119 résultats
9788580632521-11-130968Martins Fontes. New. Martins Fontes unknown
Q-0878305092Theatre Arts Books 1963-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Theatre Arts Books paperback
1987Q-0878300120Routledge 1987-01-07. Hardcover. New. In shrink wrap. Looks like an interesting title! Routledge hardcover
Q-0878300244Theatre Arts Books 1961-01-07. Hardcover. New. In shrink wrap. Looks like an interesting title! Theatre Arts Books hardcover
26087134like new. unknown
19899780878309825-2025Routledge 1989. Hardcover. New/New. <p><strong>Author:</strong> Constantin Stanislavski Elizabeth Reynolds Hapgood</p><p><strong>Publisher:</strong> Routledge</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780878309825</p><p><strong>Release Date:</strong> 1989</p><p><strong>Number Of Pages:</strong> 207</p><p><strong>Details:</strong> Building a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy.An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume Sir John Gielgud said this great director “found time to explain a thousand things that have always troubled actors and fascinated students.â€Building a Character discusses the external techniques of acting: the use of the body movement diction singing expression and control.Creating a Role describes the preparation that precedes actual performance with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important†for the actor.These three volumes belong on any actor’s short shelf of essential books.</p> Routledge hardcover
1955feb36696ESPLA 1955. Used. 1955; Romanian Edition of Lectiile de regie ale lui Stanislavski; For more details please contact me ESPLA unknown
2010G5938788277I3N00Praym–Evroznak 2010. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Praym–Evroznak hardcover
A9781138145122Hardback. New. hardcover
26411312like new. unknown
26411312-nnew. unknown
1-0878300244Theatre Arts Books 1961. Hardcover. New. 271 pages. 8.25x5.75x1.50 inches. Theatre Arts Books hardcover
ria9781138145122_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Best known for his fundamental work on acting Stanislavski was deeply drawn to the challenges of opera. His brilliant chapters here on Russian classics--Boris Gudonov and The Queen of Spades among them--as well as La Boheme will amaze hardcover
1949059663New York: Theatre Arts Books: Robert M. MacGregor 1949. No Edition Stated . Soft cover. Near Fine/Good. 8 5/8" Tall. 292 Pp Gray Cloth Stamped In Black And Magenta. First Printing No Indication Of Later Printing; Book With No Marks Near Fine. Dj Priced $3.50 No Indication Of Later Printing7 Reviews Of Book On Front Flap And None On Rear Panel. Dj Spine Sunned. Dust Jacket Worn Torn Small Losses Holding Up In Dust Jacket Protector With No Loss Of Lettering. <br/> <br/> Theatre Arts Books: Robert M. MacGregor paperback
2017__1138473030Routledge 2017. Hardcover. New. rep exp re edition. 209 pages. 9.00x6.00x0.75 inches. Routledge hardcover
2016x-1138145122Taylor & Francis 2016. Hardcover. New. 374 pages. 9.02x5.98x1.02 inches. Taylor & Francis hardcover
19491230<p>New York: Theatre Arts Books: Robert M. MacGregor 1949. First Edition First Printing.</p><p>Stanislavski's important sequel to "An Actor Prepares" covering the physical aspects of acting such as movement voice tempo and rhythm. It's written in the form of a diary by an acting student with frequent appearances by the teacher and director Tortsov obviously a stand-in for Stanislavski himself.</p><p>This volume published by Theatre Arts Books in New York is the first edition in English; a U.K. edition appeared a year later. The Russian edition was issued in 1948. Translated with a Foreword by Elizabeth Reynolds Hapgood who collaborated closely with Stanislavski. There's also an entertaining Introduction by actor and director Jonathan Logan who visited Stanislavski in Moscow in 1931.</p><p>This is an essential reference on Stanislavski's system of acting which is in wide use today.</p><p>PHYSICAL DETAILS: Octavo 8 1/2 inches / 22 cm xx 292 pages.</p><p>CONDITION: Some fraying to the boards with a bump in the lower right corner of the front board. A bit of soiling to the top edge and toning to the end papers. Otherwise Very Good. The dust jacket has a few closed tears and shows some sunning to the spine and top of the front panel. First-edition copies in the dust jacket are uncommon to the market. SCARCE in dust jacket.</p> Theatre Arts Books: Robert M. MacGregor hardcover
1949217440ZNew York: Theatre Arts Books: Robert M. MacGregor 1949. 1st Edition . Hardcover. Very Good. Translated by Elizabeth Reynolds Hapgood. 292 pages. Foreward by Joshua Logan. Pages clean good condition. Endpapers slightly yellowed at edges. Beige cloth illustrated with red line drawing on upper cover. Black titles. Spine lightly soiled/discolored. Edgeslightly worn. Top corners lightly bumped. VG <br/> <br/> Theatre Arts Books: Robert M. MacGregor hardcover
196021403USA: Viking 1960. A first edition first printing published by Viking in 1960. A near fine book without inscriptions with the top stain present. In the very good unclipped wrapper with wear corners and to the spine tips with some creasing and fading to the spine. The Stanislavski Method developed by Russian actor and director Konstantin Stanislavski is a system of acting that emphasises emotional truth psychological realism and character immersion. It encourages actors to draw from personal experiences use the "magic if" imagining themselves in a character's situation and analyse objectives and motivations. The method introduced techniques like emotional memory given circumstances and subtext to create authentic performances. It influenced modern acting shaping techniques used in Method Acting by Lee Strasberg. Stanislavski's approach revolutionised theatre and film promoting naturalism and deep character engagement making performances more believable and emotionally compelling for audiences. Viking unknown
