267 résultats
19691753851969. Nummer 26 von 50 Ex. Lithographie, eigenhändig signiert und nummeriert. 36 x 53 cm. unter Glas (nicht geöffnet).
188024007New York: McLoughlin Bros 1880. Hardcover. Very good. <p><br /> Large thin 4to. Upper board in full color chromolithography; rear board in single color and listing the five books in the Pantomime Series. 10pp of text with the two remaining blanks serving as front and rear pastedowns.<br /> <p><br /> With a full color chromolithographed harlequinade inside with pages of varying sizes which tell the story of Aladdin as described in the text and as a stage production. <br /> <p><br /> Light wear to the corners; fingering soil; hinges neatly mended though there is some partial separation of the inner sections; still a very good copy. Rare.<br /> <p>. McLoughlin Bros hardcover
188024001New York: McLoughlin Bros 1880. Hardcover. Very good. <p><br /> Large thin 4to. Upper board in full color chromolithography; rear board in single color and listing the five books in the Pantomime Series. 10pp of text with the two remaining blanks serving as front and rear pastedowns.<br /> <p><br /> With a full color chromolithographed harlequinade inside with pages of varying sizes which tell the story of Cinderella as described in the text and as a stage production. <br /> <p><br /> Light wear to the corners; fingering soil; still a very good copy. Rare.<br /> <p>. McLoughlin Bros hardcover
18331197Paris, Charles Gosselin, 1833 ; 2 tomes en 1 vol. in-12 de [2] ff., 145 pp. et [2] ff., 163 pp., reliure de la fin du XIXe siècle demi-chagrin rouge à coins, filets dorés sur les plats, dos à nerfs orné de fleurons et de filets dorés, tranches mouchetées, couverture illustrée sur fond de damier vert et rose.
1799AQ25369s.i.: s.n. 1799. Single leaf handbill printed on one side only. A trifle browned manuscript price '£88-8-6' to verso presumably the evening's box office take An apparently unrecorded Regency playbill advertising a performance of Thomas Morton's 1764-1838 popular comedy The Way to Get Married to which was added an original pantomime entitled Harlequin Sailor: Or The flight from Africa which boasted the intriguing prospect of 'The Clown's Invitation or the Grand Cock Fight' as well as the perilous spectacle of 'Harlequin's surprising leap from the gallery to the stage and through a Hoghead of Fire'. According to a statement at the foot of the playbill tickets were available from Messrs. Merritt and Wright among others suggesting - via comparison with contemporary extant advertisements - that the entertainments were staged at the Theatre Royal Liverpool. This is further attested to by the presence of Mr. Bradbury in the lead role of the Harlequin likely cabinet maker turned clown Robert Bradbury d. 1831 who made his debût at the theatre. Not in ESTC. Dimensions 160 x 230 mm. [s.n.] unknown
190920218Paris Emile-Paul 1909 in-16 bradel un volume, reliure bradel janséniste en plein vélin ivoire in-seize (bradel jansenist's binding full vellum in-16) (15 x 19,6 cm), dos long (spine without raised band), titre manuscrit et date à l'encre brune sur le dos (handwritten title on the spine), plats muets (cover without text), plats avec rabats, toutes tranches non-rognées, grand-papier, , dos et couverture marron editeur conservée, exemplaire sur vergé Van Gelder Zonen, ex-libris (book-plate) : historié en noir sur fond blanc : Tristan Remy (Journaliste, poète, romancier et historien du cirque. - Lauréat du Prix populiste (1936). - Vice-président de l'Association de la presse du cirque et du music-hall...Tristan Rémy est avec Henry Poulaille lun des principaux animateurs du mouvement pour la littérature prolétarienne dans les années Trente), envoi autographe manuscrit de l'auteur à l'encre noire en bas de la page de faux-titre : "...Qui me tend la plume et demande un mot, en dépit des vers imprimés là-haut ?....C'est l'Excellent Wague (Mime, pédagogue et un acteur de cinéma) un maitre Pierrot...signé NAJAC...", orné d'un portrait de l'auteur en frontispice en noir + 8 dessins hors-texte en couleurs par MICH, 216 pages, 1909 Paris Emile-Paul Editeur, + Joints : deux photographies originales prises en 1908 dans le jardin de son théatre privé de Neuilly, première photo : Christiane Mandelys (actrice de cinéma) dans le rôle de "peau d'ane" de Raoul de Najac, 2ème Photo : prise le même jour au même endroit : Christiane Mandelys et son époux, l'acteur de cinéma Georges Wague + Raoul de Najac + l'Ane........+ on y a joint une carte postale vue de dessus du village de Najac, manuscrite et signée par Raoul de Najac, envoyée à Georges Wague, 57 rue Caulaincourt, Paris : "...Je Constate avec plaisir que les Pierrots ne s'oublient pas, et j'espère bien avoir celui de vous voir à votre retour. Trés sympathiquement ...signé....Najac...88 Bd Blineau, Neuilly/seine - 10 Mars 1905..."
