Zola, ÉmileMareMagnum
37 résultats
Mm 140x210 Brossura editoriale con alette, pp. 102. A cura di Giuseppe Liotta. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
First and only edition. With English title-page at front, followed by French text. Yiddish title-page at back, followed by Yiddish text (i.e., the back cover of the book is the front cover in Yiddish). 32 full-page plates. Edition limited to 500 numbered copies on good wove paper. AN OUTSTANDING ASSOCIATION COPY, WITH AN EXTREMELY FINE SIGNED SURREALIST DRAWING BY THE ARTIST, DEDICATED TO JEWISH FRENCH MIME MARCEL MARCEAU (1923-2007). Marceau had written the preface for another collection of Tuszynski's drawings, "Ballade de Paris" (1961). Folio. Loose as issued in publisher's wraps. FINE AND BRIGHT, WITH NO DEFECTS. An outstanding association copy, in pristine condition.
First and only edition. Preface by famed French-Jewish mime Marcel Marceau (1923-2007), followed by 20 full-page surrealist plates (including one depicting Marcel Marceau) by Tuszynski. Edition limited to 250 numbered copies on good wove paper. AN OUTSTANDING ASSOCIATION COPY, WITH AN EXTREMELY FINE SIGNED SURREALIST DRAWING BY THE ARTIST, DEDICATED TO MARCEL MARCEAU (1923-2007). Folio. Loose as issued in publisher's wraps. Wraps spotted and lightly torn. OTHERWISE FINE AND BRIGHT, WITH NO DEFECTS. An outstanding association copy, in very good condition.
90 pages. Profusely illustrated, frequently in color. Features: The Pantomime Tradition; The Plant Artists of Kew; Modern Ephemera; Love; Frost Fairs on the Thames; Mr. Bellingham's Crime; Two Centuries of Jigsaws; Getting Steamed Up - the National Traction Engine Club at Kendal; Tiles from Turkey; Pots for Keeping Things In; The Social Nuances of the first name, surname, initials and nickname from the rigidities of Victorian times to the informality of today; Six Centuries of Food; Antinori family history; Trends in art book publishing; Reviving the art of embroidery; Nice ad for the Jaguar XJS; The Runaway Christmas Pudding; During holidays our ancestors served a much wider variety of tame and game fowl with elaborate and complicated garnishings; and more. Average wear. Faint newsstand inkstamp atop back cover. A worthy vintage copy. Book
Two Volumes. Eleven of sixteen color plates. Signed bookplate of Henry W. Shoemaker in both volumes. Henry Wharton Shoemaker (1880-1958), was a prominent American folklorist, historian, diplomat, writer, publisher, and conservationist. XLib stamps embossed in blind on title pages and elsewhere. Slightly foxed. Large 8vo. Original full blue cloth bindings. Spines lettered and decorated in gold with XLib call numbers on spine. Bindings rubbed and worn. Hardbound. Good. VERY SCARCE. **PRICE JUST REDUCED! JUN5 BOX 3
24 X 17,5 CM., 227 -(5) PP., BROSS. EDIT. ILL. IN NERO, NUOVO (M).<BR>(SAGGI E MATERIALI UNIVERSITARI 5. SERIE DI STORIA DEL TEATRO A CURA DI UMBERTO ARTIOLI E FERNANDO TREBBI)<BR>ISBN 8886413513 FL 348
grand in-8°, 253 pages, abondamment illustre en n&b, discographie, broche, couverture illustree plastifiee. Bel exemplaire. [NV-18]
40 pages. Undated but from 1941 or earlier as this theatre was destroyed in the blitz of that year. Large black and white full-page photos of Emile Littler plus cast members, Jack Stanford, Eddie Gray, Fred Wynne, Magda Neeld, The Hartman Brothers, Pauline Lewis, The Four USA Girls, and Betty Jumel. Many nostalgic black and white advertisements. Corresponding half-inch openings to fore-edge of back cover and last page, otherwise unmarked with moderate wear. Faint bit of sticker remnant on front cover. Bit of white tape on white back cover. Binding intact. A sound and pleasing copy of this vintage item. Book
In-4°; ritratto a piena pagina inciso su rame di Calliachius, cc. (15), pp. 98, (2), al front. piccolo legno, Opera dedicata a Pietro Garzoni. Storia del mimo e della pantomima e delle loro origini nell’antichità, presso i greci e i latini, con molte citazioni dalle fonti classiche. Un capitolo è anche dedicato all’allestimento delle scene, agli abiti i scena e agli strumenti musicali adoperati dagli attori. Legatura in piena pergamena rigida con tassello e titolo in oro al dorso. Al frontespizio timbro a inchiostro.
