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168254099à Paris: Chez Denys ThierryClaude BarbinPierre Trabouillet 1682. Fine. First and most acclaimed collected edition of Molière's works bound by M. Lortic Chez Denys Thierry Claude Barbin Pierre Trabouillet à Paris 1682 9 x 16.50 cm 8 volumes reliés First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre L’Impromptu de Versailles Dom Juan ou le Festin de Pierre Les Amans magnifiques and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart 9 of them included in the pagination.19th-century red full morocco binding spines with five raised bands date gilt at foot double gilt fillets to edges of covers and spine-ends large inner gilt dentelle marbled endpapers all edges gilt. Bindings signed M. Lortic. An exceptional copy of the famous 1682 edition housed in a very elegant binding by Marcelin Lortic who succeeded his father Pierre-Marcellin Lortic - Baudelaire's binder. The first complete edition of the works of Molière edited by two of his close friends Vinot and the actor Charles Varlet de la Grange who was also his troupe’s secretary: “For this edition publishers used Molière’s manuscript texts more or less corrected by him either according to the needs of performances or publication. This means that the text of 1682 often differs slightly from the separate first editions and the collected edition of 1674.Despite this it is the text that has most often served as a source for the numerous later editions published right up to the present time” J. Le Petit Bibliographie des principales éditions originales.  According to Anaïs Bazin “It is in the Préface by Lagrange and Vinot placed at the beginning of the first edition of the Œuvres complètes de Molière 1682; there and nowhere else we still find today the only reliable and acceptable information — perhaps the only information and this conjecture is a serious one — that Molière wished to leave to the public concerning his fifty-one-year career!” Notes historiques sur la vie de Molière Techener 1851. This slightly excessive sentence nevertheless highlights the unique importance of these first biographical notes written by close friends of the greatest French dramatist. It also reveals numerous faults within the known versions of Molière’s final play and masterpiece Le Malade imaginaire printed after the author’s death. “This comedy is corrected from the author’s original manuscript and free of all the false additions and presumed scenes inserted in previous editions. And to highlight this declaration even further they take care to write at the beginning of two scenes in the first act that the text — actually the entire act — was not Molière’s in the previous editions and that they publish here the author’s original scenes.” In his bibliography Albert-Jean Guibert would conclude: “This edition must be regarded quite rightly as the most complete of the seventeenth-century editions. Stage directions are included and for the first time each comedy is preceded by an engraving particularly valuable for the attitudes and costumes of the characters.”  Chez Denys ThierryClaude BarbinPierre Trabouillet hardcover
JUINBB10<p>Paris Gabriel Quinet 1662.</p><p>12mo 144 x 88 mm of 11 ll. pp. 9 to 76 1 l. with the extract of the privilege.</p><p>Full red Jansenist morocco spine ribbed inner gilt border gilt edges. <i>Binding signed Trautz-Bauzonnet.</i></p><p><b>Precious first edition of the " </b><i><b>facheux</b></i><b> " first comedy-ballet composed by Moliere.</b></p><p>Guibert I p.75 ; Lacroix n°7; Tchemerzine IV 770 ; Ruble 357.</p><p>This comedie-ballet was first performed on August 17 1661 at Vaux-Le-Vicomte in Fouquet's castle in the presence of Louis XIV.</p><p>This play by Moliere is among the most sought-after its printing having been disturbed by the arrest of Fouquet.</p><p>"A singular anomaly is noticed in the pagination.</p><p>The copy is composed of quires comprising 6 leaves each. The first quire signed A begins with the title and ends on the verso of the Epistre au Roy which is blank. The second quire signed A begins with the Preface and ends on page 10 that is to say on the back of the first leaf of the piece. Usually this page 10 should be numbered 12 the recto being 11. However these 2 pages do not exist since the pagination jumps from 10 to 13 page 13 being signed B beginning of the third quire.</p><p>Several assumptions were made but in our opinion those of Paul Lacroix and Le Petit seem to us to be the only valid ones.</p><p>It is indeed probable that the play having been performed first at the festival of Vaux in the castle of the Superintendent Fouquet a dedication had been prepared by Molière for the intention of the latter.</p><p>The Preface and the Prologue were perhaps also intended to allude to Fouquet. But the disgrace of the Superintendent having occurred suddenly three weeks after the performance on September 5 to be exact Molière had to wait before deciding to take his privilege and have the play printed to be sure of the King's final attitude towards his Superintendent. This may explain the delay in printing the play 18 February 1662.