77 résultats
1868257093New York: Charles Scribner & Co 1868. With illustrations by Henry L. Stephens lithographed by Julius Bien. i-x 1-76 pp. 1 vols. 4to. Green cloth a.e.g. Bookplate. Spine neatly recased with the original spine laid down. Bookplate of James Augustus Hewlett. Stephens Henry L. With illustrations by Henry L. Stephens lithographed by Julius Bien. i-x 1-76 pp. 1 vols. 4to. Charles Scribner & Co unknown books
1954325131954. FRASCONI Antonio. Twelve Fables of Aesop Newly Narrated by Glenway Wescott. 17 pp. Includes 19 linoleum cuts by Frasconi. 4to. original linen-backed boards and slipcase with linoleum cut. New York: The Museum of Modern Art 1954. One of the most delightful illustrated books to have been printed in America. Monroe Wheeler conceived the project and Glenway Wescott produced the text which Frasconi illustrated. The whole was put into the hands of the printer Joseph Blumenthal with exceptional results. One of 975 copies signed by Frasconi Wescott and Blumenthal. The Artist and the Book 111. A Century of Artists Books p.121 hardcover books
17441163571744. FOSSATI Giorgio. Raccolta di Varie Favole delineate ed incise in Rame. Six volumes in two. 16 44; 16 48; 8 76; 8 59; 8 59; 8 36 pp. Title-pages in vol. I with engraved ornamental borders printed in red. Illustrated with 3 engraved headpieces and 216 engraved plates printed in red green blue brown and black. 4to. 295 x 205 mm bound in full Venetian contemporary vellum boards. Venice: Carlo Pecora 1744. First Edition of one of the most sought-after Venetian eighteenth-century colour-printed works. The two hundred plus engravings are printed in the following colour inks: blue olive green sepia madder rose chocolate brown yellow brown Payne's grey reddish brown cadmium orange black and blue-grey. This scarce Venetian edition of classical fables with coloured engravings was designed and executed by the architect Giorgio Fossati. Birds beasts plants and humans are placed in Venetian pastoral or architectural settings. The latter are especially noteworthy and reveal the practiced hand and eye of their author; in plate XXXIII "The Gentleman and the Ape" the grand illusionistic stage setting recalls the work of the Bibiena. The Swiss-born Giorgio Fossati 1705-1785 designer of the facade of the Scuola and church of San Rocco in Venice was an important promulgator of architectural history theory and practice through his many sumptuous publications including new editions of Vignola Palladio and Félibien. Fossati specialized in books with illustrations printed in colour. The colour-technique he employed involved no overprinting or mixing just pure colour printed on heavy white Italian paper giving his books an extravagant Venetian character. Copies of the Favole that were bound in six volumes sometimes manifest additional engraved title-pages preceding each volume of text; the present copy like that of the Spencer Collection NYPL has the two engraved title-pages preceding vol. I. In our copy the allegorical explications of the fables in the first two volumes 8 8 pp. are bound before their respective texts. Fine copies in contemporary Venetian bindings are very rare on the market. This is a fresh fine and attractive copy in its contemporary Venetian binding. PROVENANCE: With later bookplate bearing a crossed monogram "L.L." surrounded in each corner by the emblem of medicine a serpent entwining the staff of Asclepius. Cohen-Ricci 410. Lewine 192. Sander 727. Morazzoni 232. Lanckoronska 108. Rosenwald 1570. Pedrocco The Glory of Venice Art in the Eighteenth Century 1994 ch. VIII p. 290 & fig. 190. hardcover books
306952Claremont Saunders Press 1953. First edition. Thin 8vo. Frontispiece portrait drawing by Paul Swan; 20 full-page drawings pictorial endpapers and jacket illustration by Phyllis Bailey. Dust jacket few nicks slight rubbing. Very good. 137 pages. No other signatures or bookplates. Metrical reworking of the familiar fables. One of 1000 unnumbered copies. Presentation copy signed and inscribed on verso of half-title page by Riley to Jeanie Dulin: "To Jeanie Dulin as compound . . . on her charming book I haven't kept so long Alice C.D. Riley." Laid in loose is a transmittal typed letter signed by Riley Pasadena June 16 1955. Printed by the P - B Press Inc. Pomona California. Signed by Authors. 1st Edition. Hardcover. Very Good/Very Good. Claremont, Saunders Press, 1953. hardcover books