First and only edition. With English title-page at front, followed by French text. Yiddish title-page at back, followed by Yiddish text (i.e., the back cover of the book is the front cover in Yiddish). 32 full-page plates. Edition limited to 500 numbered copies on good wove paper. AN OUTSTANDING ASSOCIATION COPY, WITH AN EXTREMELY FINE SIGNED SURREALIST DRAWING BY THE ARTIST, DEDICATED TO JEWISH FRENCH MIME MARCEL MARCEAU (1923-2007). Marceau had written the preface for another collection of Tuszynski's drawings, "Ballade de Paris" (1961). Folio. Loose as issued in publisher's wraps. FINE AND BRIGHT, WITH NO DEFECTS. An outstanding association copy, in pristine condition.
11275The two letters: 'Weston Green 10th: July 1812' and 'Johnsons Coffee House Monday Evg: July 1812'. Cheque: 'London September 19th: 1817'. All three items are on stubs within a card wallet. All good on aged paper. Letter One: 'Weston Green 10th: July'. 1 p 4to. On bifolium with verso of second leaf addressed to 'Mr: Whitaker St: Pauls Church Yard London' with two postmarks one 'KINGSTON - T 12' and docketed 'Mr; T. Dibdin July 1812.' Whitaker will have 'two or perhaps all three' of the songs by Monday's post and 'with respect to the remuneration I am still from the failure of my last Opera in want of the Sum I once before mentioned to you - if you woud sic procure me the Loan of a hundred or a hundred and fifty Pounds for a few Months you shall be welcome by way of Interest to any thing my Efforts in the scribbling way can furnish'. He will send 'the Song of Mr: Spriggs' on the Monday and asks for an answer to be sent to 'Johnsons Coffee house Surrey Theater'. Letter Two: 'Johnsons Coffee House Monday Evg:'. 1 p 4to. On bifolium with recto of second leaf addressed to 'Mr: Whitaker W: Smithfield' and verso of second leaf docketed 'Mr. T. Dibdin July 1812.' He is sending 'Mr: Spriggs & nine Songs for Choice or to keep all if of any use and if there is any other Style you can point out I will gladly adopt it . there are 8 Lady's & one Sailors Song - but the latter might be sung by a Lady'. He has a farce 'accepted by Mr. Harris in which I shall introduce the Song Fawcett refused for Matthews which you I hope will publish - & if you woud sic take a Ballad in it I'll write one for you - there are no other Songs in the Piece'. Cheque: Addressed 'To Messrs. Button & Whitaker St. Pauls Church Yard' and dated 'London September 19th: 1817'. Entirely in manuscript on rectangular slip of paper 23.5 x 9.5 cm. With embossed tax stamp. 'Two Months after date please to pay me or my Order the Sum of One Hundred and Fifty Pounds Value received Signed Thos Dibdin'. Crossed endorsed and accepted by Sir John Lubbock & Co. With typed transcript of the three items. The two letters: 'Weston Green 10th: July [1812]' and 'Johnsons Coffee House | Monday Evg: [July 1812]'. Cheque: 'London Septemb unknown
In-4°; ritratto a piena pagina inciso su rame di Calliachius, cc. (15), pp. 98, (2), al front. piccolo legno, Opera dedicata a Pietro Garzoni. Storia del mimo e della pantomima e delle loro origini nell’antichità, presso i greci e i latini, con molte citazioni dalle fonti classiche. Un capitolo è anche dedicato all’allestimento delle scene, agli abiti i scena e agli strumenti musicali adoperati dagli attori. Legatura in piena pergamena rigida con tassello e titolo in oro al dorso. Al frontespizio timbro a inchiostro.
