Samuel BeckettBiblio.com
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195889679New York: Grove Press Inc 1958. First Edition; Nineteenth Printing. Softcover. Very Good in wrappers. Light soiling to back panel. Some glue markings to binding between front pastedown and front end page. Clean pages. ; 8vo 8" - 9" tall. Grove Press, Inc unknown
1994121119New York: Grove Press 1994. 1st Evergreen Edition; First Printing. Softcover. Near Fine in wraps. Light rubbing on spine edges and spine crown/heel. ; 8.0 X 4.7 X 0.4 inches; 91 pages. Grove Press unknown
1994Q-0802150241Grove Press 1994-01-12. Paperback. New. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
19702090502130600491LES EDITIONS DE MINUIT 1970. Soft Cover. Fine. Number of pages: 56 pp Size: 95 MM X 180 MM LES EDITIONS DE MINUIT paperback
20169781535213158-2025CreateSpace Independent Publishing Platform 2016. Hardcover. New/New. <p><strong>Author:</strong> Samuel Beckett</p><p><strong>Publisher:</strong> CreateSpace Independent Publishing Platform</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781535213158</p><p><strong>Release Date:</strong> 2016</p><p><strong>Number Of Pages:</strong> 72</p><p><strong>Details:</strong> Esperando a Godot en francés: En attendant Godot a veces subtitulada Tragicomedia en dos actos es una obra perteneciente al teatro del absurdo escrita a finales de los años 40 por Samuel Beckett y publicada en 1952 por Éditions de Minuit. Beckett escribió la obra originalmente en francés su segunda lengua. La traducción al inglés fue realizada por el mismo Beckett y publicada en 1955. La obra se divide en dos actos y en ambos aparecen dos vagabundos llamados Vladimir y Estragon que esperan en vano junto a un camino a un tal Godot con quien quizás tienen alguna cita. El público nunca llega a saber quién es Godot o qué tipo de asunto han de tratar con él. En cada acto aparecen el cruel Pozzo y su esclavo Lucky en inglés afortunado seguidos de un muchacho que hace llegar el mensaje a Vladimir y Estragon de que Godot no vendrá hoy "pero mañana seguro que sí". Esta trama que intencionalmente no tiene ningún hecho relevante y es altamente repetitiva simboliza el tedio y la carencia de significado de la vida humana tema recurrente del existencialismo. Una interpretación extendida del misteriosamente ausente Godot es que representa a Dios en inglés: God aunque Beckett siempre negó esto.Como nombre propio Godot puede ser un derivado de diferentes verbos franceses. Beckett afirmó que derivaba de godillot que en jerga francesa significa bota. El título podría entonces sugerir que los personajes están «esperando a la bota»</p> CreateSpace Independent Publishing Platform hardcover
20169781535213158-2025CreateSpace Independent Publishing Platform 2016. Hardcover. New/New. <p><strong>Author:</strong> Samuel Beckett</p><p><strong>Publisher:</strong> CreateSpace Independent Publishing Platform</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9781535213158</p><p><strong>Release Date:</strong> 2016</p><p><strong>Number Of Pages:</strong> 72</p><p><strong>Details:</strong> Esperando a Godot en francés: En attendant Godot a veces subtitulada Tragicomedia en dos actos es una obra perteneciente al teatro del absurdo escrita a finales de los años 40 por Samuel Beckett y publicada en 1952 por Éditions de Minuit. Beckett escribió la obra originalmente en francés su segunda lengua. La traducción al inglés fue realizada por el mismo Beckett y publicada en 1955. La obra se divide en dos actos y en ambos aparecen dos vagabundos llamados Vladimir y Estragon que esperan en vano junto a un camino a un tal Godot con quien quizás tienen alguna cita. El público nunca llega a saber quién es Godot o qué tipo de asunto han de tratar con él. En cada acto aparecen el cruel Pozzo y su esclavo Lucky en inglés afortunado seguidos de un muchacho que hace llegar el mensaje a Vladimir y Estragon de que Godot no vendrá hoy "pero mañana seguro que sí". Esta trama que intencionalmente no tiene ningún hecho relevante y es altamente repetitiva simboliza el tedio y la carencia de significado de la vida humana tema recurrente del existencialismo. Una interpretación extendida del misteriosamente ausente Godot es que representa a Dios en inglés: God aunque Beckett siempre negó esto.Como nombre propio Godot puede ser un derivado de diferentes verbos franceses. Beckett afirmó que derivaba de godillot que en jerga francesa significa bota. El título podría entonces sugerir que los personajes están «esperando a la bota»</p> CreateSpace Independent Publishing Platform hardcover
197246804Paris: Les Editions de Minuit 1972. Fine. Les Editions de Minuit Paris 1972 14.50 x 19.50 cm broché First edition of 342 numbered copies on vélin d'Arches this one of 50 hors commerce copies. Autograph inscription from Samuel Beckett to Ludovic Janvier. Spine slightly sunned not serious. Les Editions de Minuit unknown
1969054412New York NY USA: Grove Press 1969. Book. Very Good. Hardcover. 8vo - over 7¾ - 9¾" tall. The book and jacket are in very good condition little shelf rubbing apparent jacket has been wrapped by a previous owner with mylar for preservation purposes. The text and images inside appear clean and clear throughout. 'Film is Samuel Beckett's only venture into the medium of the cinema. Written in 1963 the film was made in New York in the summer of 1964 directed by Alan Schneider and starring Buster Keaton. The film which has no dialogue and only one sound takes as its basis Berkeley's theory Esse est percipe that to be is to be perceived: ever after all outside perception be it animal human or divine has been suppressed self-perception remains. This explores every aspect of the film you might be interested in within it's production and includes an essay "On Directing" by Alan Schneider.' 95 pages. 5.4 x 8.25 inches. May require additional postage. This listing was made by a small independent book shop. We carefully inspect every single book we list and give accurate descriptions. If you require we will promptly send pictures of listed books upon request. . Grove Press Hardcover
