Livre Rare Book
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1867ABE-15045347294898 PAGES-28,2 CM X 38 CM-EN COUVERTURE "EXPOSITION UNIVERSELLE: LA GRANDE CASCADE"-SALON DE 1867 PEINTURE VII SALLES L A Z-L'ALBUM DE S.M. L'IMPERATRICE, 2 PAGES, 6 GRAVURES ("DEPART DES TUILERIES", "VUE DE LUNEVILLE", "SALVE A CHALONS SUR MARNE", "L'IMPERATRICE A NANCY", "ARRIVEE A L'HOTEL-DIEU D'AMIENS", "VISITE DE SA MAJESTE L'IMPERATRICE A L'HOPITAL D'AMIENS")-PENSIONNAT NOTRE-DAME (JEUNES FILLES) A COURBEVOIE, GRAVURE-(PJ3)
180326351Chantenay 1803 1 BON DE LIVRAISON document ORIGINAL d'1 page manuscrite à l'encre brune, format : 12,5 x 20 cm, sur papier crème, signature illisible (CHANTENAY) 9 FLOREAL AN 11 (29 AVRIL 1803),
1808201604482Lyon, Chez J. Ayné, 1808 ; in-12, table + 397 + table, reliure d'époque, plein-cuir dos lisse orné. Claude Fleury était un avocat, homme d’église et historien de la seconde moitié du 17ème siècle et du début du 18ème siècle. Il fut protégé par Bossuet et Louis XIV le nomma précepteur de l’un de ses enfants naturels, ainsi que sous-précepteur de trois de ses petits-enfants. Il publia de nombreux ouvrages d'histoire, de théologie, de droit et de pédagogie. Très bon état.
1804201516179Tours, Pescherard, 1804 ; in-12, VIII-480 pp., reliure d'époque, plein-cuir dos orné à nerfs. Claude Fleury était un avocat, homme d’église et historien de la seconde moitié du 17ème siècle et du début du 18ème siècle. Il fut protégé par Bossuet et Louis XIV le nomma précepteur de l’un de ses enfants naturels, ainsi que sous-précepteur de trois de ses petits-enfants. Il publia de nombreux ouvrages d'histoire, de théologie, de droit et de pédagogie. Très bon état.
1832G0948Paris, P. Dufart, Libraire, 1832 ; in-18, X-274 pp., cartonnage bleu vert, dos lisse (coiffes arrachées et usées, mors fendus). Claude Fleury était un avocat, homme d’église et historien de la seconde moitié du 17ème siècle et du début du 18ème siècle. Il fut protégé par Bossuet et Louis XIV le nomma précepteur de l’un de ses enfants naturels, ainsi que sous-précepteur de trois de ses petits-enfants. Il publia de nombreux ouvrages d'histoire, de théologie, de droit et de pédagogie. Livre dont le thème est l'histoire. Bon état.
1900110700Paris, Félix Alcan 1900 In-8 22,5 x 14,5 cm. Broché, couverture bleu-gris, titre en noir sur le dos et le premier plat, 477 pp., 13 figures dans le texte, table des matières catalogue éditeur 32 pp. in fine. Dos cassé, couverture poussiéreuse, intérieur frais.
1900_201900812Paris, Félix Alcan, Éditeur, 1900 ; in-8 (142 x 224 mm), 6-X-480 pp., relié demi-percaline simili-cuir, coloris bleu vert foncé, dot lisse, tranches jaspées.
