COURTELINE, GeorgesBiblio.com
159 résultats
1927330670Paris: Galerie Javal & Bordeaux 1927. Limited. hardcover. very good/fine. Sem. 15 reproductions of original watercolors by Sem. 152 pages large 4to bound by Canape et Corriez in spectacular full dark green crushed morocco with large turquoise intertwined rings full green morocco doublures all edges gilt. Paris: Galerie Javal & Bordeaux 1927. Limited Edition. Fine.<br/> <br/> One of 15 copies on Japon Imperial signed by Sem and supplemented with plates in black & white and an original pencil drawing. Protected by a 3/4 leather suede lined dust wrapper & matching slipcase.<br/> <br/> Galerie Javal & Bordeaux unknown
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
189262119Paris: Flammarion 1892. Fine. Flammarion Paris s. d. 1892 12 x 19 cm relié First edition one of 10 numbered copies on Holland paper only leading copies. Binding half morocco navy corners back with four nerves set with gilded nets decorated with quadruple gilded boxes framing gilt fillets on the marble paper plates guards and contreplats of handmade paper covers and back preserved gilded head signed binder of Maylander. Cover illustrated by José Roy. Beautiful copy perfectly established. Our copy is enriched by a handwritten letter dated 1917 from four pages of Georges Courteline in which he undertakes a detailed biography of his brother. Flammarion unknown
189874579Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 38 x 27 cm une feuille et une serpente Rare original color lithograph executed by Jean Baseilhac for L'Estampe Moderne series number 17 published in September 1898. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe edition on the verso; engraving preceded by a tissue guard inscribed with the artist's name the title and a text extract. Lithograph inspired by an extract from Train de 8 h. 47 by Georges Courteline reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1952002997Monte Carlo: Aux Editions du Livre 1952. First Editions Thus Limited Editions. Half Morocco Marbled Boards. Near Fine. All three volumes are of numbered limited editions with large limitations of 5000 each. Inimitable zestful Dubout illustrations the perfect complement to the light satirical farces of Courteline. While the volumes were not issued as a set the matching bindings make them perfect as such and so they are being sold together. Minor soiling to the leather spine. All volumes are otherwise tight and immaculate. Aux Editions du Livre unknown
193738478Paris: Les Bibliophiles de Montmartre previously "Les Bibliophiles du Cornet" 1937. A GORGEOUS AND RARE LIVRE D'ARTISTE printed in blue and profusely illustrated with aquatints by Albert-Edouard Puyplat printed in sepia. Edition limited to 120 numbered copies all printed on very fine Arches wove paper this copy printed for Jean France. 4to. Loose as issued in original wraps board chemise and slipcase. Wraps slightly darkened from contact with original glassine which has now been removed. Else pristine. <br/><br/> Les Bibliophiles de Montmartre (previously "Les Bibliophiles du Cornet") paperback
192878024London: Constable 1928. Hardcover. Fine/Fine. First edition in English. Translated by Eric Sutton. Illustrated by Donia Nachshen. A tiny bookstore label on the front pastedown foredge a trifle foxed else fine in a price-clipped fine dustwrapper. Filmed on several occasions probably most notably in 1936 directed by Yves Mirande with an ensemble cast headed by Arletty. Very scarce in jacket. Constable hardcover
2026100101927François Bernouard 2026. Bon état de conservation sous papier de soie couvertures défraîchn ies tranches fanées et tachées de rousseurs intérieurs propres. in8. 2026. Broché. 14 volumes. Les oeuvres complètes de Georges courteline - 14 volumes: Théâtre I à II Théâtre III à IV Théâtre V bibliographie complète Madelon Margot & Cie Le train de 8H47 Chroniques La conversion d'Alceste Philosophie suivie de Pochades et Croquis Les miettes de la table précédées de Dindes et Grues Les fourneaux suivis de L'ami des lois Le miroir concave suivi de Rimes Les Linottes suivies de Tante Henriette Nouvelle inédite Messieurs les Ronds-de-Cuir suivis de Scènes de la Vie de bureau Bourbouroche nouvelle & comédie précédé d'un avant-propos inédits et suivi de Une Canaille etc François Bernouard unknown