1976122907Folio. London: The Scolar Press 1976. Folio 8 cxlii pp. With illustrations in woodcut throughout. Full brown morocco ruled in black backstrip lettered in black and four raised bands slipcase as new. § De luxe edition # XLIII of 50 printed on paper specially made by hand by Barcham Green of Hayle Mill. This is the first facsimile edition of Caxton's "Fables of Esope" 1484 STC 175. It reproduces original size the unique perfect copy of the work in the Royal Library at Windsor Castle which contains a life of Aesop and is illustrated with woodcuts. Caxton translated the fables from Julien Macho's 1482 French version and it proved so popular the version was still being printed in 1658. The Scolar Press hardcover books
19801308134E Rutherford New Jersey U.S.A.: Putnam Pub Group 1980. 1st Edition. Hardcover. Fine/Fine. A fine first edition in a fine dust jacket inscribed by Carle with an original hand drawing. E Rutherford, New Jersey, U.S.A.: Putnam Pub Group hardcover books
1818405619Newcastle: E. Walker for T. Bewick and Son 1818. A very good copy internally clean and fresh joints restored and with some light wear to binding. 8vo. xxiv 376 pages. 188 fable cuts and 136 tailpieces in text. Contemporary English polished calf the sides and spines decorated in blind and gilt marbled edges by Whitehead and Sons Leeds with their ticket on pastedown. A handsome copy of Bewick's extensively and exquisitely illustrated fables. Roscoe 45. <br/><br/> E. Walker for T. Bewick and Son unknown books
1818012015Newcastle: Printed by E. Walker for T. Bewick and Son 1818. 1st Edition. Hardcover. Near Fine. First edition with receipt leaf with Bewick's thumbmark facsimiles of signatures and seaweed stamped on engraved nighttime scene. This receipt page is inscribed at the top to "The Rev. H. D. Griffith". A very nice copy originally bound by Riveire but now lacking front cover with damages spine aeg with a very narrow strip of discoloring top edge of the first signatures else absent foxing and thus deserving of rebinding. Printed by E. Walker, for T. Bewick and Son hardcover books
19682312297New York: Junior Deluxe Editions 1968. Book Club BCE/BOMC. Hard Cover. Near Fine/Very Good. Tinkelman Murray. Faint stains to jacket spine jacket lightly toned with some smudges on rear jacket panel top edge of front jacket panel rubbed. 1968 Hard Cover. 219 pp. "Many of Aesop's stories--almost three hundred of them are included in this book--are about animals. But even more interesting the same stories are also about people!--for the weaknesses and strengths displayed by Aesop's animal characters can be seen in people that you and I know. and the morals of these fables--the ideas about all kinds of things that you get from them--are important to all of us. For this edition of Aesop's Fables the popular modern artist Murray Tinkelman created fifty brand-new drawings. Junior Deluxe Editions hardcover books
15181331015Basileæ: In Officina Heruagiana Johann Herwagen; Johannes Froben 1538/1518. Hardcover. Octavo a-x8 y7 A8 B4; VG; bound in 17th century calf plain paneled spine; some rubbing and wear to binding minor worming to binding; mild soiling to interior;<br /> <br><br /> <br><br /> Lacking y8-z8; The wanting leaves of the 1538 edition substituted after 350 with new pagination of 106-126 with the Galeomyomachia in Greek only from the 1518 Froben edition of Aesopi Phrygis vita et fabellæ cum latina interpretatione. Early substitution i.e. 17th century or earlier as the textblock is integral and the binding unrestored;<br /> <br><br /> <br><br /> Printer's device on title page and on verso of last leaf.; Wide margins; Second title page trimmed at top; small holes in upper and lower gutters of the entire first part from previous binding;<br /> <br><br /> <br><br /> Text in Greek and Latin on facing pages for the Aesop Greek only for the Galeomyomachia<br /> <br><br /> <br><br /> Provenance to the recto and verso of the ffep Fitzwilliam family provenance in several early hands the largest stating playfully: "William Fitzwilliam not his Book but John Fitzwilliam his booke";<br /> <br><br /> <br><br /> Scattered marginalia and underlining including extensive minute annotations in an early faded 16th century hand around the rear printer's mark other minor annotations throughout notably in English on Midas on page 315.;<br /> <br><br /> <br><br /> Scarce; PD consignment; shelved case 3. USTC: 608058;<br /> <br><br /> USTC lists 15 copies 14 in Europe and 1 at the University of Toronto.;<br /> <br><br /> <br><br /> A 1538 edition of Aesop's Fables printed by Johann Herwagen with an appended 1518 edition of the Galeomyomachia Battle of Cats and Mice printed by Johann Froben. Galeomyomachia usually found bound with five other printings by Froben 1518.;. 1331015. Shelved Dupont Bookstore. In Officina Heruagiana [Johann Herwagen]; [Johannes Froben] hardcover books
