120 résultats
178486383Kehl Baden: Imprimerie de la Société Littéraire-Typographique 1784. Leather Bound. Very Good. L 8vo 7.75 - 9.75'' tall. Leather Bound. Condition: Very Good. Imprimerie de la Société Littéraire-Typographique Kehl Baden 1784. In French. Famous first posthumous collected edition of Voltaire's 1694-1778 works known as the 'Kehl Voltaire' produced by Beaumarchais who created a print foundry at Kehl to carry out this great work. Set contains 69 of the 70 Volume 8vo edition smaller 12mo 90 volume edition was also produced. Volume 23 Histoire de Charles XII missing. Volumes 10 and 27 printed 1784 summary volume 70 printed 1789 all other volumes printed 1785. Uniform 18th century calf full brown leather. Spines decorated in gold floral designs titles volume numbers within 6 boxed compartments. Boards have a natural brown mottled leather finish slanted gold lines on the narrow board edges. All page ends stained a very light yellow finely bespeckled with green. Green silk reading ribbons. Moderate wear of leather at spine tops light stress wear along exterior leather hinges some boards show minor leather loss at edges. All interior hinges firm untorn. Volume 20 upper rear board tip charred. Otherwise no volume damaged or repaired uniform light general wear. Only endpapers show browned bands along margins from pasted endpaper glue chemistry. Volumes 1 to 69 containing all the works and massive correspondences of Voltaire. Volume 70 contains Condorcet's Life of Voltaire and Condorcet's 'Memoires' of Voltaire index and 'Additions et Corrections' to the 70 volumes. Volume 1 frontispiece engraving of Voltaire by Moreau.; Volume 10 frontispiece engraving of Henry IV; Volume 16 frontispiece portrait of Voltaire; Volume 24 frontispiece engraving military map camp plan; Volume 31 14 engraved plates of scientific diagrams. Provenance: Each volume has the small ink stamp 'William H. Floyd Collection No.' on the rear of the title page. Floyd was a late 19th century American antiquarian collector. The numbering sequence 5098-5166 shows that volume 23 was missing even when cataloged by Floyd. Size: L 8vo 7.75 - 9.75'' tall. A major cultural event of the last decade of the ancien regime a beautiful monument to Voltaire the greatest man that literature had produced. Pierre-Augustin Caron de Beaumarchais led a controversial life. Playwright The Marriage of Figaro politician publisher entrepreneur spy supplier of munitions for the American Revolution and an early champion of the rights of artists and intellectual property. Shortly after the death of Voltaire in 1778 Beaumarchais set out to publish Voltaire's complete works many of which were banned in France and vehemently condemned by the Church. Royal letters would be censored by Frederick II of Germany Catharine II of Russia and others. He bought the rights to most of Voltaire's many manuscripts from publisher Charles-Joseph Panckoucke in 1779. To evade censorship printing presses were set up in the small neutral independant state of Baden at Kehl. Beaumarchais bought with exclusivity the complete foundry of the famous English type designer John Baskerville for the Societe Litteraire Typographique an organization he established to produce editions in which he was interested. Three paper mills were purchased. Seventy volumes were published between 1783 to 1790. While the venture proved a financial failure Beaumarchais was instrumental in preserving many of Voltaire's later works which otherwise might have been lost. The Kehl edition was banned on French territory until 1789. Baskerville font was revived by Americans in the 20th century. Voltaire Kehl Condorcet Pierre Beaumarchais Charles-Joseph Panckoucke RBR4 RBR4 Imprimerie de la Société Littéraire-Typographique hardcover
177352614Imprimerie de Valleyre | Paris 1773 | 20 x 25.50 cm | relié
177380435Chez Ruault | à Paris 1773 - 1776 | 19 x 25 cm (In-4) | relié
177989093Sans nom d'éditeur | Londres Philadelphie 1779 | 12.5 x 19.5 cm | Relié
