Beaumarchais

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BEAUMARCHAIS (Pierre Augustin Caron de).Livre Rare Book

Vieille ronde gauloise et civique pour la rentre d'Eugnie Beaumarchais, de son couvent, dans la maison paternelle. Ddie sa mre. Et broche par Pierre Augustin, son pre, le premier Pote de Paris, en entrant par la Porte Saint-Antoine. Ce 1er mai 1791, grand jour de joie dans toutes les villes de France.

[LA BARRE DE BEAUMARCHAIS, Antoine de].Biblio.com

Tafereel of beschryving van den prachtigen tempel der zang-godinnen vertoond in LX. heerlyke kunststukken. Behelzende alle de voornaemste geschiedenissen van de fabel-oudheid. Waerby gevoegd zyn de volkoome verklaeringen der fabelen en de grondslagen die ze in de historien hebben.

17335282Amsterdam: Zacharias Chatelain 1733. Contemporary gold-tooled calf by the Three Acorn Bindery sewn on 7 supports with the corresponding raised bands on the spine a red morocco title label on the spine lettered in gold both boards are richly gold-tooled in a panel design with a central ornament mottled and sprinkled panels of varying density separated by vegetal borders. Further with gold-tooled board edges and blue mottled page edges. Large folio. With an engraved frontispiece an engraved vignette on the title page the title printed in red and black a large armorial head-piece for the dedication and 60 full-page engraved plates by Bernard Picart. Large-paper copy of the first Dutch edition of a beautifully illustrated explanation of the classical fables sumptuously bound by the Three Acorn Bindery in Amsterdam fl. ca. 1756-1780/1806. Each chapter is dedicated to a single fable. It contains a Latin quotation from the original source primarily from Ovid but also Seneca Martial Lucan and Horace followed by a Dutch prose account of the fable an explanation of its meaning and scholarly notes. The 60 fine plates were designed and engraved by Bernard Picart 1673-1733 and his pupils. These engravings framed by elaborate rococo borders populated with scrollwork and mythological creatures not only represent Picarts final works but also his finest.The inspiration for the collection comes from Michel de Marolles' Tableaux du Temple des Muses 1655 but the texts were newly written for the present edition by Antoine de la Barre de Beaumarchais. The plates include a brief caption in French Dutch English and German likely so that they could be reused as Chatelain published editions in all four languages simultaneously. The French and German translations were published a second time in 1749 and 1754 respectively.The binding shows minor traces of use. The text leaves are somewhat browned and foxed but the plates are clean. Otherwise a fine large-paper copy in good condition.l Cat. Rijksmuseum Amst. I p. 170; STCN 182996409; cf. Cohen-De Ricci col. 531 French ed.; Storm van Leeuwen Dutch decorated bookbindings vol. I pp. 599-612 for the bindery and vol. III L358 for this binding. Zacharias Chatelain, hardcover

Antiquariaat FORUM BV · Pays-Bas7 500,00 €

Beaumarchais Pierre Augustin Caron de / Goezman Louis ValentinABAA

SAMMELBAND. Beaumarchais-Goezman Scandal: 18 works in one volume. Manuscript title-page: Receuil sic de tout ce qui a ete imprime du proces crimmel intente par M. Goezman Conseiller au Parlement de Paris dans le quel Madame Goezman Le Sieur Darnaud Le Sieur Marin et Le Sieur Bertrand ont ete Parties contre Le Sieur de Beaumarchais compris L'Arret definitif rendu au Parlement le 26th Fevrier 1774

