Beckett, FionaBiblio.com
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2004Q-1904573142Absolute Press 2004-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Absolute Press paperback
2003Q-1899791833Absolute Press 2003-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Absolute Press paperback
195735207New York: Grosset & Dunlap 1957. Softcover. Beckett Sheilah. Folio stiff cards collection of full page illustrations by Beckett for 14 classic rhymes but with titles only. Light wear to tips occasional smudge to interior borders else fine. Grosset & Dunlap unknown
1966013256Paris France: Editions Le Belier-Prisma 1966. 1st Edition . Hardcover. Very Good/No Jacket. France. In Very Good Condition. Very Clean Interior No Notes Names or Markings. No Torn Or Folded Pages. No Dust Jacket. For More Information On Condition. Please View All Images. Vintage 1966 1st Edition - French Language Book - 132 Pages Bill Brandt Ombres D'une Ile - Une Collection de Photoptaphies de 1931 a nos jours <br/> <br/> Editions Le Belier-Prisma hardcover
196630638New York: The Viking Press / A Studio Book 1966. 1st American edition. Hardcover. Near Fine/Good. Bill Brandt. 1st edition 1966. A Near Fine book in a Good dust jacket. 4to. 128 black & white plates. Bound in publishers black cloth with photo illustrated black & white dust jacket $12.95. Jacket has done its duty and protected the book.at a cost! Overall soiling and fading with rubbing chipping and tears. Some glue toning to the book - especially at end pages. Unmarked and clean. Dust jacket now protected in mylar sleeve. The Viking Press / A Studio Book hardcover
196651145NY: Viking. Very Good in Good dust jacket; Jacket has been trimmed at top and lower . edges two large tears to lower edge of front jacket panel. 1966. First Edition. Hardcover. Survey of the British photographer's images from the 1930s-60s including nudes landscapes portraits of many artists and writers and shots of British every day life among the various classes. Introduction by Cyril Connolly. Notes by Marjorie Beckett. Black cloth binding. Mostly black and white photographs but a few color shots at the rear. ; 4to 11" - 13" tall . Viking hardcover
196649007New York: The Viking Press 1966. First edition. Hardcover. g to very good condition. Quarto. 111pp. 128 plates 4pp. Original black cloth with gilt lettering on spine in original photo-illustrated dustjacket black and gilt lettering on spine. A collection of photographs from 1931 to 1966. <br /> <br /> "Bill Brandt is a photographer's photographer yet through the years his work has been seen admired and loved by the general public through featured stories in magazines such as Harper's Bazaar Popular Photography and Modern Photography in art and photography books and in exhibitions including "The Family of Man" at the Museum of Modern Art in New York. Shadow of Light is a presentation of Bill Brandt's best photographs taken since 1931. These include his unforgettable of Emily Bronte's Top Withens the ghostly sheep among the giant stones of Avebury and some of the striking figure studies from his previous book Perspective of Nudes. Brandt gives us a unique view of life in London in the nineteen-thirties." Publisher. Profusely illustrated with some color and mostly b/w photographs on 128 plates. Captions to the photographs at rear. Dustjacket with very light wear and lightly sunned along edges. Block with some age-toning along edges not affecting photographs. Dustjacket in overall good interior in very good condition. The Viking Press hardcover
1966619035Paris: Les Editions De Minuit 1966. FRENCH. A limited edition string bound pamphlet numbered 413/550 in very good condition. From the collection of Gay McAuley an honorary professor at the University of Sydney's Department of Performance Studies formerly the Director of the Centre for Performance Studies and a noted scholar in performance and theatre. Cover and front end page are tanned and foxed with light wear to cover edges. Roughcut pageblock is tanned and foxed however the content is in fine condition; pages tightly bound and unmarked. CN. Limited Edition. Paperback. Very Good. Les Editions De Minuit Paperback
1966469712Paris: Les Editions de Minuit 1966. Softcover. Fine. First edition. 12mo. 18pp. Spine base and upper corner trifle bumped still easily a fine unopened copy. Inscribed by Beckett on the title page: "for Michael Curtis from Samuel Beckett." One of 550 numbered copies on Velin Cuve B.F.K. Rives paper. Les Editions de Minuit unknown
1966518547Paris: Les Editions de Minuit 1966. Softcover. Fine. First edition. Squarish small octavo. 18pp. White printed wrappers. A fine unopened copy. Limited to 550 numbered copies on Velin Cuve B. F. K. Rives paper. Les Editions de Minuit unknown
1966524231Paris: Les Editions de Minuit 1966. Softcover. Very Good/Very Good. First French edition. Translated from English by the author. Small octavo. 18pp. White printed wrappers. Small dampstain in gutter on front fly light dampstain on spine tail and on bottom page edges about very good with pages unopened along topedges in publisher's very good unprinted glassine dust jacket; jacket is lightly tanned with short tears. "La Librairie des Editions de Minuit" issue limited to 112 numbered copies this is no. 87 designated on copyright page "reserves a La Librairie des Editions de Minuit" F&F 276. Les Editions de Minuit unknown
1966311713Paris: Les Éditions de Minuit 1966. FIRST EDITION LIMITED ISSUE number 73 of 112 copies reserved for publisher of 550 copies on Rives from an edition of 762 there were 100 hors commerce and 112 reserved for the publisher. 17 1pp. 8vo. Original wrappers; glassine. Fine. FIRST EDITION LIMITED ISSUE number 73 of 112 copies reserved for publisher of 550 copies on Rives from an edition of 762 there were 100 hors commerce and 112 reserved for the publisher. 17 1pp. 8vo. Les Éditions de Minuit unknown
