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1969009083New York: Benjamin Blom Inc 1969. Three volume set complete. Royal octavo hardcovers blue cloth with gold letering in darker blue cartuche on spines. All volumes re-issued in 1969 first editions thus. First Series 564pp. originally published 1911 inculdes: Richard II The Merchant of Venice Othello Hamlet Macbeth King Henry VIII. Second Series 664pp. originally published in 1915 includes: Twelfth Night Romeo and Juliet As You Like It King Lear The Taming of the Shrew Julius Caesar. Third Series 538pp. originally published in 1916 includes: Cymbeline Love's Labor's Lost Coriolanus A Midsummer Night's Dream Henry IV The Merry Wives of Windsor Antony and Cleopatra King John. Illustrated. A comprehensive history of the plays presented from the time of their origin how they have been presented and the principal actors who have been eminent in the representation of them. No previous ownership marks. A very clean square unmarked set in as new condition. Very fine. N.B. A very heavy set extra postage will be charged for all orders other than domestic media mail. . First Edition Thus. Hardcover. Very Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Benjamin Blom, Inc Hardcover
200612823Rom, Edizioni di Storia e Letteratura, 2006. Gr.-8° (22,5-25 cm). 314 S. OKartonage
199540698ABMünchen, Wilhelm Fink, 1995. 8°, 183 S. mit wenigen s/w-Abb., illustr. original Kartonage (Paperback), gutes, textsauberes Exemplar
1964012132New York: Benjamin Blom Inc. 1964. This is a very good hardcover copy in a very good dust jacket with some wear. The jacket is all there not price-clipped but has minor soiling a few small closed tears and one tiny repaired hole at the lower edge of the front panel. Completely clean inside. Four pages have an indentation or wrinkle at the lower edge probably from the binder. Illustrated throughout in color and black & white. Classic study of the 'Theatre of Marvels' or popular street theater which was practiced in Europe from 1789 to the 1860's. This study grew out of the author's work at Harvard and later the Sorbonne on this fascinating subject. Profusely illustrated in color and black & white with about 200 prints and engravings. Preface by Marcel Marceau. Bibliography. 12" high X 9" wide 208 pages. This book will be securely wrapped and packed in a sturdy box and sent with tracking. . First American Edition. Hard Cover. Very Good/Very Good. Benjamin Blom, Inc. Hardcover
201554499Concorde, 2015. Auflage: Standard Version DVD
Spine a little creased. 1 corner lightly creased. Light pencil marginalia to a few pages. Scholars' bookplate to inner cover. ; 0.94 x 8.82 x 5.91 Inches; 358 pages; In this interpretation of the seven extant tragedies of Sophocles, Professor Winnington-Ingram provides not so much a straightforward account of Sophocles as an exploration of his tragic vision of the world. The Sophoclean hero lies at the centre of this vision. Taking the plays individually but without losing sight of the single consistent mind behind them, the author faces the questions of how the hero is to be regarded, what we are to make of the fates he suffered and the divine powers who controlled those fates. He proceeds by a detailed study of what Sophocles wrote, by close attention to form and recurrent themes, and especially by close analysis of a number of choral odes. Students of Greek drama will find that this detailed study provides invaluable insights into the meaning of the tragedies. Greek in the text is translated or paraphrased, so that the book will also be of interest to students of the literature and drama of other cultures.
Spine a little creased. Light shelfwear. Tiny chip to top edge of front wrap. Scholar's blindstamp to half-title. ; 0.94 x 8.82 x 5.91 Inches; 358 pages; In this interpretation of the seven extant tragedies of Sophocles, Professor Winnington-Ingram provides not so much a straightforward account of Sophocles as an exploration of his tragic vision of the world. The Sophoclean hero lies at the centre of this vision. Taking the plays individually but without losing sight of the single consistent mind behind them, the author faces the questions of how the hero is to be regarded, what we are to make of the fates he suffered and the divine powers who controlled those fates. He proceeds by a detailed study of what Sophocles wrote, by close attention to form and recurrent themes, and especially by close analysis of a number of choral odes. Students of Greek drama will find that this detailed study provides invaluable insights into the meaning of the tragedies. Greek in the text is translated or paraphrased, so that the book will also be of interest to students of the literature and drama of other cultures.