33620Paris. Edouard Rouveyre. 1881. In-8. Reliure demi-chagrin à coins. Tête dorée. Dos à 5 nerfs ornés de fleurons et caractères dorés. Qlques dessins de Jules Chéret. 27 p. Exemplaire N° 277 / 312 sur Seychall Mill. Ex-Libris : Dr. Balp. BE. Qques rousseurs.
First and only edition. Preface by famed French-Jewish mime Marcel Marceau (1923-2007), followed by 20 full-page surrealist plates (including one depicting Marcel Marceau) by Tuszynski. Edition limited to 250 numbered copies on good wove paper. AN OUTSTANDING ASSOCIATION COPY, WITH AN EXTREMELY FINE SIGNED SURREALIST DRAWING BY THE ARTIST, DEDICATED TO MARCEL MARCEAU (1923-2007). Folio. Loose as issued in publisher's wraps. Wraps spotted and lightly torn. OTHERWISE FINE AND BRIGHT, WITH NO DEFECTS. An outstanding association copy, in very good condition.
8601 En feuillets, sous couverture rempliée et chemise en papier imprimées d'édition. La chemise est passée, multiples déchirures et manques au dos, intérieur en très bon état. 23 x 16,5 cm, 38-[2] p., illustrations in-texte en noir. Paris, Société de la gravure sur bois originale, Série C., Contes et nouvelles n°1, 1922.
8601 En feuillets, sous couverture rempliée et chemise en papier imprimées d'édition. La chemise est passée, multiples déchirures et manques au dos, intérieur en très bon état. 23 x 16,5 cm, 38-[2] p., illustrations in-texte en noir. Paris, Société de la gravure sur bois originale, Série C., Contes et nouvelles n°1, 1922.
111146Paris, Librairie des Amateurs A. Ferroud. - F. Ferroud, Successeur, 127 Boulevard Saint-Germain, 1903, 1 volume in-12 de 190x125 mm environ, 1f.blanc, 43 pages, 1f. (table), 4 ff. (prospectus), 1f. (achevé d'imprimer), 1f.blanc, broché sous couverture rempliée imprimée en rouge et noir. Dos légèrement insolé avec plis de lecture, petits frottements sur les bordures des plats, bon état. Exemplaire N° 18, un de 110 exemplaires sur papier du Japon, contenant les 3 états des eaux-fortes, des 10 compositions de Jules Chéret gravées à l'eau forte par Bracquemond. Exemplaire enrichi du prospectus de souscription de 4 feuillets avec deux illustrations.