</p><p>When he was certain that the King persisted in his attitude he quickly modified his dedication the Preface and the Prologue and suppressed the dedication to Fouquet. The irregularity of pagination can have no other cause than the haste with which these changes were made." Guibert I p.77</p><p>The Privilege dated February 5 1662 is granted to Sieur Molière then yielded by him to Guillaume de Luyne who shared it then with Ch. de Sercy Jean Guignart sic Cl. Barbin and G. Quinet.</p><p>The imprint is dated February 18 1662.</p><p>"<i>Le Petit</i> notes in his <i>Bibliographie des Principales Editions Originales</i> 1888 that he has not seen a copy whose last page is numbered 52 instead of 76.</p><p>We are quite surprised by this observation because all the copies we have seen except one have the pagination error including ours. There are therefore two issues of this edition one with the error the other without the error." Guibert.</p><p>In fact <i>"Les Fâcheux"</i> were conceived composed learned and performed in 15 days during the sumptuous festivities that took place at Fouquet's palace. The comedy pleased Louis XIV so much that he deigned to collaborate. Molière took advantage of the King's advice and modified his play accordingly.</p><p><i>"Les Fâcheux</i>" inaugurate the series of plays with great spectacle mixed with ballets which pleased Louis XIV and which were to lead 10 years later to the formula of the opera. The comedy has a clearly satirical turn; all these annoyances are characters of the French court who were to be very recognizable.</p><p>The charm of the play comes from the pungent succession of scenes taken on the spot.</p><p><b>One of Moliere's most sought-after plays.</b></p><p>Among the 17 original editions of Molière owned by <i>Guy Pellion</i> all bound in nineteenth century morocco <i>Les Facheux</i> reached the highest bid along with <i>Le Tartuffe Les Fourberies de Scapin</i>and <i>L'Etourdi.</i></p><p>In the catalog of Morgand et Fatout bookshop of May 1876 the original editions of <i>L'Estourdy</i> and <i>Les Fâcheux</i> both bound in morocco by Trautz-Bauzonnet were respectively listed at 1350 and 1800 gold F.</p><p><b>A fine copy from </b><i><b>Bernard Jean</b></i><b> library.</b></p><p><br /></p><p><u>FRENCH</u><br /></p><p>In-12 de 11 ff. pp. 9 à 76 1 f. d'extrait du privilège.</p><p>Relié en plein maroquin rouge janséniste dos à nerfs roulette intérieure dorée filet doré sur les coupes tranches dorées. <i>Reliure signée Trautz-Bauzonnet.</i></p><p>144 x 88 mm.</p><p><b>Précieuse édition originale des</b><i><b>" Facheux "</b></i><b> première comédie-ballet composée par Molière.</b></p><p>Guibert I p.75 ; Lacroix n°7; Tchemerzine IV 770 ; Ruble 357.</p><p><b>Cette comédie-ballet fut représentée pour la première fois le 17 août 1661 à Vaux-Le-Vicomte dans le château de Fouquet en présence de Louis XIV.</b></p><p><b>Cette pièce compte parmi les plus recherchées de Molière </b>son impression ayant été perturbée par l'arrestation de Fouquet.</p><p>" Une anomalie singulière se remarque dans la pagination.</p><p>L'exemplaire est composé de cahiers comportant chacun 6 feuillets. Le premier cahier signé<i> A </i>commence au titre et se termine au verso de l'Epistre au Roy lequel est blanc. Le deuxième cahier signé<i> A</i> commence par la Préface et se termine page 10 c'est-à-dire au verso du premier feuillet de la pièce. Normalement cette page 10 devrait être chiffrée 12 le recto étant 11. Or ces 2 pages n'existent pas puisque la pagination saute de 10 à 13 la page 13 étant signée<i> B</i> début du troisième cahier.</p><p>Plusieurs suppositions ont été faites mais à notre avis celles de <i>Paul Lacroix</i> et de <i>Le Petit</i> nous paraissent seules valables.</p><p>Il est en effet probable que la pièce ayant été jouée d'abord à la fête de Vaux dans le château du Surintendant Fouquet une dédicace avait été préparée par Molière à l'intention de ce dernier.</p><p>La Préface et le Prologue devaient peut-être aussi faire allusion à Fouquet. Mais la disgrâce du Surintendant étant survenue brusquement trois semaines après la représentation le 5 septembre exactement Molière dut attendre avant de se décider à prendre son privilège et faire imprimer la pièce d'être fixé sur l'attitude définitive du Roi à l'égard de son Surintendant. C'est ce qui peut expliquer le retard apporté à l'impression de la pièce 18 février 1662.</p><p>Quand il fut certain que le Roi persistait dans son attitude il modifia rapidement sa dédicace la Préface et le Prologue et supprima la dédicace à Fouquet. L'irrégularité de pagination ne peut avoir d'autre cause que la hâte avec laquelle ont été opérés ces changements. " Guibert I p.77</p><p>Le Privilège daté du 5 février 1662 est accordé au Sieur Molière puis cédé par lui à Guillaume de Luyne lequel le partagea ensuite avec Ch. de Sercy Jean Guignart sic Cl. Barbin et G. Quinet.</p><p>L'achevé d'imprimer est du 18 février 1662.</p><p>" <i>Le Petit</i> note dans sa <i>Bibliographie des Principales Editions Originales</i> 1888 qu'il n'a pas vu d'exemplaire dont la dernière page soit chiffrée 52 au lieu de 76.</p><p>Nous sommes assez surpris de cette constatation car tous les exemplaires que nous avons vus sauf un seul comportent l'erreur de pagination le nôtre y compris. Il existe donc deux tirages de cette édition l'un avec la faute l'autre sans la faute. " Guibert.</p><p>En fait <i>" Les Fâcheux "</i> furent conçus composés appris et représentés en 15 jours au cours des fêtes somptueuses qui se déroulèrent au palais de Fouquet. La comédie plut tant à Louis XIV qu'il daigna y collaborer. Molière profita des conseils du Roi et modifia sa pièce en conséquence.