Pierre Augustin Caron de BeaumarchaisBiblio.com
378 résultats
0260525820.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
026550659X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1334837139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334348529.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
30792965-nnew. unknown
30792965like new. unknown
699205285Voltaire Foundation pp. xv 520 . Other. New. Voltaire Foundation unknown
421256Voltaire Foundation. Paperback. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. A very clean copy.Aprs avoir t reprsent 73 fois Paris la Comdie-Franaise pendant la saison 1784-1785 Le Mariage de Figarode Beaumarchais fut publi par son auteur Kehl la fin mars 1784 et Paris au dbut avril 1785. Avant cette double publication le texte de la pice avait t copi au cours des reprsentations donnant naissance entre autres la fameuse dition d'Amsterdam publie en janvier 1785 l'dition Gay probablement publie en fvrier 1785 et une version en anglais reprsente Londres partir de dcembre 1784 et publie en mars 1785. Ces trois sources indpendantes entre elles montrent que le texte de la double dition autorise ne concide pas toujours avec celui des reprsentations et elles nous fournissent de nombreuses didascalies essentielles. Un manuscrit dcouvert Rouen qui contient la version de l'dition d'Amsterdam corrige et augmente vient de surcrot se substituer heureusement ce texte condamn par Beaumarchais. Sur la version scnique originale nous disposons galement du tmoignage des critiques contemporains notamment en ce qui concerne les deux premires reprsentations sensiblement plus longues. Les trois manuscrits authentiques de l'auteur ainsi qu'une dition pr-originale jusqu'ici inconnue peuvent galement tre mis contribution lorsque leurs variantes concident avec celles des sources directes. Ce volume contient une notice dtaille sur l'histoire de la pice et de son texte avec une tude sur les reprsentations en province et l'tranger ainsi qu'une description et une discussion approfondies des diffrentes sources accompagne d'une bibliographie matrielle comprenant une soixantaine d'ditions dates de l'anne 1785. Notre dition qui reproduit scrupuleusement le texte de la version autorise pris sur la deuxime dition de Kehl identifie pour la premire fois fournit l'ensemble des variantes confirmes et des didascalies de la version scnique originale du Mariage de Figaro accompagn d'une discussion des plus importantes d'entre elles. 0 Voltaire Foundation paperback
0266052428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1017081522.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0260076856.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1818681P15Paris: Barba 1818. Paperback. Good. 8.5" by 5.5". None. A new edition of Beaumarchais' second play in his comedic 'Figaro' trilogy here in the original French. In the original French. A new edition of this work. Bound without the half-title and final advertisement leaf as called for in the University of Cambridge Libraries' listing on Jisc. Collated otherwise complete. The signatures run as 1 4 2-18 4 19 4. The second book in Beaumarchais' 'Figaro' trilogy'. 'Le Mariage de Figaro' is a comedic play in five acts. The play is set in the castle of Aguas Frescas which is three leagues from Seville. The play begins in the bedroom to be shared in the castle by Figaro and Suzanne after their wedding. In this play Beaumarchais denounces aristocratic privilege which as this work was first published in 1778 is often seen as foreshadowing of the forthcoming French Revolution. The other books in the 'Figaro' trilogy are 'Le Barbier de Seville' and 'La Mere Coupable'. Pierre Beaumarchais was a French polymath being a revolutionary publisher spoy horticulturist watchmaker as well as many other pursuits. He was a supporter of American independence. Rebound in paper wraps. Externally generally smart. Discolouration to the wraps. Title written in script to the front wrap. Light edgewear resulting in some loss to the head of the front wrap and to the bottom of the rear wrap. Closed tear to the front wrap. Internally firmly bound. Pages are lightly age-toned with some spots and some tidemarks. Tidemarks heavier to the last few pages. Good Barba paperback
