1 776 résultats
193727387NY and London: Harper & Brothers Publishers. Very Good with no dust jacket. 1937. First Printing. Hard Cover. Stated First Edition First Printing First Trade Edition after the Limited Edition. Harper's first edition code "F-M" - June 1937. Quarter bound in publisher's black cloth over blue paper boards paper label on spine blue and black title page. During winter and spring of 1936 Millay worked on Conversation at Midnight which she had been planning for several years. But soon after reaching a hotel on Sanibel Island Florida she saw the building in flames and knew her manuscript had been destroyed. Upon her return to her home at Steepletop she began to call up the material from memory and write it down. Other misfortunes followed. "A sequence of poems that gives daring and provocative expression in dialogue to the thought of our times." Conversation at Midnight is a work of dramatic verse that falls somewhere in the space between a narrative poem and a theatrical drama. The text features the conversations of seven distinguished men who are having after-dinner discussions in a comfortable dining room in New York City. Although the text uses only a minimal amount of descriptive narrative Millay structured Conversations at Midnight to "create the illusion of actual conversation which often abruptly abandons one topic to take up another" and encourages her readers to think of the work as ".dialogue throughout to think of it in terms of a play.". Paper label moderately worn spine mildly sunned top edge of cover very lightly sunned front hinge separated at half title only else fine; unmarked tight square and clean. VERY GOOD. 8vo 8" - 9" tall. xv iii 126 pp . Harper & Brothers Publishers hardcover
192725246NY and London: Harper & Brothers. Very Good with no dust jacket. 1927. 1st Edition. Fourth Printing. Hard Cover. First Edition Fourth Printing Harper first edition code "E-B" - May 1927 - on copyright page. Half buckram over blue paper-covered boards paper label on spine fore-edge deckle. Woodcut frontispiece by Cimino. Throughout much of her career Pulitzer Prize-winner Edna St. Vincent Millay 1892-1950 was one of the most successful and respected poets in America. She is noted for both her dramatic works including "Aria da capo" "The Lamp and the Bell" and the libretto composed for an opera "The Kings Henchman" and for such lyric verses as Renascence and the poems found in the collections A Few Figs From Thistles Second April and The Ballad of the Harp-Weaver winner of the Pulitzer Prize in 1923. Like her contemporary Robert Frost Millay was one of the most skillful writers of sonnets in the twentieth century and also like Frost she was able to combine modernist attitudes with traditional forms creating a unique American poetry. But Millays popularity as a poet had at least as much to do with her person: she was known for her riveting readings and performances her progressive political stances frank portrayal of both hetero and homosexuality and above all her embodiment and description of new kinds of female experience and expression. Edna St. Vincent Millay notes her biographer Nancy Milford became the herald of the New Woman. Harry Cimino 1898-1969 was an American wood engraver and illustrator. He studied at the Art Institute of Chicago and at the Art Students League New York. During the 1920's publishers frequently commissioned Cimino to contribute his wood engravings to illustrate such books as "Gifts of Fortune" "Sutter's Gold" "The King's Henchmen" "The Perilous Isle" "Tarboe" "The Harp Weaver" and "Gallion's Reach." He was also extensively employed by the Marchbanks Company to execute some of its most striking calendar designs. Today his wood engravings are included in such major collections as the Smithsonian American Art Museum. . Brief gift inscription on ffep dated June 3rd 1927 endpapers lightly soiled otherwise unmarked tight square and clean. VERY GOOD. Woodcut Frontispiece. Small 8vo 7½" - 8" tall. 132 pp . Harper & Brothers hardcover
1981016375New York: Garland Publishing 1981. Book. Fine. Hardcover. First Edition. xxii 334p. Cloth. A fine copy no d.j. as issued. Size: Folio - over 12" - 15" tall. Garland Publishing Hardcover
19061497New York: Macmillan 1906. Limited ed. Original Wraps. Near Fine/near fine. 196 pages. 6 x 9 in. Unbound: paper boards and vellum dust jacket with letters in red ink whole wrapped in paper and in original box. Condition of the book and dust jacket is NEAR FINE: book appears as if unread foxing to paper cover light transfer to vellum dist jacket very light foxing to paper boards rest in excellent condition. This is #70 of 100 printed on Japanese vellum. The box has wear and is missing one corner of the cover. Macmillan paperback