176778500Paris, 1767 in-8, demi-reliure tardive (mi-19e), soigneusement restaurée avec conservation du dos. 2 pièces de titre cuir "Répertoire du théâtre français" //"Comédies"//"Beaumarchais", plats papier scrotel, tranches jaspées rouges, EUGENIE Drame en cinq Actes en prose, enrichi de figures en taille-douce, avec Un Essai sur le drame sérieux. A Paris, chez Merlin, 1767, 118p. Considéré comme l'édition originale, bien que Cordier présente une édition sans l'Essai sur le drame sérieux. LES DEUX AMIS, drame en cinq actes en prose, Chez la Veuve Duchesne / Chez Merlin, 1770, 156p. suivi de la partition pp. 157/163. Edition originale, en tous points conforme à l'exemplaire de Cordier. LE BARBIER DE SEVILLE comédie en quatre actes, 5e édition, Chez Ruault / La Veuve Duchesne, 1785, 132p. Cinquième édition. LE MARIAGE DE FIGARO comédie en cinq actes, Au Palais-Royal, Chez Ruault, 1785, 237p. Véritable EDITION ORIGINALE, la première citée dans la bibliographie de Cordier et parfaitement conforme aux caractéristiques de premier tirage. Il y précise que les tous premiers exemplaires ont paru sans figures, auxquels elles ont été ajoutées par la suite. Nôtre exemplaire possède les cinq planches sur papier fort, par St-Quentin et gravées pour les quatre premières par C.N. Malapeau, la dernière par Roi (où la Comtesse Rosina a la poitrine bien découverte). Cette édition contient : La Préface de l'auteur (suivie de "Caractères et habillements de la pièce"), au verso du faux-titre sous la liste des libraires dépositaires de l'ouvrage, l'Avis de l'Editeur et à la fin, après les Approbations (en dates des 28 février 1784 par Coqueley de Chaussepierre et du 21 mars 1784 par Bret, suivi du Permis d'imprimer et de représenter en date du 29 Mars 1784, par Lenoir), l'Achevé d'Imprimer du 28 Février 1785. Seule manque la mention " Avec les fig. de Malapeau (...) Sans les fig. de 5 à 10fr." citée sous l'achevé d'imprimer. (Sources : Bibliographie des oeuvres de Beaumarchais, Henri Cordier, A. Quantin, 1883). L'AUTRE TARTUFFE, drame en cinq actes, en prose, Nouvelle édition, A La Haye, Chez J.L. Dufour, 1802, 89 p. Textes en bon état de fraîcheur.
177352614Paris: Imprimerie de Valleyre 1773. Fine. Imprimerie de Valleyre Paris 1773 20 x 25.50 cm relié Collection of 4 memoirs and two documents from the legal case that opposed Beaumarchais to Judge Goezman. Details: Memoire à consulter pour Pierre-Augustin Caron de Beaumarchais. Imprimerie de Valleyre. 1773. Paris. Supplément au mémoire à consulter. Imprimerie de Quillau. 1773. Paris. Addition au supplément du mémoire à consulter. Imprimerie de Clousier. Paris. Requête d'attenuation pour le Sr Caron de Beaumarchais. Imprimerie de Knapen. 1773. Paris. Quatrième mémoire à consulter. Imprimerie de Clousier. 1774. Paris. Arrest de la cour du Parlement du 26 février 1774. Chez P.G. Simon. 1774. Paris. Early 20th-century half vellum binding. Smooth spine with handwritten title. Marbled paper boards. Some manuscript notes in margins of certain leaves. Foxing and marginal dampstaining to right corner of the Addition au supplément. Overall paper more or less yellowed. From 1773 to 1774 Beaumarchais published 4 memoirs in which he dramatized his legal adventure one can see that he had chosen to represent himself. These 4 memoirs which blend dialogues and interrogations entertained all of Paris even Madame Du Barry and were performed everywhere in cafés and on the boulevards as they constitute a formidable comedy in which lies are ultimately revealed. Beaumarchais was indeed acquitted in the case that opposed him to Judge Goezman; the latter was the reporting judge in his trial regarding the Paris-Duverney inheritance which ruined and dishonored the author. Beaumarchais accused Goezman of corruption and the judge in turn accused Beaumarchais of defamation and attempted corruption. Judge Goezman constitutes above all a symbol of the corruption of the new Parliament erected by Louis XV and of the arbitrariness of justice. Imprimerie de Valleyre hardcover