</p><p><i>" Les Fâcheux " </i>inaugurent la série des pièces à grand spectacle mêlées de ballets qui plaisaient à Louis XIV et qui devaient aboutir 10 ans plus tard à la formule de l'opéra. La comédie a un tour nettement satirique ; tous ces fâcheux sont des personnages de la cour de France qui devaient être fort reconnaissables.</p><p>Le charme de la pièce vient de la succession piquante de scènes prises sur le vif.</p><p><b>L'une des pièces les plus recherchées de Molière.</b></p><p>Parmi les 17 originales de Molière possédées par <i>Guy Pellion</i> toutes reliées en maroquin du XIXe siècle <i>Les Facheux</i> suscitèrent la plus haute enchère avec <i>Le Tartuffe Les Fourberies de Scapin</i> et <i>L'Etourdi.</i></p><p>Dans le catalogue de la grande librairie Morgand et Fatout de mai 1876 les originales de <i>L'Estourdy</i> et des <i>Fâcheux</i> toutes deux reliées en maroquin de Trautz-Bauzonnet étaient respectivement cataloguées 1 350 et 1 800 F or.</p><p><b>Bel exemplaire de la bibliothèque</b><i><b> Bernard Jean</b></i><b>. </b></p> hardcover
97832Paris Firmin Didot for L. de Bure 1825. . 2 vols 8vo. in 4s I: 4 xxvi 374 pp. with copper-engraved frontispiece; II: 4 375-775 1 pp.; bound with 39 contemporary copper-engraved plates each in two states two plates appear in three states and 12 pen and ink drawings dated variously 1821-2 trimmed and mounted one with copper-engraved portrait inset; later straight-grained red morocco gilt by Noulhac signed and dated 1918 in gilt at foot of spine edges gilt silk endleaves and doublures; minimal rubbing at extremities otherwise a very fine extra-illustrated set.<br /> This beautiful set has been bound by the famous binder Henri Noulhac 1866-1931. Noulhac set up his workshop at 10 rue de Buci in Paris in 1894 and was soon considered a 'superlative craftsman' becoming a leader in the art deco style.<br /><br />Henri Béraldi 18491931 one of Noulhac's patrons was a renowned French bibliophile publisher and author of books on the Pyrenees and on French printmakers of the 19th century. His collection 'consisted mainly of French illustrated books and books with special bindings and was considered one of the four most important collections of its type'.<br /> Paris, Firmin Didot for L. de Bure, 1825. unknown
168295843Paris: Chez Denys Thierry 1682. First complete and first illustrated collected edition including 6 previously unpublished plays of the works of Moliere. Small octavo 8 volumes. Finely bound in full crushed red morocco by Pouillet gilt titles to the spine raised bands inner dentelles marbled endpapers all edges gilt illustrated with engravings throughout. In near fine condition. An exceptional example. Jean-Baptiste Poquelin known by his stage name Molière baptised January 15 1622 February 17 1673 was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature. Among Molière's best-known works are Le Misanthrope The Misanthrope L'École des femmes The School for Wives Tartuffe ou L'Imposteur Tartuffe or the Imposter L'Avare The Miser Le Malade imaginaire The Imaginary Invalid and Le Bourgeois Gentilhomme The Bourgeois Gentleman. Born into a prosperous family and having studied at the Collège de Clermont now Lycée Louis-le-Grand Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comic abilities while he began writing combining Commedia dell'arte elements with the more refined French comedy. Chez Denys Thierry hardcover
1734130224Paris: Pierre Prault 1734. First edition first issue of one of the greatest French illustrated books of the first half of the eighteenth century. First issue with "Comteese" in vol. VI p. 360 line 12. Quarto six volumes bound in full calf with gilt titles and ruling to the spine in six compartments within raised bands morocco spine labels lettered in gilt. Illustrated with 33 engraved plates by Laurent Cars after François Boucher engraved frontispiece portrait of Molière by Nicolas-Bernard Lépicié after Charles-Antoine Coypel 210 engraved head and tailpieces and 104 engraved initials by Joullain and Cars after Boucher Blondel and Oppenord. In near fine condition. Rebacked by MacDonald. From the library of Lady Elizabeth Anne Levinge née Parkyns with her bookplate and ownership signature to each volume. Additional bookplate to each volume. A very nice example of this brilliantly illustrated compendium of the works of the great French playwright. French playwright actor and poet Jean-Baptiste Poquelin known by his stage name Molière is widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies farces tragicomedies comédie-ballets and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence remains such that the French language is often referred to as the "language of Molière". [Pierre Prault] hardcover
