quickly issued in sheet music by publishers such as Witmark. The present piece with lyrics by Bob Harty and music by Ernest Breuer reflects the continuing popularity of Irish-themed songs in American vaudeville and popular music during the period when political themes such as Irish Home Rule frequently appeared in theatrical songs and stage sketches aimed at Irish-American audiences. We find a copy with a variant cover in commerce but not this design. M. Witmark & Sons unknown
17767597Sans lieu (Paris), sans nom, 1776 ; deux tomes ; suivi de "Les A propos de la Folie ou chansons grotesques, grivoises et annonces de parades". Sans lieu (Paris), sans nom, 1776. Ensemble de trois tomes in-8 ; demi-basane havane, dos à faux-nerfs dorés, pièces de titre et de tomaison vert-sapin, plats de papier imitation cuir havane raciné, tranches marbrées (reliure début XIXe) ; (2) ff. blancs, X (dont titre gravé), 302 pp., (1) f. blanc ; 316 ; VI, 319, (1) pp. et en tout pour les tomes 1 et 2 : 1 titre gravé dessiné et gravé par Moreau, identique aux tomes 1 et 2, 2 figures hors-texte par Moreau, gravées par De Launay et Simonet, 2 vignettes et 2 culs-de-lampe par Moreau, gravés par Duclos, Martini et De Launay ; et au tome 3 : titre-frontispice, 1 figure, 1 vignette et 1 cul-de-lampe par Moreau, gravés par Martini.
1920List2734Unknown location 1920. Approximately 10 x 13 inches. Some tears and chips at edges very good contrast editorial overpainting on recto overall very good. Marks on verso reading “Julian Eltinge Hippodrome March 12â€. Very good. Julian Eltinge 1881/1883–1941 was an American actor and “female impersonatorâ€â€”in today’s terms a drag performer—from Newtonville Massachusetts. Eltinge’s drag career began at age ten and by the early 1900s he was touring internationally performing a vaudeville act wherein the “audience was completely deceived as to Eltinge’s sex until he removed his wigâ€1. This portrait shows Eltinge seated in costume. On the reverse is written “Julian Eltinge Hippodrome March 12†and the front is signed “Herold Brown†this signature does not appear to belong to commercial photographer Harold M. Brown. A stamp is legible that dates the photograph to the 1920s though the exact year is not legible. Eltinge has been described as “without question the most famous female impersonator of all time†ibid.<br /> <br /> 1 Slide Anthony “Julian Eltinge†in The Vaudevillians: A Dictionary of Vaudeville Performers Westport Connecticut: Arlington House 1981 46. unknown