20152-2335010603Ligaran 2015. Paperback. New. 262 pages. French language. 8.59x5.76x0.74 inches. Ligaran paperback
184952778Paris: Gustave Havard 1849. Fine. Gustave Havard Paris 1849 21.50 x 31 cm relié Popular illustrated edition bringing together 14 titles and more from the Romans populaires illustrés collection. Drawings by Johannot Beaucé Staal Bertall Baron. It includes the rare title The Monk by Lewis. Contents: Valérie by Madame de Krudener. Manon Lescaut by Prévost d'Exiles. Le talisman du coeur by Louis Lurine. La peine du talion by Jules Lacroix. Le règne de Satan by Benjamin Gastineau. Riche et pauvre by Emile Souvestre. Télémaque by Fénelon. Mes prisons by Pellico. La princesse de Montpensier by Madame de Lafayette. Les contes de l'atelier by Michel Masson. Le vicaire de Wakefield by Goldsmith. Simple histoire by Inchbald. 3 plays by Beaumarchais. Printed in 2 columns. A half-title of the Romans populaires illustrés has been bound at the beginning of the work with a table of contents that does not correspond at all to the titles in the volume. Contemporary half black shagreen binding. Smooth spine decorated with a large romantic ornament and a roll at head and foot. One split at head. Rubbing to edges and headcaps but good copy particularly fresh on crisp white paper free from foxing. These popular editions are rare in good condition and very desirable for the quality of their illustrations. They form a too-forgotten history of romantic publishing. Gustave Havard unknown
176542889à Paris: Chez Duchesneet chez Merlin 1765. Fine. Chez Duchesne et chez Merlin à Paris 1765 1764 et 1767 12.50 x 20 cm trois textes reliés en un volume New edition for the Siège de Calais first edition for the two other texts. The five figures mentioned by some bibliographers seem to be lacking in Eugénie. Full speckled blonde sheep binding. Smooth spine decorated with gilt compartments and fleurons as well as a blonde sheep title label. All edges red. Top of spine slightly split title label partially missing. Surface wear and lacks to boards. Corners slightly bumped. Two tiny marginal tears not touching text to first endpaper and final text leaf. Contemporary manuscript notes on first endpaper giving details of the work's contents. Interesting collection of theatrical pieces with England as their subject. Among these three plays one should note that Le siège de Calais a patriotic piece had resounding success despite reservations from Diderot and Voltaire. Chez Duchesneet chez Merlin hardcover
177838065Aix-en-Provence: André Adibert Imprimeur du Roi / l'Imprimerie d'Esprit David 1778. FIRST EDITIONS of two important works by Beaumarchais both relating to the Blache dispute. 4to. Disbound. Large margins. Fine and bright. Morton & Spinelli 958 and 959. RARE. <br/><br/> André Adibert, Imprimeur du Roi / l'Imprimerie d'Esprit David unknown
2305SB039<p>ORNÉ DE LX TABLEAUX Où sont représentés les Evenemens les plus remarquables de LANTIQUITÉ FABULEUSE; Dessinés & gravés par B. Picart Le Romain & autres habiles Maitres; et accompagnés DEXPLICATIONS et de REMARQUES Qui découvrent le vrai sens des Fables & le fondement quelles ont dans lHistoire. A AMSTERDAM Chez ZACHARIE CHATELAIN M. DCC. XXXIII. 1733.</p>_x000d_<p>De 44x305 cm. Com xii 152 iv págs. Encadernação de grande beleza de inícios do século XX inteira de pele com nervos e ferros a ouro em casas fechadas na lombada com o ano de 1783 gravado no pé. As pastas totalmente cobertas por belos e muito elaborados ferros a ouro em esquadrias com uma cercadura exterior com uma fiada dupla de elementos vegetalistas delimitada por filetes duplos que enquadram nova cercadura simples que por sua vez é separada por filetes duplos de uma terceira cercadura simples com motivos vegetalistas virados para o centro que está decorado por um losango constituído pelos mesmos motivos sobre filetes duplos também em losango tendo ao centro interiormente um florão rodeado de pequenos elementos decorativos que se repetem nos cantos da parte central juntamente com motivos vegetalistas em voluta. Cortes das folhas carminados. Folhas de guarda em belo papel marmoreado.