22936Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street New York. Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe and her work is held by several museums including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch in grey and black pencil with watercolour wash in pink light red and grey showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal Proust Sequence'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper. In fair condition despite light creasing dogeared corners and one short closed nick at edge. Inserted with tissue guard in envelope with stamps and postmarks addressed by her to 'W. Macqueen Pope Esq. Reuter News Service 85 Fleet Street London E.C. England' and marked 'Personal'. The letter has been redirected in pencil to 5 Coventry Street. The flap has Enters' embossed address. MacQueen-Pope would have had a number opportunities to become acquainted with her work. In her article 1980 article 'Agna Enters: American Dance-Mime' Ginnine Cocuzza notes that Enters made her London debut in 1928 and her television debut on the BBC in 1952. Cocuzza also notes that in 1959 on CBS's 'Camera Three' Enters performed 'three of her dance-mime compositions: 'Pierrot- Figures in Moonlight' 'Queen of Heaven' and 'Fleur du Mal - Tango Dancer''. The present costume design is from the last of these. See also 'Uncommon Eloquence: A Biography of Angna Enters Writer Dance-Mime Artist' by Dorothy Mandel 1986. The Angna Enters and Louis Kalonyme Papers are held by the Beinecke Library Yale University. Signed and dated to 1957. Envelope with London postmark dated 18 January 1957 and her embossed address: 35 West 57th Street, New unknown
18336706Très belle étude sur le célèbre mime du début du XIXè siècle, “le grand Debureau”. 1/2 basane brune, dos long. Reliure de l'époque usagée. Très bon Paris Gosselin 1833 1 volume in-8°.
1863100728<p>Boston F.A. Searle Printer 1863 1863. Very good. - A 10-1/8 inch high by 5-3/8 inch wide broadsheet playbill for the Boston performance of the "French Spy or - The Fall of Algiers" starring Isabella Cubas. The credits with her name are boldly printed on the top third of the sheet followed by an overlay boldly titled with the name of the play "The French Spy" printed on 2-3/8 inch high by 5-3/8 inch wide sheet followed by a list of the cast and concluding with the opening play "To commence with the Laughable Farce entitled Somebody Else!" This overlay is tipped over the title of another performance by Isabella Cubas "Queen of Pantomimists and Unrivaled Danseuse" in her "Third Appearance in the Unparalleled Representation of Protean Character supported by the company and auxiliaries. New Scenery and Appointments! New Dances Marches &c." Another overlay listing the prices of admission printed on 1-1/2 inch high by 5-3/8 inch wide paper is tipped over the title of the farce. The playbill is mounted onto heavier 10-5/8 inch high by 7-1/8 inch wide cream stock. There is some minor darkening and soiling. Very good.</p><p>The Spanish ballerina danseuse and pantomimist Isabella Cubas 1831-1864 performed as a soloist in Madrid when she was 13 years old. Having appeared in prominent Spanish theaters and performed in Turin and Milan before she was 20 she was honored by Emperor Francis Joseph and his court at the Gello and Teatro San Benedetto. She then toured Venice Bucharest Odessa Alexandria Cairo Brussels Paris and London. She joined Ambrogio Martinez's Spanish Dance Company at the Royal Theater of Madrid and was the prima ballerina assoluta at the Naum Theatre in Istanbul. Following appearances at most of Europes' top opera houses she made her debut in Canada and performed in New York and Philadelphia before touring America with a full corps de ballet. She first decided to attempt pantomime acting performing in The French Spy at Nixon's Cremorne Garden on October 6 1862. She subsequently worked under Wyzeman Marshall at the Boston Theatre in 1863.</p> Boston, F.A. Searle, Printer, 1863,
Cm. 21, mezza tela con tit. in oro al dorso, piatti marm., pag. XII (2) 390 (1 c.b.) più 26 belle tavole litografiche fuori testo di Ettore ed Eduardo Ximenes. Importante opera scientifica del noto medico milanese. Parte prima: la faccia umana. Parte seconda: la mimica. Appendice: Gli occhi, i capelli e la barba nelle razze umane. Lievi usure alla legatura, ma internamente ottimo esemplare. Molto interessante la prima parte con un sunto delle opere storiche di Fisiognomica.