1966D11057New York: Les Editions de Minuit 1966. First Edition. Paperback. Near Fine/Near Fine. Wraps in glassine dust jacket. Number 220 from a limited edition of 550 copies. Inscribed by Beckett on the title-page. Aside from some light rubbing at spine tips and corners book and jacket are fine. <br/><br/> Les Editions de Minuit paperback
196651867Paris: Les Editions de Minuit 1966. Fine. Les Editions de Minuit Paris 1966 14.50 x 19.50 cm broché First edition one of 100 hors commerce numbered copies on BFK de Rives paper the only grand papier deluxe copies with 662 other copies on BFK de Rives paper. Precious copy inscribed and dated October 1966 by Beckett to his friend the painter Geer Van Velde and his wife Lise. Nice copy. What to say of the sliding planes the shimmering contours the cut-out figures in the fog the balance that any little thing can break breaking and re-forming themselves under our very eyes How to talk about the colors that breathe and pant Of the swarming stasis Of this world without weight without force without shadow Here everything moves swims fells comes back falls apart re-forms. Everything stops non-stop. One would say it's the revolt of the internal molecules of a stone a split second before its disintegration. That is literature The Van Veldes' Art or the World and the Trousers in Cahiers d'Art n°11-12 Paris 1945. Beckett here is not talking despite how it may appear about his literary oeuvre but about the paintings of Geer Van Velde going on to add a few lines later Bram Van Velde paints distance. Geer Van Velde paints succession. This elegy published on the occasion of the double exhibition of the Van Veldes Geer at Maeght's and Bram at the Galerie Mai is the first important text on these painters more or less unknown to the public at the time: We've only just started spouting nonsense about the Van Velde brothers and I'm the first. It's an honor. This is also the first critical text written directly in French by a young Irish writer who had not as yet published anything in France. Thus the first and most important of Beckett's writings on art composed at the dawn of his literary career establishes right from the start a fundamental relationship between his developing work and his friends' art: Thus this text has often been read in a hollow or in the mirror as one of the rare designations of Beckett's poetry to come by the man himself a sort of anamorphic program of writing Un pantalon cousu de fil blanc : Beckett et l'épreuve critique by Pierre Vilar. A real statement of dramaturgical intent this fundamental text whose introspective value Beckett lays out from the introduction on one does nothing but tell stories with words ushers in the writer's most fruitful creative period. In essence like Apollinaire and Cendrars Beckett draws from the artistic problems of his contemporaries the catalyst of his own future writing through the deepest questioning of narrative figurative or poetical presuppositions Pascale Casanova in Beckett l'abstracteur. The major influence of modern painting on the narrative structure or destructuring of Beckett's drama and novels would be pointed out and examined by a number of thinkers among them Gilles Deleuze Julia Kristeva and Maurice Blanchot. It was in fact with the art of the Van Veldes first Geer then Bram that Beckett began to formalize this desire to translate the pictorial question into dramaturgical terms. Thus it was that he rejected Nicolas de Staël's set design for Godot since: the set must come out of the text without adding anything to it. As for the visual comfort of the audience you can imagine how much I care. Do you really think you can listen with the backdrop of Bram's set or see anything other than him Letter to Georges Duthuit 1952. When he met Geer in 1937 Beckett was going through a major existential crisis and had just been reworking his first novel Murphy which had been rejected by a great many publishers. He was lost in alcohol leaving Ireland and moving once and for all to Paris Le Pictural dans l'uvre de Beckett Lassaad Jamoussi. He returned from a long artistic journey in Germany where he was marked by classical works as well as contemporary art it was during this journey that he discovered Caspar David Fr Les Editions de Minuit unknown
0199142602New. Brand new and still unused unknown
2000TH252280Ashgate Aldershot 2000. 1st Edition. HARDCOVER. Large 4to. in black faux cloth silver lettering to spine. 144pp colour plates b/w illustrations in text bibliography index etc __CONDITION : A well preserved AS NEW unmarked and unread copy in an almost AS NEW complete Dust Jacket slight sunning to spine panel looks new in its removable transparent protector. . __We always ship in PROTECTIVE CARD PARCELS Ashgate, Aldershot hardcover
77-0443Burlington VT: Ashgate 2000. 4to. Hard cover. Very Good. 144 pp. Color Plates. Burlington, VT: Ashgate, 2000 hardcover
20009956894Ashgate 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1050grams ISBN:9781840146479 Ashgate hardcover
2022x-0815385447Routledge 2022. Paperback. New. 144 pages. 10.08x8.66x0.63 inches. Routledge paperback
1840146478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG1840146478Ashgate Pub Ltd 0000-00-00. hardcover. Used: Good. 9.25x0.75x10.50. Buy with confidence. Excellent Customer Service & Return policy. Ashgate Pub Ltd hardcover
ria9780815385448_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Ins paperback
43788089-nnew. unknown
43788089like new. unknown
B9780815385448Paperback / softback. New. paperback
