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28729LONDON FABER 1954. FIRST EDITION THE BOOK IS FINE THE DUSTWRAPPER IS VERY GOOD/NEAR FINE. LONDON, FABER, 1954 unknown
0364982020.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428090184.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365545619.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243942516.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364585285.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0259138193.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365836192.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19341169<p>Quarto 12 1/8 x 8 7/8 inches; 307 x 220 mm pp. 8 ix-xlvii 1 introduction 195 plates 3 199-211 1 appendix in publisher's original brown cloth lacking the rare dust jacket. </p><p>A celebration of Alexander Tairov's pathbreaking Kamerny Theatre in Moscow featuring set and costume designs as well as scenes from the theatre's first 20 years. Text entirely in Russian. Profusely illustrated in both color and black and white the book showcases each production of the Kamerny founded by Alexander Tairov 1885-1950 and his wife the actress Alisa Koonen 1889-1974.<br /></p><p>Tairov brought many non-Russian productions to the Kamerny including works by Shakespeare Bertolt Brecht Eugene O'Neill George Bernard Shaw and Oscar Wilde. Tairov's productions were known for their magnificent set and costume designs and he collaborated with some of the most acclaimed avant-garde artists of the day including Alexandra Exter and Natalia Goncharova. Indeed it's possible to see the evolution of 20th-century Russian art through the set and costume designs which reflected Cubist Constructivist Rayonist and even Art Deco influences. It was an exciting time in Soviet theatre; this era featured some of the greatest directors of the 20th century such as Stanislavsky Meyerhold Vakhtangov and of course Tairov.<br /></p><p>The Kamerny was the scene of one of the most significant plays of the Soviet theatre according to Nick Worrall in his authoritative study "Modernism to Realism on the Soviet Stage" Cambridge University Press 1989. Vsevolod Vishnevsky's Russian civil-war play Optimistic Tragedy opened at the Kamerny on December 18 1933. "It concerns particular historical events associated with the civil war in the Soviet Union but more generally it is an article of faith -- in the triumph of Life over Death of the Collective over the Individual of faith in the necessary tragedy of revolution of the necessary destruction of those who oppose revolution of hostility to the spirit of anarchism and faith in the leadership of the party." Indeed the play which is featured in this book marked an important milestone in the development of "socialist realism."<br /></p><p><br /></p><p>The Soviet government closed the Kamerny Theatre in 1949 and Tairov died a year later. The Kamerny's home at 23 Tverskoy Boulevard is now occupied by the Moscow Pushkin Drama Theatre.</p><p>A stunning look at the first 20 years of the Kamerny Theatre one of the most innovative theatres at an important moment in Soviet theatre history. <b>SCARCE</b>.<br /></p><p>CONDITION: Both boards rubbed small scrape to rear paste down a few scattered stains. Tissue guards separating each play plate 36 not present but apparently never published according to list of illustrations in the appendix plate 41 detached but present some small closed tears to a few pages plate 175 improperly trimmed not affecting the illustration. Overall Very Good or better.<br /></p><p><br /></p> Izd. Vseros. teatral nogo obshchestva hardcover
19782090202120415982Shufunotomosha 1978. Soft Cover. Fine. Number of books: 1 Shufunotomosha paperback
19822091502135411648Nare 1982. Soft Cover. Fine. Number of books: 1 Nare paperback
19852091502133534714Banseishobo 1985. Soft Cover. Fine. Number of books: 1 Banseishobo paperback
19772092902140602593Kokudosha 1977. Soft Cover. Fine. Number of pages: 2 Size: A5 Number of books: 2 Kokudosha paperback
19582091502135404571Sakka shubbansha 1958. Soft Cover. Fine. Number of books: 1 Sakka shubbansha paperback