1912180219011London: William Heinemann 1912. Signed Limited Edition. Hardcover. Good. Deluxe limited edition; copy #540 of 1450 signed by Arthur Rackham on the limitation page. Publisher's buckram cloth stamped in gilt. Very Good. Cloth lightly soiled darkened at spine lightly toned and with light staining to edge of rear cover. Dark stain to gutter at top margin of roughly the first third of pages stain to bottom for edge margin to last several leaves and endsheet. Thirteen full-color plates mounted on brown paper with captioned tissue guards all present. William Heinemann hardcover books
200676529New York NY.: North-South Books. Very Good. 2006. First Paperback Edition. Softcover. This book is soft-bound in white covers with red and black printing to the covers. The covers show some light handling wear. The binding is solid. The contents are bright and clean with color illustrations. This book is signed/inscribed by Lisbeth Zwerger on the copyright page. From the collection of Cuthbert Christian Thambimuttu 1945-2019 of Columbus Ohio - known to many of his bookseller author and illustrator friends as "Tubby." He was persistent in the pursuit of autographed books by the writers and artists he admired including Gorey Sendak Heaney Byatt Morrison Updike and many more. Joseph Heller once wrote to Tubby in response to one more "please sign and return" request: "This is turning out to be a hell of a lot of work!" All signed books unconditionally guaranteed to be authentic. Many of the books are inscribed to both Cuthbert and his great friend of more than two decades Antonia Gale Moss. ; Signed by Illustrator . North-South Books paperback books
19411501032The Heritage Illustrated Bookshelf; New York 1941. 1st Edition. Hardcover. Fine/No Jacket. A fine copy in original cranberry cloth covered boards with gilt stamped lettering. A new version of Aesop's Fables by the author and illustrator of the book "Ferdinand". Copyright 1941. First thus. Comes housed in publisher's matching slipcase which is in very good condition. A tiny spot is found on the bottom page edges; else a fine copy. The Heritage Illustrated Bookshelf; New York hardcover books
1704014207London: R. Sare et al 1704. together with: "FABLES AND STORYES MORALIZED. BEING A SECOND PART OF THE FABLES OF AESOP. R.Sare London 1699. Twenty-eight page "Life of Aesop" in front of the book.Rear cover is detached. Noted in an old hand rear endpaper and laid-in card. Contemporary panelled covers worn. See photos. Frontispiece portrait of L'Estrange and full-page engraving of Aesop surrounded by animals from his fables. Wide margins clean text. Slightly darker toned paper used in rear 1/3 of the tome. . Fourth Edition Corrected and Amended. Full Contemporary Calf. General Cover Wear/No Jacket. Tall Quarto. R. Sare, et al Hardcover books
18482311550Philadelphia: Porter & Coates 1848. Hard Cover. Good/No Jacket. Tenniel John. Hinges broken minor loss to spine head and to spine base pages toned. 1848 Hard Cover. xv 224 16 pp. Olive green boards. Illustrations by John Tenniel who also illustrated Lewis Carroll's Alice. A collection of Aesop's fables. Porter & Coates hardcover books
1998600010London: Folio Society 1998. Hardcover. Fine condition in a fine slipcase. Decorative Cloth. 152 pp. with 23 color plates plus text illustrations. In handsome slipcase. <br/><br/> Folio Society hardcover books
1802008944Walpole New Hampshire: Printed for Thomas & Thomas by D. Newhall 1802. "The First Walpole Edition from a Copy of the latest Edition printed in London." No copies in current commerce no auction records at RBH. Bound in contemporary quarter calf over marbled boards 155 pages. Good boards and spine rubbed pages uniformly browned throughout prior owner name small chips at edges of front end page. A complete and solid copy of a RARE Walpole First Edition. Shaw & Shoemaker; Early American Imprints. Second Series ; no. 1728. First Walpole Edition . Quarter Calf. Good. 12mo - over 6¾" - 7¾" tall. Printed for Thomas & Thomas, by D. Newhall, Hardcover books