17742894Paris: In MS: "M. Navarre rÃ©sidant Ã l'ile Bourbon de retour pour la seconde fois des Indes; a receuilly sic ces piÃ¨ces Ã Paris en derniere annÃ©e 1774 pour Mr. Desarnod son amy 1774. Very good. Sammelband containing a MS title-page and 18 printed works foliated 5-138 2-4 see below 139-320. At end: MS contents leaf enumerating the "Ordre des pieces renfermes dans ce Recueil." Contemporary French mottled calf worn spine gilt red morocco lettering piece marbled endpapers edges stained red. Very good condition. Sammelband of "all" the legal tracts concerning the sensational lawsuits between Pierre de Beaumarchais and his nemesis Magistrate Goezman. Our volume features 18 such tracts sic. Unusually the MS title-page gives the name of the compiler one M. Navarre who had lately returned from the West Indies for the second time who created the Sammelband on behalf of his friend M. Desarnod in the same year that all the tracts were published namely 1774. Beaumarchais the French inventor musician courtier diplomat and playwright is now best remembered as the author of The Barber of Seville and The Marriage of Figaro. He also deserves a place in legal history -- not only because he was a professional litigant but also because he had considerable skill in cross-examination as well. See Robert A. Hendrickson "Beaumarchais as Cross-Examiner" in: American Bar Association Journal Vol. 52 No. 6 June 1966 pp. 559-563. CONTENTS of the Sammelband and the order that they are to appear are given in a contemporary MS leaf no doubt from Navarre to his binder found at the end of the volume. We have transcribed the titles in full and provided publisher information and paginations: Â¶ MÃ©moire Ã consulter pour Pierre-Augustin Caron de Beaumarchais signÃ© Malbeste avocat.- Paris imp. de Valleyre 1773.- 42 pp. Â¶ MÃ©moire Ã consulter pour FranÃ§ois-Thomas-Marie d'Arnaud. contre Pierre-Augustin Caron. signÃ© Mille.- Paris imp. Lambert 1773.- 15 pp. Â¶ MÃ©moire Ã consulter et consultation pour le sieur Marin. Contre le sieur Caron de Beaumarchais signÃ© Delabourey.- Paris imp. Couturier 1773.- 7 pp. Â¶ SupplÃ©ment au mÃ©moire Ã consulter pour Pierre-Augustin Caron de Beaumarchais.- Paris imp. de Quillau 1773.- 64 pp. Â¶ MÃ©moire pour Madame Goezmann signÃ© Seguin avocat.- Paris imp. Lambert 1773.- 54 pp. Â¶ MÃ©moire Ã consulter et consultation pour Antoine-Bertrand d'Airoles accusÃ©.- Paris imp. Cellot 1773.- 1 f. 41 pp. Â¶ MÃ©moire Ã consulter pour le sieur Marin en rÃ©ponse Ã ce qui le concerne dans un MÃ©moire pour le sieur Caron de Beaumarchais.- Paris imp. Couturier 1773.- 36 pp. Â¶ Plainte de M. Goezman contre le sieur Caron de Beaumarchais signed Eynard Paris: Imp. de M. Lambert 1774 - pp. 3-7 of 7 lacking first leaf. See: BNF Catalogue des factums et d'autres documents judiciaires anterieurs Vol. 1 p. 136 no. 2102. See also: Cordier Bibliographie des oeuvres de Beaumarchais p. 89 no. 355. Â¶ Addition au supplÃ©ment du mÃ©moire Ã consulter pour Pierre-Augustin Caron de Beaumarchais. signÃ© Bidault Ader.- Paris imp. Clousier 1773.- 78 pp. petite dÃ©chirure angulaire sans manque de texte au dernier feuillet. Â¶ Addition au mÃ©moire de Madame de Goezmann pour servir de rÃ©ponse au supplÃ©ment du Sieur Caron signÃ© Seguin avocat.- Paris imp. Lambert 1773.- 15 pp. Â¶ MÃ©moire pour le sieur Marin en rÃ©ponse Ã ce qui le concerne dans un troisiÃ¨me libelle du sieur Caron de Beaumarchais. signÃ© Picard avocat.- Paris imp. Couturier sans date.- 24 pp. Â¶ SupplÃ©ment au mÃ©moire du Sr. Bertrand d'Airolles signÃ© Donnadieu de Noprat avocat.- Paris imp. Lambert 1773.- 14 pp. Â¶ QuatriÃ¨me mÃ©moire Ã consulter pour Pierre-Augustin Caron de Beaumarchais. contre M. Goezman. signÃ© Bidault Ader.- Paris imp. Clousier 1774.- 109 pp. restaurations au dernier feuillet sans manque de texte. Â¶ Plainte contre la demoiselle Julie Caron de Beaumarchais signÃ© Eynard avocat.- Paris imp. Lambert 1774.- 7 pp. Â¶ Observations pour Monsieur de Goezmann conseiller de Grand'Chambre signÃ© Eynard avocat.- Paris imp. Lambert 1774.- 38 pp. mouillures aux premiers feuillets. Â¶ RequÃªte d'attenuation pour le Sr. Caron de Beaumarchais signÃ© Bidault.- Paris imp. Knapen 1773.- 28 pp. Â¶ Note remise par Monsieur de Goezmann signÃ© Eynard avocat.- Paris imp. Lambert 1773.- 7 pp. Â¶ Arrest de la cour du Parlement extrait des registres du Parlement du 26 fÃ©vrier 1774 signÃ© Le Jay et Le Breton.- Paris Simon 1774.- 24 pp. Provenance: Auxerre Encheres Lefranc 30 Oct. 2010 lot 7. --> Sadde 4 Nov. 2016 lot 5. In MS: "M. Navarre rÃ©sidant Ã l'ile Bourbon, de retour pour la seconde fois des Indes; a receuilly (sic) ces piÃ¨ces Ã Paris unknown books