</p>_x000d_<p>Ilustrado em extratexto com frontispício gravado bela composição de motivos arquitectónicos com o título enquadrado por um pórtico com duas colunas com figuras alegóricas na frente de cada uma e composições alegóricas na parte superior e no embasamento relativas à morte ao tempo e à arte; e 54 belas gravuras em água-forte sobre papel mais encorpado a maioria da autoria de Bernard Picart. As gravuras incluem legendas em alemão francês neerlandês e inglês e encontram-se enquadradas por belas molduras com motivos alegóricos e antropomórficos todas da autoria de Picart.</p>_x000d_<p>Rosto impresso a vermelho e preto. Texto em caracteres itálicos na dedicatória índice de capítulos e citações no texto e nas notas dispostas em duas colunas. Inclui iniciais ornamentadas e florões de remate em xilogravura. A dedicatória apresenta um cabeção em água-forte com as armas do dedicatário.</p>_x000d_<p>Exemplar com falta de 6 gravuras: X XV XXII XXIII XXXV LVI encontrando-se uma folha branca em substituição das mesmas pelo que terá sido encadernado já com estas falhas. Apresenta acastanhamento do papel e manchas de humidade em algumas folhas destacando-se na margem lateral das folhas de anterrosto e rosto. Restauro amador na folha de anterrosto.</p>_x000d_<p>As primeiras páginas não numeradas contêm folha de anterrosto dedicatória a Philipp Karl von Eltz ou Philippe-Charles dEltz Kempenich 1665 Mayence 1743 e índice de capítulos. As últimas folhas têm um índice de assuntos.</p>_x000d_<p>Este livro reúne 60 episódios da mitologia grega cada uma acompanhada da sua gravura desde o <em>Caos</em> até ao submundo passando por Pandora Prometeu Pigmalião Hércules Andrómeda Penélope Sísifo e muitos outros.</p>_x000d_<p><em>Le Temple des Muses </em>é o título de uma obra do Abade de Marolles publicada em Paris em 1655 e dedicada à Rainha da Polónia Marie-Louise de Gonzague. É um dos livros mais importantes publicados no século XVII para o estudo da mitologia na literatura da época. Trata-se de um fólio com mais de 500 páginas ilustrado com 58 gravuras de página inteira.<br />A presente obra toma a de Marolles como ponto de partida embora no prefácio se avise que o «título é quase a única conformidade que existe entre a sua obra e a que agora é dada ao público»; e que a presente obra é detentora de uma mais completa e precisa explicação histórica. Não obstante a estrutura da obra é claramente semelhante sendo o seu conteúdo modificado e resumido relativamente à primeira. No mesmo prefácio se refere ainda que algumas das gravuras se baseiam naquelas que ilustram a obra de Marolles embora «apareçam aqui com tão grandes mudanças que tirando a excepção têm todo o mérito da novidade».</p>_x000d_<p>Bernard Picart Paris 1673 Amsterdam 1733 foi um notável ilustrador que ganhou muita reputação na Holanda e com um estilo semelhante ao de Rembrandt e Guido Reni.</p>_x000d_<p>Antoine de Labarre de Beaumarchais 1698 1750 é autor do texto. Nascido em Paris e antigo cónego parisiense mudou-se para a Républica Holandesa onde se dedicou ao jornalismo e à escrita e de acordo com o próprio encontrou uma verdadeira liberdade de ideias e de expressão.</p>_x000d_<p>EN 44x305 cm. xii 152 iv pp. Very beautiful binding from early 20th century full leather with raised bands and gilt tools on spine with the year 1783 engraved at its foot. The boards are completely covered with beautiful and very elaborate gilt tooling in frames with an outer frame with a double row of plant motifs inside double fillets that form a new simple frame which in turn is separated by double fillets from a third simple frame with plant motifs facing the centre. The centre is decorated with a central <em>fleuron</em> framed by double lozenge fillets. Red edges. Beautiful marbled endpapers.</p>_x000d_<p>Illustrated <em>hors-texte</em> with engraved frontispiece beautiful composition of architectural motifs with the title framed by a portico with two columns with allegorical figures in front of each and allegorical compositions at the top and bottom relating to death time and art; and 54 beautiful etchings on thicker paper most by Bernard Picart. The engravings include captions in German French Dutch and English and are framed by beautiful allegorical and anthropomorphic motifs all by Picart.