93648Paris 1734. . First edition illustrated by Boucher later state with 'Comtesse' on p. 360 of volume VI; 6 vols 4to 29.1 x 22 cm 6 lxiv lxvii-lxxii 330; 6 447; 6 442; 6 420; 6 618; 6 554pp. with half-titles engraved portrait by Lépicié after Coypel titles with large vignette 33 engraved plates by L. Cars after F. Boucher 198 vignettes and culs-de-lampe including repeats historiated initials the odd very random spot mostly to the last few leaves of volume V the half-title-page of volume IV and the first blank endpaper at the rear of volume I which also has a small hole probably a paper flaw rather than damage; browning oxidisation to one area of the half-page of volume III otherwise very clean and bright contemporary marbled calf gilt triple fillet border on boards spines in 6 compartments lavishly decorated with floral and foliate motifs morocco labels lettered in gilt to second and third raised bands in very good order commensurate with their age a little rubbed at extremities with a notable abrasion and small loss to the surface at the base of the upper board of volume I otherwise very good. <br /> With illustrations by the celebrated Rococo painter François Boucher. 'The book's format is noble Molière's text is presented with more care than ever before and Laurent Cars' engravings catch the spontaneity and elegance of Boucher's sketches with easy precision.' While admitting that the accompanying ornamentation is 'both conventional and repetitive' Ray still finds that Boucher's own contributions of this kind 'happy fantasies of impudent cupids at play are of a higher order' Ray.<br /><br />'Chef-d'oeuvre de Boucher comme illustration; c'est l'un des plus beaux livres de la première partie du XVIIIe siècle' Cohen-de Ricci.<br /> Brunet III 1798; Cohen-de Ricci 712-14; Ray French 6. Paris, 1734. hardcover
61692Paris: Pierre Prault 1734. 6 Vols. 4to. 29. 5 x 23 cm. Second issue with the misprint "Comteese" at line 12 on p.360 of Vol. 6 corrected. Contemporary full French mottled calf sides ruled with three gilt fillets spines with raised bands and gilt-decorated in compartments with fleuron devices complementary red and green morocco labels marbled endpapers and edges. 34 plates comprising portrait frontispiece of Moliere by Coypel engraved by Lépicié and 33 plates by Boucher engraved by Laurent Cars plus 198 vignettes and culs-de-lampe many repeated by Boucher Blondel and Oppenord engraved by Joullain et Laurent Cars vignette on each title-page. Some light rubbing to extremities contents with occasional browning and light occasional spotting generally a very good handsomely bound set. "Le chef-d'oeuvre de Boucher comme illustration; c'est l'un des plus beaux livres de la première partie du XVIIIe siècle" Cohen-De Ricci. Updike "Printing Types" p.230 uses this edition to demonstrate the aridity of the later Molière printed by Didot: "To understand Didot's edition typographically compare it with the six-volume quarto edition of Molière of 1734 which was intended to be "printed with magnificence" by Pierre Prault. Prault's edition is from old style type faces full of warmth and colour while in the Didot Moliere though the types are not absolutely modern face they have lost their suave quality." "Edition assez belle et la première un peu remarkable que l'on ait donnée de notre grand comique." Brunet. "A tour de force" Bland. Cohen-de Ricci 712-14; Ray The Art of the French Illustrated Book 6; Tchemerzine 1977 IV 827. Paris: [Pierre Prault], 1734. hardcover
1888ST20760-04Paris: Librairie des Bibliophiles 1888-96. ONE OF 25 COPIES on papier de Chine fort as well as 20 on Japon and 25 on Whatman paper. 180 x 110 mm. 7 x 4 1/4". 30 volumes. <br/> VERY DECORATIVE CONTEMPORARY CRIMSON MOROCCO INTRICATELY GILT 16 volumes stamp-signed Bretault on front turn-in covers with gilt French fillet raised bands spines very densely gilt in compartments 10 with a floral centerpiece and 20 with a scroll centerpiece wide turn-ins gilt with elaborate floral scrolls marbled endpapers all edges gilt original printed paper wrappers bound in. Six volumes in slightly worn marbled paper slipcases. WITH 60 PLATES each of the 30 volumes with two states of an engraving by Champollion after Louis Leloir many retaining their original tissue guards. Title pages printed in black and red. A few gatherings unopened. Ray 272 first Jouaust edition. Spines slightly darkened though hard to tell this because of all the gilt one volume with front joint a bit rubbed about a third of the volumes with occasional minor foxing a few marginal stains and soiling other trivial imperfections but A VERY FINE SET clean fresh and unusually bright internally and in very pleasing scarcely worn bindings.<br/> <br/> Printed on fine paper and in richly decorated bindings this is a handsome set of the works of the great French playwright. Under the stage name "Molière" actor and playwright Jean-Baptist Poquelin 1622-73 penned and produced satirical plays--many of which caused considerable scandal--at the Parisian theater now known as the Comédie Française. According to Britannica "the actor in him influenced his writing since he wrote at speed what he could most naturally act. . . . He is a classical writer yet he is ready to defy all rules of writing." The present multi-volume edition was produced by the Librairie des Bibliophiles founded by printer Damase Jouaust 1834-93 who specialized in luxury printings intended for bibliophiles issued on special papers and often with attractive etchings as here. Ray writes that Jouaust's Moliere first published in 1876-83 was "his most ambitious undertaking." The present smaller-format reprinting contains new plates after the same illustrations by Louis Leloir which Ray tells us were "carefully meditated" with great attention to accurate depictions of the period. The fine paper is thick and creamy and fortunately for us the pages bear almost no signs of use. Joseph Brétault 1856-1903 whose atelier was known for its fine work bound 16 of the volumes here while the remaining unsigned bindings are in consistent red morocco with well executed and elegant gilding. Librairie des Bibliophiles unknown