Michael Laird Rare Books LLC · États-Unis500,00 $US≈ 423,05 €

Pierre-Augustin Caron de BeaumarchaisLivre Rare Book

Réunion de cinq pièces de Beaumarchais, reliées à la suite, dont trois éditions originales : EUGENIE - LES DEUX AMIS ou le négociant de Lyon - LE BARBIER DE SEVILLE ou la précaution inutile - LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO - L'AUTRE TARTUFFE ou la mère coupable.

176778500Paris, 1767 in-8, demi-reliure tardive (mi-19e), soigneusement restaurée avec conservation du dos. 2 pièces de titre cuir "Répertoire du théâtre français" //"Comédies"//"Beaumarchais", plats papier scrotel, tranches jaspées rouges, EUGENIE Drame en cinq Actes en prose, enrichi de figures en taille-douce, avec Un Essai sur le drame sérieux. A Paris, chez Merlin, 1767, 118p. Considéré comme l'édition originale, bien que Cordier présente une édition sans l'Essai sur le drame sérieux. LES DEUX AMIS, drame en cinq actes en prose, Chez la Veuve Duchesne / Chez Merlin, 1770, 156p. suivi de la partition pp. 157/163. Edition originale, en tous points conforme à l'exemplaire de Cordier. LE BARBIER DE SEVILLE comédie en quatre actes, 5e édition, Chez Ruault / La Veuve Duchesne, 1785, 132p. Cinquième édition. LE MARIAGE DE FIGARO comédie en cinq actes, Au Palais-Royal, Chez Ruault, 1785, 237p. Véritable EDITION ORIGINALE, la première citée dans la bibliographie de Cordier et parfaitement conforme aux caractéristiques de premier tirage. Il y précise que les tous premiers exemplaires ont paru sans figures, auxquels elles ont été ajoutées par la suite. Nôtre exemplaire possède les cinq planches sur papier fort, par St-Quentin et gravées pour les quatre premières par C.N. Malapeau, la dernière par Roi (où la Comtesse Rosina a la poitrine bien découverte). Cette édition contient : La Préface de l'auteur (suivie de "Caractères et habillements de la pièce"), au verso du faux-titre sous la liste des libraires dépositaires de l'ouvrage, l'Avis de l'Editeur et à la fin, après les Approbations (en dates des 28 février 1784 par Coqueley de Chaussepierre et du 21 mars 1784 par Bret, suivi du Permis d'imprimer et de représenter en date du 29 Mars 1784, par Lenoir), l'Achevé d'Imprimer du 28 Février 1785. Seule manque la mention " Avec les fig. de Malapeau (...) Sans les fig. de 5 à 10fr." citée sous l'achevé d'imprimer. (Sources : Bibliographie des oeuvres de Beaumarchais, Henri Cordier, A. Quantin, 1883). L'AUTRE TARTUFFE, drame en cinq actes, en prose, Nouvelle édition, A La Haye, Chez J.L. Dufour, 1802, 89 p. Textes en bon état de fraîcheur.

