3 848 résultats
0714541133.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992Q-0714541133Riverrun Pr 1992-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Riverrun Pr hardcover
527714Cambridge England: Rampant Lions Press 1987. Unbound. Fine. First edition advance copy. Oblong small quarto. 44pp. consisting of eight unbound and unsewn quires. Fine. Signed by Beckett on the limitation page and designated by the publisher as an out-of-series copy of the 25 signed by Beckett of 325 total. <br /> <br /> The editor Christopher Ricks has transcribed four variant texts of "As The Story Was Told" enhancing the text with selections from other Beckett titles. A nice typographical presentation printed in two colors; the endpapers reproduce Beckett's manuscript in holograph facsimile. Rare in this format; this is the only advance copy of this publication that we have seen. Rampant Lions Press unknown
27676Cambridge UK Rampant Lions Press 1987. Oblong quarto unpaginated about 50 pages original boards in clear plastic sleeve a near fine copy. This edition limited to 325 numbered copies. Originally published in Gunter Eich zum Gedachtnis 1973 then in Samuel Beckett: Collected Shorter Prose 1945-80 1984 Cambridge, UK, Rampant Lions Press, 1987 hardcover
198723322Cambridge: Rampant Lions Press 1987. First edition deluxe issue. One of 25 numbered copies signed by Beckett the only signed issue of this book out of a total edition of 325 copies printed by Sebastian Carter at the Rampant Lion Press this is copy number 1. Very fine copy. Square 4to original quarter morocco & paste-paper boards publisher's slipcase. Very fine copy. Rampant Lions Press unknown
1987BECKETTS000380The Rampant Lions Press Cambridge. 1987. First edition thus. Edited with a Note on the Text by Christopher Ricks. Square royal octavo. Unpaginated. 48 pages. One of 325 numbered copies. Buckram-backed patterned paper boards. Printed in Albertus Light and Ehrhardt on Zerkall Silurian paper. The piece was first published in G�nter Eich zum Ged�chtnis 1973 and then in Collected Shorter Prose 1945-1980 1984. The original text is presented as a single running line with variant readings and marginal glosses above and below drawing on earlier stages of composition. A facsimile of the manuscript is reproduced on the endpapers. Fine in remains of the original plain glassine wrapper. The Rampant Lions Press, Cambridge. hardcover
19873449Cambridge: Rampant Lions Press 1987. Hardcover. Good. Published in a limited edition of 325 numbered copies this being #250. Square Quarto. Designed and printed by Sebastian Carter. Bound by Woolnough Fine Bindings and printed on Zerkall Silurian paper. A lovely book unfortunately with lower right corner page creases to later leaves and one loss to a lower corner affecting the lower part of the letter g in reading. the end result: a lower price. <br/><br/> Rampant Lions Press hardcover
8806062476.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
4824180376.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
4824180341.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2010Atlantic-9781848601307Sage Publications 2010. Hardcover. New. Sage Publications hardcover
2010Atlantic-9781848601307Sage Publications 2010. Hardcover. New. Sage Publications hardcover
9960375like new. unknown
9960375-nnew. unknown
2010x-184860131XSage Pubns Ltd 2010. Paperback. New. 1st edition. 176 pages. 9.25x7.25x0.50 inches. Sage Pubns Ltd paperback
GOR014937042Hardback. Very Good. hardcover
2010DADAX184860131XSage Publications 2010-12-09. 1. paperback. New. 7.32x0.40x9.13. Buy with confidence. Excellent Customer Service & Return policy. Sage Publications paperback
62241145Sage Publications pp. 176 . Hardback. New. Sage Publications hardcover
1966371090Paris: Les Éditions de Minuit 1966. First edition #305 of 450 copies. 29 1 pp. 12mo. Original wrappers glassine. Near fine. First edition #305 of 450 copies. 29 1 pp. 12mo. Inscribed on the title page "for William & Roslyn Targ from Samuel Beckett". Roslyn Targ 1925-2017 was Beckett's literary agent. Her husband William Targ 1907-1999 was an editor and then head of Putnam's before founding his own imprint Targ Editions; he was also a noted bibliophile and Beckett collector. Les Éditions de Minuit unknown
1966D18595Paris: Les Editions de Minuit 1966. First Edition. Paperback. Fine. Original square wraps cellophane tissue cover. Uncut. Copy 394/450. <br/><br/> Les Editions de Minuit paperback
