Beaumarchais, Pierre Augustin CaronBiblio.com
1 644 résultats
1165555662.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3849142140.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3849131149.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
33390Couverture rigide. Bon/1951. in-4. Paris Société du livre d'art 1951 in-4 247pp En feuilles sous chemise cartonné dans emboitage Très bel exemplaire abondamment illustré de 26 lithographies de Drian dont 14 hors texte. Emboitage défraichi. unknown
1785108975Amsterdam 1785. Paperback. <b>Livre en français</b>. Couverture souple. Imprimé à Lyon d'après la copie envoyée par l'auteur. Année de l'originale. Un avis de l'éditeur met en garde contre les lacunes et absurdités de l'édition d'Amsterdam. Broché 151 pages. Modeste couverture d'époque dos manquant. <i>ref. 108975</i> Amsterdam paperback
1785108981Amsterdam 1785. Paperback. <b>Livre en français</b>. Couverture souple. Une des contrefaçons publiées à l'époque de la création de la pièce. Cahiers cousus 118 pages. Sans couverture. <i>ref. 108981</i> Amsterdam paperback
1785171751785. A Paris chez les libraires qui vendent les nouveautÂŽs 1785 / A Paris de l'Imprimerie de Clousier chez Ruault et la Veuve Duchesne 1785 / A Paris chez Silvestre l'an 2 1794. 3 ouvrages reliÂŽs en un fort vol. au format in-8 198 x 122 mm de xliv - 152 pp. ; 46 pp. 1 f. n.fol. et 132 pp. ; 1 f. n.fol. et 69 pp. Reliure de l'ÂŽpoque de demi-basane mouchetÂŽe blonde dos ˆ nerfs ornÂŽ de filets gras ˆ froid double filet dorÂŽ piÂce de titre de maroquin taupe titre dorÂŽ toutes tranches mouchetÂŽes. RÂŽunion - en un volume - de trois textes de Beaumarchais. Le Mariage de Figaro est l'une des ÂŽditions parues ˆ la date de l'originale avec cette mention au dernier feuillet : ''achevÂŽ d'imprimer pour la premiÂre fois le 28 fÂŽvrier 1785''. L'Autre Tartuffe ou la mÂre coupable est en originale. Il s'agit d'une ''ÂŽdition imprimÂŽe sans l'autorisation de l'auteur. C'est une contrefaÂon tronquÂŽe dont la parution poussa les amis de l'auteur ˆ publier la suivante ˆ l'insu mÂme de Beaumarchais. La premiÂre ÂŽdition avouÂŽe par l'auteur a paru en 1797. MalgrÂŽ la mention ''ÂŽdition originale'' portÂŽe en page de titre cette ÂŽdition n'est pas la premiÂre''. in Tchemerzine. Cordier Bibliographie des oeuvres de Beaumarchais 135 pour Le Mariage - Tchemerzine II Bibliographie d'ÂŽditions originales et rares d'auteurs franÂais p. 22 - Cioranescu I Bibliographie de la littÂŽrature franÂaise du XVIIIÂme 10400 pour La MÂre coupable avec une collation diffÂŽrente - Cordier Bibliographie des oeuvres de Beaumarchais 273 pour La MÂre coupable. Angles ÂŽmoussÂŽs. Frottements ÂŽpars affectant la reliure. Perte de papier marbrÂŽ au second plat. Dont la coupe est par ailleurs nettement ÂŽlimÂŽe.Petit manque affectant le fond de cahier du premier feuillet. Quelques rousseurs dans le texte. Petite dÂŽchirure angulaire affectant un feuillet. Deux petites dÂŽchirures et une perforation affectant le faux-titre du deuxiÂme texte. Les deux derniers feuillets sont lÂŽgÂrement effrangÂŽs en marge. Du reste bonne condition. b42961 unknown
1019381442.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282013725.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331667061.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364045736.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0260385972.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266095291.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
195126216Paris Socit du Livre d'A 1951 In-4, en feuilles, couverture imprime (embotage de l'diteur).27 lithographies en noir de Drian, dont 15 hors-texte et 12 in texte. Tirage unique limit 150 exemplaires numrots sur vlin d'Arches.
195151632Paris Socit du Livre d'A 1951 In-4, en feuilles, couverture imprime (embotage de l'diteur).27 lithographies en noir de Drian, dont 15 hors-texte et 12 in-texte. Tirage unique limit 150 exemplaires numrots sur vlin d'Arches.