16 pages. Contents: Ladies' and Children's Toilettes - cover illustration; Bringing up Parents; New York Fashions - spring bonnets, spring silks for suits, other spring fabrics, a new trimming; Personal; Cravats; Silk Cravat with Tatted Ends; Crochet Cravat End - Irish Guipure; Corners of Netted Guipure and Crochet Borders; Plaid Talma; Hats and Bonnets; Coiffure for Young Married Lady; Feather Fan; Crochet fringe borders; Powder box; Paris Fashions; Hannah's Quilting; Whitewash; Sayings and Doings; Lovely illustration of a fancy dress ball; Interesting illustration of a pantomime party; Debenham's Vow - continued; Lovely walking dress; Pacific Railway Dining Car - nice illustration on-board the dining car on the Union Pacific Railway; humor; and more. Average wear. Book
Features: Problems that must be solved (story); Hun Energy Expressed in High Explosives; Courtesy and Carefulness Diversely Displayed; Camouflage and contrasts from Flanders to Alsace; Democracy Tests Autocracy with Terms of Peace; Captain Sword and Captain Pen at Brest Litovsk; War in the Air from Home to the Holy Land; Some Sidelights on the Temperament of the Slav (story); Service merciful and military 'mid wintry snow; Tracking the Slinking Jackals of the Sea; Some Episodes in the story of the Seaplane Service (story); Monster Machines that Battle in the Blue; Persistent Pursuit of the Turk in Palestine; Men of the East Render Ready help to the west; How France Faced Hun Spies (story); Titanic feat of Italian Seamen at Trieste; R.G.A. Officer Cadets at a Training School; Pierrots and Pantomime Players from France. The Welsh Guards (story). Average wear. Staples disintegrated. Book
244p. illus. Hardcover Very good condition
London, Paddington Press, 1978, 26 x 18,5 cm., cartoné editorial con sobrecubiertas, 10 hojas de texto + 70 hojas con ilustraciones y láminas la mayoría en colores.
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. RIMANENZA DI MAGAZZINO PARI AL NUOVO. LIEVISSIMI SEGNI DEL TEMPO. Descrizione bibliografica Titolo: Voci dal Piccolo teatro di Roma: Orazio Costa dalla pedagogia alla pratica teatrale Autore: Maria Teodolinda Saturno Prefazione di: Alessandro D'Amico Editore: Roma: Bulzoni, 2001 Lunghezza: 313 pagine; 22 cm ISBN: 8883195728, 9788883195723 Collana: Volume 107 di Biblioteca teatrale Soggetti: Teatro, Insegnamento teatrale, Pedagogia, Registi teatrali, Novecento, Orazio Costa Giovangigli, Attori, Recitazione, Scuole, Metodi, Didattica, Drammaturgia, Silvio d’Amico, Drama Study and teaching, Italy, Rome, Accademia Nazionale d'Arte Drammatica, Piccolo Teatro della Città di Roma, Teatro alla Scala di Milano, Teoria Generale, Jacques Copeau, Messa in scena, Cura, Direzione, Allestimento, Scenografia, Spettacolo, Mimo, Mimica, Metodo Mimico, Teatro della Pergola di Firenze, Formazione, Missione, Lezioni, Maestri, Eleonora Duse, Personaggi, Roberto Herlitzka, Nino Manfredi, Claudio Bigagli, Pier Paolo Pacini, Fabrizio Gifuni, Pierfrancesco Favino, Luigi Lo Cascio, Amleto, Edipo, Renato De Carmine, Gabriele Lavia, Ilaria Occhini, Colpo di scena, Anton Cechov, Antonio Pierfederici, Interpretazione, Linguaggio, Nodi drammatici, Studi, Coro liturgico, Corpo creativo, Rappresentazione, Prove, Movimento, Espressione, Mistero, Tecnica, Anni Cinquanta, Biografie, Rossella Falk, Elio Pandolfi, Bice Valori, Marina Bonfigli, Franco Giacobini, Franz De Biase, Anna Proclemer, Mario Ferrero, Critica, Recensioni, Chiusura, Theatre, Theater teaching, Pedagogy, Theater directors, Actors, Acting, Schools, Methods, Didactics, Dramaturgy, National Academy of Dramatic Art, General Theory, Staging, Care, Direction, Preparation, Scenography, Show, Mime, Mimic Method, Florence, Formation, Mission, Lessons, Masters, Characters, Twist, Interpretation, Language, Dramatic Nodes, Studies, Liturgical Chorus, Creative Body, Performance, Trials, Movement, Expression, Mystery, Technique, Biographies, Criticism, Reviews, Closure Indice Alessandro d’Amico, Prefazione Introduzione L’ultimo atto: la chiusura e i suoi strascichi Il prologo: precedenti e retroscena Atto I: fondare un teatro nuovo Atto II: successi e difficoltà finanziarie Atto III: la crisi Atto IV: lotta fino all'ultimo respiro Postfazione: colloquio con Orazio Costa Appendice Schede degli spettacoli Elenco degli attori e registi Bibliografia Le fonti Recensioni degli spettacoli
Very Good English Original theater program signed 'Marcel Marceau' to a person named Julien. Demy 8vo. (22 x 15 cm). In English. [30] p., fully advertisements. Marceau's program: "Week of Sunday, May 4, 1958. Matinee Saturday, May 10. Ronald A. Wilford Associates presents Marcel Marceau and hiss partners Gilles Segal and Pierre Verry. The program will consist of pantomimes selected from the following repertoire[.]". Notes on the last pages. Marceau was a French actor and mime artist most famous for his stage persona as "Bip the Clown". He referred to mime as the "art of silence" and he performed professionally worldwide for over 60 years. As a youth, he lived in hiding and worked with the French Resistance during most of World War II, giving his first major performance to 3,000 troops after the liberation of Paris in August 1944. Following the war, he studied dramatic art and mime in Paris.