1963mon0000057234Librairie Larousse 1963-01-01. Mass Market Paperback. Good. in x in x in. Librairie Larousse paperback
173447973Paris: Pierre Praul avec privilege du Roy 1734. First edition in quarto 6 volumes engraved vignette title pages engraved portrait of Moliere by Coypel arfter Lépicié 33 engraved plates by F. Boucher after Laurent Cars plus numerous and often large engraved head- and tailpieces; contemporary full calf neatly rebacked computer-generated labels but actually rather o.k. lettered in gilt on spines a.e.g.; very good and sound. This copy is in the first state with the reading "Comteese" in Vol VI p. 360 line 12. Includes "Memoirs sur la vie & les ouvrages de Moliere par J.L.I. de La Serre" in volume I. Brunet III 1798; Cohen-de Ricci 712-14; Brunet III 16798: "Édition assez belle et la première un peu remarquable que l'on ait donnée de notre grand comique. [Pierre Praul] avec privilege du Roy unknown
1864267554Lyons: Nicolas Scheuring 1864. hardcover. fine. Collationné minutieusement sur les prémières Editions & sur celles des années 1666 1674 & 1682. Orné de vignettes gravées à l'eau-forte d'après les compositions de différents artistes par Fredéric Hillemacher. 8 volumes an additional volume. "Galerie Historique des Portraits des Comediens de la Troupe de Moliere". 9 volumes in total. Rubricated titles 8vo bound in 3/4 crimson morocco marbled boards and ornately gilt spines. Lyons: Nicolas Scheuring 1864-1869. Fine.<br/> <br/> Limited to only 400 copies.<br/> <br/> Nicolas Scheuring unknown
1734D14102Paris: printed by Pierre Prault 1734. First Edition. Hardcover. Very Good. Contemporary gilt-ruled polished calf gilt-stamped lettering in second and third spine compartments 5 raised bands gilt-stamped ornament in spine compartments a.e.g.; complete set of 6 volumes 4to 293x216mm; pp. 6 xvi 2 xvii-lxx 330; 6 446; 6 442; 6 420; 6 618; 6 554; with half-titles engraved title-pages author portrait after Coypel 33 full-page engravings by Carr after Francois Boucher head- and tailpieces. Boards a bit rubbed; spines dry and a bit chipped; joints cracked wht some professional repairs. Off-setting from engravings; previous owner's stamps with light off-set; intermittent spotting and toning mostly marginal; a few leaves with short marginal tears; title-pages with professionally excised stamps. Armorial bookplate of Ross Ambler Curran. <br/><br/>First edition of "Boucher's masterpiece. one of the most beautiful books of the early-18th century" Cohen de Ricci. First state with the reading "Comteese" in Volume VI page 360 line 12. "General opinion holds that the Boucher Moliere and the Oudry La Fontaine are the two masterpieces of French Book illustration during the first half of the eighteenth century" Ray French 6. Cohen de Ricci 712-14. [printed by Pierre Prault] hardcover
169739246Paris: Thierry. Near Fine with no dust jacket. 1697. Second Edition. leather. Engravings; 2500 pages; Les Uvres de Monsieur de Molière. Denys Thierry Claude Barbin et Pierre Trabouillet Paris 1697. Second edition. Eight volumes 12mo 156 x 91mm. 30 engraved illustrations by Sauvé after Brissart woodcut initials and ornaments occasional light offsetting. 19th-century red morocco by Duru and Chambolle edges gilt. The second edition of the illustrated collected works of France's greatest playwright by Thierry Barbin and Trabouillet. Molière S sharp and bravura sense of humor which encompasses the whole scope of human life earned him the favor of Louis XIV And the approbation of the Catholic church. This edition reproduces Thierry's 1682 illustrated edition which was the first to print the text of his Don Juan engraving included A play attacking hypocrites which was quickly suspended requiring him to censor the final lines even in print. Tchemerzine IV 826-827; Guibert II p. 629-658; Pléiade I CXVIII-CXXV. Condition crisp and Near Fine. Barely rubbed. Gilt very bright. Interiors with light ageing but crisp with minimal foxing. End papers with gold filigreed edges. Contemporary book dealers note tipped in. 6.5" x 4". . Thierry hardcover
1697185247Toulouse: Chez Jean Dupuy Dom. Declassan & Jean-Fr. Caranove 1697. Works and plays A handsomely bound set of the first Toulouse editions of Molière's works long held by the Comédie Française to offer the best rendition of his texts. The Toulouse editions largely reproduce the Parisian editions of 1682 published nine years after the great playwright's death; volumes VII & VIII are dedicated to his posthumous works. Lacroix notes that an engraved portrait frontispiece is present in some copies of Volume I but lacking in most as here. 8 vols duodecimo 150 x 88 mm. Engraved headpieces tailpieces and vignettes to title pages. Early 19th-century polished mottled calf by Mackenzie spines ruled and decorated in gilt and with twin red and black calf labels covers with double-rule panels in gilt and turn-ins in blind marbled endpapers edges red. Vol. VIII bound without leaf F1. Light bumping and rubbing minor foxing to otherwise crisp contents: a very good copy. Lacroix 288. unknown