177380435à Paris: Chez Ruault 1773. Fine. First edition of Beaumarchaiss famous memoirs against Judge Goezman Chez Ruault à Paris 1773 - 1776 19 x 25 cm In-4 relié First edition of this complete collection including the portrait of Cochin as frontispiece. Some of the memoirs had appeared in 1773 but the collected edition that brings them all together is indeed dated 1774; certain pieces are dated 1773 as they were added after the title page bearing the 1774 date. Although the pagination varies the collection contains only one general title page; some memoirs have half-titles others do not. Contents of the collection: Mémoires de M. Caron de Beaumarchais contre M. Goezman Supplément au mémoire à consulter Addition au Supplément du mémoire à consulter Requeste d'atténuation pour le Sr Caron de Beaumarchais Quatrième mémoire à consulter Suite de la justification du Sieur de Beaumarchais Mémoire pour Pierre-Augustin Caron de Beaumarchais Réponse ingénue de Beaumarchais à la consultation injurieuse que le Comte de la Blache a répandu dans Aix Le tartare à la légion this piece is rare and is found in very few collections. Contemporary full speckled calf binding. Spine with gilt decorative tooling gilt fillets at head and foot. Brown morocco label. Blue mottled edges. Rubbing to joints. A good fresh copy with some gatherings slightly toned. Bookplate of J. B. Regnault avocat. Between 1773 and 1776 Beaumarchais published several memoirs in which he staged his own legal battle he had chosen to represent himself. These four memoirs blending dialogues and interrogations captivated all of Parisincluding Madame Du Barryand were performed in cafés and along the boulevards. They read like a brilliant comedy in which deception is ultimately unmasked. Beaumarchais was eventually acquitted in the case that opposed him to Judge Goezman who had been the reporting magistrate in the Paris-Duverney inheritance case that had brought Beaumarchais to financial ruin and public disgrace. In turn Beaumarchais accused Goezman of corruption while Goezman countered with charges of defamation and attempted bribery. Judge Goezman ultimately came to symbolize the corruption of the new Parliament established by Louis XV and the arbitrariness of the justice system. Chez Ruault unknown
177989093London Philadelphia: Sans nom d'éditeur 1779. Fine. Sans nom d'éditeur London Philadelphia 1779 12.5 x 19.5 cm Relié First edition of great rarity cf. Sabin 4182.Bradel-style binding in full orange paper-covered boards with a brown shagreen spine label; modern binding.A very good copy.A vindication of Frances conduct during the uprising of the British colonies in America. Sans nom d'éditeur hardcover
1797Beaumarchais3<p><strong>BEAUMARCHAIS de Pierre-Augustin Caron 1732-1799</strong></p><p>Autograph letter signed " Beaumarchais " to Citizen Pierre-Charles-Louis Baudin<br />N.p " ce 15 floréal " 4th May 1797 1 p. small in-8°<br />Apostille " Répondu le 18 floréal " from the hand of Pierre-Charles-Louis Baudin<br />One word "Monsieur" crossed off by Beaumarchais</p><p><strong>Quoting Voltaire Beaumarchais sent his correspondent <em>La Mère coupable</em> the third part of his <em>Figaro Trilogy</em></strong></p><p><em>" Vous Souvient il Monsieur de ces quatre vers de Voltaire à un Evèque <br />–<br /><strong>Vous m'envoyés un mandement.<br />Recevés une tragédie.<br />Et qu'ainsi mutuellement<br />Nous nous donnions la comédie !<br /></strong>–<br />Souffrés que je vous dise : Vous m'envoyés des choses aussi bien faites qu'importantes à la République ; <strong>Et moi homme inutile ! Je vous prie d'accepter les rèveries de mon bonnet.<br /></strong>Je n'entends point m'acquiter auvers vous ; mais seulement vous engager a vous contenter de ma part de ce léger tribut d'une vive reconnaissance.