178531587London: T. Cadell 1785. First edition. Hardcover. Good . 4 1/2 x 7 1/2 in. Full brown calf. Missing Vols 1 and 6. Condition is GOOD ; hinges have superficial cracking but all bindings are solid. Wear to spine heads spine labels appear to be lacking. Corners and edges worn Vol 2 has some stains ro the front board. Text very bright and clean with almost no foxing. PO's name in a contemporary hand on all title pgs. Drama. RGR. FB T. Cadell hardcover
18243640Philadelphia: McCarty and Davis 1824. Hardcover. Good . 472 p. Illustrated frontis with tissue by R. Smirk engraved by George B. Ellis. 5 3/4 x 8 3/4 in. Tan calf binding gilt lettering on spine edges of text block lightly flecked with brown. Condition of the book is GOOD: wear and soiling to covers corners a bit more work pieces of spine missing and worn spine dry and flaky cover boards loose- esp. rear cover edges of text block darkened pages lightly tanned but clean biding loose but fine. McCarty and Davis hardcover
19782208Carl Hanser Verlag. 1978. Revised Edition. Hardcover. 3446126546 . Very good. Very good dust jacket except a little edge wear. Volume 4 in a uniform edition semi-flexible green boards author's gilt cover initials black spine field with gilt author and title lettering. Contains Gustav Wasa; Ponce de Leon; The Merry Musicians; Aloys and Imelde; The Foundation of Prague; Appendix; Table of Contents. Text in German. ; 958 pages . Carl Hanser Verlag hardcover
2003140147Baltimore: Camden House 2003. First Edition. Hardcover. Very Good/No Dj. 8vo. pp. 2 186. ""In what is still the standard survey of German historical drama Das deutsche Geschichtsdrama 1952 Friedrich Sengle understands 'historical drama' as that in which objective history is blended with an idea that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action inclining… Camden House hardcover
1998029923CRANBURY NJ: ASSOCIATED UNIVERSITY PRESSES. VG. Hardcover. First Edition. 1998. ASSOCIATED UNIVERSITY PRESSES hardcover
2011053943Universidad Nacional Autónoma de México 2011. 1st Edition 1st Printing. Soft cover. Fine. Photographs Throughout. 403 Pp. Large Format Soft Cover Printed 15 Avril 2011. French Wrappers. Fine. No Marks. <br/> <br/> Universidad Nacional Autónoma de México paperback
1922059035New York: Brentano's 1922. 2nd Edition 1st Printing. Hardcover. Near Fine. Color And Sepia Plates. Xviii 346 Pp. Blue Cloth Giltm Decorated Endpapers. Second Edition Revised And Updated 1922 With New Preface To This Edition. Slight Usage Gilt Bright Covers Clean. Inscribed By Unknown Person To Artist/Muralist Pasquale Giovanni Napolitano With His Ownership Signature Dated April 1930 Probably In New York. <br/> <br/> Brentano's hardcover
12865ROUTLEDGE. LONDON. 1947. VERY GOOD HARDBACK IN BLUE CLOTH - NO DUSTWRAP. A LITERARY & PSYCHOLOGICAL ESSAY AND COMPREHENSIVE GLOSSARY. LIMITED TO 1000 COPIES THIS IS NO.401. 1ST EDITION. ROUTLEDGE. LONDON. 1947 hardcover
20072-2296042481L'Harmattan 2007. Paperback. New. 484 pages. French language. 9.13x6.22x1.50 inches. L'Harmattan paperback
20192-6139523400Éditions universitaires européennes 2019. Paperback. New. 64 pages. French language. 8.66x5.91x0.15 inches. Éditions universitaires européennes paperback
2296042481.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
17436On letterhead of the Secretary's Office Garrick Club London . 15 May 1888. 2pp. 12mo. Bifolium. In fair condition lightly aged and creased. Lowe's request has been laid before the Club's committee and there is no possibility of acceding to it: 'You say in your letter that you are aware that the privilege engraving the pictures in the Club Collection is "rarely" granted but in this matter I fear you must have been misinformed as it is against the Rules to grant it at all'. On letterhead of the Secretary's Office, Garrick Club [ London ]. 15 May 1888. unknown
20142-2924097169Editions-dhArt 2014. Paperback. New. 1st edition. 364 pages. French language. 8.27x5.22x0.82 inches. Editions-dhArt paperback