008596New York: Hodder & Stoughton No Date 1909-1912. Collects 313 of Aesop's classic fables and features 23 mounted full-color plates all present by Detmold. Originally published by Hodder and Stoughton in London in 1909 in a limited edition this American edition is quite uncommon in commerce. Very Good in original embossed green cloth with gilt lettering illustrated end papers small prior owner name in ink scattered moderate toning throughout spine evenly sunned to pale green mounting page for illustration at p.134 loose. Still an attractive copy with all of the marvelous Detmold illustrations. . American Edition. Embossed Cloth. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Hodder & Stoughton Hardcover books
05078London: Printed by H. Hills jun. for Francis Barlow and are to be sold by Chr. Wilkinson Tho. Fox and Henry Faithorne 1687. The First Edition To Contain The Thirty-One Magnificent Full-Page Engravings<br/>Including The Rare Suppressed Plate Number Seventeen<br/>A Lovely Copy in Late Nineteenth Century Straight-Grain Roan<br/><br/>AESOP. Æsop's Fables with His Life: in English French and Latin. Newly Translated. Illustrated with One hundred and twelve Sculptures. To this Edition are likewise added Thirty one New Figures representing his Life. By Francis Barlow. London: Printed by H. Hills jun. for Francis Barlow and are to be sold by Chr. Wilkinson Tho. Fox and Henry Faithorne 1687. <br/><br/>Second edition first published in 1666. Virtually all copies of the first edition were destroyed in the Great Fire of London of 1666. This is the first edition to contain the additional thirty-one full-page engraved plates.<br/><br/>Folio 11 3/4 x 7 9/16 inches; 300 x 195 mm. 2 blank verso engraved pictorial title 2 title verso blank 2 To the Reader verso blank 2 dedication 2 blank verso full-page engraving of Aesop surrounded by animals and birds 40 40 17 2-221 2 Table verso blank pp. Full page engraved plate of the arms of the Earl of Devonshire and thirty-one including the suppressed plate No. 17 "Oft for a jest we expose our modesty" which is often suppressed excised or defaced full page engraved plates by Thomas Dudley after Francis Barlow illustrating the life of Aesop and 110 half page engravings in the text. The thirty-one additional plates are bound within the forty pages of English text. These plates were engraved in 1678 - this second edition is the first to contain these superb engravings. <br/><br/>Bound ca. 1876 in full maroon straight-grain roan covers decoratively ruled and paneled in gilt spine with six raised bands elaborately decorated and lettered in gilt in compartments gilt-ruled board edges and decorative gilt turn-ins all edges gilt. <br/><br/>A sophisticated copy an example of the fashion towards the end of the 19th century of improving copies with a pencil note on the verso of the initial binder's blank "The best impressions were picked from two copies to make this a very choice copy of the book. Robert Roberts. Boston Oct 9/1876". The 17th plate "Oft for a jest we expose our modesty." which was often suppressed excised or defaced is here present and unmutilated. Neat pencilled presentation inscription dated 1925 to front free endpaper 1735 ink ownership signature at top margin of title-page. Small expert and almost invisible paper repairs to blank margins of engraved title page small hole 1/2 x 3/16 inch neatly repaired hardly affecting image on plate 14. Small neat marginal repairs to O2 pp. 35/36 V2 pp. 59/60 small hole repaired on BB2 pp. 79/80 - just touching image on recto and two letters on verso and top corner of EE2 pp. 91/92 expertly renewed with loss of page number on p.92. Occasional minimal light soiling and or foxing but overall a clean and crisp example of this magnificent and beautiful edition.<br/><br/>For this second edition of his magnificent production Barlow commissioned Aphra Behn then at the height of her popularity as a playwright poet and translator to write a quatrain summarizing the fable and to be engraved on the 110 plates illustrating the fables. In order to substitute Behn's verses for those of Thomas Philipot d. 1682 the lower area of the plate needed to be burnished down and the new verses engraved onto the plate in place of the earlier ones. "The workman doing the burnishing feared damaging the bottom border of the design above the verse: in many places traces of the tops of the letters in Philipot's top lines remain. In a few instances a small new plate for the new verse had to be inserted."Hodnett.