<br />Beaumarchais<br />ce 15 floréal "</em><br /><em>" Rep. Le 18 "</em></p><p>This letter is part of a sequence of epistolary exchanges between Beaumarchais and Pierre-Charles-Louis Baudin. We know Baudin's reply to the "18 floréal" as indicated by him in the lower margin: "My political abortions cannot become the equivalent of your dramatic work. As I read it with avidity I perfectly felt how necessary Susanne's bottle was. Your Irishman suffocates me … however observed that on the one hand political fanaticism as well as religious fanaticism explains many facts which seem to exceed the known measure of human wickedness; that on the other hand what we have seen that is most atrocious most revolting and above all most disgusting had a character of brutal frankness whereas in your Tartuffe it is a question of a refinement of hipocrite blackness so managed spun with so much art … ". <em>Beaumarchais et le Courrier de l'Europe</em>. Ed. Gunnar & Mavis von Proschwitz. <em>Studies on Voltaire and the Eighteenth Century</em>. Oxford : The Voltaire Foundation 1990 ; p. 1173-1174 n°628.</p><p>When Baudin evokes the characters "Irish" Bégearss "Suzanne" Figaro's wife and more broadly the praise he makes of the theatrical drama of his correspondent we understand that the text sent by Beaumarchais is the third part of his <em>Spanish</em> Figaro <em>trilogy</em>: <em>The</em> <em>Guilty Mother</em>.<br />The play performed on 26 June 1792 at the Théâtre du Marais was a failure. The revival at the Théâtre de la rue Feydeau on 16 Floréal of the year V 5 May 1797 that is to say the day after this letter was this time crowned with great success. The play represents the third part of the Figaro trilogy after<em> The Barber of Seville</em> 1775 and <em>The Marriage of Figaro</em> 1778. Beaumarchais himself wrote a notice to comment on this third and final act: "After having laughed at the Barber of Seville at the turbulent youth of Count Almaviva after having gaily considered in the Mad Day <em>The Marriage of Figaro</em> the faults of his virile age come and convince yourself by the picture of his old age that every man who is not born a dreadful villain always ends up being good. "</p><p>Although no letter between Voltaire and Beaumarchais has come down to us today we nevertheless know the esteem in which they were held. In his book<em> Voltaire's Kehl Edition</em>. <em>L'édition Kehl de Voltaire. Une aventure éditoriale et littéraire au tournant des Lumières</em> Linda Gil explains that "Their relationship is built on mutual admiration. Beaumarchais read Voltaire and admired his works. His own writing is often influenced by the style of the philosopher. As for Voltaire "he cites Beaumarchais as an example to D'Alembert he compares himself to him. A good part of his correspondence from the first months of 1774 is occupied with it."</p><p><u>Provenance:</u><br />Vente Cornuau 25-26 mai 1934<br />A. Guichard Collection</p><p><u>Bibliography:</u><br />" Chroniques " <em>Revue d'histoire littéraire de la France</em> 42e année n°1 1935 p. 148 transcription partielle – Linda Gil<em> L'édition Kehl de Voltaire</em>.<em> Une aventure éditoriale et littéraire au tournant des Lumières</em> Honoré Champion Paris 2018 t. 1 p. 573-576 – <em>Inventaire numérique de la correspondance de Beaumarchais</em> Linda Gil dir. Humanum/IRCL IDC24</p>
176542889Chez Duchesne et chez Merlin | à Paris 1765, 1764 et 1767 | 12.50 x 20 cm | trois textes reliés en un volume
176542889à Paris: Chez Duchesneet chez Merlin 1765. Fine. Chez Duchesne et chez Merlin à Paris 1765 1764 et 1767 12.50 x 20 cm trois textes reliés en un volume New edition for the Siège de Calais first edition for the two other texts. The five figures mentioned by some bibliographers seem to be lacking in Eugénie. Full speckled blonde sheep binding. Smooth spine decorated with gilt compartments and fleurons as well as a blonde sheep title label. All edges red. Top of spine slightly split title label partially missing. Surface wear and lacks to boards. Corners slightly bumped. Two tiny marginal tears not touching text to first endpaper and final text leaf. Contemporary manuscript notes on first endpaper giving details of the work's contents. Interesting collection of theatrical pieces with England as their subject. Among these three plays one should note that Le siège de Calais a patriotic piece had resounding success despite reservations from Diderot and Voltaire. Chez Duchesneet chez Merlin hardcover
