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Light shelfwear to book. DJ spine slightly sunned. ; The aside is a familiar device in European drama, but little has been written about it in connection with the drama in which it orgiinated and developed. In this book it is suggested that it originated in Greek tragedy; asides and some related phenomena in tragedy are collected, and some false notions concerning their number and character are dispelled. The second part of the book deals with New Comedy and is able to eploit many recent discoveries of comic papyri. ; Oxford Classical & Philosophical Monographs; 230 pages
Upper corners bumped. DJ has a couple of small tears and chipping. DJ spine very lightly sunned. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear to book. ; Explores the hitherto neglected topic of the treatment of extras or mutes in Greek Tragedy. The general purpose of the study is to propose and test a rule regarding these person, namely that when orders are given to mutes, they are normally carried out forthwith. Exceptions to this rule are accounted for. ; Publications of the Faculty of Arts of the University of Manchester, No. 26; 73 pages
196811799ABNew York, Benjamin Blom 1968. Reprint d. Ausg. NY 1933. 4°. XIV, 320 S. OLwd. Minimal ber. u. fl. Sehr guter Zustand. 33
Light bumping to bottom corners else Fine. ; Early English Text Society No. 283; 394 pages; Once owned by the Catholic and Royalist bibliophile Sir Kenelm Digby (1603–1665) , this manuscript was among those Digby gave to Oxford University's Bodleian Library in 1634. Hence Bodleian Library MS Digby 133 lends its name to an eclectic group of religious plays that makes up one of two important late medieval dramatic anthologies (the other is the Macro Plays).
139 p. Hardcover Very good condition good Torches by Kenneth Raisbeck; Cooks and Cardinals by Norman C. Lindau; A Flitch of Bacon by Eleanor Holmes Hinkley; The Playroom by Doris F. Halman.
121 p. Hardcover Very good condition; personal label on spine The Strongest Man by Elizabeth Higgins Sullivan: The Slump by Frederick Lansing Day: The Mourner by James Mahoney: Brotherhood by William H. Wells.
99 p. Hardcover Very good condition good The Florist Shop by Winifred Hawkridge; The Bank Account by Howard Brock; The Rescue by Rita Creighton Smith; America Passes By by Kenneth Andrews.
Very light chip to edge of front wrap else fine. ; Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
Institute of Classical Studies Bulletin Supplement 113; 250 pages; Electra is a unique, complex, and fascinating Greek tragic heroine, who became a source of inspiration for countless playwrights, artists, musicians and filmmakers. The daughter of Agamemnon and Clytemnestra she famously supported her brother’s quest to avenge their father’s murder even at the cost of matricide. Her passion for justice and her desire for vengeance have echoed down the centuries to the modern era. Enshrined as the mourner of Greek tragedy par excellence Electra has enjoyed a long and rich reception history. Electra, ancient and modern, examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialogue with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the eighteenth, nineteenth and twentieth centuries. Gradually Electra’s dark desires re-emerge over the course of these three centuries until her passionate cries for vengeance are heard once again. Through its detailed analysis of Electra, this book also provides a helpful introduction to the study of Classical Reception, its ambitions and methods.
197110269New York: Benjamin Blom 1971. Hardcover. Very Good. Leon Bakst. Reprint of the limited edition folio with black and white illustrations; 4to red cloth no dj; vg spot on front board white smudge on rear; bottom edge of rear board and bottom corners bumped; spine ends bumped; eps and pages toning. 18pp 54 plates. <br/> <br/> Benjamin Blom hardcover
1944058006New York 1945: Ballet Russe De Monte Carlo 1944. First Edition . Illustrated Wrappers. Very Good. B/W Photographs and Color Plates. Large size program inscribed by Frederic Franklin over a full page photograph in mid-step; Nathalie Krassovska over a full page photograph while en point; Leon Danielian over a full-page photograph in mid-leap; Ruthanna Boris Yurek Lazowski Dorothy Etheridge Maria Tallchief Mary Ellen Moylan over their own full page individual photographs; Michel Katcharoff; Nicholas Magallanes; and on a page with Ballanchine at center and Nijinska Fokine Schwezoff and Agnes Demille at corners by George Balanchine as "G. Balanchine". <br/> <br/> Ballet Russe De Monte Carlo unknown
500316974Studio Canal 13 76x1 48x18 03cm. Sans date. blu_ray.