197251869Paris: Les Editions de Minuit 1972. Fine. Les Editions de Minuit Paris 1972 14.50 x 19.50 cm broché First edition of the author's French translation one of 50 numbered copies on vélin d'Arches paper an hors commerce copy the only large paper copies with 292 other vélin d'Arches paper. Precious copy inscribed and dated December 1972 by Samuel Beckett to his friend the painter Geer Van Velde and his wife Lise. Spine and back cover slightly discolored. What to say of the sliding planes the shimmering contours the cut-out figures in the fog the balance that any little thing can break breaking and re-forming themselves under our very eyes How to talk about the colors that breathe and pant Of the swarming stasis Of this world without weight without force without shadow Here everything moves swims fells comes back falls apart re-forms. Everything stops non-stop. One would say it's the revolt of the internal molecules of a stone a split second before its disintegration. That is literature The van Veldes' Art or the World and the Trousers in Cahiers d'Art n° 11-12 Paris 1945. Beckett here is not talking despite how it may appear about his literary oeuvre but about the paintings of Geer Van Velde going on to add a few lines later Bram Van Velde paints distance. Geer Van Velde paints succession. This elegy published on the occasion of the double exhibition of the Van Veldes Geer at Maeght's and Bram at the Galerie Mai is the first important text on these painters more or less unknown to the public at the time: We've only just started spouting nonsense about the Van Velde brothers and I'm the first. It's an honor. This is also the first critical text written directly in French by a young Irish writer who had not as yet published anything in France. Thus the first and most important of Beckett's writings on art composed at the dawn of his literary career establishes right from the start a fundamental relationship between his developing work and his friends' art: Thus this text has often been read in a hollow or in the mirror as one of the rare designations of Beckett's poetry to come by the man himself a sort of anamorphic program of writing Un pantalon cousu de fil blanc : Beckett et l'épreuve critique by Pierre Vilar. A real statement of dramaturgical intent this fundamental text whose introspective value Beckett lays out from the introduction on one does nothing but tell stories with words ushers in the writer's most fruitful creative period. In essence like Apollinaire and Cendrars Beckett draws from the artistic problems of his contemporaries the catalyst of his own future writing through the deepest questioning of narrative figurative or poetical presuppositions Pascale Casanova in Beckett l'Abstracteur. The major influence of modern painting on the narrative structure or destructuring of Beckett's drama and novels would be pointed out and examined by a number of thinkers among them Gilles Deleuze Julia Kristeva and Maurice Blanchot. It was in fact with the art of the Van Veldes first Geer then Bram that Beckett began to formalize this desire to translate the pictorial question into dramaturgical terms. Thus it was that he rejected Nicolas de Staël's set design for Godot since: the set must come out of the text without adding anything to it. As for the visual comfort of the audience you can imagine how much I care. Do you really think you can listen with the backdrop of Bram's set or see anything other than him Letter to Georges Duthuit 1952. When he met Geer in 1937 Beckett was going through a major existential crisis and had just been reworking his first novel Murphy which had been rejected by a great many publishers. He was lost in alcohol leaving Ireland and moving once and for all to Paris Le Pictural dans l'uvre de Beckett Lassaad Jamoussi. He returned from a long artistic journey in Germany where he was marked by classical works as well as contemporary ar Les Editions de Minuit unknown
195744534Paris: Les Editions de Minuit 1957. Very Good. Paris: Les Éditions de Minuit 1957. First Trade Edition one of 3000 copies. Small slim octavo 18.5cm; publisher's white wrappers printed in blue and black; 124pp. Light dust-soil to wrappers especially along spine panel else a Very Good internally clean sound and unopened example. Signed by Beckett on title page.<br /> <br /> Excellent copy of Beckett's "one-act horror" followed by his wordless mime. The English translation followed the next year. <br /> <br /> References: <br /> <br /> No Symbols Where None Intended: A Catalogue of Books Manuscripts and Other Material Relating to Samuel Beckett in the Collections of the Humanities Research Center pp. 97-99<br /> <br /> Federman & Fletcher 265. Les Editions de Minuit unknown
426650Methuen Educational Ltd. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. "Fin de partie" is the French title for his one-act play known in English as "Endgame". Beckett himself translated the play from French into English. The play was first performed in French at the Royal Court Theatre in London in 1957.First printing thus 1970 in Methuen's Twentieth Century French Texts Series. Intro and notes in English text of play in French.Book in good condition with signs of use. Methuen Educational Ltd. hardcover