1768681P26Paris; Geneva; London: Ruault; Laurent Prault 1768-75. First edition. Leather. Very Good. 8" by 5". None. A collection of four French eighteenth century plays three of the plays being first editions. Including plays by Beaumarchais Mercier and Barther. A collection of four French plays. 'Le Barbier de Seville' by Pierre Caron de Beaumarchais published in 1775. The third edition of this work published in the same year as the first edition. With a half-title. 'Le Deserteur' by Louis-Sebastien Mercier published in 1771. The first edition of this work. 'Les Fausses Infidelites' by Nicholas Thomas Barthe published in 1768. The first edition of this work. 'La Brouette du Vinaigrier' by Louis-Sebastien Mercier published in 1775. The first edition of this work. Pierre Beaumarchais was a French polymath being a revolutionary publisher spoy horticulturist watchmaker as well as many other pursuits. He was a supporter of American independence. Louis-Sebastien Mercier was a French writer and dramatist who began his career by writing heroic epistles. He was a member of the National Convention and voted against the death penalty for Louis XVI later being imprisoned during the Reign of Terror. Nicholas Thomas Barthe was a French poet and playwright in the eighteenth century. In a full calf binding. Externally generally smart. Rubbing to the spine. Small amount of loss to the spine label and to the head of the spine. Light bumping to the extremities. Some light marks to the boards. Internally firmly bound. Pages are lightly age-toned and generally clean with the odd spot. Very Good Ruault; Laurent Prault hardcover
1774481321774 A GENEVE, 1774 - 1775 - 1776 - In-12 - Reliure veau brun de l'époque - Manque au dos, 1 mors fragilisé - 230 , 168 & 110 pages + Errata (2) - Ex-libris manuscrit de l'époque joseph de Lamourous & Edmond Antin, 1824 - mouillures sur 10 pages, sinon correct - envoi rapide et soigné -Réf. 48132
1733B5643Amsterdam: Printed for Zachariah Chatelain c. 1733. Corners slightly bumped occasional faint browning; faint dampstains to blank margins of final plate and final few leaves; otherwise text and plates clean and crisp; a bright near fine copy in full contemporary mottled calf. Edition: First Edition in English Binding: Contemporary mottled calf seven raised bands with gilt morocco title on two and elaborate floral gilt design on remaining compartments; edges marbled. Notes: First Edition in English; published the same year as the French edition. Illustrated with Picart’s magnificent engravings each within an ornate border depicting fables of the ancient world many from Ovid. The text is by Antoine de La Barre de Beaumarchais. Size: Folio 297x468mm. Illustration: Illustrated with additional engraved allegorical title-page dated 1732 by B. Picart red- black title with printer’s device dated 1729 and 60 full-page plates captioned in French English German and Dutch engraved by Picart; tail pieces and rubricated initials. References: Reference Cohen de- Ricci 531; Brunet V 696 Pages: Half title blind illustrated title blind title blind preface xxii contents xxiii-xxiv 153 with 60 plates index and advertisement 3. Category: Book Plate Books General; Book Antiquities Printed for Zachariah Chatelain hardcover
1773130861773 A Londres, s. n.,: , 1773 tome 1 en un volume in-8, 212 pp., plein veau blond glacé d'époque, Outre les dix chants du poëme qui n' occupent que 196 pp., le premier tome contient : des notes sur chaque chant , des variantes choisies,relié avec: DESFORGES;La femme jalouse,comedie PRAULT 1785,xv 155p.+ CARON-BEAUMARCHAIS:l'autre tartuffe ou la mere coupable,drame en 5 actes en prose,RONDONNEAU 1797,imprimé EDITION ORIGINALE,preface 13p EDITION ORIGINALE -128p., manques importants au dos et coin émoussé, mais bel exemplaire.