1739157110London: John Watts 1739. The master of French comedy First complete English translation of Molière's collected works with the original French text printed on the opposite page. This influential translation made by the English naturalist Henry Baker the playwright James Miller and the schoolmaster Martin Clare "remains one of the most sober and faithful" Findlay p. 111 and was reprinted numerous times. During 14 years of activity as an actor and playwright in Paris Molière 1622-1673 transformed French comedy through use of an intensely physical comic method which has "little recourse to technical resources and gives full scope to the prowess of the actor" Barham & Brandon p. 757. Molière's work allowed French farce to become "a satiric commentary on the society of his time and a penetrating exploration of eternal human foibles and obsessive attitudes of mind. In his hands their absurdity never ceases to amuse" ibid. p. 757. This publication "more complete than that of 1732" trans. from Brunet III 1802 expands Watts's previous Select Comedies 1732 with the addition of 14 more plays a famous life of the author by the French playwright Jean-Louis-Ignace de La Serre and a new dedication. The illustrations appropriately placed at the beginning of every comedy were designed by Hogarth Coypel Rysbeck Boucher Hambelton Dandrige and Van der Gucht. 10 vols duodecimo 163 x 93 mm. Portrait frontispiece in vol. I and 31 engraved plates. Contemporary calf spines with raised bands compartments ruled in gilt red morocco lettering-pieces and brown calf numbering-pieces covers bordered with a double gilt fillet blue silk bookmarkers. 19th-century ownership stamp of Armand Harembert possibly the French medical author to front free endpaper of vol. III; vol. X with upper margin of front free endpaper clipped to remove early ownership inscription closed tear to rear endpaper. Extremities rubbed with some minor peripheral loss to leather occasional spots of worming to tender joints and inner hinges book blocks remaining firm occasional light offsetting and sporadic faint marks to contents overall remarkably crisp and clean. An attractive set presenting well in a contemporary binding. Lowndes VI p. 1582; Brunet III p. 1802. M. Barham & J. R. Brandon The Cambridge Guide to Theatre 1995; B. Findlay Frae Ither Tongues: Essays on Modern Translations Into Scots 2004. hardcover
16971102E001Paris: Thierry Barbin et Trabouillet 1697. Hardback. Printed pages: 24 309 419 310 298 335 287 261 308. Very Good. 4 x 6.5 inches 10 x 16.5 cm. Complete eight volume set. Full speckled calf leather bindings. Spines have five raised bands red morocco title labels compartments ornately decorated in gilt. Some marking and slight worming to boards. Spines rubbed with slight wear to head and foot. A couple of volumes have slight cracking to joints but all boards are firmly attached. Gilt decorated board edges and turn-ins. All page edges gilt marbled endpapers. Very tight bindings in excellent overall condition. Clean pages throughout. French language. All 30 plates are present and in first class condition one plate in Vol. V has been bound in upside down. A rare and important early edition of Molière's works reproducing the 1682 first collected edition. An excellent example complete with all plates and in attractive contemporary bindings. Overall condition is Very Good. Size: 4 x 6.5 inches 10 x 16.5 cm. Thierry, Barbin et Trabouillet hardcover
1875ST13010Edinburgh: W. Paterson 1875-76. 242 x 158 mm. 9 1/2 x 6 1/4". Six volumes. Translated from the French by Henri von Laun. <br/> ELEGANT CONTEMPORARY BURNT ORANGE CRUSHED MOROCCO BY ANDREW GRIEVE OF EDINBURGH stamp-signed on front pastedown covers with double gilt-rule border and mitered frame with oblique lily cornerpieces raised bands spines gilt in double-ruled compartments with lily at center gilt titling richly gilt turn-ins in a closely-spaced floral and foliate pattern marbled endpapers top edges gilt five of the volumes PARTLY UNOPENED. With a frontispiece portrait of the playwright in volume I and 34 etchings by Adolphe Lalauze all with tissue guards. Front pastedowns with engraved bookplate of Andrew Smith of Whitchester. ◆IN EXCEPTIONALLY FINE CONDITION mostly unread and entirely unworn.<br/> <br/> This is a handsomely illustrated English version of the plays of Molière still considered the greatest writer of French comedies. The set is offered here in simply decorated but elegant bindings produced by the fine Edinburgh workshop of Andrew Grieve using the highest quality materials. Grieve was a first-rate binder but he is best known as the teacher of Charles McLeish who worked 16 years for the exacting Cobden-Sanderson as finisher at the Doves Bindery. Under the stage name "Molière" actor and playwright Jean-Baptiste Poquelin 1622-73 penned and produced satirical plays--many of which caused considerable scandal--at the Parisian theater now known as the Comédie Française. According to Britannica "the actor in him influenced his writing since he wrote at speed what he could most naturally act. . . . His characters are imagined as excitable and excited to the point of incoherence. He sacrifices plot to drama vivacity a sense of life. He is a classical writer yet he is ready to defy all rules of writing." The present collection contains the masterworks "Tartuffe" "The Misanthrope" and "The Bourgeois Gentleman" as well as the scandalous "School for Wives" and lesser-known works--33 plays in all. A scene from each of the plays is depicted in the etchings by the talented and prolific illustrator Lalauze who also contributed a portrait of the playwright. While French in content and with a text in English the present set is Scottish in production and provenance. Translator Henri van Laun 1820-96 was a French master at Edinburgh Academy who was encouraged to undertake this translation into English by his acquaintances among that city's intelligentsia. The books were printed in Edinburgh and bound there probably for former owner Andrew Smith an Edinburgh brewer and bibliophile. W. Paterson unknown
