483 résultats
Inscribed by author on titlepage in pencil to Christian Habicht. Spine slightly sunned else fine. ; Akademie Der Wissenschaften Und Der Literatur. Abhandlungen Der Geistes- Und Sozialwissenschaftlichen Klasse Jahrgang 1990 4; 307 pages
Inscribed by author on titlepage in pencil to Christian Habicht. Spine slightly sunned else fine. ; 254pp, a few illustrations. ; Akademie Der Wissenschaften Und Der Literatur. Abhandlungen Der Geistes- Und Sozialwissenschaftlichen Klasse Jahrgang 1991 3; Vol. 2; 254 pages; Signed by Author
Later paper wrappers, with original rear wrapper bound in. 12mo. 4, 32 pages, 18 cm. In Hebrew. Title translates to "Hagadah for Purim Night. " A famous parody of the Passover Haggadah. The author's peculiar interest in getting drunk is the centerpiece of these poems. Sommerhausen (1781-1853) was a Hebrew philologist from Amsterdam. SUBJECTS: Purim parodies. OCLC lists 11 copies worldwide (OCLC: 48750812) . Vinograd, Amsterdam 2705. Some stains, corners a bit rounded, nice wide margins, about Very good condition. (HAG-24-1-LKK'bgg)
PARIS, Librairie Charpentier et Fasquelle - 1919 - In-8 - 1/2 reliure à coins, dos lisse avec titre doré - Couverture illustrée conservée - Signet - 1édition - 217 pages - Bon exemplaire 2 ex-libris de Guy Ramard
Very Good English Modern cloth bdg. Demy 8vo. (21 x 14 cm). In Turkish. 152 p. First and only edition. Bir günün beyligi. Komedi, 3 perde. Translated by Ali Süha Delilbasi.
Looks like new, but is printed on age-toned paper. 158 pages.
Small neat bookplate from previous owner on reverse of end paper. No marks or inscriptions. A lovely clean crisp very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked, torn or creased. 224pp. A superbly comprehensive tribute to Lucille Ball and 'I Love Lucy' with a wealth of pictorial material as well as a concise biography. A total of 646 pieces of promotional material are pictured with a guide to prices for every one of these. Full details of television appearances, filmography, radio shows, I Love Lucy, The Lucy Show and much more including a bibliography.
461p., illus. Hardcover Very good condition good
Foxing to some pages. No other marks or inscriptions. Booklet has been folded into four, so well creased. 16pp. In the Yorkshire Series of Humorous Dialogues Sketches & Recitations - No 119. Script for a comedy sketch for three males and four females. Extremely scarce.
1st edition. 4to, 87 pages, illustrated by Frank Dickens. Good condition in glazed pictorial boards. Fly title page has been removed. 40520. eng
in-4° XXII-264 pages, bl./wh. illustr., index, bind. in boards, plast. dustjacket. VG+/VG [PL-EN]
371p. Some signatures loose. Old staining. Foxed. Original worn full brown publisher's cloth binding, publisher's initials embossed on front board. First Edition. HUMOR 8
Scholars' bookplate to inner cover. Light bumping to corners. Minor shelfwear. Dustjacket has minor shelfwear and rubbing. ; 356 pages; The contributions to this volume by a team of international experts illustrate how the linguistic study of Greek comedy can deepen our knowledge of the intricate connections between the dramatic texts and their literary and socio-cultural environment. The language of Greek comedy: introduction and bibliographic sketch / Andreas Willi -- Ionian Iambos and Attic Komoidia: father and daughter, or just cousins? / Ewen Bowie -- The language of Doric comedy / Albio C. Cassio -- Some evaluative terms in Aristophanes / Kenneth Dover -- Figures of speech in Aristophanes / Simon R. Slings -- Languages on stage: Aristophanic language, cultural history, and Athenian identity / Andreas Willi -- Comic elements in tragic language: the case of Aeschylus' Oresteia / Alan H. Sommerstein -- Mageiros Poietes: language and character in Antiphanes / Gregory W. Dobrov -- Some orthographical variants in the papyri of later Greek comedy / W. Geoffrey Arnott -- Speech within speech in Menander / René Nünlist.
Light browning to endpapers. Some fraying to spine ends. Corners somewhat edgeworn. Some shelfwear. ; 490 pages
439p., illus. Hardcover Good condition, clean & tight
Scholar's name to half-title (Robert Brown). Faint crease to lower corner of front wrap and first few pages. Light crease to spine. ; 'Laughter', says Eric Weitz, 'may be considered one of the most extravagant physical effects one person can have on another without touching them'. But how do we identify something which is meant to be comic, what defines something as 'comedy', and what does this mean for the way we enter the world of a comic text? Addressing these issues, and many more, this is a 'how to' guide to reading comedy from the pages of a dramatic text, with relevance to anything from novels and newspaper columns to billboards and emails. The book enables you to enhance your grasp of the comic through familiarity with characteristic structures and patterns, referring to comedy in literature, film and television throughout. Perfect for drama and literature students, this Introduction explores a genre which affects the everyday lives of us all, and will therefore also capture the interest of anyone who loves to laugh. ; Cambridge Introductions to Literature; 254 pages
Small tear (1.5 cm) to top of spine and a minor bump. Former owner's name to front cover. Spine a bit browned. ; Vii, 273pp, 3pls. ; Institute of Classical Studies Bulletin Supplement 112; 4to - over 9¾" - 12" tall; 273 pages
Full brown cloth boarrds show a bit of fading at edges; brown ink from cloth has rubbed off onto inside of dust jacket at bottom edge. Edge wear to dust jacket. Stated First Printing. "Palm Sunday is a marvelous pastiche of speeches, letters, fiction, articles--even a musical comedy--woven together by a narrative in the distinctive, ironic Vonnegut voice to form an autobiography presenting the life and opinions of Kurt Vonnegut in his own words." [blurb]
191pp., 24cm., in the series "Supplementa humanistica Lovaniensia" volume XVII (17), softcover, fine condition, [introduction and commentary in English, text in Latin], T74586
New. Unwrapped in plastic; 255 pages; Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds. In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades. According to Vickers, the plays of Aristophanes--far from being nonpolitical--actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.
Minor shelfwear to DJ. ; 255 pages; Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds. In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades. According to Vickers, the plays of Aristophanes--far from being nonpolitical--actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.
"Aristophanes has enjoyed a conspicuous revival in nineteenth and twentieth-century Greece. [This is] the first critical analysis of the role of the classical Athenian playwright in modern Greek culture, explaining how the sociopolitical "venom" of Aristophanes' verses remains relevant and appealing to modern Greek audiences." 284p. bibliography.index Book
in-8, 130 pp., broché, couv. carton souple. Bel exemplaire [SO-7]
Endpapers browned. Some foxing. Former owner's name on ffep. Some spotting to boards. Edgewear to extremities. ; 135 pages
Full blue cloth boards; clean and unmarked. Blue ribbon bookmark. Slipcase is in Very Good condition with spots and scuff marks. 1030 pages.