2002LFA-126713335Un ouvrage de 319 pages, format 110 x 170 mm, illustré, broché, publié en 2002, Librairie Larousse, collection "Petits Classiques Larousse", bon état
1785105531785. St. Quentin. Beaumarchais Pierre de. LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO. Paris 1785. 1st edition with engraved plates 1st issue before the reworking of Plate V to cover Rosina's breasts and before the inclusion of the portrait frontispiece. The first edition had no plates but almost immediately it was issued with five plates drawn by St Quentin of which the first four were engraved by Malapeau and the fifth by Roi. Tall 8vo. Preface of LI 51 pages plus 199pp. plus "approbations" and errata sheet five engraved plates after St. Quentin. Rebound in a period-appropriate binding of full gilt panel calf by Donna Starr of Starr Bookworks. A few light spots of foxing to the Half-title at the front and the Errata sheet at the back the plates with modest foxing else Fine throughout. unknown books
18721671872 d. rel. toil. rouge in-18 ( br. rel. ), pièce de titre - lis. et fleurette -, / pl. papier coul. fantaisie, goutt. à témoin, 354 p., lemerre éd.,
189965071899 reliure demi chagrin havane in-octavo, dos long décoré or + titre frappé or, mors à liseret or, tête dorée, marque-page en tissu vert, illustrations : bandeaux + lettrines + culs-de-lampe et gravures (Eaux-Fortes) hors-texte avec serpente, 337 pages, sans date ( fin dix-neuvième Siècle ) Paris Librairie des Bibliophiles Ernest Flammarion Successeur,
1989RO90080073EDITIONS LIVRE DE POCHE N° 6688. 1989. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 286 pages. Nombreuses annotations au stylo.. . . . Classification Dewey : 792-Théâtre
22242Paris RUAULT 1778 et 1785 -in-8 demi-veau 2 pièces de Théatre reliées en un volume, reliure d'époque demi-veau havane in-octavo (binding half calfskin in-octavo), dos long (spine without raised band) décoré or (gilt decoration), titre frappé "or" (gilt title), pièce de titre sur fond vert jardin avec double filets "or" en encadrement, double filet "or" en plave des nerfs, filet "or" en tête et en pied, coiffe inférieures avec léger accident, papier peigné marron-clair aux plats (cover with painting paper), tête lisse (top edge smooth), toutes tranches lisses (all smooth edges) jaspées rouges, sans illustrations, (LVI p. de préface du Mariage de Figaro + 237) + ( 34 p. de lettre Modérée sur la chute et la Critique du Barbier de Séville + 98) pages, 1778 (pour le Barbier...) et 1785 pour LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO Paris RUAULT Editeur,
178548621Paris: au Palais Royal chez Ruault 1785. First edition 8vo pp. 4 lvi 237; later full speckled calf red morocco label on gilt decorated spine; slight wear at the top of the spine else generally a fine copy. Contemporary ownership inscription of Alfred Vaux. Beaumarchais 1732-1799 aided the American cause by purchasing supplies for the American army in the Revolution. This play is his famous sequel to his earlier Le Barbier de Seville. It was first performed in 1784 and because of its immediate success there are many editions printed in 1785 this being the first. It was the later inspiration for the operas of Rossini and Mozart. Tchemerzine II p. 14-15: "The first edition was published without illustrations. Very soon after 5 illustrations by St Quentin were added." Printing and the Mind of Man 230: "Public interest was whetted by its satirical references to the aristocracy and it was this that first won it fame. Although greeted with enthusiasm by French society it in fact contributed largely to its destruction. It is however the music of Mozart which has immortalized it as the perfect type of comedy.no one can doubt its immortality." <br/><br/> au Palais Royal, chez Ruault unknown books
2000RO60058714Garnier-Flammarion, Collection GF, N°977. 2000. In-12. Broché. Etat du neuf, 1er plat abîmé, Dos plié, Intérieur acceptable. 272 pages. Quelques feuillets se détachant, maintenus par du scotch. Tranche légèrement salie.. . . . Classification Dewey : 840.05-XVIII ème siècle
1785WRCLIT65397Au Palais-Royal Paris: Chez Ruault Libraire 1785. 4xlii2178pp. Octavo. Contemporary mottled calf spine gilt extra gilt red morocco label. Minor foxing front free endsheet neatly excised otherwise a very good copy. One of several printings of this celebrated comedy from Paris and elsewhere dated within the year of first authorized publication and like the proper first impression published without the plates. It is however possible that this printing is a "contrefacon" as the collation and ornaments differ from Ruault's editions reproduced in Tchemerzine or noted in Cordier. However the extended preface and approbations that were often omitted from the pirated editions are here present as are the imprint of Ph.-D. Pierres and the assertion "Achevé d'imprimer pour la premiere fois le 28 Fevrier 1785" and it is not among those piracies recorded by either Cordier or Tchemerzine. One of the most influential of 18th century French plays both at home and abroad -- after its first performance in April 1784 it was promptly translated and/or produced in Stockholm Nuremberg Lisbon Madrid London Copenhagen St. Petersburg and Budapest. An attractive copy. CORDIER pp. 31ff. TCHEMERZINE II:14-23. PRINTING & THE MIND OF MAN 230. Chez Ruault, Libraire unknown books
178528690Paris: Au Palais-Royal: Ruault 1785. Octavo. Full mottled tan paper boards spine with title label gilt. 1f. title i half-title i publication and editor's notes lvi preface i part-title i named cast list 3-236 237 approbation and printer's note i blank pp.<br/><br/>Publisher's decorative woodcut device to title. With the names of cast members presumably for the play's premiere at the Théâtre Françis on April 27 1784.<br/><br/>Binding slightly worn; upper joint split. Light foxing and some staining; occasional minor wear. A very good copy overall. First Edition early issue. Scarce. Cordier: Bibliographie des oeuvres de Beaumarchais no. 128 stating that the earliest issues of this edition do not contain engraved plates.<br/><br/>Without the printed note to the foot of p. 152 found in later issues.<br/><br/>With a printed note to the final page of the play stating that the music was by Antoine Laurent Baudron 1742-1834 who also collaborated with Beaumarchais in providing music for his "Le Barbier de Séville" including the famous tune "Je suis Lindor" the theme of which has been used by Mozart for his 12 Variations K354/299a.<br/><br/>Beaumarchais was harp teacher to the daughters of Louis XV. "He successfully included Baudron's storm music as a prelude to Act 4 of Le barbier and alongside continued use of vaudeville tunes in Le mariage de Figaro. stretched Comédie Française conventions by introducing a whole scene of dance song and mime for the 'coronation' of Suzanne with the bride's head-dress. As if to vindicate Beaumarchais's musical instinct Le barbier de Séville attracted settings by Benda Paisiello Isouard and Rossini while the Mozart-Da Ponte collaboration in Le nozze di Figaro proved just how much of the original play was translatable into music." Rudolph Angermüller in Grove Music Online. Au Palais-Royal: Ruault unknown books