Hardcover in-4°, 54 pages, nombreuses photos en couleurs, cartonnage illustre de l"editeur. Tres bel exemplaire agémenté d'une page A.S. de Marcel MARCEAU. [P-12]
8°, BROSSURA BIANCA MUTA, SOVR. CON FOTO A COLORI, PG. 221 (3), NOTEVOLE APPARATO ICONOGRAFICO CON FOTO B.N. E A COLORI (ANCHE A PIENA PG.), A CURA DI A. VINCENTI E CON LA COLLABORAZIONE DI G. FOURNIER-FACIO, BUONO STATO. PRIMA EDIZIONE.
Cm. 21, mezza tela con tit. in oro al dorso, piatti marm., pag. XII (2) 390 (1 c.b.) più 26 belle tavole litografiche fuori testo di Ettore ed Eduardo Ximenes. Importante opera scientifica del noto medico milanese. Parte prima: la faccia umana. Parte seconda: la mimica. Appendice: Gli occhi, i capelli e la barba nelle razze umane. Lievi usure alla legatura, ma internamente ottimo esemplare. Molto interessante la prima parte con un sunto delle opere storiche di Fisiognomica.
168pp., 21cm., Doctoral Dissertation (Inaugural-Dissertation zur Erlanguing des Grades eines Doktors der Philosophie der Philosophischen Fakultät der Freien Universität Berlin), softcover, stamp at title page, text is clean and bright, T111738
A very small number of classified section listings highlighted in very pale yellow. No other marks or inscriptions to contents. No creasing to covers. A very clean very tight copy with slighly tanned pages and no bumping to corners. 147pp. This issue includes the poetry of Sir John Betjeman, JRR Tolkien, William Trevor, the 'Windsor' Magazine, the U-Boat War, Peter Lovesey detective stories, the history of the pantomime, and art nouveau books.
Near fine (no dj, pictorial card covers, a near fine clean bright tight copy with no marks or inscriptions, corners of front cover very lightly rubbed and very slight insignificant cockling bottom edges of pages) large octavo 100pp. Covers every aspect of how to create a pantomime, from choosing or writing a script to the last peformance. Illustrated with b/w photos, tables and diagrams.
Buenos Aires, edición del autor, sin fecha, 17 x 11,5 cm., cartulina editorial, 15 págs. en papel de hilo.
in-8 oblong (13,5x20), 201 pages, nombreuses photos en heliogravure, cartonnage illustre de l"editeur. Tres bel exemplaire. [AB-1]
Cm. 24,4, cart. edit., pag. 345 (3). Con diverse foto nel testo. Interessante. Qualche sottolineatura a matita ma ottimo esemplare.
Paris, Choudens fils, 1893, in-8, br. editoriale, pp. (4), 195, (1). Copertina anteriore figurata. Timbro dello “Stabilimento Musicale Romano”, Via Nazionale 203, Roma. Fascetta di rinforzo al dorso; qualche traccia d'uso alle copp. Elencati gli interpreti. Pasquale Cataldo Maria Costa (Taranto 1858-1933)fece studi a Napoli (San Piero a Maiella), e fu compositore, tenore, pianista, autore di operette e canzoni sui versi di Di Giacomo, F. Russo, R. Bracco, ecc., ma la sua fama è legata proprio a questa pantomima, sorta di balletto senza schemi coreografici fissi.