20202081502111906461Toho shubbansha 2020. Soft Cover. Fine. The book is in fine condition. Toho shubbansha paperback
19822091502135411670Nare 1982. Soft Cover. Fine. Number of books: 1 Nare paperback
19862091502135412474modern puppet center 1986. Soft Cover. Fine. Number of books: 1 modern puppet center paperback
19742092902138201423Tatsumi shuppan 1974. Soft Cover. Fine. Size: Pocket Number of books: 1 book Tatsumi shuppan paperback
197740639London Folio Society 1977 hardcover. First Edition First Printing for The Folio Society. Foreword by Charles Ede. The introductory essay writers include Richard Burton for Hamlet Lawrence Olivier for Antony and Cleopatra etc. 12 costume designs are selected here in color. -- Hardcover. Condition: near fine owner name with fine slipcase. Folio Society hardcover
1916227895Verlag Hoheneichen München 1916. Softcover Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Verstaubt. Der Schnitt hat an einer Seite bis Seite 60 einen Fleck leicht nach Innen reichend. Verlag Hoheneichen, München, paperback
18953904London Boston: John Lane / Lamson Wolffe 1895. First English language edition. Hardcover. Very Good. 8vo xxxvi 195 pages 16 page John Lane 1895 catalogue untrimmed beige cloth <br/><br/>Limited to 400 copies. Echegaray shared the Nobel Prize for Literature in 1904. Includes a thirty-page Introduction by Lynch about Spanish theater and Echegaray. John Lane / Lamson Wolffe hardcover
1895DEMO015686IBoston: Roberts Brothers 1895. First American edition. Hardcover. Very Good. portrait frontispiece. 16mo 131 pages grey cloth. Ex libris Rose Lippman <br/><br/>Translated by James Graham. Echegaray won the Nobel Prize for Literature for his dramas in 1904/5. Portrait frontispiece. Roberts Brothers hardcover
1930303873Oxford: Oxford at The University Press 1930. First Edition. Cloth. Good/Good. 8vo - over 7¾ - 9¾" tall. Type: Book 2 VOLUMES. N.B. Some pencil underlining and annotation to Volume I. Previous owners stamp and pencil inscription to inside covers of both volumes. Spotting to page edges and end papers. Some darkening to D/Js on both volumes with some chipping and rubbing. Volume II has a sellotape repair to head and tail of D/J spine. Oxford at The University Press hardcover
23784Undated but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. For information on Cook see his biography in the Oxford DNB which points out that the subtlety of his later fiction was lost on his contemporaries being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death in Hood’s Comic Annual for 1884 London 1883. On 3 November 1883 the ‘Bookseller’ quoted the review of the volume in the magazine ‘Fun’: ‘a melancholy interest attaches to the article “Columbines all of a Row†from the fact that it was the last production of the late Mr. Dutton Cook having been completed only a few days before his death’. The Graphic praised the story’s ‘charming intermingling of pathos and humour’. 12pp landscape 12mo. The holograph is written in a close stylized hand in purple ink on twelve 11.5 x 18 cm leaves attached with a brass stud. In good condition lightly aged. Addressed in autograph at top-right of first page: ‘Dutton Cook / 69 Gloucester Crescent. N.W’ and signed at end ‘Dutton Cook’. With autograph emendations throughout but evidently a final draft: the tenth and eleventh leaves have both been divided into two parts with neat vertical cutting and reunited on the reverse with paper labels with the section created by this division indicated by numbering in another hand in pencil in the margins. The story is divided by Cook into nine parts with roman numerals. Undated, but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. unknown
1963058111London: French's Acting Edition / Samuel French 1963. First British Edition . Printed Wrappers. Near Fine. 8 1/2" Tall. Bvlue And Maroon Card Wrappers 8 1/2" Tall. First Edition Printed In Uk Publisher's Information On Title Page Lists Place "London" Ahead Of Others. A Clean Unmarked Copy No Damage Or Wear But Has Some Darkening At Top And Foredge Of Front Cover Probably From Long Time Storage Next To A Shorter Book. <br/> <br/> French's Acting Edition / Samuel French unknown