19572353paris: les éditions de minuit 1957. first edition 1957.<br /> <br /> paris: les éditions de minuit. 4.75 x 7.5 inches. 122 pages. softcover. bound in paper wrappers. book condition: toned lightly bumped and edgeworn. very good. les éditions de minuit unknown
Q-039417917XGrove Press. paperback. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
197610084new pb Faber & Faber paperback
0714536199.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
BN259220Suhrkamp. Softcover. Gesammelte Werke in den suhrkamp taschenbüchern <br/><br/>Gesammelte Werke in den suhrkamp taschenbüchern Samuel Beckett Suhrkamp paperback
2006003762Arion Press 2006. Limited Edition. Hardcover. As New/As New. An "As New" hardcover copy in slipcase Limited to 300 copies; Signed by the artist with 50 hand colored prints. Included with this book is the Special edition of Waiting for Godot by Beckett. This hardcover is in like new condition and published by Grove Press. = WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. = WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 34 YEARS. Arion Press hardcover
1961SDBOX44-SB11092019-2491961-01-01. Paperback. Good. Good with wear and markings. Looks like an interesting title! paperback
196144059New York: Grove Press / Evergreen 1961. Very Good. New York: Grove Press / Evergreen 1961. First Edition preceding the British and French Edition. Signed by Samuel Beckett without inscription at title page. Octavo; illustrated wraps; 64pp. Edgewear and spotting to wraps; slight curling to edges; binding sound; pages unmarked; Very Good. <br /> <br /> Fellow Irishman George Reavey wrote to Beckett of the play "It sings in the memory auricular and visual" and later added that at a later performance "the house was packed and the applause high" though some audience members were too frightened to laugh.<br /> <br /> Federman & Fletcher 39; Carlton Lake "No Symbols Where None Intended." University of Texas at Austin 1984; no. 289. Grove Press / Evergreen unknown
196242933London: Faber and Faber 1962. Near Fine/Very Good. London: Faber and Faber 1962. First UK Edition. Signed by Samuel Beckett without inscription at title page. Octavo; photo-illustrated dust jacket; red cloth boards with spine stamped in gilt; 48pp. Light wear to edges of unclipped dust jacket; rubbing to rear and spotting to verso. Very light shelfwear to boards; binding sound; pages unmarked; Near Fine in a Very Good dust jacket. Fellow Irishman George Reavey wrote to Beckett of the play "It sings in the memory auricular and visual" and later added that at a later performance "the house was packed and the applause high" though some audience members were too frightened to laugh. <br /> <br /> Federman & Fletcher 39.1; Carlton Lake "No Symbols Where None Intended." University of Texas at Austin 1984; no. 292; pp. 125-126. Faber and Faber unknown
1986320744Grove/Atlantic April 1986. Hardcover. Collectible-Good/Good. Grove/Atlantic hardcover
196291868London Londres London: Faber and Faber 1962. Fine. Faber and Faber London Londres London 1962 12.6 x 20.5 cm Broché de l'éditeur First English edition published one year after the first edition American complete with its illustrated dust jacket with unclipped price. Publisher's pink-red cloth title author's name and publisher's imprint to the spine all three in gilt. Headcaps very slightly pushed faint foxing to the boards a fine copy. On the dust jacket spine and boards sunned as is common discreet wear and stains to the headcaps boards and corners marginal browning and a dampstain at the foot to the inside of the jacket. Faber and Faber hardcover
1970054413New York NY USA: Grove Press 1970. Book. Very Good. Hardcover. 8vo - over 7¾ - 9¾" tall. The book and jacket are in very good condition little shelf rubbing apparent jacket has been wrapped by a previous owner with mylar for preservation purposes. The text inside appears clean and clear throughout. 'In Happy Days Samuel Beckett pursues his relentless search for the meaning of existence probing the tenuous relationships that bind one person to another and each to the universe top time past and time present. Once again stripping theater to its barest essentials Happy Days offers only two characters: Winnie a woman of about fifty and Willie a man of about sixty.' 64 pages. 5.4 x 8.25 inches. May require additional postage. This listing was made by a small independent book shop. We carefully inspect every single book we list and give accurate descriptions. If you require we will promptly send pictures of listed books upon request. . Grove Press Hardcover
V18OS-00180Grove Press. Used - Very Good. Very Good condition. Good dust jacket. Fiction Psychological French A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Grove Press unknown
1964P-25466Grove Press 1964. First Edition. Hardcover. Fine/Very Good. Octavo. Stated first printing with $3.95 price on flap. Following the success of his early work Molloy and Waiting for Godot Beckett here continues his fascinating exploration of the human condition. A near fine clean and unmarked copy with a very light 2" horizontal scratch to the bottom third of the front panel near the edge and fading to the spine red of the author name which is still legible An attractive copy in an archival Mylar cover. Grove Press hardcover