Librairie Christian Chaboud · Bruxelles, Belgique700,00 €

Pierre-Augustin Caron de BEAUMARCHAISBiblio.com

Quoting Voltaire Beaumarchais sent his correspondent La Mère coupable the third part of his Figaro Trilogy

1797Beaumarchais3BEAUMARCHAIS de Pierre-Augustin Caron 1732-1799Autograph letter signed " Beaumarchais " to Citizen Pierre-Charles-Louis Baudin N.p " ce 15 floréal " 4th May 1797 1 p. small in-8° Apostille " Répondu le 18 floréal " from the hand of Pierre-Charles-Louis Baudin One word "Monsieur" crossed off by BeaumarchaisQuoting Voltaire Beaumarchais sent his correspondent La Mère coupable the third part of his Figaro Trilogy" Vous Souvient il Monsieur de ces quatre vers de Voltaire à un Evèque – Vous m'envoyés un mandement. Recevés une tragédie. Et qu'ainsi mutuellement Nous nous donnions la comédie ! – Souffrés que je vous dise : Vous m'envoyés des choses aussi bien faites qu'importantes à la République ; Et moi homme inutile ! Je vous prie d'accepter les rèveries de mon bonnet. Je n'entends point m'acquiter auvers vous ; mais seulement vous engager a vous contenter de ma part de ce léger tribut d'une vive reconnaissance. Beaumarchais ce 15 floréal " " Rep. Le 18 "This letter is part of a sequence of epistolary exchanges between Beaumarchais and Pierre-Charles-Louis Baudin. We know Baudin's reply to the "18 floréal" as indicated by him in the lower margin: "My political abortions cannot become the equivalent of your dramatic work. As I read it with avidity I perfectly felt how necessary Susanne's bottle was. Your Irishman suffocates me … however observed that on the one hand political fanaticism as well as religious fanaticism explains many facts which seem to exceed the known measure of human wickedness; that on the other hand what we have seen that is most atrocious most revolting and above all most disgusting had a character of brutal frankness whereas in your Tartuffe it is a question of a refinement of hipocrite blackness so managed spun with so much art … ". Beaumarchais et le Courrier de l'Europe. Ed. Gunnar & Mavis von Proschwitz. Studies on Voltaire and the Eighteenth Century. Oxford : The Voltaire Foundation 1990 ; p. 1173-1174 n°628.When Baudin evokes the characters "Irish" Bégearss "Suzanne" Figaro's wife and more broadly the praise he makes of the theatrical drama of his correspondent we understand that the text sent by Beaumarchais is the third part of his Spanish Figaro trilogy: The Guilty Mother. The play performed on 26 June 1792 at the Théâtre du Marais was a failure. The revival at the Théâtre de la rue Feydeau on 16 Floréal of the year V 5 May 1797 that is to say the day after this letter was this time crowned with great success. The play represents the third part of the Figaro trilogy after The Barber of Seville 1775 and The Marriage of Figaro 1778. Beaumarchais himself wrote a notice to comment on this third and final act: "After having laughed at the Barber of Seville at the turbulent youth of Count Almaviva after having gaily considered in the Mad Day The Marriage of Figaro the faults of his virile age come and convince yourself by the picture of his old age that every man who is not born a dreadful villain always ends up being good. "Although no letter between Voltaire and Beaumarchais has come down to us today we nevertheless know the esteem in which they were held. In his book Voltaire's Kehl Edition. L'édition Kehl de Voltaire. Une aventure éditoriale et littéraire au tournant des Lumières Linda Gil explains that "Their relationship is built on mutual admiration. Beaumarchais read Voltaire and admired his works. His own writing is often influenced by the style of the philosopher. As for Voltaire "he cites Beaumarchais as an example to D'Alembert he compares himself to him. A good part of his correspondence from the first months of 1774 is occupied with it."Provenance: Vente Cornuau 25-26 mai 1934 A. Guichard CollectionBibliography: " Chroniques " Revue d'histoire littéraire de la France 42e année n°1 1935 p. 148 transcription partielle – Linda Gil L'édition Kehl de Voltaire. Une aventure éditoriale et littéraire au tournant des Lumières Honoré Champion Paris 2018 t. 1 p. 573-576 – Inventaire numérique de la correspondance de Beaumarchais Linda Gil dir. Humanum/IRCL IDC24