<br/><br/>"I Conceive it necessary to say concerning the Present Edition of this Work; That it exceeds the Former by a careful Correction of the Latin Copy and by a more Exact Translation from the Latest and Best French Edition. The Life of Aesop likewise is illustrated with Thirty one new Copper Plates.<br/><br/>The Ingenious Mrs. A. Behn has been so obliging as to perform the English Poetry which in short comprehends the Sense of the Fable and Moral: Whereof to say much were needless since it may sufficiently recommend it self to all Persons of Understanding." To the Reader leaf. <br/><br/>"The fables and plates are printed here in the same manner as in the first edition the French version on the verso of each leaf facing the plate and Latin version on the recto of the following leaf. The thirty-one additional plates illustrating the life of Æsop are placed at the end of the volume. They are preceded by the plate representing Æsop surrounded by animals and birds which formed the first plate to the first edition. Plate No. 17 is usually wanting being generally removed as too free a character. Nearly all of them are signed "Tho: Dudley fecit". Grolier Wither to Prior. <br/><br/>Francis Barlow 1626-1704 was the first English-born book illustrator. He was also the first English etcher modern animal and bird artist recorder of sporting scenes political cartoonist and possibly modern landscape artist. The lifelikeness of his animal and bird drawings prints and paintings attracted the admiration of the founders of the Royal Society and allied him with the scientific spirit of the seventeenth century. Barlow was moreover an interesting illustrator of great freshness and vigor." Edward Hodnett. Five Centuries of English Book Illustration p. 54.<br/><br/>"This seventeenth-century polyglot English-French-Latin Aesop is handsomely illustrated with engravings after designs by Francis Barlow 1626-1702 an English painter renowned for his pictures of country life and field sports. He was perhaps the finest English draughtsman of animal scenes in the seventeenth century. Barlow who published the book at his own expense explains in his preface that he intends the work to contribute to the education of young people. This is the first edition; the relatively few copies known are all survivors of the Great Fire of London which swept over the printer's premises in 1666" Morgan Library Early Children's Books - citing the 1666 first edition.<br/><br/>Felix Thornley Cobbold 1841-1909 was a British barrister and Liberal Party politician. Cobbold was the son of John Cobbold Member of Parliament for Ipswich and his wife Lucy daughter of Henry Patteson sometime Rector of Drinkstone and of Wortham Suffolk. John Cobbold Thomas Cobbold and Nathaniel Cobbold grandfather of Cameron Cobbold 1st Baron Cobbold were his elder brothers. He was educated at King's College Cambridge and later became a senior fellow of this college. Cobbold also sat as Member of Parliament for Stowmarket in Suffolk between 1885 and 1886 and for Ipswich between 1906 and his death. In 1895 he presented Christchurch Mansion to the town of Ipswich as part of an arrangement to preserve the mansion and surrounding Christchurch Park from development. He also bequeathed Gippeswyk Park to Ipswich. Cobbold died in December 1909 aged 68.<br/><br/>Grolier Wither to Prior 666; Hodnett Aesop in England pp. 56-59 and 72; Morgan Library Early Children's Books 9 describing the 1666 first edition; Wing A703; ESTC R22992. London: Printed by H. Hills jun. for Francis Barlow, and are to be sold by Chr. Wilkinson, Tho. Fox, and Henry Faithorne, 1687 unknown books
1667WRCLIT79851Amsterdam: Johannem Janssonium à Waesberge & viduam Elizei Weyerstraet 1667. 62462204pp. Octavo 18.5 x 12 cm. Contemporary vellum short-title in manuscript on spine. Engraved frontis by Christopher Ganes and 103 engraved half-page illustrations in text. Vellum somewhat handsoiled and darkened bookplate frontis trimmed close along fore- edge short marginal tear in H2 without loss otherwise very good. First and only printing of this well- illustrated edition of the adaptations by the Latin fabulist Phaedrus of the Greek fables of Aesop as edited by Johannes Laurentius. Two engravings at pages 133 and 194 have been supplanted by other tipped in engravings. The Fables are followed by an "index vocabularum" and an "index rerum & verborum." BRUNET IV:588. Landwehr EMBLEM BOOKS Low Countries F143. Johannem Janssonium à Waesberge & viduam Elizei Weyerstraet hardcover books
