7 632 résultats
Small stamp to front wrap and titlepage. Book has been rebound in black boards with hand-written label to spine and with original wraps bound in. Minor edgewear to boards. ; 1. Und 2. Aufl. ; Das Erbe Der Alten, Heft II/III; 226 pages
Very light pencil marginalia on a few pages. Small tears to wraps at spine ends. Light wear to corners. Minor browning to wraps. ; Greek Text with Extensive German Commentary. ; 377 pages
Light bump to upper corner with faint creasing through some pages. Creasing to upper corner of front wrap. Minor browning to wraps. ; Greek Text with Extensive German Commentary. ; Österreichische Akademie Der Wissenschaften. Philosophisch-Historische Klasse Sitzungsberichte, 198. Band, 4. Abh. ; 377 pages
Scholar's bookplate to inner cover (G. P. Goold). Minor browning to paper wraps. Some tears to spine ends (reinforced with cellotape- now yellowed). Scholar's name to ffep W. M. Hugill to front wrap. ; Greek Text with Extensive German Commentary. ; Österreichische Akademie Der Wissenschaften. Philosophisch-Historische Klasse Sitzungsberichte, 198. Band, 4. Abh. ; 377 pages
Scholar's name to half-title (Robert Brown). Minor rubbing. Crease to spine. ; Focus Classical Library; 85 pages
pp. 281, (5) [Publisher's catalogue]. Top edge gilt. Deckled edges. Unopened. Paper beginning to brown but not brittle. 200mm. From Morley's Universal Library, uniformly bound with others in the series. Gilt lettered faux vellum spine over blue gray linen boards. Spine very slightly darkened. Henry Morley (1822-1894) was a popular lecturer and prolific writer who did more to promote education and love of literature than any other person in the Victorian era. LOC W48/BAG 12
1933227311Oxford: Clarendon Press um 1933. X, 268 S. Ln. *Vorsätze leicht fleckig*.
191344655München ; Leipzig : Georg Müller Verlag 1913. gr.8°, 429 S.; 509 S. Schrift: Fraktur / Altdeutsche Schrift. Halbleder, gebundene Ausgabe, Einbände fleckig, sonst Exemplar in gutem Erhaltungszustand
Scholar's bookplate to inner cover (G. P. Goold). Foxing to top of textblock. Some foxing to DJ. Minor yellowing to DJ. ; Alternate ISBN: 0856681679 ; The Comedies of Aristophanes: Vol. 1; 215 pages
Scholars' bookplate to inner cover. One corner bumped. Dustjacket has minor shelfwear, light creasing and rubbing. ; 9.5 x 1.75 x 6.5 Inches; 780 pages; The First comprehensive edition in any language of the Birds, a play recognized as one of Aristophanes' masterpieces.
Minor foxing to top of textblock. Dustjacket has minor shelfwear, light sunning to spine. Minor foxing to DJ. ; 9.5 x 1.75 x 6.5 Inches; 780 pages; The First comprehensive edition in any language of the Birds, a play recognized as one of Aristophanes' masterpieces.
Minor spine slant. Else book is fine. Minor shelfwear to DJ. ; Loeb Classical Library No. 502; Vol. 5; 559 pages
Minor shelfwear. Old price sticker to front wrap. ; Reprint of Second Edition. Alternate ISBN: 0862921555
7.7 X 5.0 X 0.7 inches; 256 pages
A bit of creasing to wraps. Edgewear to spine ends with slight colour loss. Old price sticker to rear wrap. ; 7.7 X 5.0 X 0.7 inches; 256 pages
1 corner very lightly bumped. Very light pencil marginalia to about 2 pages. Very light shelfwear. ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
Inner hinges reinforced with clear tape (now browned). Some browning to wraps. Scholar's bookplate to inner cover (G. P. Goold). ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
Scholars' name to halftitle (Mark Golden). Light shelfwear. ; The Comedies of Aristophanes: Vol. 5; 196 pages
Sticker damage to rear wrap over barcode. Else VG. ; Penguin Classics; 7.0 X 4.3 X 0.5 inches; 224 pages
Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Creasing to spine. Chipping to spine ends. Tear to base of spine cover (3 cm). Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Else VG. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
1737305389ABLipsiae (Leipzig), Weidmanniana (Weidmann), 1737. kl.8°. 11 Bll., 99 S. Einfacher Original-Pappband d. Zt. (Tlw. etw. gebräunt, sonst gut).
1913T65362Brugge, Kerlinga 1913 94pp., 22cm., stempeltje op titelblad, onopgesneden