Le Manuscrit Français · France5 500,00 €

Voltaire, Francois Marie Arouet; Marquis De Condorcet (Editor); Pierre BeaumarchaisBiblio.com

Oeuvres Completes de Voltaire 69 of 70 Volumes

178486383Kehl Baden: Imprimerie de la Société Littéraire-Typographique 1784. Leather Bound. Very Good. L 8vo 7.75 - 9.75'' tall. Leather Bound. Condition: Very Good. Imprimerie de la Société Littéraire-Typographique Kehl Baden 1784. In French. Famous first posthumous collected edition of Voltaire's 1694-1778 works known as the 'Kehl Voltaire' produced by Beaumarchais who created a print foundry at Kehl to carry out this great work. Set contains 69 of the 70 Volume 8vo edition smaller 12mo 90 volume edition was also produced. Volume 23 Histoire de Charles XII missing. Volumes 10 and 27 printed 1784 summary volume 70 printed 1789 all other volumes printed 1785. Uniform 18th century calf full brown leather. Spines decorated in gold floral designs titles volume numbers within 6 boxed compartments. Boards have a natural brown mottled leather finish slanted gold lines on the narrow board edges. All page ends stained a very light yellow finely bespeckled with green. Green silk reading ribbons. Moderate wear of leather at spine tops light stress wear along exterior leather hinges some boards show minor leather loss at edges. All interior hinges firm untorn. Volume 20 upper rear board tip charred. Otherwise no volume damaged or repaired uniform light general wear. Only endpapers show browned bands along margins from pasted endpaper glue chemistry. Volumes 1 to 69 containing all the works and massive correspondences of Voltaire. Volume 70 contains Condorcet's Life of Voltaire and Condorcet's 'Memoires' of Voltaire index and 'Additions et Corrections' to the 70 volumes. Volume 1 frontispiece engraving of Voltaire by Moreau.; Volume 10 frontispiece engraving of Henry IV; Volume 16 frontispiece portrait of Voltaire; Volume 24 frontispiece engraving military map camp plan; Volume 31 14 engraved plates of scientific diagrams. Provenance: Each volume has the small ink stamp 'William H. Floyd Collection No.' on the rear of the title page. Floyd was a late 19th century American antiquarian collector. The numbering sequence 5098-5166 shows that volume 23 was missing even when cataloged by Floyd. Size: L 8vo 7.75 - 9.75'' tall. A major cultural event of the last decade of the ancien regime a beautiful monument to Voltaire the greatest man that literature had produced. Pierre-Augustin Caron de Beaumarchais led a controversial life. Playwright The Marriage of Figaro politician publisher entrepreneur spy supplier of munitions for the American Revolution and an early champion of the rights of artists and intellectual property. Shortly after the death of Voltaire in 1778 Beaumarchais set out to publish Voltaire's complete works many of which were banned in France and vehemently condemned by the Church. Royal letters would be censored by Frederick II of Germany Catharine II of Russia and others. He bought the rights to most of Voltaire's many manuscripts from publisher Charles-Joseph Panckoucke in 1779. To evade censorship printing presses were set up in the small neutral independant state of Baden at Kehl. Beaumarchais bought with exclusivity the complete foundry of the famous English type designer John Baskerville for the Societe Litteraire Typographique an organization he established to produce editions in which he was interested. Three paper mills were purchased. Seventy volumes were published between 1783 to 1790. While the venture proved a financial failure Beaumarchais was instrumental in preserving many of Voltaire's later works which otherwise might have been lost. The Kehl edition was banned on French territory until 1789. Baskerville font was revived by Americans in the 20th century. Voltaire Kehl Condorcet Pierre Beaumarchais Charles-Joseph Panckoucke RBR4 RBR4 Imprimerie de la Société Littéraire-Typographique hardcover