1714184255London: printed for Bernard Lintott 1714. Trees that are slow to grow bear the best fruit First collected edition of Molière in English finely bound. During 14 years of activity as an actor and playwright in Paris Molière 1622-1673 transformed French comedy through the use of an intensely physical comic method which has "little recourse to technical resources and gives full scope to the prowess of the actor" Barham & Brandon p. 757. Molière's work allowed French farce to become "a satiric commentary on the society of his time and a penetrating exploration of eternal human foibles and obsessive attitudes of mind. In his hands their absurdity never ceases to amuse" Barham & Brandon p. 757. 6 vols bound in3 octavo 159 x 93 mm. Engraved frontispiece portrait by Vertue after the painting by Pignard in vol. I. Early 20th-century red half morocco spine compartments lettered and decorated in gilt marbled sides and endpapers edges gilt. Bookplate of Edward & Andrew W. Arnold in each volume. Spots of wear to extremities upper margin closely trimmed without loss closed tear to p. 55/56 in vol. I paper repair to final title page in vol. III. A bright set. ESTC N25815. M. Barham & J. R. Brandon The Cambridge Guide to Theatre 1995 unknown
1875130194Edinburgh: William Paterson 1875-1876. Finely bound example of Henri Van Laun's important translation of Moliere's complete dramatic works. Quarto 6 volumes bound in full straight-grain royal blue morocco gilt titles and elaborate gilt tooling to the spine in six compartments within raised gilt bands triple gilt ruling and miniature fleuron cornerpeices to the front and rear panels gilt turn-ins and inner dentelles all edges gilt marbled endpapers. Illustrated with engravings including frontispiece to each volume. From the collection of President William Howard Taft's brother Henry Waters Taft with his bookplate to each volume. In very good condition. Additional bookplate to each volume. French playwright actor and poet Jean-Baptiste Poquelin known by his stage name Molière is widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies farces tragicomedies comédie-ballets and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence remains such that the French language is often referred to as the "language of Molière". William Paterson unknown
1681275431681. A Paris chez Denis Thierry / Claude Barbin et Pierre Trabouillet 1681. 5 vol. au format pt in-12 148 x 92 mm de 428 pp. et 1 f. bl. ; 400 pp. ; 436 pp. ; 466 pp. ; 402 pp. et 2 ff. de PrivilÂge n.fol. Reliures ''ˆ la hollandaise'' uniformes de l'ÂŽpoque de plein vÂŽlin ivoire ˆ rabats rempliÂŽs et coutures apparentes plats jansÂŽnistes dos lisses indication de tomaison ˆ l'encre anciennement calligraphiÂŽ en tÂte tranches mouchetÂŽes. Rare ensemble ; complet des cinq volumes le constituant. Chacun s'ouvre sur une jolie page de titre ˆ la sphÂre. ''Petite ÂŽdition en 5 volumes assez malaisÂŽe d'ailleurs ˆ retrouver complÂte et en bon ÂŽtat''. in Guibert. ''Le texte de cette ÂŽdition est calquÂŽe sur celui de 1674-1675. On trouve parfois un sixiÂme volume contenant les Oeuvres posthumes mais il a ÂŽtÂŽ imprimÂŽ postÂŽrieurement en 1696 chez Jacques Lions''. in Bibliographie moliÂresque. ''Le texte de cette ÂŽdition calquÂŽe sur celle de 1675 en 7 volumes n'est pas ˆ dÂŽdaigner puisqu'il prÂŽsente les derniÂres corrections faites par MoliÂre''. in Catalogue Soleine. ''La prÂŽcieuse ÂŽdition de 1674-75 a depuis de bien longues annÂŽes ÂŽtÂŽ considÂŽrÂŽe par nous comme la vÂŽritable ÂŽdition originale de MoliÂre ; c'ÂŽtait lˆ une ÂŽdition prÂŽparÂŽe par l'auteur lui-mÂme qui avait obtenu le 18 mars 1671 un PrivilÂge pour l'ÂŽdition qu'il dÂŽsirait donner de ses Oeuvres complÂtes et qu'il n'eut pas le bonheur de voir para”tre de son vivant. Elle est d'une importance capitale c'est lˆ le vÂŽritable texte ; c'est l'orthographe de l'auteur les jeux de scÂne y sont indiquÂŽs par lui-mÂme en un mot c'est le monument ÂŽrigÂŽ par MoliÂre''. Bibliographie moliÂresque. Bibliographie moliÂresque de poche pp. 13 et 10 - Lacroix Bibliographie moliÂresque n¡273 - Soleine BibliothÂque dramatique 1304 - Guibert Bibliographie des Oeuvres de MoliÂre. Petit travail de ver affectant les fonds de cahiers de quelques feuillets du premier volume ; avec tout au plus perte de deux lettres pour de trÂs rares d'entre-eux. Manque 4 ff. de texte au tome II. Cerne claire au tome III. Feuillets lÂŽgÂrement oxydÂŽs prÂŽsentant en outre de claires rousseurs au tome IV. Erreur de pagination sans manque au dernier volume. L'ensemble demeure sÂŽduisant ; en dÂŽpit des quelques dÂŽfauts mentionnÂŽs. Rare. b42961 unknown