189799771897. Paris Librairie Léon Sapin 1897 - Reliure demi-bradel 16 5 cm x 25 5 cm 508 pages - Texte de Louis Péricaud - Vignette de la Librairie Garnier Arnoul reliure légèrement frottée sinon bon état - Une des sources des « Enfants du Paradis »
189264741892. Paris éditions Ernest Kolb 1892 - Reliure demi-bradel couvertures conservées caractères du titre dorés 15 cm x 23 cm 164 pages - Texte de Paul Hugounet - Bon état
1964184841964. Paris Éditions Georges Girard 1964 e.o. - Broché 17 cm x 24 cm 203 pages ills hors-texte - Texte de Tristan Rémy liste des créations et mises en scène index des noms de personne envoi de l'auteur ; on joint une carte de voeux pour l'année 1967 avec Tristan Rémy et les Fratellini dédicacée au dos par l'auteur deux lettres manuscrites dont une datée de mai 1971 dans laquelle il parle de Fellini et du film « Les Clown » ( Il explique qu'ils ont sympathisé et qu'une erreur de traduction lui fait dire que le cirque est mort ce qui lui sera reproché) une coupure de presse annonçant la mort de Georges Wague (91 ans) et une présentation du film « Les Clowns » - Très bon état
196497435Paris, Georges Girard, impr. Presses de Georges Girard, Paris 1964 In-8 24 x 16,5 cm. Broché, couverture vert-pâle, titre en rouge sur le premier plat, 203 pp., 34 illustrations hors-texte, principales créations, reprises, mises en scène, index des noms despersonnes citées, table des illustrations, table des matières. Exemplaire en très bon état. Celui-ci, N 98 des 200 exemplaires numérotés sur pur fil Lafuma, enrichi d’un envoi et d’une lettre autographes de Georges Wague.
Very Good English Original theater program signed 'Marcel Marceau' to a person named Julien. Demy 8vo. (22 x 15 cm). In English. [30] p., fully advertisements. Marceau's program: "Week of Sunday, May 4, 1958. Matinee Saturday, May 10. Ronald A. Wilford Associates presents Marcel Marceau and hiss partners Gilles Segal and Pierre Verry. The program will consist of pantomimes selected from the following repertoire[.]". Notes on the last pages. Marceau was a French actor and mime artist most famous for his stage persona as "Bip the Clown". He referred to mime as the "art of silence" and he performed professionally worldwide for over 60 years. As a youth, he lived in hiding and worked with the French Resistance during most of World War II, giving his first major performance to 3,000 troops after the liberation of Paris in August 1944. Following the war, he studied dramatic art and mime in Paris.
1775115041775 A Berne et à Paris, Chez les Débitans de Brochures nouvelles, 1775 ; in-8 de XV - (I) - 64 pp.; demi-basane fauve, dos lisse, filets dorés titre doré sur étiquette noire, plats cartonnés de papier grenat (reliure début XIXe). Discret ex-libris manuscrit à l'encre à l'intérieur du 1er plat " Jules Bobin". Pièce de titre frottée. Edition originale rare.
1958052728USA: The Hanna Theatre 1958. Soft cover. Very Good. Original theater program signed 'Marcel Marceau' to a person named Julien. Demy 8vo. 22 x 15 cm. In English. 30 p. fully advertisements. Marceau's program: "Week of Sunday May 4 1958. Matinee Saturday May 10. Ronald A. Wilford Associates presents Marcel Marceau and hiss partners Gilles Segal and Pierre Verry. The program will consist of pantomimes selected from the following repertoire.". Notes on the last pages. Marceau was a French actor and mime artist most famous for his stage persona as "Bip the Clown". He referred to mime as the "art of silence" and he performed professionally worldwide for over 60 years. As a youth he lived in hiding and worked with the French Resistance during most of World War II giving his first major performance to 3000 troops after the liberation of Paris in August 1944. Following the war he studied dramatic art and mime in Paris. <br/> <br/> The Hanna Theatre paperback