BookScene · États-Unis9 000,00 $US≈ 7 614,90 €

Beaumarchais

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The Temple of the Muses

Tafereel of beschryving van den prachtigen tempel der zang-godinnen vertoond in LX. heerlyke kunststukken. Behelzende alle de voornaemste geschiedenissen van de fabel-oudheid. Waerby gevoegd zyn de volkoome verklaeringen der fabelen en de grondslagen die ze in de historien hebben.

Suite des Mémoires ou réponse ingénue à la consulation injurieuse que le sieur Joseph alexandre de la Blache a répandu dans Aix.

Réunion de cinq pièces de Beaumarchais, reliées à la suite, dont trois éditions originales : EUGENIE - LES DEUX AMIS ou le négociant de Lyon - LE BARBIER DE SEVILLE ou la précaution inutile - LA FOLLE JOURNEE OU LE MARIAGE DE FIGARO - L'AUTRE TARTUFFE ou la mère coupable.

Réponse Ingénue de Pierre-Augustin Caron de Beaumarchais à la Consultation injurieuse que le Comte Joseph-Alexandre Falcoz de La Blache a répandue dans Aix. Sixième partie.

Recueil de 6 Oeuvres diverses en un volume.

Recueil des Mémoires de M. de Beaumarchais, écuyer, accusé de corruption de juges, contre M. Goesman, juge accusé de subornation et de faux ; Madame Goesman, le Sr. Bertrand, accusés ; le Sieur Marin, gazetier ; Darnaud-Baculard, conseiller d'ambassade, & consorts.

Recueil des Mémoires de M. de Beaumarchais, écuyer, accusé de corruption de juges, contre M. Goesman, juge accusé de subornation et de faux ; Madame Goesman, le Sr. Bertrand, accusés ; le Sieur Marin, gazetier ; Darnaud-Baculard, conseiller d'ambassade, & consorts.

Recueil des mémoires de M. de Beaumarchais contre M. de Goesman, juge accusé de subordination et de faux; Madame Goesman, le sieur Bertrand, accusés le sieur Martin, gazetier, d'Arnaud-Baculard, conseiller d'Ambassade et consorts

Quoting Voltaire Beaumarchais sent his correspondent La Mère coupable the third part of his Figaro Trilogy

QUATRIEME MEMOIRE A CONSULTER, POUR PIERRE-AUGUSTIN CARON DE BEAUMARCHAIS, CONRE M. GOEZMAN

Oeuvres Completes de Voltaire 69 of 70 Volumes

OEUVRES COMPLETES DE BEAUMARCHAIS 4 VOLUMES

Oeuvres complètes de M. de Beaumarchais (5 Tomes - Complet) Tomes I, II, III : Mémoires de Monsieur Pierre-Augustin Caron de Beaumarchais ; Tome IV : Oeuvres de Théâtre ; Tome V : La Folle journée, ou le Mariage de Figaro, Comédie en Cinq actes, en prose

Observations sur le Memoire Justificatif

Observations sur le Memoire Justificatif

Observations du Sieur Kornmann Kornman en réponse au mémoire de M. Lenoir

Observations sur le mémoire justificatif de la cour de Londres

Observations du sieur Bergasse, sur l'écrit du sieur Beaumarchais, ayant pour titre : Court mémoire, en attendant l'autre, sur la cause du sieur Kornmann.

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