Very light wear to corners. ; Professor Winnington-Ingram's reputation as an authority on Greek drama is based on a lifetime's careful scholarship. In 1980 the Press published Professor Winnington-Ingram's book on Sophocles and in 1983 he followed it up with some studies on Aeschylus. This book explores the problems in Aeschylus' earlier plays: Persae, Septem contra Thebas and the Daniad trilogy. There is also an emphasis on different aspects of the Oresteia and finally, an examination of the peculiar problems in Prometheus Bound. A view of Aeschylean tragedy emerges - and of the poet's contribution to the development of Greek religious thought. Students of Greek drama will welcome this collection. Greek in the body of the text is translated, so that the book will be accessible to those studying Greek literature in translation and the literature and drama of other cultures. ; Cambridge Paperback Library; 240 pages
Scholar's bookplate to inner cover (G. P. Goold). Light Foxing/dustsoiling to top of textblock. Light shelfwear to DJ. ; Professor Winnington-Ingram's reputation as an authority on Greek drama is based on a lifetime's careful scholarship. In 1980 the Press published Professor Winnington-Ingram's book on Sophocles and in 1983 he followed it up with some studies on Aeschylus. This book explores the problems in Aeschylus' earlier plays: Persae, Septem contra Thebas and the Daniad trilogy. There is also an emphasis on different aspects of the Oresteia and finally, an examination of the peculiar problems in Prometheus Bound. A view of Aeschylean tragedy emerges - and of the poet's contribution to the development of Greek religious thought. Students of Greek drama will welcome this collection. Greek in the body of the text is translated, so that the book will be accessible to those studying Greek literature in translation and the literature and drama of other cultures. ; 240 pages
198318600Cambridge : Cambridge University Press, 1983. XIII, 225 S. Gr.-8°, Okart.
A clean,unmarked book with a tight binding. Yellowing paper. 782 pages.
1958165807Linz : Oberösterr. Landesverl. in Komm., 1958. 204 S. : davon S. 131 - 189 Abb. ; 4 OLeinen,
Small octavo in printed yellow stapled wraps; 56 pages : illustrations ; 19 cm Scarce in this presumed first edition, or first US edition. Plays; drama, theater, theatre; comedies.
1955000636Music International 1955. Book. Original Wraps. The Principal Chorus Vocal Book. The cover reads " Not For Sale. For Professional Use Only" also states that this book is rented and gives instructions on how to handle the book. FIRST PRINTING of this edtition VERY GOOD COPY no markings at all. Obviously a very early printing overall. Also includes songs "Safety In Numbers" "You Don't Want To Play".more. Music International Hardcover
1992015832Self Published 1992. This is a very good softcover copy with just light wear. Completely clean. Text in GERMAN. Illustrated in black & white 3 color plates. Music by Tom Waits. Programs for the 1992 production and BAM's 1995 production laid in. 8" high X 10" wide 63 pages. This book will be securely packed and shipped with tracking. . Soft Cover. Very Good. Self Published Paperback
A collection of critical essays by well-known scholars. 122p. Neat tight copy,apaper age toned Book
463p. Hardcover Very good condition
354 p. + Photogravure frontis and other full page illustrations. XLib. Top edge gilt. 8vo. Original gilt decorated green cloth binding. Extremities worn. Remnants of library call letters on spine. Intimate biography of 'America's greatest actor'. PA 11.
A clean, unmarked book with a tight binding. Staple-bound. 98 pages.
724 p. Large 8vo. Original full orange publisher's cloth binding. Reprint of the 1935 University of Pennsylvania Press edition. PA 7.
Angus Wilson examined the question of whether television contributed to a decline in the other arts. 50 years before Love Island - what would he make of it now?. 84 pages. Dust jacket has creases, tears and small loss to top back edge and top of spine. Price clipped with
11668Affiche du film de 1941 sorti en 1942.Avec René DARY, Katia LOVA, Gisèle PREVILLE, Pierre STEPHAN- Lucien CALAMAND- Georges PECLET- Géo LECOMTE- Pépé CARA- Willy MATHIS. Scénario et dialogues de Pierre VERY et Willy ROZIER, musique de Raoul MORETTI. Gray film 27 Rue DUMONT d’URVILLE Paris. Papier fragile (angle inferieur droit restauré, pliures renforcées) format 118x80 cm. Dans l’état synopsis : Célèbre chanteur, René SARTENE (René DARY) tombe amoureux d’une jeune bourgeoise, Maris( Katia LOVA) sa partenaire de scène et le directeur du spectacle conjuguent leurs efforts pour anéantir ce bonheur naissant…
Lg Octavo, brown; 107 pages ; 24 cm
1948131469Printed by Dudley Kimball at the Blue Mountain Press Parsipany, New Jersey 1948. 107, (4) pages. Illustrated original softcover binding. (Partially used). 24x16 cm
195439785S. Fischer, Frankfurt, 1954. Deutsche EA, 113 Seiten, 8°, 21 x 13 cm, kartoniert mit Schutzumschlag