189874580Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 38 x 27 cm une feuille Rare original lithograph executed by Jean Baseilhac for L'Estampe Moderne series number 17 published in September 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on the verso pale marginal foxing. Lithograph inspired by an extract from Train de 8 h. 47 by Georges Courteline. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinity with printing ink. Its texture smooth and soft at once is more apt than any other to receive fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
193042129Trianon. Very Good. 1930. Hardcover. 8 half leather volumes in very good plus condition. Watercolors by Joseph Hemard. ; 8vo 8" - 9" tall . Trianon hardcover
31611Paris Stock 1902. 1 vol. 135 x 190 mm de 1 f. 28 p. et 1 f. Demi-chagrin aubergine à coins dos lisse titre doré date en pied tête dorée couvertures et dos conservés reliure signée de C. Dreneau. Édition originale. Un des 10 premiers exemplaires sur hollande justifiés et signés par l'éditeur P.-V. Stock n° 2. Envoi signé : « à Théo.dore Ansbacher tout petit cadeau de son ami G. Courteline mai 1922 ». Montée en tête : une carte autographe signée 115 x 90 mm avec l'enveloppe conservée. . Charmant exemplaire adressé au banquier Théodore Ansbacher dit 'Théo' ami des écrivains et artistes de son temps. L'exemplaire est enrichi d'une carte signée à Louis-Alfred Nathanson avec enveloppe conservée : « Vous êtes toujours le même délicieux camarade . et si vous vous imaginez que j'attendrai moi vingt ans pour vous embrassez vous vous mettez le doigt dans l'oeil. » Ami de longue date de Courteline Jules Renard et Tristan Bernard Alfred Nathanson fut auprès de Blum de l'équipe de rédaction de L'Humanité. Petit accroc au dos. Paris, Stock, 1902. 1 vol. (135 x 190 mm) de [1] f., 28 p. et 1 f. Demi-chagrin aubergine à coins, dos lisse, titre doré, date unknown
192734019Paris: Georges Briffaut 1927. First Edition. Hardcover. near fine. Illustrations de Joseph Hémard. Illustrations de Joseph Hémard. First Edition. Hardcover. First Limited Edition BOUBOUROCHE MADELON MARGOT Limited Edition No. 658/850 In an exquisite Kieffer Binding. Full green morocco leather with raised bars debossing on the front and back covers printed in dark green. Gilt stamping on the spine. Marbled endpapers Kieffer ticket on the verso of the ffe. Top edge gilt. A near fine lovely example of one of Kieffer's contemporary bindings and Joseph Hémard's lively and often whimsical artwork that can be found throughout. Some edgewear and fading on the leather covers with a tiny vertical crack on the spine.<br /> <br /> BOUBOUROCHE MADELON MARGOT is a collection of humorous and satirical plays by Georges Courteline 1858-1929 a French playwright and novelist known for his sharp wit and critique of bureaucracy and everyday absurdities. Georges Briffaut hardcover
193023858Paris: Editions du Trianon 1930. Brossura wrappers. Molto buono Very Good. Opere i 8 volumi: 1 Les gaités de l'Escadron 2 Boubouroche. 3 Messieurs les Ronds-de-Cuir. 4 Les linottes. 5 Le train de 8h.47. 6 Théatre tome I. 7Teatre Tome II. 8 La philosophie. Préface de M. Lucien Descaves de l'Académie Goncourt. Aquarelles et dessins de Joseph Hémard numerose tavole a colori a piena pagina e vignette nel testo. 8 volumi. 8vo. pp. 3200 circa. Molto buono Very Good. Legature leggermente allentate Loose binding. . Editions du Trianon, unknown
192565210Paris: Société littéraire de France 1925. Fine. Société littéraire de France Paris 1925 14.50 x 22.50 cm broché Edition illustrated with original woodcuts by Carlègle one of 49 numbered copies on Japan paper deluxe copies after 1 Japan à la forme. Our copy like the 50 Japan copies is complete with its duplicate suite on China paper of the woodcuts. A small tear reglued at head of spine. Société littéraire de France unknown