178528690Paris: Au Palais-Royal: Ruault 1785. Octavo. Full mottled tan paper boards spine with title label gilt. 1f. title i half-title i publication and editor's notes lvi preface i part-title i named cast list 3-236 237 approbation and printer's note i blank pp.<br/><br/>Publisher's decorative woodcut device to title. With the names of cast members presumably for the play's premiere at the Théâtre Françis on April 27 1784.<br/><br/>Binding slightly worn; upper joint split. Light foxing and some staining; occasional minor wear. A very good copy overall. First Edition early issue. Scarce. Cordier: Bibliographie des oeuvres de Beaumarchais no. 128 stating that the earliest issues of this edition do not contain engraved plates.<br/><br/>Without the printed note to the foot of p. 152 found in later issues.<br/><br/>With a printed note to the final page of the play stating that the music was by Antoine Laurent Baudron 1742-1834 who also collaborated with Beaumarchais in providing music for his "Le Barbier de Séville" including the famous tune "Je suis Lindor" the theme of which has been used by Mozart for his 12 Variations K354/299a.<br/><br/>Beaumarchais was harp teacher to the daughters of Louis XV. "He successfully included Baudron's storm music as a prelude to Act 4 of Le barbier and alongside continued use of vaudeville tunes in Le mariage de Figaro. stretched Comédie Française conventions by introducing a whole scene of dance song and mime for the 'coronation' of Suzanne with the bride's head-dress. As if to vindicate Beaumarchais's musical instinct Le barbier de Séville attracted settings by Benda Paisiello Isouard and Rossini while the Mozart-Da Ponte collaboration in Le nozze di Figaro proved just how much of the original play was translatable into music." Rudolph Angermüller in Grove Music Online. Au Palais-Royal: Ruault unknown books
1777R300121634A LA HAYE AUX DEPENS DE LA COMPAGNIE. 1777. In-12. Relié plein cuir. Bon état, Couv. convenable, Dos à nerfs, Intérieur frais. 474 pages - tranches rosées - contre plats jaspés - dos à 5 nerfs - titre, tomaison et caissons dorés sur le dos - 2 photos disponibles.. . . . Classification Dewey : 840.05-XVIII ème siècle
1770514831 vol. in-8 reliure de l'époque demi-basane à petits coins marron, Adolphe et Clara ou Les deux prisonniers ; Comédie en un acte et en prose ; mêlée d'ariettes. Représente, pour la première fois, à Paris, sur le Théâtre de l'Opéra-Comique national, rue Favart, le 12 pluviôse , an 7, De l'Imprimerie du Citoyen Cailleau, Paris, An Septième, 36 pp. [ Ave : ] La Folle Journée, ou Le Mariage de Figaro, Comédie en cinq Actes, en Prose, par M. de Beaumarchais. Représentée pour la première fois par les Comédiens Français ordinaires du Roi, le Mardi 27 avril 1784, Chez Ruault, Au Palais Royal, 1785, 2 ff., lvi pp., 1 f., 234 pp. [ Avec : ] L'Orphelin de la Chine, Tragédie par Mr. Arouet de Voltaire, Représentée pour la première fois à Paris, le 20 août 1755, Conforme à l'édition in-4 donnée par l'auteur, Chez Louis Chambeau, Avignon, 1770, 50 pp. [ Avec : ] Elina et Nathalie, ou Les Hongrois, Drame en trois actes et en prose, traduit de Kotzebue, par Le C. Pointe, Représenté, pour la première fois, à Paris, sur le Théâtre de Molière, le 8 Ventôse an X, arrangé pour la scène française par les Citoyens Dé*** et A.-J. Dumaniant, Chez Barba, Libraire, palais du Tribunat, Paris, An X, 1802, 63 pp. [ Avec : ] Les Fausses Infidélités, Comédie en un Acte et en Vers ; par M. Barthe, de l'Académie de Marseille, Représentée par les Comédiens François ordinaires du Roi, le 25 janvier 1768, Chez Louis Chambeau, Avignon, 1769, 27 pp. [ Avec : ] Le Mai, Comédie en trois actes, mêlée de vers et de prose, d'ariettes et de vaudevilles, et terminée par un Ballet, représente pour la première fois, par les Comédiens Italiens Ordinaires du Roi, le 8 mai 1776, Chez la Veuve Duchesne, Paris, 1776, 65 pp. (au privilège : lu et approuvé par Crébillon) [ Avec : ] Aucassin et Nicolette, ou Les Moeurs du Bon Vieux Temps, Comédie, remise en trois actes et en vers, dont une partie est en musique ; représentée pour la première fois, devant Leuers Majestés, à Versailles, le 30 décembre 1779, par les Comédiens Italiens Ordinaires du Roi, & à Paris, le 3 Janvier 1780, & reprise le 7 Janvier 1782, Chez Brunet, A Paris, 1782, 46 pp. et 1 f.