1773ST19794Paris: Printed by Michel Lambert for La Compagnie des Libraires Associés 1773. First Bret Edition with additional leaves 66-67 and 80-81 in volume I. 198 x 125 mm. 7 3/4 x 5". Six volumes. Edited by Antoine Bret. <br/> Very attractive 19th century maroon morocco gilt covers with French fillet border raised bands spine compartments with central fleuron gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. With title page vignettes engraved portrait after Mignard in volume I and 33 ENGRAVED PLATES after Moreau le jeune. Front pastedowns with armorial bookplate of the Earl of Cromer engraved by J. F. Badeley and dated 1919; half titles with faded ink signature of Francis Willett. Cohen-de Ricci 716-19; Furstenberg 109; Lewine 363; Tchemerzine VIII 360; Brunet III 1798-99. ◆A touch of rubbing to joints and extremities one leaf with three-inch closed tear into text no loss other trivial imperfections in the text but A VERY ATTRACTIVE SET UNUSUALLY BRIGHT FRESH AND CLEAN INTERNALLY and with the engravings richly impressed.<br/> <br/> This is a handsomely bound set of what Lewine calls a "remarkable" edition both "for the type and for the beauty of the illustrations." In addition to the extensive learned commentary by French playwright Antoine Bret our copy is enhanced with lively plates illustrating scenes by one of the greatest illustrators of the day Moreau le jeune 1741-1814. According to the Getty Museum publishers sought out Moreau "for his powers of observation and ability to capture nuances of gesture pose and light." Ray says that the best work by Moreau "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his heyday "he carried all before him." According to Furstenberg our "Molière is rightly considered one of the masterpieces of illustration in the eighteenth century." And Tchemerzine considers the present edition with the additional pages numbered 66-67 and 80-81 and with signatures very clear on the plates "L'Avare" and "Le Sicilien ou l'amour peintre" the best version of this beautifully illustrated Molière. Under the stage name "Molière" actor and playwright Jean-Baptist Poquelin 1622-73 penned and produced satirical plays--many of which caused considerable scandal--at the Parisian theater now known as the Comédie Française. According to Britannica "the actor in him influenced his writing since he wrote at speed what he could most naturally act. . . . He is a classical writer yet he is ready to defy all rules of writing." Former owner Rowland Thomas Baring 2nd Earl of Cromer 1877-1953 was a British soldier and diplomat who served as Lord Chamberlain--the most senior official in the Royal Household of the United Kingdom--from 1922 to 1938 a period that included one of the monarchy's greatest crises the abdication of Edward VIII. Ownership of our set would have made sense for him since one of his duties as Lord Chamberlain was deciding which plays would be allowed to be performed in Britain. [Printed by Michel Lambert for] La Compagnie des Libraires Associés unknown
150274The Hague: Chez J.M. Husson 1735. 4 vols. 16mo 5½ x 3¼ ins. Contemporary full speckled calf spines gilt tooled in five compartments contrasting gilt lettered labels red sprinkled edges some wear at edges of spines and on boards with abrasion at fore-edge of upper board of vol II - otherwise a VG set. Pp. vi cxvi 448 2 blank & iv 504 & vi 538 4 blank & iv 552 2 blank titles printed in red and black illus with 27 engraved plates and decorative initials and head tail pieces in text bottom corners of pages to p. 14 in vol III creased; previous owner's armorial bookplate on front paste-downs; no inscriptions. The Hague: Chez J.M. Husson, 1735 unknown
135234hardcover. Frontis illus. de L. Leloir 12 vols. 12mo 3/4 brown morocco gilt dec. raised spines marble bds. top edges gilt ex. lib. Paris: Librairie des Bibliophiles 1888. Fine.<br/> <br/> unknown
16981385931Lipsia Leipzig: Gio. Lodovico Gleditsch 1698. Hardcover. 12mos four volumes. In Good minus condition. Bound in full brown calf with paneled but unmarked spines. Leather significantly worn in all areas of binding with loss to heads and tails of spines including damage to several head bands; cracking to leather of spines; significant scuffing and peeling to surfaces of boards; and rubbing to board corners. Several patches of paper adhered to boards near spine and several small instances of insect damage to bindings. Text blocks moderately age toned with scattered stains. Frontispiece in Vol. 2; Vol. 4 lacking title page. USTC: 2559231 2569982 2591297.<br /> <br> <br /> <br> <br /> CONTENTS: Tomo I 4 108 100 44 44 40 74 89 1 50 pages. -- Tomo II 4 83 1 40 40 96 102 66 38 80 pages. -- Tomo III 2 127 1 70 2 96 134 6 88 101 pages. -- Tomo IV 2 71 1 143 1 94 6 80 81 3 41 1 32 34 47 2 pages. TG Consignment. Molière born Jean-Baptiste Poquelin c. 1622-1673 was a French playwright particularly noted for his skill with comedic plays. Although Molière began preparation for an edition of his complete works in his final years the first such collection did not appear until a decade after his death. 1385931. Special Collections - Downstairs. Gio. Lodovico Gleditsch hardcover
196113722Washington Square Press. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Book In fine Condition -- with a bonus offer-- . Washington Square Press paperback