16-6387Paris: Cercle Parisien du Livre 1937. 4to 20 x 26.5cm. Original wraps and board slipcase. Very good. Some light scattered foxing. One of 110 numbered copies .Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3221; OCLC Number / Unique Identifier:45895288: In-4 83 p. 2887. Paris: Cercle Parisien du Livre, 1937 paperback
16-6388Paris: Cercle Parisien du Livre 1938. 4to 20 x 26.5cm. Original wraps and board slipcase. Very good. Some light scattered foxing. One of 110 numbered copies .Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3237; OCLC Number / Unique Identifier:29482261: 88 pages : illustrations ; 27 cm 1 volume 11 leaves of plates : color illustrations."Ce livre est le dixième imprimé aux dépens du Cercle parisien du livre par . Raymond Hesse . La typographie est de Maurice Darantiere . L'édition compte cent quinze exemplaires; cent exemplaires numérotés de 1 à 100 réservés aux membres de la Société quinze exemplaires marqués de A à O destinés aux collaborateurs. Il a été tiré quinze suites des pointes séches en sanguine toutes avec remarques et signées par Marcel Vertès."--Colophon.Hortense couche-toi! with music by Charles Lévadé was first performed at the Grand-Guignol March 15 1897; L'article 330 was first performed at the Théatre Antoine Dec. 12 1900. Paris: Cercle Parisien du Livre, 1938 paperback
16-6385Paris: Cercle Parisien du Livre 1933. 4to 20 x 26.5cm. Original wraps and board slipcase. Very good. One of 135 numbered copies .Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3228.; OCLC Number / Unique Identifier:1009134425: "A Louise Lara."Written as a direct sequel to Molière's Le misanthrope; also in Alexandrine verse"Ce volume . a été achevé d'imprimer le Juin 1933 pour les lithographies originales de Louis Morin sur les presses de Desjobert Imprimeur d'art à Paris et pour le texte dans le caractère "Française" corps 24 par Jean Hérissey Maître-imprimeur à Evreux. Le tirage a été limité à 135 exemplaires savoir: 120 exemplaires nominatifs numérotés de 1 à 120 pour les Membres de la Société et 15 exemplaires numérotés de I à XV destinés aux collaborateurs et au depôt légal. Il a été aussi tiré 15 suites des lithographies en noir et 10 suites en coleurs avec remarques toutes justifiées et signées pa l'artiste." -- Colophon" Paris: Cercle Parisien du Livre, 1933 paperback
16-6386Paris: Cercle Parisien du Livre 1933. 4to 20 x 26.5cm. Original wraps and board slipcase. Very good. One of 135 numbered copies .Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975 no. 3236; OCLC Number / Unique Identifier:458953010: In-4 81 p. 4071. Paris: Cercle Parisien du Livre, 1933 paperback
195142132Monte-carlo. Very Good in Very Good dust jacket. 1951. Softcover. Cover is wrapped and book is in a fold-around slipcase. Nickel-sized white discoloration to lower spine. Book is in French. Beautiful illustrations. No noticable markings or underlining inside. ; 8vo 8" - 9" tall; 195 pages . paperback
189030948Paris: Marpon & Flammarion 1890. Fine. Marpon & Flammarion Paris s. d. 1890 11.50 x 18 cm relié First edition on ordinary paper with only 10 deluxe copies printed on Holland paper. Contemporary half-green shagreen binding spine with 5 raised bands covers and spine preserved at front of volume front cover illustrated in colors by Steinlen. Our copy is enhanced with an autograph visiting card by the author mounted on stub on the half-title page. Minor surface wear to headcaps otherwise handsome copy. Marpon & Flammarion hardcover
1335975Paris: Andre Delpeuch early 20th century. Hardcover. Octavo six volumes; VG; 3/4 bound in red leather; spines with gilt lettering; mild shelf wear to all volumes; upper edges gilt; text in French; pages clean; shelved above Business/Econ. 1335975. Shelved Dupont Bookstore. Andre Delpeuch hardcover