1796R300108101CHEZ LA VEUVE DUCHESNE / CHEZ MERLIN. 1796. In-8. Cartonné. Etat d'usage, Plats abîmés, Dos satisfaisant, Intérieur frais. 64 pages - petite annotation sur la page de garde et sur le 2ème contre plat - couverture d'attente - coins frottés - 2 photos disponibles.. . . . Classification Dewey : 840.05-XVIII ème siècle
1785R300271697Chez Laporte. 1785. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Mouillures. 140 + 120 + 56 + 68 + 40 pages. Mouillures importantes sur tout l'ouvrage, altérant la qualité du papier (pages fragiles s'éffritants) et quelques mots. Plats abîmés, tranches des plats très frottées. Dos cuir abîmé, pièce de titre manquante, pièce de tomaison décollée, dos frotté.. . . . Classification Dewey : 840.05-XVIII ème siècle
17406376Jean Van Duren 10 x 15,5 La Haye 1740 Trois volumes in-12, reliure plein veau de l'époque, dos à cinq nerfs onés de fleurons et de petits fers dorés, pièces de titre de maroquin rouge, pièces de tomaison tabac, gardes de papier coquilles, tranches rouges. Tome 1./ Frontispice gravé comportant une Minerve lisant, entourée de cinq angelots et d'une chouette, sur un fond de bibliothèque et d'orangers, avec phylactère «Sic semper», Amusemens littéraires pour l'année 1738, VIII-364 p. suivi du "Sixième supplément du catalogue de livres nouveaux, qui se trouvent à La Haye chez Jean Van Duren, et dans sa boutique à Francfort sur Mayn pendant la foire 1739", 28 p. Tome 2./ Titre, Amusemens littéraires pour l'année 1738, chez Jean van Duren, La Haye, 1740, 354 p., et [3] ff. de table. Tome 3./ Titre, Amusemens littéraires pour l'année 1739, chez Jean van Duren, La Haye, 1741, 374 p., et [1] ff. de table. Journal littéraire composé de lettres bi-hebdomadaires, semble-t-il, certaines datées, publiées par La Barre de Beaumarchais (1698-1750), originaire de Cambrai, que l'on retrouve à La Haye dans les années 1730 au service de l'imprimeur-libraire Jean Van Duren, puis à Francfort-sur-le-Main. L'ensemble est fait d'actualité, de nouvelles choisies, de sentences philosophiques ou morales etc (situation générale de l'Europe, affaire Saurin, portrait de Voltaire...). Absence de page de titre pour le tome 1, petite tache noire sur le premier plat, coins un peu usés du tome 3, sinon bon ensemble dans une reliure agrable.(B11)
17406376Jean Van Duren 10 x 15,5 La Haye 1740 Trois volumes in-12, reliure plein veau de l'époque, dos à cinq nerfs onés de fleurons et de petits fers dorés, pièces de titre de maroquin rouge, pièces de tomaison tabac, gardes de papier coquilles, tranches rouges. Tome 1./ Frontispice gravé comportant une Minerve lisant, entourée de cinq angelots et d'une chouette, sur un fond de bibliothèque et d'orangers, avec phylactère «Sic semper», Amusemens littéraires pour l'année 1738, VIII-364 p. suivi du "Sixième supplément du catalogue de livres nouveaux, qui se trouvent à La Haye chez Jean Van Duren, et dans sa boutique à Francfort sur Mayn pendant la foire 1739", 28 p. Tome 2./ Titre, Amusemens littéraires pour l'année 