196646805Paris: Les Editions de Minuit 1966. Fine. Les Editions de Minuit Paris 1966 - broché Les éditions de minuit Paris 1966 original wrappers. First edition one of 662 numbered copies on vélin cuve B.F.K. de Rives this one of 100 hors commerce advance copies. Inscribed copy signed by Samuel Beckett to Ludovic Janvier and his wife. A good copy. Les Editions de Minuit unknown
196651863Paris: Les Editions de Minuit 1966. Fine. Les Editions de Minuit Paris 1966 14.50 x 19.50 cm broché First edition. One of 100 deluxe advance copies on B.F.K. de Rives only deluxe copies along with 512 others on B.F.K. de Rives. Precious copy inscribed and dated April 1966 by Beckett to his friend the painter Geer Van Velde and his wife Lise. Nice copy. What to say of the sliding planes the shimmering contours the cut-out figures in the fog the balance that any little thing can break breaking and re-forming themselves under our very eyes How to talk about the colors that breathe and pant Of the swarming stasis Of this world without weight without force without shadow Here everything moves swims fells comes back falls apart re-forms. Everything stops non-stop. One would say it's the revolt of the internal molecules of a stone a split second before its disintegration. That is literature The van Veldes' Art or the World and the Trousers in Cahiers d'Art n°11-12 Paris 1945. Beckett here is not talking despite how it may appear about his literary oeuvre but about the paintings of Geer Van Velde going on to add a few lines later Bram Van Velde paints distance. Geer Van Velde paints succession. This elegy published on the occasion of the double exhibition of the Van Veldes Geer at Maeght's and Bram at the Galerie Mai is the first important text on these painters more or less unknown to the public at the time: We've only just started spouting nonsense about the Van Velde brothers and I'm the first. It's an honor. This is also the first critical text written directly in French by a young Irish writer who had not as yet published anything in France. Thus the first and most important of Beckett's writings on art composed at the dawn of his literary career establishes right from the start a fundamental relationship between his developing work and his friends' art: Thus this text has often been read in a hollow or in the mirror as one of the rare designations of Beckett's poetry to come by the man himself a sort of anamorphic program of writing Un pantalon cousu de fil blanc : Beckett et l'épreuve critique by Pierre Vilar. A real statement of dramaturgical intent this fundamental text whose introspective value Beckett lays out from the introduction on one does nothing but tell stories with words ushers in the writer's most fruitful creative period. In essence like Apollinaire and Cendrars Beckett draws from the artistic problems of his contemporaries the catalyst of his own future writing through the deepest questioning of narrative figurative or poetical presuppositions Pascale Casanova in Beckett l'abstracteur. The major influence of modern painting on the narrative structure or destructuring of Beckett's drama and novels would be pointed out and examined by a number of thinkers among them Gilles Deleuze Julia Kristeva and Maurice Blanchot. It was in fact with the art of the Van Veldes first Geer then Bram that Beckett began to formalize this desire to translate the pictorial question into dramaturgical terms. Thus it was that he rejected Nicolas de Staël's set design for Godot since: the set must come out of the text without adding anything to it. As for the visual comfort of the audience you can imagine how much I care. Do you really think you can listen with the backdrop of Bram's set or see anything other than him Letter to Georges Duthuit 1952. When he met Geer in 1937 Beckett was going through a major existential crisis and had just been reworking his first novel Murphy which had been rejected by a great many publishers. He was lost in alcohol leaving Ireland and moving once and for all to Paris Le Pictural dans l'uvre de Beckett Lassaad Jamoussi. He returned from a long artistic journey in Germany where he was marked by classical works as well as contemporary art it was during this journey that he discovered Caspar David Friedrich's Two Men Contemplating th Les Editions de Minuit unknown
3368132083.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781164581628New. unknown
ria9783368132088_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reprint of the original first published in 1871. paperback