1872GF227541872 Belle Gravure en couleurs - tirage d'époque - 1872 - Format 35 x 24,5 cm - Dessin de Favart - En costume dans le rôle de Frédéric dans "Auguste ou les deux pages" -
1852362395Tours : Mame & Cie Bibliothèque des Ecoles Chrétiennes 1852. First Edition. Hardcover. New edition. An exquisite copy; elaborately gilt-tooled period binding over cloth. Spine bands and panel edges slightly rubbed and dulled as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 217p. Subjects: Religious practices. Genre: Religion. Language: French. Tours : Mame & Cie Bibliothèque des Ecoles Chrétiennes hardcover
181040338Lyon: De l'Imprimerie de Ballanche Père et Fils 1810. Nouvelle Edition New edition. Hardcover. f to g. Octavo 5 1/4 x 8". Original full calf rebacked with modern burgundy cloth. Paper edges marbled. Modern endpapers. <br /> <br /> Originally published in two separate books "Moeurs des Israélites" 1681 and Moeurs des Chrétiens" 1682 "Moeurs des Israélites et des Chrétiens" is a comparison of Jewish and Christian practices by Abbé Claude Fleury 1640-1723 a leading French cleric and the confessor to Louis XV. The vast majority of Fleury's section on Judaism deals with biblical Israel with a brief discussion at the end as to how post biblical Judaism degenerated into Pharisees Sadducees and Essenes before moving on to Christianity which Fleury saw as the true heir to the biblical religion. <br /> <br /> Heavy rubbing to the original covers. Engraved frontispiece portrait of the Abbé Claude Fleury missing. Upper right part of page 83/84 chipped. Light water-staining to lower half of pages throughout. Text in French. Binding in overall good- interior in fair to good condition. De l'Imprimerie de Ballanche Père et Fils hardcover
1861RO80062159MAME E. et Cie. 1861. In-12. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. 271 pages. Frontispice en noir et blanc. Titre et caissons dorés sur le dos cuir noir. Cadre dorés sur les plats. Epidermures.. . . . Classification Dewey : 260-Théologie sociale chrétienne
1837R320068730AUGUSTE DESREZ. 1837. In-4. Relié cuir dos-coins. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. XLIII + 630 pages - Texte sur 2 colonnes - Dos à 4 nerfs - Titre, filets et caissons dorés au dos - TRanches de tete dorées -. . . . Classification Dewey : 840.08-XIX ème siècle
1861ROD0102599JAQUEMOT A.. 1861. In-8. Relié demi-cuir. Etat d'usage, Coins frottés, Dos abîmé, Intérieur acceptable. 550 pages. Plats jaspés. Tampons sur la page de titre et de faux-titre. Des manques au dos Epidermures et dos très frottés. Une étiquette collée en coiffe en pied.. . . . Classification Dewey : 270-Histoire et géographie de l'Eglise
1861006382Geneve: Jacquemot 1861. Due volumi in 8vo 21 cm di XV-406 e 550 pagine. Ritratto inciso di Vuarin all'antiporta. Due bolli alle pagg. bianche e di titolo. Mezza pelle coeva dorso liscio con titolo dorato usure alle cuffie. Belle condizioni per questo resoconto di parte cattolica dell'opera del Vuarin in particolare per il proselitismo cattolico nella calvinista Ginevra soprattutto negli anni della Restaurazione e gli scontri col potere civile. Jacquemot unknown
1856100142853Ancienne société de Saint-Nicolas 1856 in4. 1856. Cartonné.
1824R240157818Chez Jean-Matthieu Douladoure. 1824. In-12. Relié plein cuir. Bon état, Coins frottés, Dos frotté, Papier jauni. 484 pages. Quelques rousseurs. Signet conservé. Annotation du libraire au crayon de papier en page de garde et annotation manuscrite à l'encre de 1844 sur le 1er contreplat. Coiffes abîmées, leger manque en coiffe en pied.. . . . Classification Dewey : 270-Histoire et géographie de l'Eglise
1842R240162786Ad. Mame et Cie. 1842. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 306 pages. Plats légèrement frottés.. . . . Classification Dewey : 290-Religion comparée. Autres religions
1837364471837, Auguste Desrez éditeur, in-4 plein cuir de XLIII+630 pages, titrage doré, gardes marbrées. Contenant : traité du choix et de la méthode des études, moeurs des israélites et des chrétiens, discours sur l'histoire ecclésiastique, grand catéchisme historique, histoire du droit français, etc. Pour faire suite aux oeuvres de Fénelon, précédées d'un essai sur la vie et les ouvrages de l'abbé Fleury par M. Aimé-Martin. | Etat : Bon état général, dos, champs et coins un peu usés (Ref.: G4729)
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover books
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover
1865LFA-126716226Un ouvrage de 569 pages, format 140 x 225 mm, broché, publié en 1865, Didier et Cie Libraires-Editeurs, bon état
1854431854 Lyon L.IMP.D'AIME VINGTRINIER 1854- IN12 br., plaquette 24p.à grandes marges non rognées - n.c.
1837616331 vol. in-12 reliure demi-percaline bleue, Imprimerie de Senès, Marseille, 1837, VIII-187 pp.
1880R110032081LIBRAIRIE GERMER BAILLIERE. 28 AOUT 1880. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 193 à 216. Lecture en colonnes.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
1874R320122757Alfred Mame et Fils. 1874. In-Folio. Relié. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Quelques rousseurs. VII + 287 pages + 320 pages - nombreuses planches en noir et blanc sous serpente - textes sur deux colonnes - titre et auteur dorés sur le 1er plat - auteur,titre,filet, tomaison et éditeur dorés sur le dos - coins frottés.. . . . Classification Dewey : 232-Jésus Christ