1738, chez Jean van Duren, La Haye, 1740, 354 p., et [3] ff. de table. Tome 3./ Titre, Amusemens littéraires pour l'année 1739, chez Jean van Duren, La Haye, 1741, 374 p., et [1] ff. de table. Journal littéraire composé de lettres bi-hebdomadaires, semble-t-il, certaines datées, publiées par La Barre de Beaumarchais (1698-1750), originaire de Cambrai, que l'on retrouve à La Haye dans les années 1730 au service de l'imprimeur-libraire Jean Van Duren, puis à Francfort-sur-le-Main. L'ensemble est fait d'actualité, de nouvelles choisies, de sentences philosophiques ou morales etc (situation générale de l'Europe, affaire Saurin, portrait de Voltaire...). Absence de page de titre pour le tome 1, petite tache noire sur le premier plat, coins un peu usés du tome 3, sinon bon ensemble dans une reliure agrable.(B11)
178738070Paris: Imprimerie Polytype 1787. First and only edition of this document relating to the Kornman-Bergasse affair the best-known of Beaumarchais' legal intrigues. 42 pp. 4to. UNCUT AND STITCHED AS ISSUED WITH HUGE MARGINS. FINE AND BRIGHT. Morton & Spinelli 1057. RARE. <br/><br/> Imprimerie Polytype unknown
178738067Paris 1787. FIRST EDITION OF THE FIRST SHOT FIRED IN THE KORNMAN-BERGASSE AFFAIR THE BEST-KNOWN LEGAL INTRIGUE INVOLVING BEAUMARCHAIS. 112 lxvii pp. 4to. STITCHED AN UNBOUND AS ISSUED. Minimal wear but a PRISTINE COPY WITH FULL MARGINS. Morton & Spinelli 1017. RARE. <br/><br/> unknown
17646572Paris: Various Publishers 1764-1774. Hardcover. Very Good. CORNEILLE Pierre 1606-1684. Le Cid tragedie en cinq actes. Paris: Par la Compagnie des Libraires Associes 1776. 60pp. Le Cid is a play tragi-comedy in Alexandrian verse whose first performance took place on 5 January 1637. Corneille has been called "the founder of French tragedy." Bound with: FENOUILLOT DE FALBAIRE Charles Georges 1727-1800. L'Honnete Criminel La Piete Filiale Drame. Paris: Chez Merlin 1775. 64pp. French playwright this his famous work "The Honest Criminal" regarded as a protest against intolerance. With: VOLTAIRE 1694-1778. La Mort de Cesar tragedie. Paris: Chez Duchesne 1764. 48pp. The Death of Caesar a tragedy in three acts was written by Voltaire in 1731 published in 1736 and was represented 29 August 1743 by the French Theatre. With: VOLTAIRE. Zayre Tragedie. Paris: Chez Claude Herissant 1775. 54pp. Important Voltaire play the antagonist is conflicted between religions. With: BEAUMARCHAIS Pierre 1732-1799. Eugenie drame en cinq actes en prose. Paris: Chez Merlin 1771. 67pp. With: SAURIN. Beverlei Tragedie Bourgeoise. Paris: Chez Duchesne 1774. 60pp. With: BEAUMARCHAIS Pierre. Les deux amis ou le negociant de Lyon. Paris: Chez Duchesne 1774. 62pp. Woodcut printer's devices to titles. 8vo 200 x 120mm Contemporary mottled calf edges stained red inscribed to titles and some colophon leaves some leaves slightly offset corners bumped. French tragic-comedy was highly popular at the end of the 18th century this sammelband collects some of the finest. <br/><br/> [Various Publishers] hardcover books