1979WRCLIT72880Charlottesville VA: Bibliographical Society of the Univ. of Virginia 1979. x163pp. Gilt cloth. Illustrations. First edition. Concordance bibliography and index. About fine without dust jacket. Bibliographical Society of the Univ. of Virginia hardcover books
17011229424to. Amsterdam: Typographia Francisci Halmae 1701. 4to engraved general title letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen each featuring six circular images and 38 in-text reproductions engraved decorative initials and head- and tailpieces. With the oversize fold-out engraved portrait of Joannes Gulielmus Prince of Nassau. Later polished calf c.1750 headcap repaired upper hinge repaired. § Phaedrus 15 BC - AD 50 Italy was a "Roman fabulist the first writer to Latinize whole books of fables producing free versions in iambic metre of Greek prose fables then circulating under the name of Aesop." Ency. Brit. This de luxe edition was especially created for the Prince of Nassau profusely illustrated with fine engravings. Dibdin spoke highly of it in his Greek and Latin Classics 4th edition: "I have always considered this as a correct and very sumptuous edition. It is ornamented with a great number of small plates or medallions in which the subject of the fable is very ably and spiritedly executed. The type is peculiarly rich and bold and is hardly equalled by any Dutch edition of a classic." p. 285. Landwehr F163. Typographia Francisci Halmae unknown books
122913London: for R. Sare B. Took M. Gillyflower A. & J. Churchil G. Sawbridge and J. Hindmarsh 1699. 2 vols. in one folio 10 28 8 476; 16 238 2 ads. pp. Engraved frontispiece portrait of L’Estrange by Roger White after Geoffrey Kneller and full page engraving of Aesop and animals both in vol. 1. Contemporary calf neatly rebacked and tips restored a clean very well-margined copy. Inscribed twice by John Bailward dated 1730 and a few pencil notes and sketches in the text. § One of the first collections of fables prepared specifically for children. Third edition corrected and amended from the 1692 edition. With the second part in first edition the two seldom found together. Roger L'Estrange 1616-1704 was Tory journalist and pamphleteer notorious for his censorship of “seditious†Whig publications in his role as Surveyor of the Press. His edition of Aesop was commissioned by a group of booksellers and appeared two years after Locke first recommended Aesop as a first reading book for children. Muir writes it was “the best and largest collection of fables in English and he had children especially in mind when making his compilation… He included many other fabulists besides Aesop notably a selection from La Fontaine within 20 years of the first appearance of any of his fables in French. It is highly probable that this was their earliest appearance in English.†The DNB notes of L’Estrange’s Aesop that it was “an assemblage of fables and facetiae from a variety of sources ancient and modern the second volume being wholly unAesopian. The trenchant reflections added to the individual fables possess a strong political animus and were to draw severe criticism from the later whig fabulist Samuel Croxall; but all L'Estrange's translations have some degree of political colouring… This compilation also includes a biography of Aesop an alphabetical table of the fables and fables by Barlandus Anianus Abstemius Poggius and La Fontaine.†DNB. Wing A-709 and A-1247. Muir English Children’s Books p.24. for R. Sare unknown books
1856194703London John Murray 1856. 1856. "New Edition." Small 8vo. 203 fables. 12 page author's introduction. More than 100 illustrations designed by John Tenniel. Index. Modern 3/4 gilt stamped tan calf over marbled boards spine with raised bands and gilt stamped green morocco label matching marbled endpapers glazed edges. Fine. 148 pages. No signatures or bookplates. Printed by Bradbury and Evans. Hardcover. Fine. London, John Murray, 1856. hardcover books
122936London : printed for J. Churchill at the Black-Swan in Pater-Noster-Row 1708. 8vo 8 xvi 326 2pp. With the final advertisement leaf. Old speckled calf upper cover rehinged a bit worn but internally very good. § First edition widely held in Institutions but very scarce in commerce -- the last copy sold was in 2004 £160. Foxon English Verse p.31. ESTC T84697. printed for J. Churchill unknown books