2981197002.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6137London: G.H. Davidson or John Cumberland. Hardcover. Good. Cruikshank and others. Seven chapbooks of Cumberland's British Theatre bound in one: No. 88 The Lord of the Manor by General John Burgoyne; No. 105 Rosina by Mrs. Brooke; No. 134 The Siege of Belgrade by James Cobb; No. 136 The Poor Soldier by John O'Keeffe; No. 228 The Haunted Tower by James Cobb; No. 238 The Castle of Andalusia by John O'Keeffe; and No. 423 Billy Taylor by J.B. Buckstone; original chapbooks bound with their covers; Nos. 88 105 136 228 and 423 have Cruikshank frontispieces frontis of No. 134 MISSING. 16mo bound in black cloth with gilt-stamped leather title piece added to spine; overall good cocked; boards soiled; 0.75inch tear to top joint end and small tear to bottom joint end of front board; chip to cloth on spine head; foxing and toning to pages; original covers edgeworn creased and lightly chipped; waterstains to top edge of Lord of the Manor Rosina and Siege of Belgrade; cracked at p26-7 last page and rear cover of Rosina and rear cover of Rosina and front cover of Siege of Belgrade; cracked at p42 and rear cover of Poor Soldier; cracked at p50-1 and p60 and rear cover of Castle of Andalusia. <br/> <br/> G.H. Davidson or John Cumberland hardcover
a51820Washington 1918 GPO. Hardcover. Two volumes. Sm.4to.s 3547pp. maroon cloth. Ner Good inner hinges cracking light wear on corners and spine ends. Text clean and binding secure. 2 volumes. complete. . hardcover
195839641Los Angeles: Gilbert Rich and Associates 1958. Paperback. 4to. Stiff orange pictorial wrappers. 21pp. Numerous illustrations. Near fine. First and probably sole edition of this souvenir program for this stage production adapted and directed by Norman Corwin and starring Bette Davis and then-husband Gary Merrill. Features full-page portraits with facing biographies of Davis Merrill Corwin and Sandburg together with commentary about Sandburg by Corwin and Davis and other photographs. This compilation of poetry excerpts letters and other Sandburg writings was edited by Corwin and published in clothbound form by Harcourt Brace & World in 1961. The stage production ran for a time in Los Angeles then only briefly in New York with Leif Ericson replacing Merrill never making it to Broadway. This handsome tight copy has a tipped-in blank leaf bearing a tipped-in Typed Note Signed from Corwin 1p 5" X 8" Los Angeles CA 11 March 1973. Addressed to "Carl" not the poet dead six years by 1973 but rather noted Broadcast Music Inc. executive and noted Lincoln/Civil War scholar Carl Haverlin 1899-1985. Very good. Couple of stray paper clip marks. Sends "copies of two pieces I had written earlier for WESTWAYS. I trust that you saw the last one which was on Phrase-makers. My love to Virgie and Carol and I don't exactly feel hostile to you either." Signed simply "Norman" in blue fineline. Original envelope also tipped in as are the copies mentioned photocopies of 2-page "Corwin on Media" and 4-page Confessions of a Map Addict." Corwin 1910-2011 was a prolific writer screenwriter radio dramatist producer and essayist. Laid in loose is the uncommon Brooklyn Academy of Music 4-page small 4to program or the 24 October 1959 performance of this stage production showing Merrill not Ericson as Davis's co-star. Gilbert Rich and Associates paperback
1900329667Philadelphia: The Penn Publishing Company 1900. First American edition thus by Penn Publishing Company. Lacking original wrappers printed text begins with title page uneven tanning and soiling on title page and final printed page pages are creased with short nicked tear at lower corner; a good copy only. First American edition thus by Penn Publishing Company. OCLC lists a single holding of this Penn Publishing first edition University of Pennsylvania; association copy playwright Austin Strong's copy. English dramatist Sydney Grundy 1848-1914 was born in Manchester; he became a lawyer 1869-1876 and a playwright. His first play A Little Change was produced at the Haymarket Theatre in 1872; he was a librettist of comic operas many of his plays were adaptions and a number of his plays were performed on Broadway. <br/><br/> The Penn Publishing Company unknown
193510848New York: Random House 1935. First Edition. Second issue jacket. Octavo. Cloth boards; dustjacket; 74p. Remarkable copy fully Fine in brilliant jacket with minimal evidence of use; just a small closed nick at upper corner of rear panel couple of small dust-smudges else Fine. The jacket spine which is very prone to darkening on this title is bright and unfaded. Random House unknown
197080787New York: Liberation 1970. First Edition. First printing; issued as "Liberation" v.15 no. 3. Signed by Bentley on front cover. Mild smudge to autograph else fine. <br /> <br /> First printing of this experimental political theater piece described as "a stage show for a rock group of 4 musicians and about 10 singing actors." Written by the renowned critic and translator of Brecht; the show ran briefly in 1970 and 1971 to mixed reviews. Scarce signed. Liberation unknown