</p>_x000d_<p>Frontispiece printed in red and black. Text in italics in dedication chapter index and quotations in text and notes arranged in two columns. Includes decorated initials and woodcut finishing <em>fleurons</em>. The dedication features an etching of the dedicatee's coat of arms.</p>_x000d_<p>Copy lacking 6 engravings: X XV XXII XXIII XXXV LVI with a white sheet replacing them so it must have been bound with these flaws. The paper is browning and there are damp stains on some leaves especially on the outer margin of the front and back leaves. Amateur restoration on half title page.</p>_x000d_<p>The first unnumbered pages contain an half title page dedication to Philipp Karl von Eltz or Philippe-Charles d'Eltz Kempenich 1665 - Mayence 1743 and chapter index. The last leaves have a subject index.</p>_x000d_<p>This work brings together 60 episodes from Greek mythology each accompanied by its own engraving from <em>Caos</em> to the underworld including Pandora Prometheus Pygmalion Hercules Andromeda Penelope Sisyphus and many others.</p>_x000d_<p><em>Le Temple des Muses </em> is the title of a work by the Abbé de Marolles published in Paris in 1655 and dedicated to the Queen of Poland Marie-Louise de Gonzague. It is one of the most important books published in the 17th century for the study of mythology in the contemporary literature. It is a folio of over 500 pages illustrated with 58 full-page engravings.</p>_x000d_<p>The present work takes Marolles' as its starting point although the preface warns that the "title is almost the only conformity that exists between his work and that now given to the public"; and that the present work has a fuller and more accurate historical explanation. Nevertheless the structure of the work is clearly similar its contents being modified and summarised in comparison with the first. The same preface also mentions that some of the engravings are based on those illustrating the work of Marolles although "they appear here with such great changes that apart from the exception they have all the merit of novelty".</p>_x000d_<p>Bernard Picart Paris 1673 - Amsterdam 1733 was a noted illustrator who gained much reputation in the Netherlands and with a style similar to that of Rembrandt and Guido Reni.</p>_x000d_<p>Antoine de Labarre de Beaumarchais 1698 - 1750 is the author of the text. Born in Paris and a former Parisian canon he moved to the Dutch Republic where he devoted himself to journalism and writing and where according to himself he found a real freedom of ideas and speech.</p>_x000d_<p>Referencias/References:</p>_x000d_<p>BNF ark:/12148/cb30701498g</p>_x000d_<p>Worldcat E39PBJk4B98MGfTqg6VGQhYtrq.</p> M-8-A-37 hardcover
198172763Monte Carlo : Editions Arts et Couleurs 1981. 270x210mm. 244 213Êpages reliure chagrin. Titre auteur et ornementations dorÂŽs au dos ˆ faux-nerfs. Ornementations dorÂŽs sur les deux plats. Ornementations ˆ froids sur les deux plats et au dos. Tranche supÂŽrieure dorÂŽe. Sous emboitage marbrÂŽ. Page de garde en soie. TrÂs belle reliure.Tirage limitÂŽ ˆ 350 exemplaires avec une planche hors-texte en couleurs encadrÂŽe - une suite en violet de Bourgogne des illustrations hors-texte. Exemplaire numÂŽrotÂŽ n.¡ 669 / 750. Exemplaire ˆ l'ÂŽtat de neuf. 6800 Editions Arts et Couleurs unknown
1375200712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1375200704.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1770108979Paris.: Chez la Veuve Duchesne et Merlin 1770. Paperback. <b>Livre en français</b>. Couverture souple. Broché. 88 pages. Sans couverture. <i>ref. 108979</i> Chez la Veuve Duchesne et Merlin paperback
1018403493.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
29930623like new. unknown
18202508040020A La Lyre Moderne Rue Vivienne No 6 A Paris 1820. Hardcover. Good. Folio; 34 cm. Bound in contemporary leather backed red boards. Corners bumped. Hardcover. 1 score 255 177 pages. Toning. Scattered spotting. "Represente pour la premiere fois a Nimes par les Comediens sous la direction de Mr. A. Singier le 31 Decembre 1818" - on title page. Italian libretto by Lorenzo Da Ponte based on La folle journe our Le mariage de Figaro / Beaumarchais - Grove Dictionary of Music. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. A La Lyre Moderne, Rue Vivienne, No 6, A Paris hardcover
2876231549.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