Minor shelfwear to book. ; Ancient Culture and Society; 143 pages
Minor shelfwear to book. Creasing to spine. ; Ancient Culture and Society; 143 pages
Illustrated guide to Greek literature as performaned for an audience ce - all forms : lyric,choral,dramatic- from Homer to Roman times. 144p. illus bibliography.index Book
"The plays of Aeschylus,Euripides and Sophocles in their original setting." A survey of Athenian dramatic festivals, theatres, acting and the plays performed. 143p. illus. plates, bibligraphy .index Book
89 p. Hardcover Very good condition good `
19302043Ballets Russes Georges-Michel Michel; Waldemar George; and Nathalie Gontcharova. <b>Les Ballets Russes de Serge de Diaghilew par Michel Georges-Michel Waldemar George / Le Costume Théatral par Nathalie Gontcharova</b>. Paris: Pierre Vorms 1930. First Edition First Printing. <br /><br />Small Quarto 10 5/8 x 7 3/8 inches; 270 x 185 mm 31 1 pages in printed wrappers. <br /><br />A sumptuously illustrated tribute to Serge Diaghilev's Ballets Russes issued in 1930 one year after his death. Diaghilev rendered here as Diaghilew created one of the world's most innovative ballet and opera companies and hired some of the greatest artists of the 20th century to design sets and costumes. <br /><br />Artists represented here include Picasso Laurencin Braque Derain de Chirico Rouault Bakst and others. The book features 19 plates depicting sets and costumes with four of the plates in color. There is also a photo of Diaghilev taken several days before his death at the young age of 57. <br /><br />Michel Georges-Michel and Waldemar George have written introductions while Nathalie Gontcharova has written about costumes; the book is illustrated with several of her designs for sets and costumes. There is also a complete list of the troupe's productions and a list of all the artists who designed sets and costumes. All text is in French. <br /><br />This book should not be confused with a 1955 revised edition. An altogether wonderful tribute to the Ballets Russes. <br /><br />CONDITION: Light edge wear toning to the wrappers especially the lower wrapper. Internally clean bright and unmarked. A beautiful Near Fine copy. Pierre Vorms paperback books
35pp., 20cm., stempeltje op titelblad, T65346
19575631Hatier 1957 269 pages 12 8x2 6x19 4cm. 1957. Broché. 269 pages. Le Père Goriot publié en 1835 est un roman d'Honoré de Balzac qui suit le jeune noble ambitieux Eugène de Rastignac dans sa quête de réussite à Paris. Il y côtoie le père Goriot un homme ruiné par son amour sacrificiel pour ses deux filles ingrates et le mystérieux Vautrin dans une peinture acerbe d'une société bourgeoise où l'argent règne en maître
13568Séquences, 1993 - In-8 carré, élégante couverture ocre en papier fort titrée en noir et ornée d'une gravure ( pêcheurs) 95 pages, page 47 débute l'étude de Michel-Alain Boyer . Excellent état.
202036Philipp Reclam jun. Leipzig 1111 wahrscheinlich vor 1900. alle Teile in ein Hardcover Leinenrücken gebunden. Band berieben und bestoßen Kanten und Rücken sind noch akzeptabel. Keine Eintragungen. Philipp Reclam jun., Leipzig, hardcover
19261238341926 Sociétés d'Editions Littéraires et Artistiques, Librairie Paul Ollendorf, Paris - Collection "Oeuvres complètes de H. de Balzac", série "Scène de la vie de province" - 1926 - In-8, reliure demi-chagrin, dos lisse avec pièce de titre sur fond brun - 454 pages - Illustrations en N&B hors-texte
198318774Frankfurt am Main, Berlin, München: Verlag Moritz Dieserweg, 1983. 1. Aufl. 64 Seiten , 21 cm kart.,